The late novelist, critic, and teacher outlines a comprehensive course of education for the aspiring novelist, with an analysis of the undergraduate and graduate writing courses and provides practical advice on developing one's writing ability and earning a living as a novelist
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Picture the poor, young, serious-fiction writer. He toils alone at a pace not so different from that of Lincoln Tunnel traffic at rush hour in New York. His spouse has a "real" job, or perhaps he has a trust fund. His college friends are cashing in on their dot-coms and wondering if he's ever going to join the real world. He is not hell-bent on publication; he is trying to write "serious, honest fiction, the kind of novel that readers will find they enjoy reading more than once, the kind of fiction likely to survive." He's likely to have no idea whether he's succeeding. Nobody understands him.
Well, almost nobody. John Gardner understands him. Gardner's sympathetic On Becoming a Novelist is the novelist's ultimate comfort food--better than macaroni and cheese, better than chocolate. Gardner, a fiction writer himself (Grendel), knows in his bones the desperate questioning of a writer who's not sure he's up to the task. He recognizes the validation that comes with being published, just as he believes that "for a true novel there is generally no substitute for slow, slow baking." Gardner also has strong feelings about what kinds of workshops help (and whom they help), and what kinds hinder. But a full half of Gardner's book is devoted to an exploration of the writer's nature. The storyteller's intelligence, he says, "is composed of several qualities, most of which, in normal people, are signs of either immaturity or incivility." In addition, a writer needs "verbal sensitivity, accuracy of eye," and "an almost demonic compulsiveness." But wait--there's more. A writer needs to be driven, and to be driven, he says insightfully, "a psychological wound is helpful." --Jane SteinbergAbout the Author:
John Gardner was the best-selling author of more than 25 books and taught creative writing at many universities, among them Chico State, Bennington College, and SUNY-Binghamton. His novels Grendel, The Sunlight Dialogues, and October Light are regarded as modern classics. He was killed in a motorcycle accident in 1982 at the age of 49.
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Descripción Harpercollins, 1983. Hardcover. Estado de conservación: New. Never used!. Nº de ref. de la librería P110060149566
Descripción Harpercollins, 1983. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M0060149566
Descripción Harpercollins, 1983. Hardcover. Estado de conservación: New. Brand New!. Nº de ref. de la librería VIB0060149566
Descripción Harpercollins, 1983. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0060149566