resultados (1 - 30) de 2725 1 2 3 4 5

Descripción: Jacobus Saçon for Ciriacus Hochperg,, Lyon:, 1517. 30.8 x 21.5 cm. Folio: Collation: Pt. I: 216 lvs. Collation:*10, a-z8, aa-bb8, cc6 (cc6 blank). Pt. II: 342 lvs. Collation: ??8, A-Z8, AA-QQ8, RR-SS6, TT10 The Lyon VergilIllustrated with 208 Woodcuts from the Grüninger Vergil These blocks were cut for Grüninger?s 1502 edition of Vergil, the first illustrated Vergil. The book, edited by Sebastian Brant, was extraordinary in the number and variety of its illustrations. ?Grüninger?s artist applied to the work a skilled hand and a lively imagination? The blocks must have passed to Saçon at Lyon shortly after the printing of the Strasbourg 1515 edition of Thomas Murner?s German translation of the ?Aeneid,? described in Murray?s catalogue of German books, vol. 2, no. 426? The block of Vergil and Calliope is from the title page of the 1502 edition.?(Mortimer) "The subtle detail of Sébastien Brant's woodcuts would certainly escape the spectator who could not read the text and seem, rather, calculated to appeal to one whose familiarity with the poems would allow him to appreciate precise visual allusions. In several cases, Brant's work incorporates details drawn from the commentators' interpretations. As a humanistic scholar, he is said to have placed the stamp of his own thorough knowledge of Vergil upon the book by providing master sketches for the illustrators."(Eleanor Winsor Leach) Brunet V 1282; Baudrier vol 12, pp. 344-346; Renouard, Badius Ascensius, vol. 3 p. 370-372, no. 11. Cf. Eleanor Winsor Leach, "Brant's and Dryden's Editions of Vergil" in "The Early Illustrated Book", pp. 176 ff.) and Rabb, Theodore K. "Sebastien Brant and the First Illustrated Edition of Vergil." in "Princeton University Library Chronicle 21", 1960: 187-99. A fine, complete copy, bound in 18th century calfskin. There are discreet repairs to the fore-edge and foot of the title, affecting two letters on the verso. Leaf CC1 has a tear in the gutter without loss. VERY RARE. This is the first complete copy that I have handled in 15 years of specializing in early editions of Vergil. The only other copy that I have handled lacked the full-page image of Vergil and his muse. FIRST LYON BADIUS EDITION. The third edition with these woodcuts and the last edition to include them all. Two parts in one volume with titles printed in red and black within fine architectural woodcut borders. Illustrated with 207 large woodcut illustrations (64 in the first part and 143 in the second part.) A full-page woodcut of Vergil with the muse Calliope appears on the recto of ?1. Nº de ref. de la librería 2624D

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VERGILIUS MARO, PUBLIUS.

Usado

Cantidad: 1

Remitente: Sokol Books Ltd. ABA ILAB (London, United Kingdom)

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Descripción: Paris, Nicolas Couteau pour Galliot du Pre, 1529. 1529 FIRST EDITION thus, ff. [ii], 232, I4 bound before I3. Lettre B‰tarde in double columns, Latin text in side notes, woodcut white on black and grotesque initials, title-page printed in red and black with large grotesque initial L in VŽrard style, Gailot du PrŽ's woodcut architectural title border in four parts, Gailot du PrŽ's name and shield with horse in lower block (Renouard 263 lower portion), two large half page woodcut illustrations with a further 30 woodcut illustrations in text in various sizes, 'Maurus de Gounel, Genus?' in contemporary hand on title, autograph 'Constantine' in slightly later hand beneath, C19 armorial bookplate of the Earl of Macclesfield on pastedown, Shirburn Castle blindstamp to head of first two ll. Title fractionally trimmed in lower and upper margins, title and verso of last slightly dusty, light waterstains to lower margins, heavier on last few leaves, a few ink stains and the occasional thumb mark. A very good copy in English early eighteenth-century speckled calf, covers bordered with triple gilt rule, large gilt fleurons to corners, spine gilt in compartments with central fleurons, raised bands, gilt tan morocco title label, all edges speckled red. Rare first collected edition of the works of Vergil in French, in the verse translation of Guillaume Michel de Tours for the Eclogues and Georgics and Octovien de Saint-Gelais for the Aeneid. The individual titles had been published in separate editions, all three of which are exceptionally rare; 'Les Eneydes' by Octovien de Saint-Gelais in 1509, 'Les Bucoliques' in 1516 and 'Les Georgicques' 1519 both by Guillaume Michel. This collection of the works was republished in 1532 and 1540. Both the translators were poets of some note, both Rhetoriqueurs, the name generally given to the group of poets active from approximately 1450 to 1530, between Villon and Clement Marot (including Chastellain, Meschonot, Molinet, Gringore, CrŽtin, Jean Lemaire de Belges, Jean Marot, and Jean Bouchet, who was still writing in 1550). St.-Gelais and Michel shared an intense preoccupation with rhetoric; it was as 'l'art de seconde rhŽtorique' that they classified poetry. Both were prolific and extremely influential translators of classical texts. Octovien de Saint-Gelais had considerable, knowledge of the literature of antiquity, and an eagerness to display it, sometimes leading to an excessive use of Latinisms in pursuit of a high style. His work in general concentrates on purely formal devices, such as elaborate rhyme schemes (rimes lŽonines, couronnŽes, encha"nŽes, ŽquivoquŽes), alliteration, puns, rebus, and other types of puzzles. All this is sometimes (inevitably) at the expense of clarity. The Rhetoriqueurs influence on Renaissance poetry, with all its formal experimentation, was considerable. Rabelais too, with his love of puns and lists, can be seen as a direct heir. There had been an earlier anonymous translation of The Aeneid published before Saint Gelais' but it was really a reworking of the text rather than a translation. "Influenced by the philological impulse of the earlier Humanists, sixteenth-century translators are almost universally concerned to demonstrate the fidelity and accuracy of their versions. The prose 'remaniement' of Vergil, close to a romance, which appeared anonymously in 1483 was challenged in 1509 by the posthumous publication of Octavien de Saint-Gelais' verse translation composed with the intention 'to translate this book from its lofty distinguished Latin word-for-word and as closely as possible'." The Cambridge History of Literary Criticism. The works of Vergil had been published numerous times in France but no edition was more influential on French Renaissance literature than this poetical translation that brought Vergil's work to a much wider audience. It was unequalled until Clement Marot's version was published in 1577.Most, if not all, of the woodcuts used in this volume are. Nº de ref. de la librería 15862

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Descripción: In typographaria officina Ioannis Crespini,, Lyon:, 1529. Two volumes bound as one: Folio: [12], XVII-CCLXVIII, XCV, CCCCCC, [16] p. Collation: a6, b-q8, r6, Aa-Ff8, A6, B-Z8, AA-OO8, PP6, ?8. Complete Illustrated with 199 Woodcuts "The subtle detail of Sébastien Brant's woodcuts would certainly escape the spectator who could not read the text and seem, rather, calculated to appeal to one whose familiarity with the poems would allow him to appreciate precise visual allusions. In several cases, Brant's work incorporates details drawn from the commentators' interpretations. As a humanistic scholar, he is said to have placed the stamp of his own thorough knowledge of Vergil upon the book by providing master sketches for the illustrators."(Eleanor Winsor Leach) Adams V474; See: Eleanor Winsor Leach, "Brant's and Dryden's Editions of Vergil" in "The Early Illustrated Book", pp. 176 ff.) and Rabb, Theodore K. "Sebastien Brant and the First Illustrated Edition of Vergil." in "Princeton University Library Chronicle 21", 1960: 187-99. Bound in near- contemporary quarter-sawn wooden boards with clasps and catches, the leather and clasps renewed in the 19th century (the catchplates are original.) This is probably the book?s second binding. Internally, this copy is in fine condition with a few instances of contemporary annotations in the first part. Aside from occasional light soiling, a fine copy of this beautiful production. The text is illustrated with 199 of the 208 woodcuts originally produced for Sébastien Brant and Jean Grüninger's edition of 1502. These blocks were used a second time, by Jacob Saçon for his Paris edition of 1517. The present edition is the last 16th century edition to contain a substantial number of these images. Nº de ref. de la librería 2513D

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Vergilius Maro, Publius.

Editorial: Gazar Venice (1845)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Shapero Rare Books (London, United Kingdom)

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Descripción: Gazar Venice, 1845. Octavo (23 x 15 cm). [2]pp., engraved frontispiece and title, [20], 631 pp. with three steel-engraved plates; very light spotting. Contemporary red morocco, richly gilt, all edges gilt; slightly rubbed. Superbly bound example of the first Armenian edition of the Aeneid with aristocratic provenance; the translation of the Vergilius's immortal work was done by Etvart Hiwrmiwz (Edward Hurmuzian, 1799-1876). The copy bears a manuscript birthday dedication on flyleaf: "From Percy Radcliffe to his father, June 5th 1848" (i.e., J. Percival Pickford Radcliffe, 1824-1908, later 3rd Baronet). ?Very rare; no copy traceable in Europe. Not in Nersessian. Nº de ref. de la librería 90275

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Publius Vergilius Maro. (= Vergil, 70-19 a.Chr.n.)

Editorial: Philippe Gonin,, Paris, (1951)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Biblion Antiquariat (Zürich, ZH, Switzerland)

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Descripción: Philippe Gonin,, Paris, 1951. 33x25,5 cm. Paris, Philippe Gonin, 1951. 33x25,5 cm. 4 nn. Bl., 111, (5) S., 6 nn. Bl., Gonin-Maillol - Bütten mit der Meernixe als Wasserzeichen. Mit 4 Holzschnitt-Titeln. Lose Bogen in O-Bütten Umschlag in OHPgt.-Einband in O-Schuber. Eines von 200 numerierten Exemplaren. Unserem Exemplar liegt noch eine 2teilige Originalzeichnung bei zum Werk passend, welche wohl im Druck keine Verwendung fand. "Obige Zeichnung: Nackte Frau auf einem Stier liegend; Untere Zeichnung: Nackte Frau mit Krug (Wasser läuft aus) und 4 Schaffen". Unten eigenhändig von der Künstlerin signiert. Gezeichnet auf gleichem Bütten wie das Werk und 1 Doppelblatt-Bütten gelegt. Die ausdrucksstarken Umrißlinien-Holzschnitte im Stile Maillols stammen von der Malerin, Bildhauerin und Dichterin Lucile Passavant, einer Schülerin Maillols. Gedruckt bei Dumoulin unter Druckaufsicht von Philippe Gonin. Schönes Exemplar. Katalog Gonin 1976/77 Nr. 70 - Kat. - Kat. Luxemb. 1990 (Text.-Images) Nr. 17 m. Abb. - Hane Cailler, L. P., Genf 1968 (bei P. Cailler) - Benezit VIII 152. Lose Bogen in O-Bütten Umschlag in OHPgt.-Einband in O-Schuber. Nº de ref. de la librería 50371AB

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Vergilius Maro, Publius (70-19 v. Chr).

Editorial: Johann Knobloch,, Strassburg, (1512)

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Descripción: Johann Knobloch,, Strassburg, 1512. Strassburg, Johann Knobloch, 1512. 42, [3] Bl. [A8, B-C4, D8, E-F4, G8, H6]. Durchgehend rubriziert. [Mit 5 Dystichen auf dem Titel]. Mit schwarzgrundiger Schmuckinitiale B im Titel und schwarzgrundiger Holzschnitt-Initiale im Vorwort (Proemium) von Hermannus Torrentinus. Pergamentband des 19. Jhs. (Vorsätze erneuert). Von einer Humanistenhand sehr extensiv annotiertes Exemplar dieser ungemein seltenen Strassburger Ausgabe. Sie stellt den dritten Druck der "Bucolica" des aus Zofingen stammenden, seit 1500 in Strassburg wirkenden, Johannes Knobloch [eigentlich Cist (gest. 1528)] dar. Knoblochs erstem Druck von Vergils Zyklus in zehn hexametrischen Gedichten von 1508, basierend auf der Kölner Bucolica-Ausgabe von 1503, folgte 1510 ein geringfügig korrigierter Neudruck. Der Kommentar des aus Zwolle stammenden Grammatikers Hermannus Torrentinus [Herman van Beek oder van der Beeke (gest. 1520)] war erstmals 1495 gedruckt worden. Ausgerichtet ist Torrentinus' Text auf die Bedürfnisse des poetischen Anfangsunterrichts und gibt entsprechend häufig ganz elementare Erklärungen. In jedem Abschnitt des Kommentar wird zunächst eine kurze Einführung zur vorausgegangenen Textpartie geboten, an die sich die "Constructio" anschliesst, in der zum leichteren Verständnis die poetische Wortfolge in die in Prosa zu erwartende Abfolge gebracht wird. Dabei werden die einzelnen Wörter jeweils mit "id est" glossiert und paraphrasiert. Danach folgen die Worterklärungen. Torrentius' Kommentar wurde noch bis in die Mitte des 16. Jhs. hinein wiederholt abgedruckt. - Teilweise mit schmalem Wasserrand, die Marginalien stellenweise im Aussensteg etwas beschnitten. - VD 16, V-1446; Schmidt 79; Panzer VI, 55, 246; Ritter 2415; Muller 112; The Vergil Collections at Princton, Nr. 527; vgl. B. Schneider, Vergil (Ausstellungskat. HAB Wolfenbüttel 1982), D. 96 (Ausgabe 1510). Nicht in Mambelli und Leoncini. Very interesting copy, studiously and extensively annotated by a contemporary Humanist hand of this very scarce Strasbourg edition. It represents the third print of the "Bucolica" by the Swiss born Strasbourg printer Johann Knobloch (died 1528). After his first print in 1508, which is based on the Cologne edition of 1503, Knobloch reissued a slightly corrected edition of Vergilius' cycle of ten hexametric poems in 1508. The commentary of the Zwolle born Hermannus Torrentinus [Herman van Beek or van der Beeke (died 1520)] had appeared first in 1495. It was written for the use of elementary instruction in poetry in his school at Groningen and Zwolle and offers correlatively often elementary explanations. In every part of the commentary is given a short introduction to the previous section of the poem, followed by the "Constructio" and the explanations of the single words. The commentary of Torrentius, whose eyesight was failing around 1508 was reprinted up to the middle of the 16th century. - With narrow waterstain in parts, few marginalia minimally affected by slightly trimmed outer margin. - 19th century vellum (later endpapers and fly-leaves). Pergamentband des 19. Jhs. (Vorsätze erneuert). Nº de ref. de la librería 49597AB

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Vergilius Maro, Publius (70-19 B.C.)

Editorial: Apud Simonem Benard, Ex Typographia Dionysii Thierry,, Paris: (1682)

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Remitente: Liber Antiquus, Early Imprinted Books (Chevy Chase, MD, U.S.A.)

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Descripción: Apud Simonem Benard, Ex Typographia Dionysii Thierry,, Paris:, 1682. 24.2 x 19 cm. Quarto: [xxvi], 864, [clxxxviii] pp. Signatures: a4, e4, i4, õ1, A-5Q4, a-z4, [2d]a4 (lacking blank 2G4). With an added engraved frontispiece. A pleasing copy of the Delphin Virgil, edited by the great Jesuit orator and classicist Charles de la Rue (Carolus Ruaeus) (1643-1725). The ?Delphin Classics? were dedicated to Louis de France, ?le Grand Dauphin? (1661-1711). The series was the work of thirty-nine scholars and was edited by Pierre-Daniel Huet, who was working with Jacques Bousset, tutor to the Dauphin. Schweiger 1170-1171. A very fine copy, bound in contemporary mottled calfskin, the spine elaborately and richly tooled in gold. The spine is separated into compartments by raised sewing supports. The second compartment bears a large red morocco label beautifully tooled in Roman capitals: ?RUAEI VIRGILIUS? The boards are framed by two decorative rules. The binding is in excellent condition with only light wear, the corners lightly bumped. Internally, the text is in very good condition, with occasional light foxing and toning. There is a small dampstain in the gutter in the first two signatures of the Aeneid. The engraved frontispiece, with a central scene showing Arion and the dolphin (an allusion to the Dauphin) and a medallion portrait of Vergil, is just a trifle foxed. Engraved vignettes introduce the Bucolics, Georgics & Aeneid. SECOND EDITION of the Delphin Vergil; this issue was printed ?Ex Typographia David Roger 1689.?. Nº de ref. de la librería 2463D

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Vergilius Maro, Publius.

Editorial: Venedig, Damianus de Gorgonzola, 15. Juni 1494. (1494)

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Descripción: Venedig, Damianus de Gorgonzola, 15. Juni 1494., 1494. Estado de conservación: 0. Das erste Bl. (a1) m. großem Ausriß (fehlt ca. das halbe Blatt; der gedruckte zweizeilige Titel auf diesem Blatt vorhanden, jedoch auf der Verso-Seite Textverlust). Titel ausserdem m. alten Besitzvermerken u. mont. Bibl.-Nummernschildchen. Die beiden folgenden Bll. m. größeren Ausrissen am unteren Rand (ohne Textverlust). Am Beginn zwölf Bll. mit jeweils vier Siegelwachsspuren (dienten wohl zur Befestigung wieder entfernter „Notizzettel"), dadurch einige Buchstaben überdeckt. Ecken bestoßen u. tlw. (bes. bei den ersten Bll.) m. Läsuren. Zahlr. alte Marginalien (tlw. intensiv, auch zwischen den gedruckten Textzeilen). Unterschiedlich, tlw. stärker gebräunt u. fleckig. Kopfsteg durchg. (und gegen Ende auch der seitliche Rand) wasserrandig. - Sehr seltene, bis auf das etwa zur Hälfte fehlende Titelblatt vollständige Inkunabel, jedoch mit stärkeren Gebrauchsspuren. - GW M49838; Copinger 6058; Proctor 5518; Madsen 4113; Oates 2144; ISTC iv00180400; IGI 10225; BSB-Ink V-130. Sprache: la Gewicht in Gramm: 2000 Fol. 4 nn., 214 num. Bll. (Got. Typ., 66 Zeilen), Mod. HPgmt. Nº de ref. de la librería 38544

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Vergilius Maro, Publius

Editorial: heirs of Marchio Sessa, Venice (1604)

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Remitente: Sanctuary Books, A.B.A.A. (New York, NY, U.S.A.)

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Descripción: heirs of Marchio Sessa, Venice, 1604. Hardcover. Estado de conservación: Near Fine. A-D8 E4 F-N8 A-Z8 2A 12 2B-2Q8 2R10. 322 II. Woodcut initials and illustrations. Folio (209 x 195 mm). 18th century morocco, spine gilt, gilt dentelles, a. e. g. A few minor paper flaws and 2 repairs at margins at end, else fine. A handsome edition in a very attractive and well-preserved binding. Nº de ref. de la librería D4449

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VIRGILE ; VERGILIUS MARO, Publius ;[ VERGIL ; VIRGIL ; DONATUS, Tiberius Claudius ; FABRICIUS, Georgius Chemnicensis ; POMPONIUS LAETUS, Julius ; VIVES, Juan Luis ; BARLANDUS, Adrianus ]

Editorial: Per Sebastianum Henricpetri (1586)

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Remitente: Librairie du Cardinal (Villenave d'Ornon, France)

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Descripción: Per Sebastianum Henricpetri, 1586. rigide. Acesserunt iisdem Probi grammatici Pomponij Sabini, Phil. Beroaldi, Ion. Hartungi, Iod. Vvillichiij, Georg. Fabricij, Bonfinis, Ioan. Ludovici Viuis, Adriani Barlandi, & aliorum annotationes utilissimae, 1 vol. in-folio reliure ancienne (début XVIIe) pleine basane marron, dos à 5 nerfs orné, double filet d'encadrement sur plats, Per Sebastianum Henricpetri [HENRICPETRI, Sebastianus ], Basileae, Mense Martio 1586 (colophon), 12 ff. n. ch., 2174 pp. (sur deux colonnes), 24 ff. n. ch. (index, avec la belle marque d'imprimeur au verso du dernier feuillet). Signatures : alpha-bêta6, a-z6, 2A-4A6, 4B10 Intéressant exemplaire en reliure ancienne de cette imposante édition des Oeuvres complètes de Virgile, établie par Georges Fabricius et reprenant notamment les commentaires de l'humaniste espagnol Juan Vivès (petites restaurations anciennes à la reliure et aux deux premiers feuillets sans atteinte au texte, ex libris ms. "ex bibliotheca Joan. Defray Doct. Med. Monop." - avec son ex-libris gravé arraché -, mouill. angulaire aux premiers ff., la plupart des feuillets sont uniformément roux). Heckethorn, The Printers of Basle, 159 Langue: Latin. Nº de ref. de la librería 25813

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Descripción: 3 Volumes. Romae 1763-65. Numerous partial page copper plates including initials; map, 16.75 x 11.5", old polished calf with gilt spines; labels, xcii, 211; C, 336, XXIV; 343 w/index, EX-LIBRARY, bookplates only, hinges tender, spine labels defective,s pines well worn, covers worn with some leather peeling, some text soiling & spottind but mostly clean. Nº de ref. de la librería 96-0930

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VERGILIUS MARO, PUBLIUS.

Editorial: typis excudit J.F. Dove, veneunt apud Ricardum Priestley,, Londini (1821)

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Remitente: Rulon-Miller Books (ABAA / ILAB) (St. Paul, MN, U.S.A.)

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Descripción: typis excudit J.F. Dove, veneunt apud Ricardum Priestley,, Londini, 1821. 4 volumes, royal 8vo (identified by Lowndes as the Large Paper issue), contemporary full tree calf, covers with ornate gilt borders, smooth spines in 6 compartments, red morocco labels in two, a.e.g.; joints starting, minor wear at the spine ends, but all in all a handsome set. Volume 1 is Bucolica et Georgica; vols. 2 & 3 comprise The Aenid; and vol. 4 the Carmina Minora and index. Lowndes IV, 2728. Nº de ref. de la librería 23965

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Virgil. Virgilio. [Vergilius Maro, Publius.] Caro, Annibal [1507-1566].

Editorial: In Padoa Per Pietro Pavlo Tozzi []. [Padua, Padova]., , No date printed. Dedication dated 'Di Padoua il di primo Maggio '. (1609)

Usado

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Remitente: Collectable Books (London, United Kingdom)

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Descripción: In Padoa Per Pietro Pavlo Tozzi []. [Padua, Padova]., , No date printed. Dedication dated 'Di Padoua il di primo Maggio '., 1609. 32mo, 94x66mm. In contemporary, dark brown, speckled calf binding. Spine, slightly worn, with signs of an old repair at head; four raised bands with ornate gilt decorations in the compartments and black lettering-piece. Hinges cracked but firm. A small cutting from a French catalogue, undated and slightly chipped, affixed to front paste-down: ‘242. Virgilio. – Dell’Eneide di Virgilio del comm. Annibal Caro. In-32, rel. peau, 676 pagas, 12 gravures sur bois. In Padoa per Pietro Paulo Tozzi, 1609. - Voir Brunet, N. 8,216.’ [4], 5-676, [24] pages; signatures: A-Z8, Aa-Vv8, Xx6, with errors in pagination and in text of running heads. Woodcut title-page plus eleven full-page woodcut illustrations, all bright and sharp. The wood-cut illustration preceding Libro Decimo, which should have been printed on the verso of p.485, does not appear in this copy. Close-trimmed at head, mainly in Libro Decimo pp.495-521 (Hh8-Kk5). With attractive tail-pieces. A few minor paper faults, including foot of p.189 (M7). Includes Tavola at end. Text block exceptionally crisp and clean. This near-miniature Tozzi edition is extremely rare. After some considerable searching we have only been able to locate copies in Biblioteca Capitolare di Verona and Brown University Library. The Biblioteca Capitolare copy does have the wood-cut on the verso of p.485; we have not been able to ascertain whether the Brown University copy has the illustration. (Further information and photographs available on request.). Nº de ref. de la librería 14149

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Vergilius Maro, Publius (70-19 B.C.)

Editorial: ex officina [Bonaventure & Abraham] Elzeviriana,, [Leiden]: (1636)

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Descripción: ex officina [Bonaventure & Abraham] Elzeviriana,, [Leiden]:, 1636. 11.9 x 7.1 cm. Duodecimo: *4, **4, ***12, A-T12 (with a folding map bound before leaf A1) The First Elzevir Vergil This edition of Vergil, edited by Daniel Heinsius (1580-1655), Dutch linguist and scholar and the pupil and friend of Scaliger, is considered, along with the Caesar and Pliny of 1635, one of the three masterpieces of the Leiden Elzevir press. "Vergil?s Nachleben is Western Literature. Anecdotal evidence suggests that already during his lifetime he was regarded not only by professional colleagues but also by many lay readers as Rome?s greatest living poet [.] For the Romans, with a speed and completeness that has few parallels in world literature, Vergil had already become a classic. His works are quoted so often in antiquity that even if they had been lost, they could still be reconstructed in large measure. During his own lifetime, fellow poets such as Horace and Propertius admired him, from a distance, and parodies of his works flourished, but apparently no poet earlier than Ovid dared to try to rival him?"Vergil continued to be read in Latin for centuries. Shakespeare probably knew at least the earlier books of the Aeneid in Latin, while Milton?s Paradise Lost attempts to provide an English equivalent not only for Vergil?s epic themes but also even for his syntax, diction, and as far as possible, meter. But in Britain he was also particularly well served by translations. In the sixteenth century the epic was translated into Scottish verse by Gavin Douglas, and into English by Henry Howard (Books One and Four); in the seventeenth-century the epic was translated by Dryden" (Conte, Latin Literature, A History) Copinger 4946; Willems 450; Berghman 2168; Rahir 442; Schweiger 1169; Brunet V, 1289. Bound in contemporary black morocco with light wear to the joints. The boards are ruled in gold; the spine is ornately tooled in gold and adorned with a citron morocco label, also gilt. The text is in fine condition; there is a small tear, without loss, at one of the folds of the map. Complete with the engraved title page featuring the ?Swan of Mantua? A folding map of the Mediterranean, illustrating the places visited by Aeneas on his journey from Troy to Italy, is bound after p.92. FIRST ELZEVIR EDITION, distinguished from the other 1636 editions by passages printed in red on leaves ***12v and D10v. Nº de ref. de la librería 2481D

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Publius Vergilius Maro

Editorial: Londini, J. et P. Knapton (1750)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Antiguas Lecturas (Barcelona, Spain)

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Descripción: Londini, J. et P. Knapton, 1750. Encuadernación de tapa dura. Estado de conservación: Bien. 1ª Edición. Londini, J. et P. Knapton, 1750 - - 2 vol., 4.º(23,5 cm), vol.I= 25h., 239p., 1h., viñeta grabada en portada, retrato del principe Eduardo en frontis, 29grab. fuera de texto, 1 viñeta grabada de la sepultura de Virgilio entre el texto; vol.II= 1h., 288p.,27 grab., portadas a dos tintas. Encuadernado en plena piel, nervios, tejuelos, flores, recuadros y adornos dorados en lomera, triple filete dorado en planos, cantos dorados, cortes rojos. Alguna lámina desordenada pero completas. Pequeños roces en encuadernación. Nº de ref. de la librería ABE-12560551876

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Descripción: Leiden, B. und A. Elzevier, 1636., 1636. Erste Ausgabe, erster Druck, mit den beiden Seiten vor den 'Bucolica' und der 'Aeneide' in Rotdruck. Der Elzevier-Vergil ist eines der berühmtesten Druckerzeugnisse der Presse, ein wahres Meisterwerk der Typographie. Die Texte wurden von Daniel Heinsius revidiert. Sehr selten in einem alten Einband! Techener bemerkte schon im Vorwort zum Katalog der Sammlung Nodier: ". dans les cadres de M. Nodier il entrait nécessairement un Virgile. Eh bien! sa bibliothèque est sans Virgile! Rien pourtant, dira-t-on, n'est moins rare qu'un beau Virgile; mais notre illustre patron ne voulait avoir que le Virgile des amateurs, le Virgile Elzevir 1636, beau, grand, et s'il eût été possible dans sa vieille reliure. Eh bien! il n'en a jamais trouvé un exemplaire digne de sa bibliothèque." – Willems 450. Schweiger II 1169. Nº de ref. de la librería 19953

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Virgil (Vergilius) Maro, Publius.

Editorial: Venice: Hippogryphium. (1578)

Usado

Cantidad: 1

Remitente: Wittenborn Art Books (San Francisco, CA, U.S.A.)

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Descripción: Venice: Hippogryphium., 1578. Estado de conservación: Good. Folio. Woodcut on title page and at the head of each chapter. 389 leaves, lacking folios 386 and 388. Printed by Petrus Dusinellus. Calf-backed boars. Nº de ref. de la librería 01-1232

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Descripción: Venetia, Gio. Battista Sessa & Fratelli 1581., 1581. gr.-4°. 318 num. Bll. Mit gest. Titel- u. Schlußvign. sowie 12 Kopfleisten u. zahlr. Initialen. HLdr. d. späten 18. Jhdts. m. Rückengoldpr., Rü. angeplatzt. Stellenw. gebräunt, Wurmgänge a. Blattrand ohne Textverl. Randnotizen v. alter Hand. Kl. Fehlstellen m. Textverl. a. d. ersten 4 Bll. hinterlegt u. hs. ergänzt. Vors. erneuert. Seltene und interessant kommentierte Übertragung der Aeneis ins Toskanische, in 12 Kapiteln gegliedert, wobei die ersten 7 von Fighine und die letzten 5 von Filippo da Cortona verfasst worden sind. Giovanni Fabrini da Fighine relativiert, in einer Gegenüberstellung gleich am Titelblatt, den Status der "lengua volgare" im Verhältnis zur "lengua latina", indem er beim Leser (des vorl. Buches) sowohl die Kenntnisse des Lateinischen als auch des Toskanischen als Lektürevoraussetzung erwartet. Fighine übersetzte u. a. auch Cicero, Terentius u. Horaz ebenfalls ins Toskanische. Eine frühere Ausg. erschien 1575 ebenfalls in Venedig. Gewicht in Gramm: 3000. Nº de ref. de la librería 1865-06

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VIRGILE - VERGILIUS MARO, Publius) VIRGILIO.

Editorial: Bernardo Giunti (1612)

Usado Couverture souple

Cantidad: 1

Remitente: Librairie Scritti (Paris, France)

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Descripción: Bernardo Giunti, 1612. Couverture souple. Estado de conservación: Bon. Venise, Bernardo Giunti, 1612. In 8 de 556pp., reliure en plein vélin souple de l'époque, quelques légères traces et usures du temps, nom de l'auteur et titre, avec la date manuscrits à l'encre noire sur la tête du dos, intérieur frais avec quelques petites taches brunes et beiges, notamment sur la page de titre, bon et bel exemplaire. Fondamentale et magistrale traduction, deuxième édition plus rare et bien meilleure que la première qui date de 1581. Annibal Caro (1507-1566), originaire de Civitanova dans les Marches, étudia d Florence où il fit la connaissance de Benedetto Varchi. Par la suite, il entra au service des Farnèse, il pu ainsi jouir de revenus conséquents lui assurant une vie matérielle aisée et lui permettant ainsi de se dédier totalement à son activité littéraire. Sa réputation est surtout liée à sa remarquable traduction de ''l'Eneide'' de Virgile publiée pour la première fois en 1581, traduction qu'il améliora amplement lors de la réédition de 1612. Cette oeuvre dans cette traduction restera un classique durant plusieurs siècles. En tant qu'auteur, Caro composera ses ''Rime" (1569) et ''Gli straccioni'' (1582). En 1563 Caro laissera son poste auprès des Farnèse et se retirera dans sa villa de Frascati, durant les dernières années de sa vie, il préparera l'édition de sa correspondance et peaufinera sa traduction de Virgile. 0.0. Nº de ref. de la librería 238

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VERGIL, [Publius Vergilius Maro]:

Editorial: Bad Kissingen, (1965)

Usado

Cantidad: 1

Remitente: Antiquariat Roland Moser (Simbach am Inn, Germany)

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Descripción: Bad Kissingen, 1965. 28 nn. Bl. mit 17 überwiegend ganzseitigen signierten und datierten Lithographien. Arbeit (Illustrationen und Buchgestaltung) des Malers Robert Kirchner mit zusätzlich beiliegender num. (12/66), sig. u. dat. Orig.Litho. in makellosem Zustand. Bei Bestellungen gegen offene Rechnung bitte Telefonnummer angeben. Danke! Sprache: de Gewicht in Gramm: 1200 Gr.-Fol., blindgeprägter OHbLd. mit goldgeprägtem Rückentitel im Schuber. Druck auf Bütten, im Impressum sig. dat. und hs. num. (Nr. 79 von 98 Expl.). Nº de ref. de la librería 13534

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Virgil] Vergilius Maro, Publius (Schrevel, Cornelis, ed.)

Editorial: Lugduni Batavorum : Ex officina Abraham Commelini (1646)

Usado Tapa dura

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Descripción: Lugduni Batavorum : Ex officina Abraham Commelini, 1646. 4to, pp. [xvi], 996, [lvi]. Engraved title-page, woodcut initials. Slightly narrow margin at head edge, small hole to margin of p.3, repaired tear to p.505 not affecting text. Contemporary speckled brown calf prize binding, red morocco label to spine, gilt borders and coat of arms of Hoorn to each board. Spine creased and a little rubbed, small neat repair headcap, edges a bit worn but very good. Stub of excised prize certificate just visible after first gathering. Library inkstamp (Amsterdam?) to title-page verso. One notable feature of this edition is Schrevel's use of collations supplied by Nicolas Heinsius, who would later produce his own edition of Virgil, following the work of his father, whose text had been printed by the Elzevirs. Schweiger, 1169-70; Graesse VI, 340. Nº de ref. de la librería 49321

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Descripción: Graesse VII, 341 - Ebert II, 23703 - Schweiger II, 1171 - Dibdin II, 549f.: ?This is called the best Variorum edition. The typography, which is extremely beautiful, and not inferior to the best Elzevier editions in octavo, is accompanied with elegant vignettes; and the edition may be considered as a very valuable and commodious one?.- Aus der Bibliothek von Karl Benjamin Lengnich (1743-1795) ?ein eifriger Numismatiker? (ADB XVIII, 257), mit dessen schönen gestochenen Exlibris am hint. Innendeckel d. 1. Bandes.- Die Kupferstiche gestochen v. G. Appelmans.- Meist leicht wasserrandig u. nur gering braunfleckig, Ebde. etw. fleckig u. tls. leicht verzogen, insges. gutes Exemplar. Nº de ref. de la librería B23856

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Vergilius Maro, Publius; Delille, Jacques

Editorial: A Paris, Chez C. Bleuet, Libraire, sur le Pont-Saint-Michel. MDCCLXX. (1770). (1770)

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Cantidad: 1

Remitente: Linea d'acqua (Venezia, Italy)

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Descripción: A Paris, Chez C. Bleuet, Libraire, sur le Pont-Saint-Michel. MDCCLXX. (1770)., 1770. Rilegato. Estado de conservación: in ottime condizioni. Un volume in-8° (225 x 142 mm), pp. (2), 345, (1). Splendida legatura coeva in vitello marmorizzato con ricchi fregi e titolo in oro sui riquadri al dorso; piatti con triplo filetto e motivo floreale agli angoli; tagli dorati; segnalibro in seta color oro. Antiporta di Casanova impressa da Longuel come le quattro tavole fuori testo (una per ciascun libro delle Georgiche) di Eisen. Testatine e finalini calcografici. Ottimo esemplare impresso in carta forte. Rara prima edizione (Cohen 1022, Brunet, IV, 492) della traduzione francese con testo a fronte curata da Delille. Nº de ref. de la librería LA147

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Virgil] Vergilius Maro, Publius (Burman, P., ed.)

Editorial: Glasguae Glasgow: In Aedibus Academicus Excudebat Andreas Foulis (1778)

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Descripción: Glasguae Glasgow: In Aedibus Academicus Excudebat Andreas Foulis, 1778. 2 vols bound as 1. Folio, pp. [viii] 277 [i]; [iv], 307, [i], bound without list of subscribers. Very occasional slight toning to some gatherings. Contemporary crimson morocco boards, rebacked with some attempt made to match the original colour, gilt title and borders, gilt Athenæum Library stamp to spine and upper board. Joints worn, boards scuffed and a little chipped, with some patch repairs, new endpapers pasted over old marbled endpapers. The first Foulis folio of Virgil, which "presents us with the text of Burman, printed in a correct and magnificent manner" (Dibdin). Pieter Burman (1668-1741) was a pupil of both Graevius and Gronovius, and his Virgil was first published posthumously, having been finished by his nephew Pieter Burman II (1714-1778). Gaskell 639. ESTC N22205. Dibdin (4th edn.) II 558. Schweiger II 1178. Brunet V 1293. Graesse VI.2 343. Lowndes 2777. Nº de ref. de la librería 46043

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Virgil [Publius Vergilius Maro]

Editorial: Coustelier, Paris (1745)

Usado Tapa dura

Cantidad: 1

Remitente: Andersens Antikvariat (Glostrup, Denmark)

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Descripción: Coustelier, Paris, 1745. tome 1: (3), xcv, (2), 205, pp, whit engraved frontis title and 6 engraveds full pages by Cochin. Tome 2: (1), xxiv, (2), 231, pp, with 6 engraveds plates full pages. Tome 3: (2), xii, (2), 254, pp, whit 6 engraveds plates full pages In 12avo, three vols, uniformy bound. Bound in contemporary full red calf, with wery rich golddecoration on spines, and boarde and with inside golddecoration on spines. Also edges of book and boards are gilt. Small cuts in free leaf. Very clean and fine. Nº de ref. de la librería 7112303

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VERGILIUS MARO, Publius.

Editorial: Venice, Giovanni Griffio, 1549. (1549)

Usado

Cantidad: 1

Remitente: Hünersdorff Rare Books ABA ILAB (Cheltenham, United Kingdom)

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Descripción: Venice, Giovanni Griffio, 1549., 1549. 4to. (8) + 105 + (1 blank)ff. Text and commentary in italic letter. With 4 charming woodcut initials (including repeats). Some historiated woodcut initials. Printer's device on title. Old vellum. The second translation of the Georgics into Italian. The translator and commentator, Bernardo Daniello, had published a series of studies on the art of poetry. The elegant typeface and setting in conjunction with the handsome woodcuts of agricultural occupations produce a very harmonious effect. Title with old collectors' stamps in margin, otherwise a good copy. Mortimer, 'Harvard Catalogue of 16th Century Italian Books', 526. Sander III, p131 (note). Schweiger II, 1229. Adams records no copy in Cambridge libraries. Nº de ref. de la librería 587

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Descripción: Frankfurt. David Zephelius [Zöpfel] 1559., 1559. Estado de conservación: 0. Kl-.8vo. 4 nn. S., 766 S., 32 nn. S. Index, 1 nn. S. Impressum. Reich goldgeprägter und rot gefärbter Ldr.-Einband der Zeit auf Holzdeckeln mit 3 Bünden und 2 Metallschließen. Schließen nur noch an Deckeln vorhanden, Einband berieben und Bezug bruchspurig, ursprüngliche Dekoration kaum noch zu sehen, Fehlstücke an Kapitalen, kleine Fehlstücke des Bezuges, Kanten beschabt, Schnitt fleckig, fliegende Vorsätze und Titel fehlen, Vorsätze knickspurig, zeitgenössische und etwas spätere Besitzvermerke und Marginalien auf Vorsätzen und 1. Blatt, 2. Blatt knickspurig, erste Seiten oben braunfleckig, teilweise auch wasserrandig, wenige Marginalien an Seitenrändern, Seiten gelegentlich etwas fleckig, wenige etwas stärker, hintere Seiten wasserrandig. Sprache: La Gewicht in Gramm: 1. Nº de ref. de la librería 22862BB

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Vergilius Maro, Publius; Domenichi, Ludovico

Editorial: In Fiorenza, M D LVI (1556). [Appresso i Giunti] (1556)

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Remitente: Linea d'acqua (Venezia, Italy)

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Descripción: In Fiorenza, M D LVI (1556). [Appresso i Giunti], 1556. Rilegato. Estado de conservación: quasi ottimo. Un volume in-8° (159 x 98 mm), cc. 352. Legatura settecentesca in pergamena rigida con unghie; titolo in oro su tassello di marocchino rosso al dorso; risguardi in carta marmorizzata; tagli dorati e cesellati; segnalibro in seta verde. Titoli correnti tra fregi; capilettera ornati. Marca tipografica dei Giunti con il serpente attorcigliato attorno al giglio che lascia cadere a terra la vecchia pelle. Bella prima edizione curata dal Domenichi della traduzione delle opere di Virgilio preceduta da una vita scritta dal Porcacchi. Tra i traduttori, Bernardino Daniello, Ippolito de’ Medici, Alessandro Piccolomi, Giuseppe Betussi. Rispetto ad altre traduzioni fatte da vari autori «merita questa la preferenza – scrive Gamba nella sua Serie, n. 1740 – e, siccome più ricca d’ogni altra ed elegantemente impressa, è tenuta principalmente in stima dai bibliografi». Splendido esemplare ma mancante delle due carte finali non numerate con l’errata. Edit 16, scheda CNCE 28231. Nº de ref. de la librería LA198

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P. Virgilii Maronis (Publius Vergilius Maro; Virgil; Vergil)

Editorial: Apud Ioannem Mariam Bonellum, Venetiis (1558)

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Cantidad: 1

Remitente: Henry Stachyra, Bookseller (Stillwater, MN, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Apud Ioannem Mariam Bonellum, Venetiis, 1558. Vellum. Estado de conservación: Good. Folio - over 12 - 15" tall. 4 Preliminary leaves + 409 additional leaves. Many lovely woodcuts. Bound in full vellum; 6 compartments to spine. Title very nicely written in a lovely hand to spine. Several minor bumps to extremities of volume, as well as several splits to vellum, including at head of spine. A few other small chips to exterior, with typical light wear to same. Binding remains firm. Title-page detached and bottom approximately 2 cm trimmed away. Title-page lays in nicely (a previous owner's name ink-stamped to lower title-page). All other leaves firmly attached. Interior is generally in very nice condition. Minor, faint stains, mostly to margin areas, here and there. Minor foxing to a small percentage of leaves and heavy foxing to just a few leaves. Minor, older, dormant insect damage to endpapers and title-page and just a few other pages. Damage is not offensive or repulsive by any stretch. A number of short/tiny tears to title-page and a few other pages, here and there. Mild spotting, here and there, as well as a very small number of words in ink to interior. Fully collated. Definitely remains an attractive copy. Volume measures approximately 30cm x 21cm x 7.5cm. Nº de ref. de la librería 022234

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Virgil (Vergilius) Maro, Publius.

Editorial: Paris: Thierry. (1668)

Usado

Cantidad: 1

Remitente: Wittenborn Art Books (San Francisco, CA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Paris: Thierry., 1668. Estado de conservación: Good. 4to. 266, 116 pp. Engraved frontispiece by Landry after Baroc. Includes the letter by Bochart. Contemporary calf with coat of arms. Spine defective, else very good, with rubbed extremities. Nº de ref. de la librería 01-1231

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