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Publicado por LAP LAMBERT Academic Publishing, 2011
ISBN 10: 3847305948ISBN 13: 9783847305941
Librería: Lucky's Textbooks, Dallas, TX, Estados Unidos de America
Libro
Condición: New.
Publicado por LAP Lambert Academic Publishing, 2011
ISBN 10: 3847305948ISBN 13: 9783847305941
Librería: Ria Christie Collections, Uxbridge, Reino Unido
Libro Impresión bajo demanda
Condición: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Publicado por LAP Lambert Academic Publishing 2011-12, 2011
ISBN 10: 3847305948ISBN 13: 9783847305941
Librería: Chiron Media, Wallingford, Reino Unido
Libro
PF. Condición: New.
Publicado por LAP LAMBERT Academic Publishing Dez 2011, 2011
ISBN 10: 3847305948ISBN 13: 9783847305941
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -I argue that rhetorically, music functions constitutively, rather than merely persuasively as previous scholars suggest. The following analysis of five separate jazz songs from the Harlem Renaissance period elaborates the process by which musical lyrics constitute qualities already apparent in their audience members, structure visible cultural identifiers that prompt collective identities, and form sub-cultures. This analysis employs Maurice Charland s (1987) work on Constitutive Rhetoric to examine the collective bohemianism that emerged from the Harlem Renaissance as an identifiable sub-culture, as well as Kenneth Burke s (1969) methodological approach to identification. 56 pp. Englisch.
Publicado por LAP LAMBERT Academic Publishing, 2011
ISBN 10: 3847305948ISBN 13: 9783847305941
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
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PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Publicado por LAP LAMBERT Academic Publishing, 2011
ISBN 10: 3847305948ISBN 13: 9783847305941
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Libro Impresión bajo demanda
Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - I argue that rhetorically, music functions constitutively, rather than merely persuasively as previous scholars suggest. The following analysis of five separate jazz songs from the Harlem Renaissance period elaborates the process by which musical lyrics constitute qualities already apparent in their audience members, structure visible cultural identifiers that prompt collective identities, and form sub-cultures. This analysis employs Maurice Charland s (1987) work on Constitutive Rhetoric to examine the collective bohemianism that emerged from the Harlem Renaissance as an identifiable sub-culture, as well as Kenneth Burke s (1969) methodological approach to identification.
Publicado por LAP LAMBERT Academic Publishing, 2011
ISBN 10: 3847305948ISBN 13: 9783847305941
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
Libro Impresión bajo demanda
PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Publicado por LAP LAMBERT Academic Publishing, 2011
ISBN 10: 3847305948ISBN 13: 9783847305941
Librería: moluna, Greven, Alemania
Libro Impresión bajo demanda
Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Harris ErikaErika Harris graduated from Lewis & Clark College with a degree in Political Science and Communication with an emphasis on Rhetoric. She is a life long music lover, and is interested in continuing research in social movem.
Publicado por LAP LAMBERT Academic Publishing, 2011
ISBN 10: 3847305948ISBN 13: 9783847305941
Librería: dsmbooks, Liverpool, Reino Unido
Libro
Paperback. Condición: Like New. Like New. Ships from multiple Locations. book.