Moonraker: James Bond 007

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9780099576877: Moonraker: James Bond 007

The third James Bond novel. It is set in England, specifically the county of Kent. It features a rocket ("The Moonraker"), a fine villain (Sir Hugo Drax), a famous game of bridge, and much else. (Reprint)

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About the Author:

Ian Fleming was born in London on May 28, 1908. He was educated at Eton College and later spent a formative period studying languages in Europe. His first job was with Reuters News Agency where a Moscow posting gave him firsthand experience with what would become his literary bete noire—the Soviet Union. During World War II he served as Assistant to the Director of Naval Intelligence and played a key role in Allied espionage operations.

After the war he worked as foreign manager of the Sunday Times, a job that allowed him to spend two months each year in Jamaica. Here, in 1952, at his home “Goldeneye,” he wrote a book called Casino Royale—and James Bond was born. The first print run sold out within a month. For the next twelve years Fleming produced a novel a year featuring Special Agent 007, the most famous spy of the century. His travels, interests, and wartime experience lent authority to everything he wrote. Raymond Chandler described him as “the most forceful and driving writer of thrillers in England.” Sales soared when President Kennedy named the fifth title, From Russia With Love, one of his favorite books. The Bond novels have sold more than one hundred million copies worldwide, boosted by the hugely successful film franchise that began in 1962 with the release of Dr. No.

He married Anne Rothermere in 1952. His story about a magical car, written in 1961 for their only son Caspar, went on to become the well- loved novel and film Chitty Chitty Bang Bang.

Fleming died of heart failure on August 12, 1964, at the age of fifty-six.

Excerpt. © Reprinted by permission. All rights reserved.:

1. SECRET PAPERWORK

The two thirty-eights roared simultaneously.

The walls of the underground room took the crash of sound and batted it to and fro between them until there was silence. James Bond watched the smoke being sucked from each end of the room towards the central Ventaxia fan. The memory in his right hand of how he had drawn and fired with one sweep from the left made him confident. He broke the chamber sideways out of the Colt Detective Special and waited, his gun pointing at the floor, while the Instructor walked the twenty yards towards him through the half-light of the gallery.

Bond saw that the Instructor was grinning. 'I don't believe it,' he said. 'I got you that time.'

The Instructor came up with him. 'I'm in hospital, but you're dead, sir,' he said. In one hand he held the silhouette target of the upper body of a man. In the other a polaroid film, postcard size. He handed this to Bond and they turned to a table behind them on which there was a green-shaded desk-light and a large magnifying glass.

Bond picked up the glass and bent over the photograph. It was a flash-light photograph of him. Around his right hand there was a blurred burst of white flame. He focused the glass carefully on the left side of his dark jacket. In the centre of his heart there was a tiny pinpoint of light.

Without speaking, the Instructor laid the big white man-shaped target under the lamp. Its heart was a black bullseye, about three inches across. Just below and half an inch to the right was the rent made by Bond's bullet.

'Through the left wall of the stomach and out at the back,' said the Instructor, with satisfaction. He took out a pencil and scribbled an addition on the side of the target.' Twenty rounds and I make it you owe me seven-and-six, sir,' he said impassively.

Bond laughed. He counted out some silver. 'Double the stakes next Monday,' he said. 'That's all right with me,' said the Instructor. 'But you can't beat the machine, sir. And if you want to get into the team for the Dewar Trophy we ought to give the thirty-eights a rest and spend some time on the Remington. That new long twenty-two cartridge they've just brought out is going to mean at least 7900 out of a possible 8000 to win. Most of your bullets have got to be in the X-ring and that's only as big as a shilling when it's under your nose. At a hundred yards it isn't there at all.'

'To hell with the Dewar Trophy,' said Bond. 'It's your money I'm after.' He shook the unfired bullets in the chamber of his gun into his cupped hand and laid them and the gun on the table.' See you Monday. Same time ?'

'Ten O'clock'11 be fine, sir,' said the Instructor, jerking down the two handles on the iron door. He smiled at Bond's back as it disappeared up the steep concrete stairs leading to the ground floor. He was pleased with Bond's shooting, but he wouldn't have thought of telling him that he was the best shot in the Service. Only M was allowed to know that, and his Chief of Staff, who would be told to enter the scores of that day's shoot on Bond's Confidential Record.

Bond pushed through the green baize door at the top of the basement steps and walked over to the lift that would take him up to the eighth floor of the tall, grey building near Regent's Park that is the headquarters of the Secret Service. He was satisfied with his score but not proud of it. His trigger finger twitched in his pocket as he wondered how to conjure up that little extra flash of speed that would beat the machine, the complicated box of tricks that sprung the target for just three seconds, fired back at him with a blank .38, and shot a pencil of light aimed at him and photographed it as he stood and fired from the circle of chalk on the floor.

The lift doors sighed open and Bond got in. The liftman could smell the cordite on him. They always smelled like that when they came up from the shooting gallery. He liked it. It reminded him of the Army. He pressed the button for the eighth and rested the stump of his left arm against the control handle.

If only the light was better, thought Bond. But M insisted that all shooting should be done in averagely bad conditions. A dim light and a target that shot back at you was as close as he could get to copying the real thing. 'Shooting hell out of apiece of cardboard doesn't prove anything' was his single-line introduction to the Small-arms Defence Manual.

The lift eased to a stop and as Bond stepped out into the drab Ministry-of-Works-green corridor and into the bustling world of girls carrying files, doors opening and shutting, and muted telephone bells, he emptied his mind of all thoughts of his shoot and prepared himself for the normal business of a routine day at Headquarters.

He walked along to the end door on the right. It was as anonymous as all the others he had passed. No numbers. If you had any business on the eighth floor, and your office was not on that floor, someone would come and fetch you to the room you needed and see you back into the lift when you were through.

Bond knocked and waited. He looked at his watch. Eleven o'clock. Mondays were hell. Two days of dockets and files to plough through. And week-ends were generally busy times abroad. Empty flats got burgled. People were photographed in compromising positions. Motorcar 'accidents' looked better, got a more cursory handling, amidst the week-end slaughter on the roads. The weekly bags from Washington, Istanbul, and Tokyo would have come in and been sorted. They might hold something for him.

The door opened and he had his daily moment of pleasure at having a beautiful secretary. 'Morning, Lil,' he said.

The careful warmth other smile of welcome dropped about ten degrees.

'Give me that coat,' she said. 'It stinks of cordite. And don't call me Lil. You know I hate it.'

Bond took off his coat and handed it to her. 'Anyone who gets christened Loelia Ponsonby ought to get used to pet names.'

He stood beside her desk in the little anteroom which she had somehow made to seem a little more human than an office and watched her hang his coat on the iron frame of the open window.

She was tall and dark with a reserved, unbroken beauty to which the war and five years in the Service had lent a touch of sternness. Unless she married soon, Bond thought for the hundredth time, or had a lover, her cool air of authority might easily become spinsterish and she would join the army of women who had married a career.

Bond had told her as much, often, and he and the two other members of the 00 Section had at various times made determined assaults on her virtue. She had handled them all with the same cool motherliness (which, to salve their egos, they privately defined as frigidity) and, the day after, she treated them with small attentions and kindnesses to show that it was really her fault and that she forgave them.

What they didn't know was that she worried herself almost to death when they were in danger and that she loved them equally; but that she had no intention of becoming emotionally involved with any man who might be dead next week. And it was true that an appointment in the Secret Service was a form of peonage. If you were a woman there wasn't much of you left for other relationships. It was easier for the men. They had an excuse for fragmentary affairs. For them marriage and children and a home were out of the question if they were to be of any use 'in the field' as it was cosily termed. But, for the women, an affair outside the Service automatically made you a 'security risk' and in the last analysis you had a choice of resignation from the Service and a normal life, or of perpetual concubinage to your King and Country.

Loelia Ponsonby knew that she had almost reached the time for decision and all her instincts told her to get out. But every day the drama and romance of her Cavell-Nightingale world locked her more securely into the company of the other girls at Headquarters and every day it seemed more difficult to betray by resignation the father-figure which The Service had become.

Meanwhile she was one of the most envied girls in the building, and a member of the small company of Principal Secretaries who had access to the innermost secrets of the Service - 'The Pearls and Twin-set' as they were called behind their backs by the other girls, with ironical reference to their supposedly 'Country' and 'Kensington' backgrounds - and, so far as thePersonnel Branch was concerned, her destiny in twenty years' time would be that single golden line right at the end of a New Year's Honours List, among the medals for officials of the Fishery Board, of the Post Office, of the Women's Institute, towards the bottom of the OBEs: 'Miss Loelia Ponsonby, Principal Secretary in the Ministry of Defence.'

She turned away from the window. She was dressed in a sugar-pink and white striped shirt and a plain dark blue skirt.

Bond smiled into her grey eyes. 'I only call you Lil on Mondays,' he said. 'Miss Ponsonby the rest of the week. But I'll never call you Loelia. It sounds like somebody in an indecent limerick. Any messages?'

'No,' she said shortly. She relented. 'But there's piles of stuff on your desk. Nothing urgent. But there's an awful lot of it. Oh, and the powder-vine says that 008's got out. He's in Berlin, resting. Isn't it wonderful!'

Bond looked quickly at her. 'When did you hear that?'

'About half an hour ago,' she said.

Bond opened the inner door to the big office with the three desks and shut it behind him. He went and stood by the window, looking out at the late spring green of the trees in Regent's Park. So Bill had made it after all. Peenemunde and back. Resting in Berlin sounded bad. Must be in pretty poor shape. Well, he'd just have to wait for news from the only leak in the building - the girls' rest-room, known to the impotent fury of the Security staff as 'The powder-vine'.

Bond sighed and sat down at his desk, pu...

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Descripción Vintage Publishing, United Kingdom, 2012. Paperback. Estado de conservación: New. Language: English . Brand New Book. This title comes with a new introduction by Susan Hill. For several minutes he stood speechless, his eyes dazzled by the terrible beauty of the greatest weapon on earth. He s a self-made millionaire, head of the Moonraker rocket programme and loved by the press. So why is Sir Hugo Drax cheating at cards? Bond has just five days to uncover the sinister truth behind a national hero, in Ian Fleming s third 007 adventure. Nº de ref. de la librería AAZ9780099576877

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Descripción Vintage. Estado de conservación: New. 'For several minutes he stood speechless, his eyes dazzled by the terrible beauty of the greatest weapon on earth.' He's a self-made millionaire, head of the Moonraker rocket programme and loved by the press. So why is Sir Hugo Drax cheating at cards? Bond has just five days to uncover the sinister truth behind a national hero. Num Pages: 352 pages. BIC Classification: FHD. Category: (G) General (US: Trade). Dimension: 198 x 131 x 22. Weight in Grams: 248. . 2012. Paperback. . . . . Nº de ref. de la librería V9780099576877

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Descripción Vintage Publishing. Paperback. Estado de conservación: new. BRAND NEW, Moonraker: James Bond 007, Ian Fleming, Susan Hill, This title comes with a new introduction by Susan Hill. 'For several minutes he stood speechless, his eyes dazzled by the terrible beauty of the greatest weapon on earth.' He's a self-made millionaire, head of the Moonraker rocket programme and loved by the press. So why is Sir Hugo Drax cheating at cards? Bond has just five days to uncover the sinister truth behind a national hero, in Ian Fleming's third 007 adventure. Nº de ref. de la librería B9780099576877

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