richter gerhard new york marian (3 resultados)

0. Paintings from 2003 - 2005. Catalogue. New York 2005/06. Beitr. von Benjamin H.D. Buchloh & Dieter Schwarz. Interview von Benjamin H.D. Buchloh (November 2004). 4to. 136 S. mit 40 farb. ganz- bzw. doppelseit. Abb., Ausst'verz., Bibliographie, Ln. Neue, großformatige, bisher unpublizierte Bilder meist aus dem Jahr 2005 und vier Zeichnungen im Format 150 x 100 cm. *** The publication by the Marian Goodman Gallery, New York, documents new, large-sized paintings, mainly from 2005, which have not yet been published, and four drawings in the format 1.50 x 1.00 m. In the interview conducted by Benjamin Buchloh in November 2004, Gerhard Richter speaks about the significance of microscopic photography for his latest paintings, and of his motivation to choose his family as a motif.

Hardcover. Condición: Gut bis sehr gut. 1. Auflage. 100 Seiten/Pages, 24.3 x 30.4 cm - A fully illustrated catalogue, Gerhard Richter: Abstract Paintings, 2009 will be published on the occasion of the exhibition and will include a new text by Benjamin H.D. Buchloh, Andrew W. Mellon Professor of Modern Art History at Harvard University. The catalogue will also include full-color reproductions of the exhibition. In his essay, Buchloh traces the historical and aesthetic framework of Richter's abstract paintings and considers the artist's recent white non-representational works within the larger context of a postwar trajectory of reductivist painting in the US and Europe.

0. Abstract Paintings 2009. Catalogue. Marian Goodman, New York 2009/10. Verlag der Buchhandlung Walther König, Köln. Essay von Benjamin H.D. Buchloh. 4to. 102 S. mit 60 farb., meist ganzseit. Abb., Ln. - Mit einer Textbeilage in dt. Sprache. "Abstract Paintings" ist eine umfassende Darstellung der Werke Gerhard Richters von 2005 bis 2009. Es enthält den wichtigen neuen Zyklus Sindbad von 2008 sowie eigenständige mittel- bis großformatige abstrakte Gemälde. Präsentiert wird auch eine neue Gruppe großformatiger, nahezu monochromer Ölbilder, deren unterliegende Farbschichten von durchsichtigen Schleiern weißer Farbe überlagert werden. In seinem Essay "Das Weiße und das Leere: Die letzten Gemälde vor den letzten", spürt der renommierte Kunstwissenschaftler Benjamin H. D. Buchloh dem historischen und ästhetischen Bezugssystem Richters abstrakter Gemälde nach und ordnet dessen neue Arbeiten in den größeren Kontext der reduktivistischen Malerei der Nachkriegszeit ein. ***** On view will be a major representation of works made by the artist from 2005 to the present, including an important new cycle of paintings titled Sindbad , 2008 as well as individual paintings presenting medium to large format abstractions, and a new group of large scale near-monochrome paintings whose underlying chromatic structures are layered by translucent veils of white paint. The exhibition will be the most recent presentation of the artist's work in New York since his solo exhibition at Marian Goodman NY in 2005. During the past two decades Gerhard Richter has made several important cycles of abstract paintings. The current exhibition follows on other recent series of abstract works by Richter, including the Silicate paintings of 2003; the Cage paintings of 2006, conceived as a single coherent group and first displayed in 2007 at the 52nd Venice Biennale curated by Rob Storr; and a recent group of white abstract works exhibited at Galerie Marian Goodman, Paris in 2008.