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detroit mi 2000 the detroit institute of arts in association with thames hudson (1 resultados)
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VAN GOGH FACE TO FACE ~ THE PORTRAITS. Essays by Roland Dorn, George S. Keyes, Joseph J. Rishel with Katherine Sachs, George T.M. Shackelford, Lauren Soth, and Judy Sund. With 228 Illustrations, 204 in Color
Publicado por Detroit MI. 2000. The Detroit Institute Of Arts in association with Thames & Hudson., 2000
ISBN 10: 0895581531ISBN 13: 9780895581532
Librería: Chris Fessler, Bookseller, Howell, MI, Estados Unidos de America
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black hardcover ~ 2º (folio). large "coffee table" book (9.5"x12"), international or priority shipping will cost extra. dustwrapper in protective plastic book jacket cover. very fine cond. mint cond. looks new. like new. as new. binding square & tight. covers clean. edges clean. contents free of markings. dustwrapper in very fine cond. not worn or torn or price clipped (no price listed). nice clean copy. no library markings, store stamps, stickers, bookplates, no names, inking, underlining, remainder markings etc~. first edition. first printing "First published on the occasion of the exhibition 'Van Gogh: Face to Face,' organized by the Detroit Institute of Arts, the Museum of Fine Arts, Boston, and the Philadelphia Museum of Art. [The Detroit Institute of Arts 12 March~4 June 2000 / Museum of Fine Arts, Boston 2 July~24 September 2000 / Philadelphia Museum of Art 22 October 2000~14 January 2001.] 4 pages of full color frontis. portraits. b&w map of france. 272p. glossy pages throughout. With 228 illustrations, 204 in color. notes. references. list of illustrations. index. biography. art history. art books. exhibition catalogues. ~ A month before his suicide in 1890, Vincent van Gogh wrote to his sister, "What impassions me most~ much, much more than all the rest of my métier is the portrait, the modern portrait." In the course of his short, intense career he revolutionized portrait painting, decisively influencing its course in the twentieth century. Here, for the first time, the great portraits from all stages of van Gogh's life are collected together. The story begins with the extraordinary and relatively unknown body of vivid, carefully executed drawings of paupers and laborers produced in The Hague when he was a young man. It continues with van Gogh's time in Paris, where the influence of Impressionism, Japanese art, and contemporaries such as Paul Gauguin and Emile Bernard led him to produce some of his most famous images: Portrait of Père Tanguy (1887), Self~Portrait with Gray Felt Hat (1887), and Self~Portrait as an Artist (1887~88), to name a few. And it culminates with such penetrating masterpieces as Self~Portrait with Bandaged Ear (1889), Portrait of a Farmer (1889), and Portrait of Dr. Gachet (1890), created in Arles, St.Rémy, and Auvers immediately before and after the artist's devastating final breakdown. Each work is beautifully reproduced and set in context by leading scholars. Individually, their essays focus on particular groups of work, shedding new light on van Gogh's aims and methods. Collectively, they establish the centrality of portraiture to his uvre. The result is nothing less than a wholly original way of looking at van Gogh~ unprecedented and wonderfully revealing view of his enduring achievement as an artist.
