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Publicado por Cambridge University Press, 2005
ISBN 10: 0521619920ISBN 13: 9780521619929
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Libro
Condición: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Publicado por Cambridge : Cambridge University Press, 2001
Librería: Paul van Kuik Antiquarian Music, Kranenburg, Alemania
Libro
272 S. OLn. Schutzumschlag. Bibliotheksexpl. mit Stempel und Barcode auf Vorsatz. Sprache: Englisch Gewicht in Gramm: 600.
Publicado por Cambridge University Press, 2005
ISBN 10: 0521619920ISBN 13: 9780521619929
Librería: GF Books, Inc., Hawthorne, CA, Estados Unidos de America
Libro
Condición: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting.
Publicado por Cambridge University Press, 2002
ISBN 10: 0521804582ISBN 13: 9780521804585
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro
Condición: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Librería: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Holanda
Cambridge, 2005. 272 pp. B./w. ills. Softcover. (Music in the Twentieth Century).
Publicado por Cambridge University Press, 2005
ISBN 10: 0521619920ISBN 13: 9780521619929
Librería: Lucky's Textbooks, Dallas, TX, Estados Unidos de America
Libro
Condición: New.
Publicado por Cambridge University Press, 2005
ISBN 10: 0521619920ISBN 13: 9780521619929
Librería: Ria Christie Collections, Uxbridge, Reino Unido
Libro Impresión bajo demanda
Condición: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Publicado por Cambridge University Press 2005-09, 2005
ISBN 10: 0521619920ISBN 13: 9780521619929
Librería: Chiron Media, Wallingford, Reino Unido
Libro
PF. Condición: New.
Publicado por Cambridge University Press, 2005
ISBN 10: 0521619920ISBN 13: 9780521619929
Librería: GF Books, Inc., Hawthorne, CA, Estados Unidos de America
Libro
Condición: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
Publicado por Cambridge University Press, 2005
ISBN 10: 0521619920ISBN 13: 9780521619929
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Libro Impresión bajo demanda
Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Publicado por Cambridge Univ Pr, 2005
ISBN 10: 0521619920ISBN 13: 9780521619929
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Paperback. Condición: Brand New. 272 pages. 9.75x7.50x0.75 inches. In Stock.
Publicado por Cambridge University Press, 2005
ISBN 10: 0521619920ISBN 13: 9780521619929
Librería: Books Unplugged, Amherst, NY, Estados Unidos de America
Libro
Condición: New. Buy with confidence! Book is in new, never-used condition.
Publicado por Cambridge University Press, 2005
ISBN 10: 0521619920ISBN 13: 9780521619929
Librería: Book Deals, Tucson, AZ, Estados Unidos de America
Libro
Condición: New. New! This book is in the same immaculate condition as when it was published.
Publicado por Cambridge University Press, 2005
ISBN 10: 0521619920ISBN 13: 9780521619929
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Libro
Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Serial music was one of the most important aesthetic movements to emerge in post-war Europe, but its uncompromising music and modernist aesthetic has often been misunderstood. This book focuses on the controversial journal die Reihe, whose major contributors included Stockhausen, Eimert, Pousseur, Dieter Schnebel and G. M. Koenig, and discusses it in connection with many lesser-known sources in German musicology. It traces serialism's debt to the theories of Klee and Mondrian, and its relationship to developments in concrete art, modern poetry and the information aesthetics and semiotics of Max Bense and Umberto Eco. M. J. Grant sketches an aesthetic theory of serialism as experimental music, arguing that serial theory's embrace of both rigorous intellectualism and aleatoric processes is not, as many have suggested, a paradox, but the key to serial thought and to its relevance for contemporary theory.