centre for art design and visual culture baltimore (5 resultados)

Paperback. Condición: Very good. Paperback. 44pp. Lightly rubbed and edgeworn, else very good.

Soft cover. Condición: Near Fine. 1st Edition. 77 pages. Some rubbing on cover, else fine .

Softcover. Condición: As New. Beige/maroon illus. card wraps with turquoise lettering. White lettering on turquoise spine. 240 pp. with 80 color and bw figures. Where do we come from? What are we? Where are we going? Few expressions in the culture of human thought have the iconic stature, and emotive power, that the word "evolution" entails. Though commonly relegated to modern-day science, the concept of evolution is ingrained in representations of life and nature in the visual arts, and artists and scientists have much to share on the meaning of human origin, human existence and human fate. The present volume documents an online symposium, Visual Culture and Evolution, in which a distinguished panel of artists, curators, scientists, historians, educators, media theorists and critics participated in a lively, informative conversation on the interface of art and science. Opening interviews by bio-artist Eduardo Kac and Pulitzer Prize-winning biologist E.O. Wilson set the stage for an engaging debate on this perennial topic.

Paperback. Condición: new. Paperback. What is Postmodernism, and is it a useful concept for understanding American art and visual culture of the past 40 years? When and to what extent did Modernism wane as a phenomenon in American art? How have the various liberation movements, from civil rights to feminism, influenced American art and culture and contributed to the rejections of the Modernist ethos? How has globalism changed American art and culture? How have the new technologies of the past 50 years--television, personal computers, the Internet--altered the nature of progressive art in the United States? Are any of these changes intrinsically Postmodern? These issues and more were debated during the two-week online conference The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000, held on the Georgia O'Keeffe Museum website during Octobert 2001. Postmodernism: A Virtual Discussion gathers the edited proceedings, with contributions from an international group of scholars, artists and curators, including Dan Cameron, Donna DeSalvo, Wendy Ewald, Chrissie Iles, Catherine Lord, Olu Oguibe, Yvonne Rainer and Robert Rosenblum. What is postmodernism and is it a useful concept for understanding American art and visual culture of the past 40 years? When and to what extent did modernism wane as a viable force in American art? How have the various liberation movements, from civil rights to feminism, influenced American art and culture and contributed to the rejections of the modernist ethos? How has globalism changed American art and culture? How have the new technologies of the past 50 years — television, personal computers, the Internet — altered the nature of progressive art in the United States? Are any of these changes innately postmodern? These issues and more were debated during the two week on line conference The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000, held on the Georgia O'Keeffe Museum website during Octobert 2001. Postmodernism: A Virtual Discussion features the edited proceedings, with contribution from an international group of scholars, artists, and curators, including Dan Cameron, Donna DeSalvo, Wendy Ewald, Chrissie Iles, Catherine Lord, Olu Oguibe, Yvonne Rainer, and Robert Rosenblum. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. What is Postmodernism, and is it a useful concept for understanding American art and visual culture of the past 40 years? When and to what extent did Modernism wane as a phenomenon in American art? How have the various liberation movements, from civil rights to feminism, influenced American art and culture and contributed to the rejections of the Modernist ethos? How has globalism changed American art and culture? How have the new technologies of the past 50 years--television, personal computers, the Internet--altered the nature of progressive art in the United States? Are any of these changes intrinsically Postmodern? These issues and more were debated during the two-week online conference The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000, held on the Georgia O'Keeffe Museum website during Octobert 2001. Postmodernism: A Virtual Discussion gathers the edited proceedings, with contributions from an international group of scholars, artists and curators, including Dan Cameron, Donna DeSalvo, Wendy Ewald, Chrissie Iles, Catherine Lord, Olu Oguibe, Yvonne Rainer and Robert Rosenblum. What is postmodernism and is it a useful concept for understanding American art and visual culture of the past 40 years? When and to what extent did modernism wane as a viable force in American art? How have the various liberation movements, from civil rights to feminism, influenced American art and culture and contributed to the rejections of the modernist ethos? How has globalism changed American art and culture? How have the new technologies of the past 50 years — television, personal computers, the Internet — altered the nature of progressive art in the United States? Are any of these changes innately postmodern? These issues and more were debated during the two week on line conference The Modern/Postmodern Dialectic: American Art and Culture, 1965-2000, held on the Georgia O'Keeffe Museum website during Octobert 2001. Postmodernism: A Virtual Discussion features the edited proceedings, with contribution from an international group of scholars, artists, and curators, including Dan Cameron, Donna DeSalvo, Wendy Ewald, Chrissie Iles, Catherine Lord, Olu Oguibe, Yvonne Rainer, and Robert Rosenblum. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.