1968 resultados (Mostrando resultados de 1 - 30)
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1.
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Descripción: Paris, 1947, 1947. Paris, 1947, lithograph in black and grey. The extremely rare (likely unique) trial proof of the black stone in a state not recorded by Mourlot, signed in pencil by Pablo Picasso bottom right; printed on Arches wove paper, with the printed mirror inscription "Dimanche 11.5.47", with full margins; image size 19-5/8 x 24-1/4 in. (49.7 x 64.4 cm); sheet size 19-5/8 x 25-3/4 in. (49.7 x 65.5 cm). Tiny fox marks verso; margins clean and even; overall in exceptional condition; museum quality framed with handcarving and hand-applied gilt by Fred Baker. References: Bloch 455; Mourlot 104; Reusse, "The Huizinga Collection" 236 (trial proof for no.238); Bernd Rau 215. This copy with outstanding provenance: 1) Von Shilling Collection (Claudia von Shilling [1940-2003], was a senior art expert at Ketterer Kunst, Munich, and Villa Grisebach, Berlin); 2) Georges Bloch Collection (with his stamp "GB" verso). This image is ill'd on the front panel of dust jacket of Bloch catalogue raisonne volume I. Nº de ref. de la librería 12501

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Descripción: Paris, 1948/49, lithograph on Arches wove paper; pen, brush, scraper, sandpaper on zinc, 3rd state of transfer, with the total of 5 proof impressions, usually recorded as unsigned; our example is inscribed "epreuve d'artiste" and (possibly uniquely) signed in pencil by Pablo Picasso bottom right. Full margins; image size 27-1/2 x 21-5/8 in. (69.7 x 54.8 cm); sheet size 30 x 22-1/4 in. (76.1 x 56.4 cm). Two edges with tiny (invisible) fox marks; margins clean and even, no usual losses; overall in excellent condition; museum quality framed with non-reflective glass, handcarving and hand-applied gilt by Fred Baker. References: Bloch 586; Mourlot 134/III; Reusse, "The Huizinga Collection" 413; Bernd Rau 386; "Picasso, 55 Years " 141. Our impres, 1948. Paris, 1948/49, lithograph on Arches wove paper; pen, brush, scraper, sandpaper on zinc, 3rd state of transfer, with the total of 5 proof impressions, usually recorded as unsigned; our example is inscribed "epreuve d'artiste" and (possibly uniquely) signed in pencil by Pablo Picasso bottom right. Full margins; image size 27-1/2 x 21-5/8 in. (69.7 x 54.8 cm); sheet size 30 x 22-1/4 in. (76.1 x 56.4 cm). Two edges with tiny (invisible) fox marks; margins clean and even, no usual losses; overall in excellent condition; museum quality framed with non-reflective glass, handcarving and hand-applied gilt by Fred Baker. References: Bloch 586; Mourlot 134/III; Reusse, "The Huizinga Collection" 413; Bernd Rau 386; "Picasso, 55 Years " 141. Our impression with exceptionally strong provenance: 1) Villa Grisebach (Berlin, 2004); 2) Claudia von Shilling collection (Von Shilling was a senior art expert at Hauswedell in Hanover and Villa Grisebach in Berlin until her death in 2003); 3) Georges Bloch collection. Nº de ref. de la librería 12502

3.

MAX JACOB. Double Signed Litho.

Picasso. Max Jacob.
(Montreal, QC, Canada)
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Descripción: 1910, Montrouge [Paris], 1910. Original Litho. Picasso. Max Jacob. MAX JACOB. Double Signed Litho. Montrouge [Paris] (Seine). 1910. 14" 7/8 X 10" 3/4 on plain paper stock printed in black. Number 17 of only 30 copies. A rare early illustration of Picasso's close friend, Max Jacob, done in celebration of Jacob's conversion to Christianity. Jacob, who had Jewish origins, claimed to have had a vision of Christ in 1909, causing his conversion. The illustration of Jacob [the first of Picasso's drawings of Max Jacob] seated comfortably in a fine armchair, dressed in his three piece suit, his dome appropriately receptive. The printed text: [Top] A mon ami Max Jacob / Picasso .10 / 22 R. Victor Hugo / Montrouge (Seine) - [Middle] L'archange foudroyé n'eut que le temps / de desserrer sa cravate . On aurait sit qu'il / priait encore./ C. Max Jacob. Signed in pencil with his new Christian name: "C. Max Jacob" & by "Picasso" at the bottom. A very good or better example of this rare piece - Max Jacob is regarded as an important link between the symbolists & the surrealists, as can be seen in his prose poems Le cornet à dés (The Dice Box, 1917. Throughout the year of 1901, Picasso traveled to Barcelona & Paris for art exhibitions. During an exhibition in Paris, Picasso met Max Jacob. Max Jacob was a poet, painter, & art critic with connections in the Parisian cultural scene. The two artists developed a friendship after Jacob left an admiring note for Picasso at the art gallery displaying Picasso's work (Richardson Vol. I, 203). Jacob introduced Picasso to the French language and to French theatre; Jacob was also an actor. Jacob took Picasso to see operas which possibly included I Pagliacci & La Bohème (Richardson Vol. I, 338). "At night there were frequent visits to the cabarets of Montmartre such as the Chat Noir, and, when tickets could be found, to the Moulin Rouge" (Penrose Picasso 76). Picasso & his friends also enjoyed the artistic atmosphere of Le Lapin Agile. Artists & writers would congregate at the small café to listen to recitals, exchange ideas & celebrate special occasions such as the opening of an exhibition (Penrose Picasso 117). The walls of the café were lined with work by artists that were used as payment for debts. Theatrical entertainment was a prominent part of Picasso's social life in Paris. By 1904, Picasso had established a foothold in Paris and would remain in the cultural center of Europe for the rest of his life. Picasso & Max Jacob cultivated their talents in a dwelling known as the Bateau Lavoir. According to Penrose, this place was ". . . composed it seemed of nothing but lofts & cellars, all in such a sad state of repair. . . " (Picasso 96). Artists of all endeavors were attracted to this bohemian style of living. Picasso's neighbors included painters, sculptors, writers & actors (Penrose Picasso 102). One of Picasso's most influential friends entered his life in 1905: Guillaume Apollinaire. "From the first encounter, Pablo Picasso and Guillaume Apollinaire established a creative dialogue that fostered and inspired some of their finest art & poetry". Apollinaire was a poet & playwright, identified as a Surrealist, who kept close connections with literary & artistic figures in Paris including Max Jacob & André Salmon. He was a great source for Picasso to meet writers & theatre artists. Many of Picasso's friends encouraged him to frequent the theatre with artists & poets from Paris (Picasso Penrose 177). Even though Picasso was not in Paris, he managed to find groups of artistic individuals to stay abreast of cultural gossip & happenings. Picasso's connections with writers led him to create several illustrations for books of poetry for friends. For example, during summer 1910 in Cadaques, Catalonia, painting with Derain, Picasso was commissioned to illustrate a poetic novel written by Max Jacob titled Saint Matorel issued by Daniel-Henry Kahnweiler in 1911. (Penrose Picasso 179). This was only the first of five collections of poetry by Max Jacob that contain. Signed by Author(s). Nº de ref. de la librería 32441

4.

Les Metamorphoses

Ovide - Pablo Picasso Illustrator
(RESTON, VA, U.S.A.)
Cantidad: 1
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Descripción: Lausanne, Albert Skira, 1931. Hardcover. Estado de conservación: Very Good. 1st Edition. Lausanne, Albert Skira, 1931 (B. 99-128; Ba. 143-172; C. books 19); the complete set of 39 etchings, in- and hors-texte, title page, text, table of contents and justification, on laid Arches watermark ARCHES A LA MAIN (B. 112, 114, 118, 122 and 126 on Japon), signed in pencil on the justification, copy 120 of 125 (the first 30 copies were printed on Japon Impérial and issued with an additional suite; there were also 20 hors commerce copies in Roman numerals), with wide margins, a few pinpoint foxmarks, in very good condition, bound, with gilt edges, the binding by H. ALIX in red crushed morocco, signed on the lower turn-in of the upper board, yellow polished calf endleaves, the name of the author, title and name of the artist in gilt on the spine (the binding with a few nicks and traces of wear at the extremities). Signed by Illustrator(s). Nº de ref. de la librería ABE-11186157141

5.

L'Aubade, avec femme Endormie.

PICASSO, Pablo.
(London, United Kingdom)
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Descripción: Paris: Galerie Louis Leiris, 1960, 1960. Minor restoration to the image otherwise generally in very good condition. Presented in a black and gold frame with UV preventive perspex. 3 colour linocut printed from one block on Arches paper. Sheet size: 62 x 75 cm. Edition of 50 and 20 artist's proofs. Signed in pencil lower right by Picasso, numbered lower left. Bloch 916, Nº de ref. de la librería 93114

6.

Le Chef-d'Oeuvre Inconnu (The Hidden Masterpiece)

Balzac, Honoré de; Pablo Picasso (Illustrated by); Albert Besnard (Foreword by)
(Santa Monica, CA, U.S.A.)
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Descripción: Ambroise Vollard, Paris, 1931. Paperback. Estado de conservación: vg. Limited edition. 1/340. Folio. XIV, [3], [16]pp numbered A to P, [3], 92, [8]pp. (text), [13] loose plates, as issued. Uncut. Original glassine over illustrated dust-jacket and stiff wraps. Book housed in its green cloth portfolio within its matching green cloth slipcase. Gold lettering on slipcase's spine. "Le Chef-d’œuvre inconnu" (The Unknown Masterpiece) is a short story by Honoré de Balzac. It was first published in the newspaper L'Artiste with the title "Maître Frenhofer" (Master Frenhofer) in August 1831. It appeared again later in the same year under the title "Catherine Lescault, conte fantastique." It was published in Balzac's Études philosophiques in 1837 and was integrated into the "La Comédie Humaine" in 1846. In 1927 Pablo Picasso was commissioned by publisher Ambroise Vollard to do a series of illustrations for Balzac's novella. After reading it Picasso became obsessed with this uncanny tale of a painter's obsession to create a masterpiece. Picasso accepted the Balzac commission from art dealer Ambroise Vollard and completed the thirteen etchings in 1931 for the centennial edition. As a result, this striking illustrated edition of "Le Chef-d'Oeuvre Inconnu" is considered Picasso's livre d'artiste masterpiece. With Vollard as impressario, the book was meticulously planned and produced, and separate printers were chosen to handle the different types of reproductions: etchings, wood engravings, text and typography. Many have considered these etchings "landmarks in the history of engraving." Balzac’s story, admired by other painters like Cézanne and Matisse, is among other things, a tale of an artist ahead of his time. Set in the 17th century, "Le Chef-d'Oeuvre Inconnu" (The Hidden Masterpiece) tells the story of an aging painter named Frenhofer, who obsessively labors over a work he has kept secret for years. When two younger admirers, painters Poussin and Porbus, finally manage to see Frenhofer’s secret canvas, they are appalled - it appears to them nothing more than an indistinct mess of lines, colors and shapes - and they mock the older artist and assume their celebrated friend has gone insane. The next day, Frenhofer destroys all his work and kills himself. Picasso later claimed that the ghost of Balzac haunted him, and he found himself so compelled by the story that in 1937, he chose for his new studio a 17th century townhouse located at 7 Rue des Grands-Augustin, the very house many believed to be the setting of the opening scene in "The Hidden Masterpiece." It was in his new studio that Picasso painted his own Masterpiece, Guernica. Splendidly illustrated with 67 in-text wood engravings, and 13 original tissue-guarded etchings by Pablo Picasso, this copy is No.171 of 240 printed on Rives paper (of a total edition of 340). Minor age-toning and slight soiling on slipcase. Glassine slightly sunned. Minor and sporadic foxing throughout. Text in French. Slipcase and glassine in overall good+, portfolio, dust-jacket, wrappers and interior in very good condition. Nº de ref. de la librería 37049

7.
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Descripción: Paris: Ambroise Vollard Editeur, 1931, 1931. Paris: Ambroise Vollard Editeur, 1931, first Picasso edition, one of 305 examples on Rives wove paper (total edition 340). Text by Balzac is here ill'd by Pablo Picasso with 67 original woodcuts (most in-texte) + 13 original full-page etchings (one of them is "Table des eaux-fortes"); 94 leaves handsomely bound in full black morocco by the important Swiss binder Hermann Hiltbrunner; all edges gilt; handsome endleaves; the original ill'd wrappers and backstrip bound-in; housed in binder's slipcase; overall size 13.5 x 10.5 in. (35 x 27 cm. In excellent condition. This book ranks as one of the most beautiful books of the 20th century. References: "The Artist & The Book" 225; Bloch 82-94; Goeppert/Cramer 20; Skira 293; Rauch 53; Geiser-Baer 123-1350; Monod 763; "The Artist & The Book in France" p.339; "From Manet to Hockney" 92; Chapon p.281; Johnson/Stein, Logan Collection 54; Rubin pp.126-127. This copy is from the important collection of Gustav Zumsteg, the popular Zurich restaurateur, whose frequent guests included Chagall and Braque. Provenance: 1) Gustav Zumsteg; 2) Koller (Zurich). Nº de ref. de la librería 7884

8.
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Descripción: Paris, 1953, 1953. Paris, 1953, lithograph by Pablo Picasso, number 19 of 50 examples printed on creme Arches paper, signed in pencil by Picasso on lower left and numbered 19/50 on lower right, with full margins and deckle edges on 4 sides; total edition 50 + 5 proofs; image size 18.5 x 29 in. (48 x 75 cm); sheet size 22.25 x 30 in. (56.5 x 76.5 cm); in excellent condition; very handsomely and expensively framed (hand-carved frame). References: Bloch 739; Mourlot 239; Rau 574; Reusse (Huizinga Collection) 625. Nº de ref. de la librería 14719

9.
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Descripción: Au Vent d'Arles, Paris, 1960. Hardcover. Estado de conservación: Very Good. Limited Edition. One of 50 copies with a lithograph signed and numbered in pencil by Picasso, of which this one is N 50. Portfolio with 15 pochoirs (Daniel Jacomet) reproducing the wash drawings by Picasso, each numbered in pencil. The prints are loose, as issued, secured in the original portfolio, in red satin covers with a drawing after Picasso printed in black on the front, black satin spine, linen flaps and tie-strings. Complete of title page, colophon and text, 15 prints and original lithograph, all in very good condition, on velin d’Arches paper. Rare Portfolio. Size: 22”x16” inches – 55x24 cm. More pictures on request. Signed by Illustrator(s). Nº de ref. de la librería 13005857892

10.

Sable Mouvant

Reverdy, Pierre - Pablo Picasso Illustrator
(RESTON, VA, U.S.A.)
Cantidad: 1
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Descripción: Paris: Louis Broder, 1966. Hardcover. Estado de conservación: Very Good. Reverdy, Pierre. Paris: Louis Broder, 1966. Portfolio with 10 original aquatints by Pablo Picasso, that accompany the last poem by Pierre Reverdy. Signed by Picasso on the justification page, limited edition of 255 copies on Rives wove LB wathermarked, of which our copy is one of 220 copies numbered from 1 to 220. Large folio, in the original case.Ref: Cramer books#136; Bloch#1183-1192; Bloch books#129. Nº de ref. de la librería ABE-11275082096

11.

Bacchanale I.

PICASSO, Pablo.
(London, United Kingdom)
Cantidad: 1
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Descripción: Cannes: 1959, 1959. Tape from previous mounting adhered to the verso of upper and lower sheet edges, otherwise in excellent condition. Presented in a gilt wooden frame. Crayon on zinc lithograph on Arches wove paper. Sheet size 50 x 60 cm. Edition of 50. Signed in pencil lower right by Picasso, numbered lower left. Bloch 901, Mourlot 328. Nº de ref. de la librería 88269

12.

Sable Mouvant

Reverdy, Pierre
Librería: Aronstein Books
(Washington, DC, U.S.A.)
Cantidad: 1
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Descripción: Louis Broder, Paris, 1966. Soft cover. Estado de conservación: As New. Estado de la sobrecubierta: As New. Pablo Picasso Ilustrador. 1st Edition. Exquisite livre d'artiste illustrated by Picasso with ten original aquatints/drypoints, depicting the artist and/or his model, a signature motive of Picasso's. The design of the portfolio combined with the luminous, full page illustrations create what is arguably the greatest portfolio of the artist's last period. Limited to an edition of 255, (I-XX, 1-15, and 1-220), this is one of 220. Published by Louis Broder on Velin de Rives made for this work. Condition is as new. Cramer books # 136; Bloch #s 1183-1192; Bloch books, # 129. Signed by Illustrator(s). Nº de ref. de la librería 000016

13.

Le Cocu Magnifique

Fernand Crommelynck, Illustrated by Picasso
(RESTON, VA, U.S.A.)
Cantidad: 1
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Descripción: Paris: Editions de l'Atelier Crommelynck, 1968. Hardcover. Estado de conservación: Very Good. Fernand Crommelynck Paris: Editions de l'Atelier Crommelynck, 1968. Portfolio illustrated with 7 etchings, 4 aquatints with etching, and 1 aquatint with drypoint and etching, all by Picasso. Loose as issued in Rived wove, in the original Bordeaux box in leather. Signed by Picasso and Crommelynck on justification page. Total edition of 200 copies, of which our copy is one of the 30 copies numbered from 1 to 30 that unfortunately lacking of the extra suite of signed and numbered prints. Ref: Cramer books#140, Bloch#1244-1255. Signed by Illustrator(s). Nº de ref. de la librería ABE-11275071328

14.

POESIE DE MOTS INCONNUS

Iliazd (Ilia Zdanevich), Picasso, Tzara, Artaud and others
(RESTON, VA, U.S.A.)
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Descripción: Paris, Le Degré 41, 1949. Hardcover. Estado de conservación: Near Fine. Limited Edition. One of 157 copies signed by Iliaz, sur papier Isle de France. Unfolded in artistic binder by Alix, complete of chemise and slipcase. One of the most famous art collections by Iliazd, involving more than forty poets and artists. This work is an anthology of Dada and Futurists texts published and unpublished between 1910 and 1948, created by the originators of sound, visual and concrete poetry. Each poem accompanied by an illustration, both blended in a striking typographic layout, the publication is a wonderful marriage between poetry and visual art. Poetic contributions by: Akinsemoyin, Albert-Birot, Arp, Artaud, Audiberti, Ball, Beaudin, Bryen, Dermée, Hausmann, Huidobro, Iliazd, Jolas, Khlebnikov, Kroutchonykh, Picasso, Poplavsky, Schwitters, Seuphor, Tenrentiev, Tzara. Illustrations by: ARP (2 bois), VILLON (one eau-forte), DOMINGUEZ (one burin), MATISSE (one linoleum-cut), PICASSO (un burin et 2 lithographs), BRAQUE (one lithograph), METZINGER (one dry point), TAEUBER-ARP (un bois engraved by ARP), GLEIZES (2 eaux-fortes), BRYEN (one bois and one eau-forte), LAURENS (one eau-forte), HAUSMANN (2 bois of which one in color), MAGNELLI (one aquatinte), LÉGER (one lithograph in colors), WOLS (one dry point), MASSON (one aquatinte), CHAGALL (one eau-forte), GIACOMETTI (one eau-forte), FÉRAT (one lithograph in colors), SURVAGE (one bois in colors), TYTGAT (one bois) et MIRÓ (one lithograph in colors). In very good condition, complete and wonderfully bonded by Alix. Signed by Author(s). Nº de ref. de la librería 13005857889

15.

balzacs en bas de casse et picassos sans majuscule.

Picasso, Pablo) - Michel Leiris:
(Salzburg, ., Austria)
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Descripción: Galerie Louise Leiris,, Paris, 1957. Paris, Galerie Louise Leiris, 1957. o. Pag. [9 Bll. + 8 Tafeln + 1 Bl.] Lose Blattsammlung in OLwd.-Mappe. In franz. Sprache. Nr. 49 von 112 num. Expl. Mit der eighd. Signatur von Picasso. Mit allen Tafeln und der kl. Abbildung der Tafel II auf dem Impressum. - Mappe m. Gbrsp., St. a. Mappenklappe, Präge-St. a. ersten Bl., geringfügig stockfleckig a. unteren Kanten, geringe Gbrsp. - Leiris, (1901 - 1990), dessen literarische Neigung schon früh zutage tritt, wird von seiner Familie zu einem Studium der Chemie genötigt. Dennoch gewinnt er in der Zeit nach dem Ersten Weltkrieg Anschluss an die avantgardistischen Künstlerzirkel der Epoche, insbesondere dem Surrealismus; rasch befreundet er sich mit Max Jacob, André Masson, Picasso, Joan Miró und anderen. Diese Verbindung hält bis ins Jahr 1929, wonach er die Gruppe verlässt, um größere künstlerische Selbständigkeit zu erlangen. Leiris beginnt ein Studium der Ethnologie und gewinnt Kontakt zu Georges Batailles, für dessen Zeitschrift „Documents" er sich redaktionell engagiert. In Deutschland ist Leiris vor allem durch seinen autobiographischen Roman „Mannesalter" (1939) bekannt geworden. Techniken seiner surrealistischen Lehrjahre, psychoanalytische Selbstbefragung und ein auf die Deutung des eigenen Lebens gerichtetes ethnologisches Instrumentarium definierten das Genre der Autobiographie neu. (Zitat) Französisch Lose Blattsammlung in OLwd.-Mappe. Nº de ref. de la librería 11778AB

16.
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Descripción: Genève: Skira, 1972, 1972. Genève: Skira, 1972, original etching with drypoint and scraper on Rives paper, dated in the copperplate "4.3.72", numbered 104/125 and signed in pencil by Pablo Picasso (total edition 150), image size 14.5 x 19.25 in (36.5 x 49 cm); sheet size 19.5 x 26 in. (48 x 65 cm); full margins with deckle edges on all sides as issued; in an excellent handcarved frame by Fred Baker with UV non-reflective plexiglass; frame size 27.25 x 32.25 in.; in excellent condition. References: Cramer 155; Bloch 2016; Baer 2022. Provenance: Bukowskis (Stockholm). Nº de ref. de la librería 13947

17.
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Descripción: Barcelona: Editorial Gustavo Gili, 1966, 1966. Excellent condition. Presented in white gold frame with conservation UV protected glass. Etching on Japan Nacré paper. Plate size 22.1 x 32.2 cm. Sheet size 36 x 45 cm. Edition of 12. Signed in pencil lower left by Picasso, numbered lower right. Bloch 1477. Nº de ref. de la librería 88276

18.

Dans l' Atelier.

PICASSO, Pablo.
(London, United Kingdom)
Cantidad: 1
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Descripción: Paris: Galerie Louise Leiris, 1965, 1965. Excellent condition. Presented in a white gold leaf frame with UV preventive glass. Aquatint and drypoint on Auvergne Richard de Bas paper. Plate size 22 x 32 cm. Sheet size 33 x 45 cm. Edition of 50. Signed in pencil lower left by Picasso, numbered lower right. Bloch 1216, Baer 1198. Nº de ref. de la librería 88275

19.

Sueño y mentira de Franco

Pablo Picasso
(RESTON, VA, U.S.A.)
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Descripción: Published by the author. Paris, 1937. Soft cover. Estado de conservación: Good. Limited Edition. Elephant Folio. Original gray wrappers with Picasso's calligraphy and letterpress text. Two original etchings with aquatint by Picasso, both numbered in pencil, with stamped Picasso signature. One of 850 copies in Montval laid for a total edition of 1000 copies. In very good condition, but one of the etching suffered for the text ink impression, that created a veil of lettering on the background. Ref: Cramer, no.28. Bloch n.297-298. FROM CRAMER # 28: "This suite of 18 scenes on two plates was Picasso's protest against Franco's coup d'etat. His intention had been to make postcards or tracts which would have an impact on the Spanish people. For this reason - inspired by comics and the images of Epinal - the artist chose to use a sort of comic strip as his medium. In it, he derides the adventures of the spurious caballero Franco who, instead of attacking the enemy, strikes his own horse. In January 8 and 9, 1937 Picasso made two plates with 9 scenes on the first, and 5 on the second, 14 of the final 18 scenes. On May he "colored" the etchings with aquatint, and abandoned the idea of making postcards and decide to complete the second plate. With the recent bombing of Guernica (April 26, 1937) in minde, he etched 4 other scenes, no longher in the style of caricature, but clearly accusatory. In the scenes the artist created on June 7, Franco no longer appears, but the tyrant is accused by suffering women and by mothers - with their children at their side- crying out their despair. Picasso published the two plates with a poem entitled Sueño y Mentira de Franco. ". Nº de ref. de la librería ABE-10510576221

20.

Man with Cane Viewing Nude.

PICASSO, Pablo.
(London, United Kingdom)
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Descripción: Paris: Editions Cercle d'Art, 1969, 1969. Excellent condition. Presented in an ornate gilt frame with UV protective glass. Original lithograph on heavy wove paper. Sheet size 42.8 x 33.2 cm. Edition of 125. Signed lower right in pencil by Picasso, numbered lower left. Together with the book "Dessins. 27.3.66 - 15.3.68". Quarto. Original illustrated cloth, titles to front cover in blue. Housed in a calf and hessian covered clamshell box with perspex window to the cover, titles to spine gilt. Signed by Picasso. Minor foxing to the hessian on the cover of the clamshell box and some age toning to the card folder. A near fine copy. Bloch B. 1464. Nº de ref. de la librería 65085

21.

Original drawing by Picasso with Provenance

Pablo Picasso
(London, LON, United Kingdom)
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Descripción: A copy of Chefs-D’Oeuvre De L’Art: Grands Peintres: Picasso (Première Partie), Hachette, nicely signed and inscribed by Pablo Picasso the first page. He writes, above his portrait, "Pour Madame Boccard, Picasso, le 4.5.69". The artists has added a charming sketch of a bearded man wearing a bowler hat and presenting a flower in his teeth. All accomplished in dark bold ink. Slight wear to the cover, otherwise in fine condition. Together with a copy of a letter written by the dedicatee, explaining her association with Picasso due to her role as his nurse in 1968-69. Nº de ref. de la librería 000228

22.
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Descripción: New York: The Print Club, 1934, 1934. Plate size: 21.0 x 13.9 cm. Sheet size: 28.3 x 38.2 cm. Excellent condition. Presented in a white gold leaf frame with UV glass. Etching and aquatint on Arches wove paper. Edition of 150. Signed lower left by Picasso, numbered lower right. Printed by Atelier Lacouriere, Paris. Issued as one of six prints from Aristophanes' Lysistrata portfolio. Nº de ref. de la librería 79527

23.

Peintre et Modèle.

PICASSO, Pablo.
(London, United Kingdom)
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Descripción: Paris: 1966, 1966. Excellent condition. Presented float mounted in a silver wooden frame. Drypoint etching on Rives paper. Plate size 27.5 x 38.6 cm. Sheet size 42.2 x 50 cm. Artist's proof aside from the edition of 50. Signed in pencil lower left by Picasso and inscribed by him "pour Aldo Crommelynck". Crommelynck is best known for his work with Picasso. He and his younger brother Piero collaborated sporadically with the artist for some 20 years and produced all his prints after 1961. He was a master printmaker and also worked with Henri Matisse and Georges Braque as well as younger artists such as David Hockney, Richard Hamilton, Jasper Johns and Jim Dine amongst others. Bloch 1374, Baer 1395. Nº de ref. de la librería 88268

24.
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Descripción: Paris: Editions Cercle d'Art, 1969, 1969. Excellent condition. Presented in a handmade gold swept frame with UV protective glass. Original lithograph on heavy wove paper. Sheet size 42.5 x 33.5 cm. Artist's proof aside from the edition of 125. Signed in pencil lower left by Pablo Picasso and inscribed by him "pour Feld son amie, le 21.3.69". Charles Feld wrote the text for "Picasso: His Recent Drawings 1966 - 1968" published in 1969. Bloch B. 1464. Mourlot 407. Nº de ref. de la librería 88279

25.

Scene Mythologique.

PICASSO, Pablo.
(London, United Kingdom)
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Descripción: Paris: 1966, 1966. Excellent condition. Presented in a white gold leaf frame with UV preventive glass. Drypoint on JFK Rives paper. Plate size 27 x 37.8 cm. Sheet size 41.5 x 50 cm. Edition of 50. Signed in pencil lower left by Picasso, numbered lower right. Bloch 1398. Nº de ref. de la librería 88278

26.

Le Pigeonneau.

PICASSO, Pablo.
(London, United Kingdom)
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Descripción: Paris: Jonquières, 1939, 1939. Excellent condition. Presented in a white gold leaf frame with UV preventive glass. Linocut on Velin d'Arches paper. Image size: 15.9 x 20.2 cm. Sheet size: 36.8 x 28.1 cm. Edition of 226. Signed in yellow crayon lower right by Picasso, numbered in pencil lower left. Bloch 326, Baer 1028, Cramer 84. Nº de ref. de la librería 90848

27.

Sillage Intangible. Poème accompagné d'une pointe sèche de Pablo Picasso.

Picasso, Pablo]. Scheler, Lucien; Picasso, Pablo.
(San Francisco, CA, U.S.A.)
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Descripción: Le Degré Quarante et Un, (1958)., Paris:, 1958. First edition. The poem in memory of Paul Eluard, illustrated with an original drypoint by Picasso, "Portrait of Paul Éluard, Laureate," signed in the plate. One of 50 copies printed at L'Imprimerie Union, from a design by Iliazd, the drypoint printed at L'Atelier Lacourière, signed in the plate. The colophon is signed in pencil by Scheler and Picasso. Original parchment covers, printed in black. 23 x 26 cm. 12 leaves of vieux japon with unprinted leaves of a heavier fibrous brown paper. occasional spotting, inevitable with this paper but a fine copy, in publisher's card folder with printed label. First edition. Nº de ref. de la librería 27959

28.

Le Carmen des Carmen. With prints by Pablo PICASSO.

Picasso, Pablo, 1881-1973).
(Hinsdale, IL, U.S.A.)
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Descripción: Paris: Editeurs Francais Reunis, 1964, 1964. Paris: Editeurs Francais Reunis, 1964, number 60 of 245 copies on Arches wove paper (total edition 275), signed by Louis Aragon and Pablo Picasso on the justification page; illustrated with 5 original prints by Picasso: one color lithograph, one drypoint and 3 aquatints; each of the 5 prints is dated in the plate and numbered in pencil "60/245". In addition, there are numerous in-texte illustrations, some in color, 36 full-page photolithographs, 2 color lithographs after Picasso (one double-page); the etchings printed by Crommelynck and the lithos by Mourlot; all plates with tissue guards. 15 x 11 inches (35 x 26 cm); 175 pages, loose leaves in paper folder and publisher's jute-covered box with red lettering on the spine, as issued. In excellent condition. References: Bloch 1000-1003 & 1005; Cramer 126; Monod 8045. Nº de ref. de la librería 14326

29.

Scéne Antique. (Antique Scene.)

PICASSO, Pablo.
(London, United Kingdom)
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Descripción: Cannes: 1956, 1956. Excellent condition. Original lithograph made with crayon with frottage and pen on transfer paper transferred to stone on Arches paper. Sheet size 66 x 50 cm. Edition of 50. Signed in pencil lower right by Picasso, numbered lower right. Bloch. 801. Mourlot 286. Nº de ref. de la librería 93204

30.

PICASSO de 1916 a 1961. Deluxe edition with two extra suites.

Picasso, Pablo, 1881-1973) Cocteau, Jean.
(Hinsdale, IL, U.S.A.)
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Descripción: Monaco: Editions du Rocher, 1962, first edition. Aside from the total edition of 255, this exemplar is one of several "nominatif" publisher's impressions, imprinted for Gerard Worms, and thus unnumbered. Patrick Cramer thinks that there were about 10 such copies, with 2 extra suites but without the signed lithograph which was part of only the first 30 copies). The book is signed in pencil by Picasso and Cocteau on the justification page. The book contains the text by Jean Cocteau and 24 original lithographs by Pablo Picasso, 11 of them hors-texte, 2 double page + two suites, one containing 24 hors-texte original lithographs and the other 23 of 24 lithos. 56 copies, including this one, have all leaves printed on special hand-made paper and t, 1962. Monaco: Editions du Rocher, 1962, first edition. Aside from the total edition of 255, this exemplar is one of several "nominatif" publisher's impressions, imprinted for Gerard Worms, and thus unnumbered. Patrick Cramer thinks that there were about 10 such copies, with 2 extra suites but without the signed lithograph which was part of only the first 30 copies). The book is signed in pencil by Picasso and Cocteau on the justification page. The book contains the text by Jean Cocteau and 24 original lithographs by Pablo Picasso, 11 of them hors-texte, 2 double page + two suites, one containing 24 hors-texte original lithographs and the other 23 of 24 lithos. 56 copies, including this one, have all leaves printed on special hand-made paper and the lithographs watermarked with either Picasso or Cocteau signature. 136 loose leaves in publisher's wrapper folder, front cover of which is an original lithograph with a die-cut profile revealing the title printed underneath; all housed in publisher's chemise and slipcase, overall size circa 14 x 11 inches; the slipcase with very minor imperfections, otherwise in new conditiion. "On the occasion of Picasso's 80th birthday, Pierre Bertrand, who was Cocteau's publisher, assembled eleven of the poet's texts which reflected his friendship with Picasso. The latter illustrated these texts with 24 lithographs, some of which are drawn in Cocteau-esque style " - Cramer 117. Also: Bloch 1037-1060; Monod 2926. Nº de ref. de la librería 13869

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1968 resultados (Mostrando resultados de 1 - 30)