Way up high in the Rolie Polie Sky
is a little round planet
of a really swell guy...
Rolie Polie Olie lives on a fantastic planet of blue skies and friendly robots, where every day is a surprise and literally everything comes to life. Harking back to the happy cartoon shorts of the 1930s, it's a world where machines act like people and where Mom and Dad seem to know all the answers. The whole mechanical Rolie Polie family Ping-Pongs around their smiley teapot house, playing and having fun from morning to noon to night. In Rolie Polie Olie land, it's one for all and all for one, little sister Zowie worships her big brother, and ever-loyal Spot is a pal to the end of time. And when things go wrong and all seems lost, a rumba dance can make everything okey dokey once again.
Olie is the hero of Disney's hit TV show Rolie Polie Olie, which Entertainment Weekly called “the best new children's show” on television this year. Hollywood Reporter said: “Little else on television can match the sheer enchantment of Rolie Polie Olie.” This is Olie's introduction into the world of children's books, where he can stand side by side with his creator's other award-winning and best-selling classics, Dinosaur Bob, George Shrinks, Bently & egg, Santa Calls, and The Leaf Men.
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Any book that features robots dancing around in their underpants is a book worth owning. William Joyce--creator of Dinosaur Bob and George Shrinks--brings his expansive, wildly colored illustrations to the story of a cute, buglike robot and his family. Rolie Polie Olie lives on a faraway planet with his mom and pop, his sister Zowie, and his doggie Spot. They spend a pretty ordinary day playing, working, eating, and getting ready for bed in this delightfully modest tale of robotic family happiness. Joyce's bouncy prose is engaging enough to be read aloud time and again: "You're Rolie hot and Polie tired. Your motor's zapped. Your piston's fired. Yes, okey dokey is the day when all you Rolie did was play." The illustrations are vintage Joyce, with a 1930s deco look that's polished without being soulless. The pictorial lushness is a nice counterpoint to the simplicity of the tale, which devotes a grand full-page spread to the little-known fact that "The Rolie Polie Rumba Dance was always done in underpants!" --Claire DedererAbout the Author:
William Joyce, author-artist of Rolie Polie Olie lives in Shreveport, Louisiana, with his lovely wife, Elizabeth, and their children, Jack and Mary Katherine. They also have a dachshund named Rose. Here Mr.Joyce talks about his collection of children's books, his influences in creating them, and even the Rolie Polie family!
Q: What's new and different about Rolie Polie Olie?
A: Everything in Rolie Polie Olie is a robot or a machine. Beds, cars, kitchen appliances, and even the toilet have a personality. But rather than it seeming cold and remote, as computer animation can often feel, I wanted to see if we could make a robot world that felt warm and kind; an almost old-fashioned version of what the future could be. I wanted to take the cutting edge of cybertechnology and create something that felt as though it was done in the 1930s. It's sort of like Leave It to Beaver meets The Matrixx or Blade Runner.
Q: How does the Emmy Award-winning animated TV show Rolie Polie Olie relate to the book?
A: I had been working on a book about robots when I was approached to do a computer-animated television series. Previously, I had worked on Toy Story, which was an amazing experience, so I decided to merge my robot paintings with the computer -- to paint with the computer.
I had never collaborated on anything visual before, but with the help of 300 artists and technicians on 3 different continents, I was able to realize this vision. I was able to create an entire 3-D robot universe without ever leaving my desk in Shreveport, Louisiana. My sketches, stories, and songs traveled from my home to Toronto, Paris, and Ho Chi Minh City. I would design every antenna, tree, and doorknob, and the computer would then render my drawings. We didn't know if it would work, but here we are with an Emmy Award-winning television show on the Disney channel and two beautiful picture books.
Q: What was your inspiration for Rolie Polie Olie?
A: The Rolie Polie family is a caricature of my own family, even down to the family dog!
I wanted to evoke the blithe, optimistic feeling of an old Mickey Mouse cartoon or The Little Rascals. Some kind of "Once upon a time" Americana in the robot world, or a "future that never was." The Polie family harks back to what we all wanted as kids; everything is uncomplicated and magically naive. This is a bright and shiny sun-drenched world, moving and swaying to its own catchy oom-pa-pa beat. Everything is round, everything is alive, everyone does the rumba dance.
Q: In your latest picture book, Snowie Rolie, you bring a winter wonderland to Robot Land. Tell us about your new character, Mr. Snowie.
A: I thought that it would be great if a snowman could really come to life . . . and on this robot planet where everything is living, naturally a snowman would have to be alive too!
When you make a snowman, you put so much effort and personality into something that is going to melt. It is a very poignant process, for no matter what you do, soon you will still have to let go and say good-bye. In Snowie Rolie, I wanted to actually save a snowman.
Q: What is the theme of Snowie Rolie?
A: Snowie Rolie is about how your life can change in a single day. Olie and Zowie wish for snow in the beginning of the book, but in the end they have gained a friend. They have learned so much about friendship and farewells, all in the course of one miraculous, snowy day.
Q: Now another one of your classic picture books, George Shrinks, has a new animated TV series on PBS. Where did the idea for George come from?
A: Ever since I was a little kid, I have loved stories about people who were the wrong size. King Kong was too big for everything, and Stuart Little was way too small. One day I found some of my old toys in a box. Mixed up with all the dinosaurs and army men was a little airplane that had a tiny pilot, and that got me thinking.
What if a boy named George shrank one day while his parents were away? What would he do? Would it be fun? Would it be scary? What would he eat?
So that's what I made George Shrinks about -- how neat it would be if, just for one day, you were the same size as your toys. And of course I had George fly in that toy airplane.
Q: What influences you as an artist and author?
A: I'm a first-generation TV brat. My brain was welded to the solid-state circuitry of our RCA Viewmaster black-and-white television set. Every day and night I saw all the past, present, and future pulp the tube had to offer. Plus there were comic strips, my family, and other illustrators.
George Shrinks is King Kong in reverse. Nicholas Cricket is Casablanca with bugs. In The Leaf Men and Bently & egg the characters are as dashing and heroic as Robin Hood. In Santa Calls there are elements of The Wizard of Oz, Davy Crockett, The Lone Ranger, Rin-Tin-Tin, Little Orphan Annie, Jules Verne, and the Warner Brothers cartoons. For Dinosaur Bob I thought about Paul Bunyan and Casey at the Bat. Not only does a dinosaur become the family pet, but he also plays baseball and the trumpet, and dances the hokey-pokey. A Day With Wilbur Robinson is a combination of Dr. Doolittle, The Absent-Minded Professor, Invaders from Mars, and an exaggerated version of my own childhood.
Q: How does your childhood show up in your picture books?
A: I was raised by a congenial horde of southern screwballs. We had artists, bongo players, photographers, opera singers, actors, and geologists in our family. Everyone over fifty had dentures, which were always being mixed up or misplaced. We sometimes played shuffleboard with them. My grandfather had the added bonus of a glass eye that he swore could see even when outside his head. I had an uncle who convinced me he was from another planet. With a household like that, writing and illustrating came easily to me.
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Descripción HarperCollins Publishers. Library Binding. Estado de conservación: Good. Ex-Library Book - will contain Library Markings. Book shows minor use. Cover and Binding have minimal wear, and the pages have only minimal creases. Nº de ref. de la librería G0060271647I3N10
Descripción HarperCollins. Library Binding. Estado de conservación: VERY GOOD. Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s). Nº de ref. de la librería 2822449620
Descripción HarperCollins, 1999. Estado de conservación: Good. William Joyce Ilustrador. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Nº de ref. de la librería 0060271647-2-4