How does one talk about love? yearning, n./adj. At the core of this desire is the belief that everything can be perfect. We are all beginners when it comes to love, from those tentative first dates to learning how to live with, or without, someone. But how does one describe love? How does one chart its delights and pleasures, its depths and desolations? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? David Levithan's The Lover's Dictionary starts where we all once started - with the alphabet. Constructing the story of a relationship as a dictionary, Levithan explores the intimacies and workings of love through his nameless narrator, to paint a moving portrait of love through everyday words. Cleverly using the confines of language to provide an intimate window into the great events and quotidian trifles of being part of a couple, Levithan gives us an indelible and deeply moving portrait of love in our time. aberrant, adj. 'I don't normally do this kind of thing,' you said. 'Neither do I,' I assured you. And later it turned out we had both met people online before, and we had both slept with people on first dates before, and we had both found ourselves falling too fast before. But we comforted ourselves with what we really meant to say, which was: 'I don't normally feel this good about what I'm doing.' Measure the hope of that moment, that feeling. Everything else will be measured against it.
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Amazon Best Books of the Month, January 2011: In his first book for adults, popular young-adult novelist David Levithan creates a beautifully crafted exploration of the insecurities, tenderness, anger, and contented comfort that make romantic relationships so compelling (or devastating). Through sparingly written, alphabetical entries that defy chronology in defining a love affair, The Lover’s Dictionary packs an emotional wallop. For "breathtaking (adj.)," the unnamed narrator explains, "Those moments when we kiss and surrender for an hour before we say a single word." For "exacerbate (v.)," he notes, "I believe your exact words were: 'You’re getting too emotional.'" Ranging from over a page to as short as "celibacy (n.), n/a," the definitions-as-storyline alternate between heart-wrenching and humorous--certainly an achievement for a book structured more like Webster’s than a traditional novel. Proving that enduring characters and conflict trump word count, Levithan’s poignant vignettes and emotional candor will remind readers that sometimes in both fiction and life, less is truly more--and the personal details of love can be remarkably universal. --Jessica Schein
Amazon Exclusive: A Q&A with David Levithan
Q: What inspired you to write The Lover’s Dictionary?
Levithan: Every year for the past 23 years, I’ve written a story for my friends for Valentine’s Day. It started when I was a junior in high school and remarkably bored in my physics class--I decided to go through the physics book and find all the romantic references I could (opposites attracting, magnetism, etc), and turn it into a love story. My friends liked it, and the next year, they demanded a new story for Valentine’s Day. A tradition (or, at least, a deadline) was born.
Two years ago, I hit February 1st and I hadn’t started writing my Valentine’s Day story. I had a few ideas, but none were kicking in. I sat down at my desk to thing something up, and right by an elbow was a book I’d recently recovered from my parents’ basement--a book of “words you need to know” that I’d been given as a gift (probably for my high school graduation). I thought it might be interesting to take random words from that book, in alphabetical order, and tell the story of a relationship through those words, in dictionary form. I didn’t plan any of it out--I let the words tell the story. And two weeks later, I had the story version of The Lover’s Dictionary.
Q: How (if at all) was the experience of writing what is classified as an adult novel different from writing a young adult novel? Did you approach the emotion of love differently?
Levithan: I didn’t approach this book any differently from my other books. Because, really, the emotions don’t change. Perspective changes (a little, sometimes not even a little), but the emotions are still there. Yes, the twenty-something characters in The Lover’s Dictionary are facing some issues most teens don’t face--moving in together, paying rent. But most of what they’re feeling is merely a continuation of the emotions that come to the fore when you’re a teenager--wanting to belong, wanting to understand yourself, wanting to understand the person you love, wanting to know what love is. I’d love to say that when we become adults we stop being insecure, that we have answers, that we know the right words for the right moments. But that’s simply not true.
Q: Were there any words/definitions that didn’t make it in to the final book?
Levithan: Not that many. I just went back to the first draft and found one:
haggle, v. There was no way I was letting the Atlanta Braves lamp to our apartment, and you said, fine, then my lunchbox collection could go back to my parents’ basement, where it belonged.
I’m not even sure why it didn’t make the cut. Maybe there were already too many entries about decorating the apartment.
Q: The Lover’s Dictionary isn’t a linear story and is organized alphabetically, much like a traditional reference dictionary. How (if at all) did you change your writing process knowing that it would unfold this way?
Levithan: I loved writing in a nonlinear way. Because it feels to me like a more accurate way of how we recount relationships. They never come back to us as a narrative, told beginning-middle-end. Whether it’s over or ongoing, we remember it in flashes. Different moments from the past hit us at different moments in the present. So when the narrator sits down to recount the relationship to the lover, it makes sense to me that the relationship would appear to him in this way, with the words as the catalyst for the memories, and the memories adding up to the truth.
Q: Why did you decide to write the novel in first person, directed at a second person?
Levithan: The act of writing the book (for the narrator) is as much a part of the story as the story itself. I don’t want to explain the book too much, so I can leave it at that. And I wanted it to play like a love song you hear on the radio--the most effective love songs are somehow both specific and universal. You feel you are hearing someone else’s story, but at the same time you relate to it so much that their story doesn’t preclude your story. I wanted The Lover’s Dictionary to be like that.
Q: Describe how you feel about writing in three words.
Levithan: Wonderment. Curiosity. Random.About the Author:
David Levithan is the author of many acclaimed young-adult novels, including Boy Meets Boy, The Realm of Possibility, Love is the Higher Law, and (along with Rachel Cohn) the New York Times bestselling Nick & Norah's Infinite Playlist, which has been adapted into a popular movie. He is an editorial director at Scholastic in the US.
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Descripción Fourth Estate (GB), 2011. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110007377975
Descripción Fourth Estate (GB), 2011. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0007377975
Descripción Fourth Estate (GB), 2011. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0007377975