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Charles Bukowski is one of America's best-known contemporary writers of poetry and prose and, many would claim, its most influential and imitated poet. He was born in 1920 in Andernach, Germany, to an American soldier father and a German mother, and brought to the United States at the age of two. He was raised in Los Angeles and lived there for over fifty years. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel, Pulp.

Abel Debritto, a former Fulbright scholar and current Marie Curie fellow, works in the digital humanities. He is the author of Charles Bukowski, King of the Underground, and the editor of the Bukowski collections On Writing, On Cats, and On Love.

De la contraportada

In what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, woman, and the Los Angeles Public Library's collection of D.H. Lawrence, Ham on Rye offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

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Ham on Rye

HarperCollins Publishers, Inc.

Chapter One

The first thing I remember is being under something. It was a table, I saw a table leg, I saw the legs of the people, and a portion of the tablecloth hanging down. It was dark under there, I liked being under there. It must have been in Germany. I must have been between one and two years old. It was 192 2. 1 felt good under the table. Nobody seemed to know that I was there. There was sunlight upon the rug and on the legs of the people. I liked the sunlight. The legs of the people were not interesting, not like the tablecloth which hung down, not like the table leg, not like the sunlight.

Then there is nothing ... then a Christmas tree. Candies. Bird ornaments: birds with small berry branches in their beaks. A star. Two large people fighting, screaming. People eating, always people eating. I ate too. My spoon was bent so that if I wanted to eat I had to pick the spoon up with my right hand. If I picked it up with my left hand, the spoon bent away from my mouth. I wanted to pick the spoon up with my left hand.

Two people: one larger with curly hair, a big nose, a big mouth, much eyebrow; the larger person always seeming to be angry, often screaming; the smaller person quiet, round of face, paler, with large eyes._ I was afraid of both of them. Sometimes there was a third, a fat one who wore dresses with lace at the throat. She wore a large brooch, and had many warts on her face with little hairs growing out of them. "Emily," they called her. These people didn't seem happy together. Emily was the grandmother, my father's mother. My father's name was "Henry." My mother's name was "Katherine." I never spoke to them by name. I was "Henry, Jr. " These people spoke German most of the time and in the beginning I did too.

The first thing I remember my grandmother saying was, "I will bury all of you!" She said this the first time just before we began eating a meal, and she was to say it many times after that, just before we began to eat. Eating seemed very important. We ate mashed potatoes and gravy, especially on Sundays. We also ate roast beef, knockwurst and sauerkraut, green peas, rhubarb, carrots, spinach, string beans, chicken, meatballs and spaghetti, sometimes mixed with ravioli; there were boiled onions, asparagus, and every Sunday there was strawberry shortcake with vanilla ice cream. For breakfasts we had french toast and sausages, or there were hotcakes or waffles with bacon and scrambled eggs on the side. And there was always coffee. But what I remember best is all the mashed potatoes and gravy and my grandmother, Emily, saying, "I will bury all of you!"

She visited us often after we came to America, taking the red trolley in from Pasadena to Los Angeles. We only went to see her occasionally, driving out in the Model-T Ford.

I liked my grandmother's house. It was a small house under an overhanging mass of pepper trees. Emily had all her canaries in different cages. I remember one visit best. That evening she went about covering the cages with white hoods so that the birds could sleep. The people sat in chairs and talked. There was a piano and I sat at the piano and hit the keys and listened to the sounds as the people talked. I liked the sound of the keys best up at one end of the piano where there was hardly any sound at all-the sound the keys made was like chips of ice striking against one another.

"Will you stop that?" my father said loudly.

"Let the boy play the piano," said my grandmother.

My mother smiled.

"That boy," said my grandmother, "when I tried to pick him up out of the cradle to kiss him, he reached up and hit me in the nose!"

They talked some more and Iwent on playing the piano.

"Why don't you get that thing tuned?" asked my father.

Then I was told that we were going to see my grandfather. My grandfather and grandmother were not living together. I was told that my grandfather was a bad man, that his breath stank.

"Why does his breath stink?"

They didn't answer.

"Why does his breath stink?"

"He drinks."

We got into the Model-T and drove over to see my Grandfather Leonard. As we drove up and stopped he was standing on the porch of his house. He was old but he stood very straight. He had been an army officer in Germany and had come to America when he heard that the streets were paved with gold. They weren't, so he became the head of a construction firm.

The other people didn't get out of the car. Grandfather wiggled a finger at me. Somebody opened a door and I climbed out and walked toward him. His hair was pure white and long and his beard was pure white and long, and as I got closer I saw that his eyes were brilliant, like blue lights watching me. I stopped a little distance away from him.

"Henry," he said, "you and 1, we know each other. Come into the house."

He held out his hand. As I got closer I could smell the stink of his breath. It was very strong but he was the most beautiful man I had ever seen and I wasn't afraid.

I went into his house with him. He led me to a chair.

"Sit down, please. I'm very happy to see you."

He went into another room. Then he came out with a little tin box.

"It's for you. Open it."

I had trouble with the lid, I couldn't open the box.

"Here," he said, "let me have it."

He loosened the lid and handed the tin box back to me. I lifted the lid and here was this cross, a German cross with a ribbon.

"Oh no," I said, "you keep it."

"It's yours," he said, "it's just a gummy badge."

"Thank you."

"You better go now. They will be worried."

"All right. Goodbye."

"Goodbye, Henry. No, wait .

Excerpted from Ham on Ryeby Charles Bukowski Copyright © 2007 by Charles Bukowski. Excerpted by permission.
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