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Publicado por Yale University Press, 1996
ISBN 10: 0300064578ISBN 13: 9780300064575
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Libro
Hardcover. Condición: Good.
Publicado por Yale University Press, 1996
ISBN 10: 0300064578ISBN 13: 9780300064575
Librería: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, Estados Unidos de America
Libro
Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. Text clean and tight; 8vo 8" - 9" tall; 286 pages.
Publicado por YALE UNIV PR, 1996
ISBN 10: 0300064578ISBN 13: 9780300064575
Librería: Book Broker, Berlin, Alemania
Libro
Condición: Gut. 590. 296 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Mit Schutzumschlag in gutem Zustand. Sprache: Englisch Gewicht in Gramm: 1230 Gebundene Ausgabe, Maße: 20.96 cm x 2.54 cm x 27.31 cm.
Publicado por Yale University Press, New Haven, Conn, 1996
ISBN 10: 0300064578ISBN 13: 9780300064575
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Libro
Hardcover. Black cloth boards with color illustrated dust jacket, x, 286 pp, richly illustrated in color and bw. Michael Camille's 'little history of death' as well as exhuming the life and work of a single medieval artist whose speciality was the representation of suffering, old age, death and corporeal decay, explores the macabre obsessions that permeated late medieval culture and the more general relationship between mortality and image-making. How did the artist figure the inevitable and how was the fact of death, emblematized in the painted corpse, made to work as a social sign of cadaverous presence in the absence of life. Camille argues that the medieval world perceived death as larger than life, that death was implicit at birth and stretched beyond the end of life to the resurrection of the body at the last Judgement. Each of Camille's chapters, framed by an imagined account of the illuminator's last hours and illustrated with examples of his art follows this inexorable path of death. Camille describes the theological origins of death and its physical beginnings at birth. He shows how representations of death shaped medieval notions of the historical past. In this period, people were constantly preparing themselves for death, as shown by Remiet's striking image of the figures of Death waiting at the end of the pilgrimage of human life. Remiet's frequent depiction of the rotting corpse reveals his society's dreaded anticipation of the end of time when, reawakened in the flesh, each individual would face the threat of an eternal and terrifying second death. VG (Drop of paint on lower corner of boards; light edgewear to boards; interior is clean; binding is solid.) Good+ (Light edgewear; paint drip on lower corner of cover; retail sticker on the back; light toning, scuffing and smudging.).
Publicado por Yale University Press, New Haven, CT, 1996
Librería: Bauer Rare Books, San Diego, CA, Estados Unidos de America
Original o primera edición
First edition. Roy 8vo. [x], 286 pp. Cloth in dustwrapper, fine copy. (79022).
Publicado por Yale Univ Press, New Haven, 1996
Librería: Colophon Book Shop, ABAA, Exeter, NH, Estados Unidos de America
Original o primera edición
First Edition. First Edition. large octavo, cloth in dust jacket. 296pp. Yale Univ Press, Imaginative, innovative, and illustrated with some of the most striking images of the Middle Ages, this book is a "history of death in miniature" as told in hundreds of tiny pictures produced by fourteenth-century manuscript illuminator, Pierre Remiet, whose specialty was the representation of death, old age, and decay. Michael Camille explores the artist's work, shedding light on medieval perceptions of death, its fascination with the macabre, and the relationship between mortality and image-making itself. With 145 black and white and 45 colorplates. large octavo, cloth in dust jacket.
Librería: SomeThingz. Books etcetera., Averbode, Belgica
New Haven-London Yale University Press 1996 Bound, cloth with original dustjacket (protected with removable cellophane), 286pp., 20x26.5cm., richly illustrated, mostly in b/w., in very good condition. ISBN 9780300064575. Michael Camille's history of death in miniature explores not just the life and death of a single medieval artist, nor a society's obsession with the macabre, but the relation between mortality and image-making itself. Camille argues that the medieval world perceived death as larger than life, that death was implicit at birth and stretched beyond the end of life to the resurrection of the body at the Last Judgement. Each of Camille's chapters, framed by an imagined account of Remiet's last hours in 14th-century Paris and illustrated wih examples of his paintings, follows this path of death. Camille describes the theological origins of death and its physical beginnings at birth. He shows how representations of death shaped medieval motions of the historical past. He tells us that in the medieval period, people were constantly preparing themselves for death, as shown by Remiet's image of the figure of Death waiting at the end of the pilgrimage of human life. And he explains that Remiet's frequent depiction of the rotting corpse reveals his society's dreaded anticipation of the end of time when, reawakened in the flesh, each individual would face the threat of an eternal and terrifying second death.
Publicado por Yale University Press, USA, 1996
ISBN 10: 0300064578ISBN 13: 9780300064575
Librería: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
Libro
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Hardcover, in dust jacket. Clean, tight and unmarked. Very neat -- a sound and handsome copy. Illustrated. Size: 4to - over 9¾ - 12" tall. Book.
Librería: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgica
Miembro de asociación: ILAB
2. London, New Haven, Yale University Press, 1996, large in-8°, 25,5 x 19 cm, 286 pp, index, bibliography, publisher's cloth with printed dust wrapper. Fine copy.
Publicado por Yale University Press, 1996
ISBN 10: 0300064578ISBN 13: 9780300064575
Librería: Leopolis, Kraków, Polonia
Libro
Hardcover. Condición: As New. 4to (26.5 cm), X, 286 pp. Publisher's cloth and dust jacket. "Michael Camille explores not just the life and death of a single medieval artist, nor a society's obsession with the macabre, but the relation between mortality and image-making itself. Camille argues that the medieval world perceived death as larger than life, that death was implicit at birth and stretched beyond the end of life to the resurrection of the body at the Last Judgement. Each of Camille's chapters, framed by an imagined account of Remiet's last hours in 14th-century Paris and illustrated with examples of his paintings, follows this path of death. Camille describes the theological origins of death and its physical beginnings at birth. He shows how representations of death shaped medieval motions of the historical past. He tells us that in the medieval period, people were constantly preparing themselves for death, as shown by Remiet's image of the figure of Death waiting at the end of the pilgrimage of human life. And he explains that Remiet's frequent depiction of the rotting corpse reveals his society's dreaded anticipation of the end of time when, reawakened in the flesh, each individual would face the threat of an eternal and terrifying second death." (from the publisher's synopsis).
Librería: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgica
Miembro de asociación: ILAB
New Haven & London, Yale University Press, 1996, in-8°, 26 x 19,5 cm, 286 pp, coloured and b/w ills., publisher's cloth with d.w. Mint copy. ISBN 0-300-06457-8.