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Publicado por Seven Arts Publishing Co, New York, 1916
Librería: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Estados Unidos de America
Softcover. Condición: Good. Periodical. Quarto. Perfectbound in wrappers. Good with stain in rear wrap, rear wrap nearly detached and moderate wear to the trimmed yapped edges, including nicks, tears and creases. Including contributions from Sherwood Anderson ("Queer"), Louis Utermeyer ("A Side Street"), Clement Wood ("Prelude"), Kahlil Gibran ("The Greater Sea"), and Van Wyck Brooks ("Young America"),
Publicado por The Seven Arts Publishing Co., Inc., New York, 1916
Librería: Singularity Rare & Fine, Baldwinsville, NY, Estados Unidos de America
Revista / Publicación Original o primera edición
Soft cover. Condición: Good. 1st Edition. New York: The Seven Arts Publishing Co., Inc., 1916. The December, 1916, issue, which included pages 95-195 of its half-annual volume. Octavo, wraps. Good Plus only; significant spine damage, rear cover separated and chipped. The curling and wear to covers due to the circuit binding (yapp binding) method used in the production of the Seven Arts series, which left the edges extending beyond the size of the textblock. Balance is quite ship-shape, textblock clean, sharp and still well-bound. See scans. Another tour-de-force; Van Wyck Brooks, Sherwood Anderson, Kahlil Gibran (with "The Greater Sea" a short but engaging prose visit to the sea with his soul - which at the time was naked, blonde, and female), Frederick Booth, J.D. Beresford, Arthur Davison Ficke, Clement Wood, of course others. The Seven Arts was an entity that should have survived, but, due to its wartime clash of artistic and political ideals, didn't. There has been no other periodical like it. Lpr2.
Publicado por The Seven Arts Publishing Co., Inc., New York, 1916
Librería: Singularity Rare & Fine, Baldwinsville, NY, Estados Unidos de America
Revista / Publicación Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. New York: The Seven Arts Publishing Co., Inc., 1916. The December, 1916, issue, which included pages 95-195 of its half-annual volume. Octavo, wraps. Very Good; notable soil spots on front cover; several small chips, two at front cover, one at back. None of the standard unattractive edge curl and tearing from the typical circuit-binding (yapp-binding) of this series, however, since this copy was either not done that way, or was later trimmed. Textblock clean, sharp and still well-bound. See scans. Another tour-de-force; Van Wyck Brooks, Sherwood Anderson, Kahlil Gibran (with "The Greater Sea" a short but engaging prose visit to the sea with his soul - which at the time was naked, blonde, and female), Frederick Booth, J.D. Beresford, Arthur Davison Ficke, Clement Wood, of course others. The Seven Arts was an entity that should have survived, but, due to its wartime clash of artistic and political ideals, didn't. There has been no other periodical like it. Lpr2.
Publicado por The Seven Arts Publishing Co., Inc., New York, 1916
Librería: Singularity Rare & Fine, Baldwinsville, NY, Estados Unidos de America
Revista / Publicación Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. New York: The Seven Arts Publishing Co., Inc., 1916. The December, 1916, issue, which included pages 95-195 of its half-annual volume. Octavo, wraps. Very Good; very little cover fade; curling and wear to covers due to the circuit binding (yapp binding) method used in the production of the Seven Arts series, which left the edges extending beyond the size of the textblock. Some soil to covers, one small abraded segment at left center rear cover. See scans. Textblock clean, sharp and still well-bound. See scans. Another tour-de-force; Van Wyck Brooks, Sherwood Anderson, Kahlil Gibran (with "The Greater Sea" a short but engaging prose visit to the sea with his soul - which at the time was naked, blonde, and female), Frederick Booth, J.D. Beresford, Arthur Davison Ficke, Clement Wood, of course others. The Seven Arts was an entity that should have survived, but, due to its wartime clash of artistic and political ideals, didn't. There has been no other periodical like it. lpr14.