When Theodore Gumbril hits upon the notion of designing a type of pneumatic trouser ('a comfort to all travellers, indispensable to first-nighters, the concert-goers' friends') to ease the discomfort of the sedentary life, he decides the time has come leave his position as a housemaster in a boys' public school and seek his fortune in the metropolis.
But post-First-World-War London seems to be gripped by a fever of hedonism. Gumbril is soon caught up in the delirious world of aesthetes extraordinaire Mercaptan, Casimir Lypiatt and the thoroughly civilised Myra Viveash, and finds his burning ambitions are beginning to lose their urgency...
A contemporary commentator coined the word 'futilitarian' to describe the type of desultory, pleasure-seeking intellectual Huxley pinned so mercilessly to the literary map in 'Antic Hay'. Wickedly funny and deliciously barbed, the novel epitomises the glittering neuroticism of its decade.
"Few present-day writers would dare to be so heroically encyclopaedic, such ardent gleaners of gossip and table talk as well as of the profounder reveries of literature, history, science and religion. Huxley brings an extraordinary vigour and gusto to every page he writes"
SPECTATOR
"The great uniting principles that swept mankind along in their current have lost their force, and Huxley's intellectuals find themselves in a maelstrom formed by the new forces of the time. For them, life has become boring, futile, full of ennui. So we get the 'Antic Hay', the dance of profane love, but with the wood-wild strains of Pan broken up into the hesitating rhythms demanded by the fever of modern life. Huxley has a fine sensibility and his wit and fresh vision lend 'Antic Hay' a crystalline quality"
GUARDIAN
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