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Publicado por Lannoo., 2009
ISBN 10: 9020980823ISBN 13: 9789020980820
Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de America
Libro
Condición: Used - Like New. Fine. Paperback. 2008. Originally published at $40.00.
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Nuevo desde EUR 7,23
Usado desde EUR 6,98
Encuentre también Tapa blanda
Publicado por Ludion, 2002
Librería: Antiquariaat Marc Van de Wiele, Brugge, Belgica
Miembro de asociación: ILAB
Verzameling foto's van Brugge tussen 1847 en 1819. 120 afbeeldingen in Zwart/Wit, lichte gebruikssporen. Taal: FR.
Publicado por Gand-Amsterdam, Ludion/Christoph Ruys, 2002., 2002
ISBN 10: 9055444170ISBN 13: 9789055444175
Librería: AUSONE, Bruxelles, Belgica
Libro
28 x 22, 132 pp., très nombreuses illustrations en N/B, reliure d'édition carton imprimé, très bon état.
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Usado desde EUR 20,00
Publicado por Gent/Amsterdam, Ludion, 2002
ISBN 10: 9055444278ISBN 13: 9789055444274
Librería: Klondyke, Almere, Holanda
Libro
Condición: Good.
Publicado por Amstelveen, 1998
Librería: Pallas Books Antiquarian Booksellers, Leiden, Holanda
paperbound, 4to ± 24 pp., num. photogr. ills. catalogus bij de Groepstentoonstelling Genomineerden Kunst Aanmodigingsprijs Amstelveen 1998; bijzondere vormgeving van het Sandberg Instituut; LIKE NEW condition.
Publicado por Sint-Lukasstichting vzw, Brussel, 2002
Librería: The land of Nod - art & books, Oostende, Belgica
Original o primera edición
Soft Cover. Condición: Good. First Edition. Text: Dutch / French / English. Approx. 16 p.; ill.; 21 x 29,5 cm; 75 g. Sticker on front cover.
Publicado por Antwerpen : Fotomuseum Provincie Antwerpen, 2008
ISBN 10: 9078487003ISBN 13: 9789078487005
Librería: Klondyke, Almere, Holanda
Libro
Condición: Good. Softcover flexiband, richly illustrated with (full page) photographs(mostly in colour), 4to.
Publicado por MuHKA, Antwerpen, 2010
Librería: The land of Nod - art & books, Oostende, Belgica
Original o primera edición
No Binding. Condición: Fine. Invitation. 3-panel document for 3 exhibitions: 1) Craigie Horsfield - 2) Collectie XXVI : de Artefactum-jaren / Les années Artefactum / The Artefactum Years (group show). - 3) Lonely at the top - Modern Dialect : contemporary artists look at the work of Renaat Braem. Page size: 15 x 21 cm. Cover image: Craigie Horsfield 'Via Gianturco, Naples, 2010' (detail). Mint. We join the kid's document (=folded mini-poster, printed both sides, text NL). Ephemera.
ISBN 10: 9078487100ISBN 13: 9789078487104
Librería: Frans Melk Antiquariaat, HILVERSUM, Holanda
Libro
Antwerpen, Fotomuseum Provincie Antwerpen, 2008. 29 x 20 cm. Softcover. With illustrations in color and b/w. 80 pages. AS NEW [ Photography / International ].
Publicado por Museum Dhont-Dhaenens MDD, Deurle, 1997
Librería: The land of Nod - art & books, Oostende, Belgica
Original o primera edición
Soft Cover. Condición: Finr. First Edition. Text: Dutch / English. 32 p.; ill.; 15 x 21 cm; 70g. Good. Book.
Publicado por Ludion, 2023
ISBN 10: 9493039994ISBN 13: 9789493039995
Librería: Grand Eagle Retail, Wilmington, DE, Estados Unidos de America
Libro
Hardcover. Condición: new. Hardcover. Drawing from an extensive private collection assembled over many years, this book presents a unique selection of nineteenth-century photographs of Japan, many of which are published here for the first time. Between the twilight years of the Tokugawa shogunate (1603-1867) and the end of the Meiji Era (1868-1912) that followed it, photography offered a unique insight into the rapid transformation of Japan from an isolated, feudal society to a modern, industrialised state. In the four decades that followed the opening of the country in 1853, the camera evolved from an imported novelty to a familiar witness of Japanese daily life. Operating from the Treaty Ports of Yokohama and elsewhere, early practitioners of photography plied an often precarious trade in images of Japan and laid the foundations of what would soon become a highly competitive industry with a global reach. Whether cherished as souvenirs of an exotic land of fond imagination or curated as visual documents of a fast-changing society, these images by foreign and Japanese photographers, often packaged in exquisitely produced albums, enjoyed a wide circulation abroad and played an important role in influencing perceptions of Japan in the West well into the early twentieth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Nuevo desde EUR 44,76
Publicado por Fotomuseum Provincie Antwerpen,, Antwerpen,,, 2008
Librería: adr. van den bemt, Groningen, NL, Holanda
Orig.paperback, 80pp. Photographs (Colour) by i.a.: Peter Lyman, Erwin Frotin, Sanna Kannisto, Ruud van Empel, Diddo Velema. Different paper: Medium Pink, Art Matt, Cyclus Print. ISBN: 9789078487104. VG.
Condición: VeryGood. Most items will be dispatched the same or the next working day.
Publicado por Nederlands fotomuseum and FotoMuseum Provincie Antwerpen, 2004
ISBN 10: 9017800372ISBN 13: 9789017800377
Librería: VintagePhotoBooks, Amsterdam, Holanda
Libro
Soft cover. Condición: As New. Design by Tony Waddingham.
Publicado por FOMU - Fotomuseum Antwerpen - De
Librería: WeBuyBooks, Rossendale, LANCS, Reino Unido
Condición: Good. Most items will be dispatched the same or the next working day.
Librería: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgica
Miembro de asociación: ILAB
Gand (Gent) / Amsterdam, Ludion, 2002, oblong in-4°, 22 x 27 cm, 132 pp, b/w ills., 93 b/w plates, list of archives, publ. cased binding with illustrated boards. Non exhaustive photographical history of Bruges. Text in French. Texte en français.
Librería: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgica
Miembro de asociación: ILAB
2. Antwerpen, Provincie Antwerpen, Fotografie museum, 2003, in-4°, 82 pp. Sewn, orig. stiff wrapper. ( backwrapper slightly damaged).
Librería: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgica
Miembro de asociación: ILAB
Ejemplar firmado
4. Antwerpen, Fotografiemuseum, 2007, in-4°, 135 pp, sewn, orig. stiff wrapper. Copy signed by the photographer on the title page.
Publicado por Momu, Antwerpen, 2008, 2008
Librería: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgica
Miembro de asociación: ILAB
Hardcover, 176 pages, Illustrated., 305 x 215 x 23 mm, ENG / NL edition ISBN 9789079269020. The transition from teenage girl to women is an important theme in Branquinho's designs, an aspect which is reflected in the sources of inspiration she chooses ? David Hamilton's romantic photography, ambiguous characters like Laura Palmer from David Lynch's Twin Peaks, or Emmanuelle, from the erotic film with the same name. The fashion designer's collections produced since 1997 are collected together and presented here, accompanied by unique photographic material, and essays from a number of different contributors. 1120 g.
Publicado por FotoMuseum Provincie Antwerpen 2005, 2005
Librería: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgica
Miembro de asociación: ILAB
softcover, 128 pages, oblong English / Nederlands text; Tentoonstelling: Antwerpen, Provincie. Fotomuseum. 2005/04/15 - 2005/06/12. ISBN 9789066250710. Deze Ierse fotograaf (1965) maakte begin jaren 1990 naam en faam met reeksen als ?Orange Order?, ?Police Force? en ?Secterian Murder? Documentair werk, waarin de conflicten van Noord-Ierland centraal staan. Toch zien we hier niet de brutale misdaad, maar de indirecte, suggestieve sporen van geweld. Een aanpak die Seawright ook in zijn latere werk omtrent Afghanistan en Afrika hanteert en hem tot een van de meest relevante fotografen van zijn generatie maakt, niet in het minst omwille van zijn genuanceerd standpunt over de actuele betekenis van de documentaire fotografie. /// This Irish photographer (1965) made a name for himself in the early 1990s with series such as 'Orange Order', 'Police Force' and 'Secterian Murder'. Documentary work, focusing on the conflicts of Northern Ireland. Yet here we do not see the brutal crime, but the indirect, suggestive traces of violence. An approach that Seawright also uses in his later work on Afghanistan and Africa and makes him one of the most relevant photographers of his generation, not least because of his nuanced point of view on the current significance of documentary photography. 0 g.