resultados (1 - 30) de 2822

Picasso. Max Jacob.

Editorial: 1910, Montrouge [Paris] (1910)

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: TBCL The Book Collector's Library (Montreal, QC, Canada)

Valoración librería: Valoración 4 estrellas

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Descripción: 1910, Montrouge [Paris], 1910. Original Litho. Picasso. Max Jacob. MAX JACOB. Double Signed Litho. Montrouge [Paris] (Seine). 1910. 14" 7/8 X 10" 3/4 on plain paper stock printed in black. Number 17 of only 30 copies. A rare early illustration of Picasso's close friend, Max Jacob, done in celebration of Jacob's conversion to Christianity. Jacob, who had Jewish origins, claimed to have had a vision of Christ in 1909, causing his conversion. The illustration of Jacob [the first of Picasso's drawings of Max Jacob] seated comfortably in a fine armchair, dressed in his three piece suit, his dome appropriately receptive. The printed text: [Top] A mon ami Max Jacob / Picasso .10 / 22 R. Victor Hugo / Montrouge (Seine) - [Middle] L'archange foudroyé n'eut que le temps / de desserrer sa cravate . On aurait sit qu'il / priait encore./ C. Max Jacob. Signed in pencil with his new Christian name: "C. Max Jacob" & by "Picasso" at the bottom. A very good or better example of this rare piece - Max Jacob is regarded as an important link between the symbolists & the surrealists, as can be seen in his prose poems Le cornet à dés (The Dice Box, 1917. Throughout the year of 1901, Picasso traveled to Barcelona & Paris for art exhibitions. During an exhibition in Paris, Picasso met Max Jacob. Max Jacob was a poet, painter, & art critic with connections in the Parisian cultural scene. The two artists developed a friendship after Jacob left an admiring note for Picasso at the art gallery displaying Picasso's work (Richardson Vol. I, 203). Jacob introduced Picasso to the French language and to French theatre; Jacob was also an actor. Jacob took Picasso to see operas which possibly included I Pagliacci & La Bohème (Richardson Vol. I, 338). "At night there were frequent visits to the cabarets of Montmartre such as the Chat Noir, and, when tickets could be found, to the Moulin Rouge" (Penrose Picasso 76). Picasso & his friends also enjoyed the artistic atmosphere of Le Lapin Agile. Artists & writers would congregate at the small café to listen to recitals, exchange ideas & celebrate special occasions such as the opening of an exhibition (Penrose Picasso 117). The walls of the café were lined with work by artists that were used as payment for debts. Theatrical entertainment was a prominent part of Picasso's social life in Paris. By 1904, Picasso had established a foothold in Paris and would remain in the cultural center of Europe for the rest of his life. Picasso & Max Jacob cultivated their talents in a dwelling known as the Bateau Lavoir. According to Penrose, this place was ". . . composed it seemed of nothing but lofts & cellars, all in such a sad state of repair. . . " (Picasso 96). Artists of all endeavors were attracted to this bohemian style of living. Picasso's neighbors included painters, sculptors, writers & actors (Penrose Picasso 102). One of Picasso's most influential friends entered his life in 1905: Guillaume Apollinaire. "From the first encounter, Pablo Picasso and Guillaume Apollinaire established a creative dialogue that fostered and inspired some of their finest art & poetry". Apollinaire was a poet & playwright, identified as a Surrealist, who kept close connections with literary & artistic figures in Paris including Max Jacob & André Salmon. He was a great source for Picasso to meet writers & theatre artists. Many of Picasso's friends encouraged him to frequent the theatre with artists & poets from Paris (Picasso Penrose 177). Even though Picasso was not in Paris, he managed to find groups of artistic individuals to stay abreast of cultural gossip & happenings. Picasso's connections with writers led him to create several illustrations for books of poetry for friends. For example, during summer 1910 in Cadaques, Catalonia, painting with Derain, Picasso was commissioned to illustrate a poetic novel written by Max Jacob titled Saint Matorel issued by Daniel-Henry Kahnweiler in 1911. (Penrose Picasso 179). This was only the first of five collections of poetry by Max Jacob that contain. Signed by Author(s). Nº de ref. de la librería 32441

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Le Chef-d'Oeuvre Inconnu (The Hidden Masterpiece): Balzac, Honoré de;

Balzac, Honoré de; Pablo Picasso (Illustrated by); Albert Besnard (Foreword by)

Editorial: Ambroise Vollard, Paris (1931)

Usado Tapa dura

Cantidad: 1

Remitente: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB) (Santa Monica, CA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Ambroise Vollard, Paris, 1931. Paperback. Estado de conservación: vg. Limited edition. 1/340. Folio. XIV, [3], [16]pp numbered A to P, [3], 92, [8]pp. (text), [13] loose plates, as issued. Uncut. Original glassine over illustrated dust-jacket and stiff wraps. Book housed in its green cloth portfolio within its matching green cloth slipcase. Gold lettering on slipcase's spine. "Le Chef-d'?uvre inconnu" (The Unknown Masterpiece) is a short story by Honoré de Balzac. It was first published in the newspaper L'Artiste with the title "Maître Frenhofer" (Master Frenhofer) in August 1831. It appeared again later in the same year under the title "Catherine Lescault, conte fantastique." It was published in Balzac's Études philosophiques in 1837 and was integrated into the "La Comédie Humaine" in 1846. In 1927 Pablo Picasso was commissioned by publisher Ambroise Vollard to do a series of illustrations for Balzac's novella. After reading it Picasso became obsessed with this uncanny tale of a painter's obsession to create a masterpiece. Picasso accepted the Balzac commission from art dealer Ambroise Vollard and completed the thirteen etchings in 1931 for the centennial edition. As a result, this striking illustrated edition of "Le Chef-d'Oeuvre Inconnu" is considered Picasso's livre d'artiste masterpiece. With Vollard as impressario, the book was meticulously planned and produced, and separate printers were chosen to handle the different types of reproductions: etchings, wood engravings, text and typography. Many have considered these etchings "landmarks in the history of engraving." Balzac's story, admired by other painters like Cézanne and Matisse, is among other things, a tale of an artist ahead of his time. Set in the 17th century, "Le Chef-d'Oeuvre Inconnu" (The Hidden Masterpiece) tells the story of an aging painter named Frenhofer, who obsessively labors over a work he has kept secret for years. When two younger admirers, painters Poussin and Porbus, finally manage to see Frenhofer's secret canvas, they are appalled - it appears to them nothing more than an indistinct mess of lines, colors and shapes - and they mock the older artist and assume their celebrated friend has gone insane. The next day, Frenhofer destroys all his work and kills himself. Picasso later claimed that the ghost of Balzac haunted him, and he found himself so compelled by the story that in 1937, he chose for his new studio a 17th century townhouse located at 7 Rue des Grands-Augustin, the very house many believed to be the setting of the opening scene in "The Hidden Masterpiece." It was in his new studio that Picasso painted his own Masterpiece, Guernica. Splendidly illustrated with 67 in-text wood engravings, and 13 original tissue-guarded etchings by Pablo Picasso, this copy is No.171 of 240 printed on Rives paper (of a total edition of 340). Minor age-toning and slight soiling on slipcase. Glassine slightly sunned. Minor and sporadic foxing throughout. Text in French. Slipcase and glassine in overall good+, portfolio, dust-jacket, wrappers and interior in very good condition. Nº de ref. de la librería 37049

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PICASSO, Pablo.

Editorial: Paris: Galerie Louise Leiris, 1962 (1962)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, Reino Unido)

Valoración librería: Valoración 5 estrellas

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Descripción: Paris: Galerie Louise Leiris, 1962, 1962. Excellent condition. Presented in a hand made gold leaf frame with UV preventive glass. Linocut in brown, tan, black and white on Arches paper. Image size 35 x 27 cm. Sheet size 62.5 x 44.1 cm. Edition of 50. Signed in pencil lower right and numbered lower left by Picasso. Printed by Arnéra, Vallauris. This linocut is one of a series of Picasso's radical reinterpretations of Manet's famous painting, The Luncheon on the Grass, begun in June 1954 and continued over the next decade. By this late stage, the "Conversationalist" has lost his hair, has clearly aged, and now resembles Picasso himself, in conversation with a Victorine who could be said to resemble his wife, Jacqueline. Bloch 1096. Baer 1328. Kramer 88. Nº de ref. de la librería 96993

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PICASSO, Pablo.

Editorial: Paris: Louise Leiris, 1959-60 (1959)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, Reino Unido)

Valoración librería: Valoración 5 estrellas

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Descripción: Paris: Louise Leiris, 1959-60, 1959. Excellent condition. Linocut in black, brown and beige from one block on Arches wove paper. Image size 65.7 x 54 cm. Sheet size: 75.6 x 62.5 cm. One of 20 proofs aside from the edition of 50. Signed in pencil lower right by Picasso. Printed by Arnéra, Vallauris. Picasso began executing this linocut in 1959, however the date in the print reads 1956 because of an inversion of the number 9. Bloch 947, Baer 1213, Kramer 6. Nº de ref. de la librería 111217

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Fernando de Rojas, Illustrated by Pablo Picasso

Editorial: Editions de l'Atelier Crommelynck in Paris, (1971)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Editions de l'Atelier Crommelynck in Paris, 1971. Hardcover. Estado de conservación: Very Good. Estado de la sobrecubierta: Very Good. Limited Edition. La Celestine Fernando de Rojas, Illustrated by Pablo Picasso. Editions de l'Atelier Crommelynck in Paris, 1971 The complete book comprising 66 etchings and aquatints, on Richard de Bas laid paper, watermarked La Celestine, hors texte, with title, text and justification, signed in pencil on the justification, copy number 192 from the edition of 350 (there were also 30 hors commerce copies in Roman Numbers). Text in French. Full sheets, in very good condition, bound as issued, in the original parchment covered boards with the title on the cover, and protective dust jacket in Richard de Bas paper and parchment, with title on the spine, all guarded in the original parchment slipcase. 66 etchings and aquatints engraved by Picasso to depict the dramatic novel of Fernando Rojas, the passionate story of Callisto and Melibea. A rare book that collects part of the etchings of famous series “347”, engraved between March and October 1968. The 66 engravings represent the lovers often in company of the cunning matchmaker Celestine. In 1903 Picasso painted a realistic portrait of Celestine, the well-known personage remained in Picasso imagination for many decades, until he revived the little old woman in the etchings of this beautiful rare book. Very rare book in very good condition. Ref: Cramer #149. MORE PICTURES ON REQUEST. Signed by Illustrator(s). Nº de ref. de la librería B-16-060000

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Balzac, Honoré de (Author) and Pablo Picasso (Artist)

Editorial: Paris: Ambroise Vollard. (1931)

Usado Ejemplar firmado

Cantidad: 1

Remitente: Wittenborn Art Books (San Francisco, CA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Paris: Ambroise Vollard., 1931. Estado de conservación: Good. 13 original etchings unbound as issued in a sleeve inside the bound book.One of 65 copies (no. 10) on Japan paper, signed by Picasso and Vollard.(Only the deluxe copies on Japan paper were signed on the colophon by the artist and publisher.)Housed in a custom clamshell case encased throughout in three leathers by the celebrated binder Alexandr Mosalov.References : Cramer, Pablo Picasso, les livres illustrés, n° 20 ;Bloch: 82-94; Livre no, 19Un des précieux exemplaires sur Japon sans la suite.In-4 (228 x 250 mm). En feuilles, sous chemise rempliée illustrée. Quelques défauts à la couverture (dos et bords inférieurs du premier plat légèrement passés, accident à la coiffe supérieure, quelques taches), coin inférieur du premier feuillet blanc coupé, bords des planches de la suite très légèrement maculées, sans atteinte aux gravures.13 eaux fortes originales hors texte (dont la table des gravures) et 67 dessins gravés sur bois de Pablo Picasso.Un des 65 exemplaires de tête sur Japon impérial (n° 10), sans la suite des eaux-fortes sur vélin de Rives, monogrammés par Vollard et signés en bistre par Pablo Picasso. Nº de ref. de la librería 51-1019

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PICASSO, Pablo.

Editorial: Paris: Berggruen, 1962 (1962)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, Reino Unido)

Valoración librería: Valoración 5 estrellas

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Descripción: Paris: Berggruen, 1962, 1962. Excellent condition. Presented in a hand made gold leaf frame with UV preventive glass. Linocut in brown and tan on Vélin d'Arches paper. Image size 39 x 30 cm. Sheet size 54.5 x 43 cm. Edition of 100. Signed in pencil lower right and numbered lower left by Picasso. This linocut was printed by Arnéra, Vallauris. Bloch 1062; Baer 1276. Kramer 83. Nº de ref. de la librería 96990

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PICASSO, Pablo.

Editorial: Valluaris: Arnéra, 1963 (1963)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, Reino Unido)

Valoración librería: Valoración 5 estrellas

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Descripción: Valluaris: Arnéra, 1963, 1963. Excellent condition. Presented in a white gold leaf frame with conservation glass. Linocut in black on Arches paper. Image size 64.2 x 53.2 cm. Sheet size: 75.2 x 62.2 cm. Edition of 150. Signed in pencil lower right by Picasso, numbered lower left. Bloch 1153. Baer 1342 IIIB. Kramer 103. Nº de ref. de la librería 107957

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Pirosmanachvili 1914: PICASSO, Pablo; ILIAZD;

PICASSO, Pablo; ILIAZD; PABLO PICASSO

Editorial: 1972 (1972)

Usado Ejemplar firmado

Cantidad: 1

Remitente: William Wyer Rare Books (Jackson, WY, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: 1972, 1972. PICASSO, Pablo. Pirosmanachvili 1914. By Iliazd. 36 pp. Illustrated with a signed dry-point etching by Picasso. Small folio, 322 x 230 mm, bound in original vellum, with yellow dust-wrapper and preserved in publisher's beige cloth chemise and slipcase. Paris: Iliazd, 1972. First Edition thus. One of 78 copies printed on Japon ancien paper, signed in red pencil on the colophon by Iliazd and with the original etching signed by Picasso. The etching is a figure study of Russian artist Pirosmanachvili at his easel painting, an homage to Douanier Rousseau (Goeppert). The dry-point etching was printed by Atelier Lacourière Frélaut. The story behind this Iliazd book is touching: Iliazd returned to his homeland in 1912 and met the painter Niko Pirosmanachvili (1862-1918). Iliazd was alarmed by the difficult economic straits that the painter was in and wrote a manifesto to promote his art; it was published in a local paper in 1914. "In the summer of 1971, Iliazd decided to reprint the article he convinced his friend Picasso to create this frontispiece of the Georgian painter. The printing was completed and signed by December 1972, four months before Picasso's death" (Johnson, p. 165). As new. Baer 2020. Bloch 2015. Goeppert, Pablo Picasso: The Illustrated Books No. 154. Artists' Books in the Modern Era 1870-2000, No. 94. Nº de ref. de la librería 143904

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Sable Mouvant: Reverdy, Pierre

Reverdy, Pierre

Editorial: Louis Broder, Paris (1966)

Usado Soft cover Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Aronstein Books (Washington, DC, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: Louis Broder, Paris, 1966. Soft cover. Estado de conservación: As New. Estado de la sobrecubierta: As New. Pablo Picasso Ilustrador. 1st Edition. Exquisite livre d'artiste illustrated by Picasso with ten original aquatints/drypoints, depicting the artist and/or his model, a signature motive of Picasso's. The design of the portfolio combined with the luminous, full page illustrations create what is arguably the greatest portfolio of the artist's last period. Limited to an edition of 255, (I-XX, 1-15, and 1-220), this is one of 220. Published by Louis Broder on Velin de Rives made for this work. Condition is as new. Cramer books # 136; Bloch #s 1183-1192; Bloch books, # 129. Signed by Illustrator(s). Nº de ref. de la librería 000016

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PABLO PICASSO PAR CHRISTIAN ZERVOS - CATALOGUE: ZERVOS ( Christian
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Descripción: Cahiers d’Art. Couverture souple. Estado de conservación: Comme neuf. 2ème Édition. Paris 2014 .33 Volumes/33. -- Brochés cousus. Couvertures à rabats . Format in-4°( 32,8 x 25 cm ). ------- Plus de 6 000 pages avec 16 000 peintures et dessins réunis . C’est le résultat du travail d’une vie mené par Christian Zervos en collaboration avec Picasso lui-même. ************************ "" Le livre « Pablo Picasso par Christian Zervos », souvent connu sous la simple appellation « le Zervos », est l’ouvrage le plus important et le plus influent publié par cet éditeur. Cette réédition est une version revue et corrigée en collaboration avec l'Administration Picasso, qui donne un point d'orgue à la vision de Zervos. "" ****************************. Nº de ref. de la librería ya750614

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PABLO PICASSO BY CHRISTIAN ZERVOS - CATALOGUE: ZERVOS ( Christian

ZERVOS ( Christian ) [ Pablo Picasso ]

Editorial: Cahiers d’Art

Usado Couverture souple

Cantidad: 2

Remitente: Okmhistoire (montrouge, Francia)

Valoración librería: Valoración 4 estrellas

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Descripción: Cahiers d’Art. Couverture souple. Estado de conservación: Comme neuf. 2ème Édition. Paris 2014 . -- 33 Volumes/33. -- Softbound . Original flexible binding, with glacine wrapping - Quarto size ( 32,8 x 25 cm ). ------- 6 000 pages with 16 000 black-and-white images ******************************** "" ‘Pablo Picasso par Christian Zervos,’ known by many simply as ‘the Zervos,’ remains the most trusted reference to the works of Picasso. This new, revised edition, published by Cahiers d’Art, includes corrections to the original catalogue prepared together with the Picasso Administration. "" ***********************************. Nº de ref. de la librería ya750614-t

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Le Desir Attrape par la Queue -: Picasso, Pablo. (1881

Picasso, Pablo. (1881 - 1973)

Editorial: Gallimard, Paris (1945)

Usado

Cantidad: 1

Remitente: Schubertiade Music (Newton, MA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Gallimard, Paris, 1945. Estado de conservación: Used; Like New. Estado de la sobrecubierta: Used; Like New. Le Desir Attrape par la Queue [Desire Caught by the Tail]. First edition, limited issue of 2,240. Paperback, 5.75 x 7.75, 62 pages. Signed and inscribed inside the front wrapper in red artist's crayon, "Pour James Plaut, Picasso, Paris, Mai 1945," with the addition of a wonderful sketch on the adjacent page showing a heart-shaped figure with an arrow in his mouth. In very good condition, the sketch a shade light, modest chipping to wrappers, evidence of early repair to spine. James S. Plaut (1912 - 1996) became Assistant Curator at the Museum of Fine Arts in Boston in 1935. While working at the museum, he became involved in the burgeoning modern art movement and in 1936 he co-founded the Boston Museum of Modern Art (today, The Institute of Contemporary Art), a sister institution of the Museum of Modern Art in New York. He became the museum's first official director in 1939 and organized a retrospective of Picasso's works in 1940, which included the great 'Guernica.'  In November 1944 he was selected to lead the newly-formed Art Looting Investigation Unit (ALIU) of the Office of Strategic Services (OSS).  Responsible for uncovering information regarding Nazi looting through extensive research and interviews, it was through this work that he interviewed Picasso on numerous occasions.  In the winter of 1941, soon after the Germans had occupied Paris, Picasso while ill spent three days writing a farcical play, Desire Caught by the Tail. It was first performed on 19 March, 1945 at the apartment of Louise and Michel Leiris in Paris, where it was performed by a star-studded cast that included Jean-Paul Sartre, Simone de Beauvoir, and Picasso's former lover Dora Maar. Musical accompaniment by Georges Hugnet and the narration was given by Albert Camus, describing the largely imaginary sets - that is, except for a large black box that served alternatively as a bed, a bathtub, and a coffin.  The spectators included Georges Braque and his wife, Cécile Éluard, Jacques Lacan and Jaime Sabartés. The event was photographed by Brassaï.Described as "surrealistic" and "simply weird," the play is rarely produced due to sheer incomprehensibility. There is no plot to speak of, and the characters all are abstractly named: besides the protagonist Big Foot and his love interest Tart, there are Onion, Round End, the Cousin, the two Bow-wows, Silence, Fat Anguish, Skinny Anguish and The Curtains. And the stage directions are highly impractical: the transparent doors light up and the dancing shadows of five monkeys eating carrots appear. Complete darkness.While the narrative is nonlinear and the meaning nearly impossible to decipher, the work has been praised despite (and sometimes for) its lack of message. Bernard Frechtman, who translated the work from the original French, writes in his Foreword, "It says nothing of human destiny or of the human condition. In an age which has discovered man with a capital M, it is gratifying to advise the reader that Picasso has nothing to say of man, nor of the universe. This in itself is a considerable achievement.". Nº de ref. de la librería 12564

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VERVE - Complete set of all the

Editorial: Verve Tériade, Paris (1937)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Artfever (Paris, Francia)

Valoración librería: Valoración 5 estrellas

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Precio: EUR 16.500,00
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Descripción: Verve Tériade, Paris, 1937. Couverture rigide. Estado de conservación: Très bon. Estado de la sobrecubierta: Très bon. CHAGALL, MATIISSE, PICASSO, MIRO, BRAQUE, GIACOMETTI, KLEE, LEGER... Ilustrador. Edition originale. RARE COMPLETE SET of 38 issues in 26 volumes as follow : - Verve 1 : Cover by MATISSE, orig. lithographs by : Fernand LEGER, Joan MIRO, RATTNER, BORES. - Verve 2 : Cover by Georges BRAQUE, orig. lithographs by : 2 by KANDINSKY, 2 by André MASSON - Text in English, in a leather bound. - Verve 3 : Cover by Pierre BONNARD, orig. lithographs by : CHAGALL, MIRO, RATTNER, Paul KLEE. - Verve 4 : Cover by ROUAULT, orig. lithographs by : Tacuinun Sanitatis (8 pages), Henri MATISSE : the Dance (4 pages), 4 by André DERAIN. - Verve 5-6 : Cover by Aristide MAILLOL, orig. lithographs by : 4 by Constantin GUYS, BRAQUE, ROUAULT, DERAIN, LEGER, 2 by Pierre BONNARD, 2 by MATISSE, KLEE. - Verve 7 : Facsimile of "Les très riches heures du Duc de Berry", heliogravures by Draeger with gold leafs. - Verve 8 : Cover by MATISSE, orig. lithograph by : BONNARD, Facsimile of "Calendrier de Charles d'Angouleme", heliogravures by Draeger with gold leafs and drawings of DERAIN. - Verve 9 : Facsimile of "Les Fouquet de la Bibliothèque Nationale", heliogravures by Draeger with gold leafs. - Verve 10 : Facsimile of "Les très riches heures du Duc de Berry - vol. 2", heliogravures by Draeger with gold leafs. - Verve 11 : Facsimile of "Les Fouquet de la Bibliothèque Nationale - vol. 2", heliogravures by Draeger with gold leafs. - Verve 12 : Facsimile of "Les Fouquet de Chantilly", heliogravures by Draeger with gold leafs. - Verve 13 : Cover by MATISSE, orig. lithograph by : 5 by MATISSE. - Verve 14-15 : Facsimile of "Les Heures d'Anne de Bretagne", heliogravures by Draeger with gold leafs. - Verve 16 : Facsimile of "Les Livres des Tournois du Roi René", heliogravures by Draeger with gold leafs. - Verve 17-18 : Cover by BONNARD, issue illustrated only with reproductions of Bonnard, incl. one orig. lithograph. - Verve 19-20 : Cover by Pablo PICASSO, issue illustrated only with reproductions of Picasso, incl. one orig. lithograph. - Verve 21-22 : Cover by MATISSE, issue illustrated only with reproductions of Matisse. - Verve 24 : Cover not conserved, Facsimile of "Les Contes de Boccace", heliogravures by Draeger with gold leafs, in regards with facsimile of Lavis by CHAGALL. - Verve 25-26 : Cover by PICASSO, issue illustrated only with reproductions of Picasso, incl the Frontispice. - Verve 27-28 : Cover by BRAQUE, orig. lithographs by : 2 by BRAQUE, 4 by MATISSE, 2 by Henri LAURENS, 2 by Alberto GIACOMETTI, 3 by MASSON, 3 by LEGER, 3 by MIRO, BORES, 2 by GROMAIRE, 8 by CHAGALL. - Verve 29-30 : Cover by PICASSO, 16 orig. lithographs by PICASSO and over 100 full page heliogravures. - Verve 31-32 : Cover by BRAQUE, 24 orig. lithographs by BRAQUE and over 100 full page heliogravures. - Verve 33-34 (Bible) : Cover by CHAGALL, 28 orig. lithographs by CHAGALL and over 100 full page heliogravures. - Verve 35-36 : Cover by MATISSE, 40 lithographs by MATISSE and c. 100 full page heliogravures. - Verve 37-38 (Bible) : Cover by CHAGALL, 24 orig. lithographs by CHAGALL and over 100 full page heliogravures. - TEXT : French and English edition. - CONDITION : overall excellent condition. ASK FOR MORE PICTURES. Nº de ref. de la librería 000691

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Carmen - Illustrated with 38 etchings by: Prosper Mérimée

Prosper Mérimée

Editorial: La Bibliothèque Francaise, Paris (1949)

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Cantidad: 1

Remitente: Artfever (Paris, Francia)

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Descripción: La Bibliothèque Francaise, Paris, 1949. Couverture rigide. Estado de conservación: Très bon. Estado de la sobrecubierta: Très bon. Pablo PICASSO Ilustrador. Edition originale. - PRESENTATION : in-4 in leaves under paper covered folder, lacking the slipcase. - ILLUSTRATION : 38 original burin etchings (30 on full page & 8 on half pages) by Pablo PICASSO. - PRINTER : Atelier Lacouriere. - SIGNATURE : Handsigned in pencil by Picasso at the limitation page. - LIMITED : 289 copies. - PAPER : Montval vellum. - SIZE : 13 x 10" (33 x 25,5cm). - REFERENCES : Bloch 531-568, Baer 797-838, Cramer books 52. - CONDITION : Excellent. ASK FOR EXTRA PICTURES. Signé par l'illustrateur. Nº de ref. de la librería 000951

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Quarante (40) dessins de Picasso en marge: PICASSO Pablo, BUFFON

PICASSO Pablo, BUFFON Georges-Louis Leclerc de

Editorial: Jonquières (1957)

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Cantidad: 1

Remitente: Librairie Polymetis (MARSEILLE, Francia)

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Descripción: Jonquières, 1957. Couverture rigide. Estado de conservación: Bon. Estado de la sobrecubierta: Assez bon. Edition originale. In-folio Quarante (40) dessins de Picasso en marge du Buffon, Jonquières Paris, 1957. Contient 40 dessins de Pablo Picasso reproduisant l'édition autographe de l'ouvrage de Buffon édité par Martin Fabiani en 1942. L'ouvrage fut offert à Dora Maar (voir Bibliothèque Nationale de France) et les dessins réalisés au 6 rue de Savoie à Paris, le 24 janvier 1943. Edition réalisée chez Duval, à Paris (planches) et typographiée par Priester Frères. Edition tirée à 2226 exemplaires numérotés. Celui-ci un des 226 de tête sur Vélin d'Arches. (n°132). "Il a été tiré 2226 exemplaires soit 226 exemplaires sur vélin à la forme d'Arche, comprenant une gravure à la gouge originale de Picasso, signée par lui, et tiré sur la presse à bras de Robert Blanchet, numérotés de I à 226, et 2000 exemplaires sur vélin du Marais numérotés de 227 à 2226. En outre des exemplaires hors commerce, numérotés en chiffres romains sont réservés aux différents collaborateurs". En feuilles, couverture cartonnée originale imprimée à l'imitation de trame, en partie fendu d'un des mors. Emboitage au même motif, en bon état, avec légers frottis usuels. Dos légèrement insolé. Intérieur très propre et bon état de fraicheur. Léger marquage de certaines planches sur la page opposée. Contient la linogravure originale "Le pigeonneau", signée de l'artiste, en bas à droite au crayon marron. Oeuvre atypique puisqu'elle constitue "l'une des deux premières linogravures de Picasso datant de 1939" (biblio : Goeppert-Cramer 84) Jonquières, 1957. Hardback. Condition: Very Good. Dust Jacket Condition: Good. Original edition. Folio Forty (40) Picasso drawings "in the margins of Buffon", Jonquières Paris, 1957. Contains 40 drawings by Pablo Picasso which reproduce the edition of Buffon's book edited by Martin Fabiani in 1942 and autographed and decorated by Picasso. The work was then offered to Dora Maar and it is now in the Bibliothèque Nationale de France. Edition performed in Duval, Paris (boards) and typeset by Priester Brothers. Edition printed in 2226 copies. This one of the 226 first copies printed on Arches Vellum. (No. 132). "From 2226 copies, 226 copies were printed on Arches vellum, including an original linocut by Picasso, signed by him, and handprinted by Robert Blanchet, numbered I to 226, (.) " A fine and scarce copy, with original hardcover lightly damaged of the back. Slipcase in very good condition, with light smears. Back slightly insolated. Very clean inside and good freshness. Light marking of some boards on the opposite page. Contains the original linocut "The pigeon", signed by the artist, on lower right corner in brown pencil. This atypical work constitutes "one of the first two linocuts of Picasso made in 1939" (Library: Cramer Goeppert-84). Signed by PICASSO. Signé par l'auteur. Nº de ref. de la librería ABE-15647558869

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Mystification: Diderot, Denis, Picasso,

Diderot, Denis, Picasso, Pablo

Editorial: Les Éditeurs Français Réunis, Paris (1954)

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Cantidad: 1

Remitente: Bookbid (Beverly Hills, CA, Estados Unidos de America)

Valoración librería: Valoración 4 estrellas

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Descripción: Les Éditeurs Français Réunis, Paris, 1954. Hardcover. Estado de conservación: Very Good. Limited Edition. Signed Limited edition. 1/100 signed by Picasso, of a total limited edition of 530. Picasso illustrated this essay of Diderot's with four portraits of the great thinker, whose mind "anticipated and epitomized moral, psychological, and social opportunities and stresses attending the assimilation of science into culture" (DSB 4: 84). The portraits are reproduced in lithograph print form by Mourlot Frères, Paris. There were also 430 copies printed on vélin pur Lafuma. Text in French. Housed in publisher's slipcase. One of the smallest signed limited editions by Picasso. Signed by Illustrator(s). Nº de ref. de la librería 1604031

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Texte de Luis Miguel Dorninguin, et une Etude de Georges Boudaille. Illustrations and Original Colour lithographs de Picasso

Editorial: Editions Cercle d'Arte France (1961)

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Cantidad: 1

Remitente: Andersens Antikvariat (Glostrup, Dinamarca)

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Descripción: Editions Cercle d'Arte France, 1961. First Edition. 32 pages of text which are illustrated with black and white vignettes plus 132 pages of Picasso's work in B/H and colour. p. This is no 76 of 125 numbered ex. With a fine decorated cartboard folder with 16 original colour lithograpgs by Picasso and one origial lithograpg signed by Picasso with pencil, text Spanish/french in mint condition and in a excellent original cloth bookcase, folio, 29x40 cm. bookcase with minor signs of use. Nº de ref. de la librería 15052502

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PICASSO, Pablo.

Editorial: Barcelona: Editorial Gustavo Gili, 1966 (1966)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, Reino Unido)

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Descripción: Barcelona: Editorial Gustavo Gili, 1966, 1966. Excellent condition. Presented in handmade white gold frame with conservation UV protected glass. Etching on Japan Nacré paper. Plate size 22.1 x 32.2 cm. Sheet size 36 x 45 cm. Edition of 12. Signed in pencil lower left by Picasso, numbered lower right. Bloch 1477. Nº de ref. de la librería 88276

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PICASSO, Pablo.

Editorial: Paris: L. Border, 1968 (1968)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, Reino Unido)

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Descripción: Paris: L. Border, 1968, 1968. Excellent condition. Presented in a handmade white gold leaf frame with conservation mount and glass. Etching on Japan ancien paper. Plate size 22.5 x 32.2 cm. Sheet size 35.6 x 50.5 cm. Framed size: 47.5 x 55 cm Edition of 15 in roman numerals aside from the edition of 188. Signed in pencil lower left by Picasso, numbered lower right. Bloch 1460; Baer 1505. Nº de ref. de la librería 111075

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Picasso, Pablo) - Michel Leiris:

Editorial: Galerie Louise Leiris,, Paris, (1957)

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Remitente: Antiquariat Weinek (Salzburg, Austria)

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Descripción: Galerie Louise Leiris,, Paris, 1957. Paris, Galerie Louise Leiris, 1957. o. Pag. [9 Bll. + 8 Tafeln + 1 Bl.] Lose Blattsammlung in OLwd.-Mappe. In franz. Sprache. Nr. 49 von 112 num. Expl. Mit der eighd. Signatur von Picasso. Mit allen Tafeln und der kl. Abbildung der Tafel II auf dem Impressum. - Mappe m. Gbrsp., St. a. Mappenklappe, Präge-St. a. ersten Bl., geringfügig stockfleckig a. unteren Kanten, geringe Gbrsp. - Leiris, (1901 - 1990), dessen literarische Neigung schon früh zutage tritt, wird von seiner Familie zu einem Studium der Chemie genötigt. Dennoch gewinnt er in der Zeit nach dem Ersten Weltkrieg Anschluss an die avantgardistischen Künstlerzirkel der Epoche, insbesondere dem Surrealismus; rasch befreundet er sich mit Max Jacob, André Masson, Picasso, Joan Miró und anderen. Diese Verbindung hält bis ins Jahr 1929, wonach er die Gruppe verlässt, um größere künstlerische Selbständigkeit zu erlangen. Leiris beginnt ein Studium der Ethnologie und gewinnt Kontakt zu Georges Batailles, für dessen Zeitschrift „Documents" er sich redaktionell engagiert. In Deutschland ist Leiris vor allem durch seinen autobiographischen Roman „Mannesalter" (1939) bekannt geworden. Techniken seiner surrealistischen Lehrjahre, psychoanalytische Selbstbefragung und ein auf die Deutung des eigenen Lebens gerichtetes ethnologisches Instrumentarium definierten das Genre der Autobiographie neu. (Zitat) Französisch Lose Blattsammlung in OLwd.-Mappe. Nº de ref. de la librería 11778AB

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PICASSO, Pablo.

Editorial: Paris: Galerie Simon, 1926 (1926)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, Reino Unido)

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Descripción: Paris: Galerie Simon, 1926, 1926. Excellent condition. Presented in a white gold leaf frame with conservation glass and mount. Original lithograph on Van Gelder Zonen cream wove paper. Sheet size 63.1 x 48.1 cm. Image size: 32.8 x 24.5. Edition of 100. Signed in pencil lower right by Picasso, numbered lower left. Bloch. 75. Mourlot XXII. Nº de ref. de la librería 107225

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Lysistrata, by Aristophanes. A New Version by: Aristophanes

Aristophanes

Editorial: Limited Editions Club, New York (1934)

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Cantidad: 1

Remitente: Bromer Booksellers, Inc., ABAA (Boston, MA, Estados Unidos de America)

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Descripción: Limited Editions Club, New York, 1934. Picasso, Pablo Ilustrador. Quarto. 117pp. One of 1,500 copies on French Rives and signed by Picasso. Illustrated with six original etchings in black, one of which is signed in the plate and dated in reverse, and thirty lithographs printed in sanguine after drawings. This is the only American publication with original Picasso etchings, which are "among his most important in the Classical style," according to The Artist and the Book. However experimental and avant-garde he may have been throughout his life, the Lysistrata marks a clear retrogression to the artist's earlier classicist mode, an appropriate follow-up to his acclaimed Les Métamorphoses and fitting for the classical nature of this book. The Limited Editions Club printed the volume at their own printing shop in Westport, Connecticut. The book was designed by the Club's publisher, George Macy, who had eagerly anticipated the book's production and praised Picasso's hand as "sure and confident," noting that the beauty of the etchings lay in their simplicity. A fine, bright copy in boards covered with patterned paper in three colors from drawings by Picasso. Wrapped in the original glassine, which is still crisp overall, save for slight edgewear. Housed in a chemise of blue boards and patterned paper, which is sunned to the spine, and the original slipcase, which shows some wear to the corners and has a slight split starting to one corner. (The Artist and The Book 226; Cramer 24; LEC 57). Nº de ref. de la librería 25141

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Peintre debout et modèle. Radierung und Aquatinta.: PABLO PICASSO (Málaga
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Descripción: 32 : 46,7 cm auf vélin Richard de Bas 46 : 61cm. Baer 1146/II/B/b. - Bloch 1158. - Edition Louis Leiris 1965. - Gedruckt von Crommelynck, Paris, Mougins. - 1963 eröffnete der Kunstdrucker Aldo Crommelynck (1931-2008) mit seinem Bruder Piero eine Druckerwerkstatt in Mougins. Da sich die Druckerei in der Nähe von Picassos Haus befand und die Brüder Crommelynck einen Grossteil ihrer Zeit dem Künstler zur Verfügung stellten, konnte Picasso sein grafisches Werk intensiv weiterentwickeln. Diese Zusammenarbeit bestand bis zum Tod Picassos im Jahr 1973. Nº de ref. de la librería 21020

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Faunes et nymphes de Picasso *: PICASSO] VERDET André

PICASSO] VERDET André :

Editorial: P. Cailler, Genève 10.1952. (1952)

Usado

Cantidad: 1

Remitente: OH 7e CIEL (Lausanne, Suiza)

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Descripción: P. Cailler, Genève 10.1952., 1952. Broché, couverture rempliée illustrée d'une photo, logé dans un fond perdu d'un étui boîte signé de Jean-Luc Honegger 27 x 23, plein liège à dos arrondi titré en noir, sous un album factice dans lequel sont montés les 32 photographies originales sur onglets, permettant l'accès aux remarques de travail inscrites au verso des tirages. 32 photographies hors texte de Robert Picault, tirées en héliogravure par Wahli à Prilly. Exemplaire ébouriffant de ce touchant petit reportage au pays des sculptures en terre cuite de Picasso, avec la griffe du maître ainsi qu'un portrait original de ce dernier par le photographe maison, Yvan Bettex, en sus de l'intégralité du tirage des 32 planches reproduites dans l'ouvrage. Cet extraordinaire ensemble présente une information graphique inédite, les clichés étant cadré de façon plus large; le format plus grand et la netteté du tirage supérieure à l'iconographie du livre en font également l'intérêt, outre les remarques figurant au verso des clichés évoqués ci dessus. Édition originale. Parmi 25 exemplaires de tête numérotés et signés par l'artiste, l'indétrônable numéro 1, avant 120 exemplaires de Chapelle. Nº de ref. de la librería YG13367

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Unpublished typescript with manuscript corrections. --- Un: PICASSO. PABLO. --

PICASSO. PABLO. -- BRASSAI. (HALASZ, Gyula).

Editorial: Cannes. 1966. NP. 1966 (1966)

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Descripción: Cannes. 1966. NP. 1966, 1966. Hardcover. Estado de conservación: Near Fine. Quarto (285mm x 233mm). 20 typed sheets in French (rectos only), legibly hand-corrected throughout by Brassai in black ink. Housed in a black cloth album, with each sheet in a separate clear plastic file. In excellent condition, the final page a little creased and with minor loss to right-hand side, affecting one letter. Overall fresh and clean. ------ A superb unpublished and heavily corrected manuscript in French, in which Brassai recounts his visit to Picasso, a long-standing friend, at his home near Cannes. Brassai, who photographed much of Picasso's work in the 1940s, had published Conversations with Picasso in 1964, in which he created an intimate portrait of Picasso, covering their friendship and artistic collaboration, and recording each of their meetings with minute detail. Picasso said of the volume, "Read this book if you want to understand me". This account is written in a similar style, and during the course of the afternoon, Picasso speaks about his nostalgia for his old studios, his health, his enthusiasm for the recently invented felt-tip pen, his opinion of his own writings, his relationship with his wife Jacqueline, and his views on feminism. Though unmarked as such, it comes from the collection of Brassai's close friend and colleague, photographer Stefan Lorant. Nº de ref. de la librería 9624

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La Guerre et la Paix . Deluxe: Roy Claude, Pablo

Roy Claude, Pablo Picasso

Editorial: Paris, Editions Cercle d’Art (1954)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Paris, Editions Cercle d’Art, 1954. Hardcover. Estado de conservación: Very Good. Limited Edition. La Guerre et la Paix . Deluxe edition with an original signed lithograph by Picasso. Picasso Pablo, Roy Claude. Published by Paris, Editions Cercle d’Art, 1954. Folio (15 5/16 x 11 5/8 Inches) (390x295 mm). Loose in Arche wove-covered wrappers, cloth chemise, and matching slipcase. Deluxe edition limited in 100 numbered copies on Arches paper, with an original lithograph by Picasso dated 10.2.54 signed in red pencil. This book provides a complete documentary record of the two Picasso’s murals: La guerre et la paix, in the Chapel at Vallauris, South of France. Studies in pencil, preparatory sketches, related to the two murals, and also several reproductions of works done by Picasso in the 40th, which attest the artist hatred of war and desire for the peace. A reproduction of a canvas painted on 1954, Le hibou, serves as frontispiece. There are as well photographic reproductions of the two murals. The text that accompany this rare edition is from Claude Roy, a conversation with Picasso during the 1950/ 1954 reflecting on the man and his way of working. The Roy's essay: L'energie de l'espoir, complete the text of this book. Condition: Etching in very good condition, offsetting on the colophon from the reproduction of the painting Le hibou. In very good near fine condition. Ref: Cramer #67. MORE PICTURES ON REQUEST. Signed by Illustrator(s). Nº de ref. de la librería B-13-040001

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Doble Ensayo Sobre Picasso. With an original: Josep Palau i

Josep Palau i Fabre. Pablo Picasso

Editorial: Editorial Gustavo Gili, Barcelona (1968)

Usado Soft cover Ejemplar firmado

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, Estados Unidos de America)

Valoración librería: Valoración 5 estrellas

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Descripción: Editorial Gustavo Gili, Barcelona, 1968. Soft cover. Estado de conservación: Near Fine. Limited Edition. Doble Ensayo Sobre Picasso. With an original drypoint by Picasso numbered and signed in pencil. Josep Palau i Fabre. Editorial Gustavo Gili, Barcelona 1968. 4to (280 x 210mm. Limited edition, 130 numbered copies in Capellades laid paper. loose in its original paper wrappers and slipcase. Complete of text in Spanish, justification, and the original drypoint by Picasso signed and numbered in pencil, (Bloch 1854) depicting a Spanish cavalier. The book is an introduction to Picasso’s art, by Palau i Fabre, poet and play writer from Barcelona, and Picasso's biographer. In excellent condition. Ref: Bloch 1854. Signed by Illustrator(s). Nº de ref. de la librería B-16-060001

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DIAL - 1920-1929. Complete set as a: T.S. ELIOT, Marc

T.S. ELIOT, Marc CHAGALL, Franz MARC, Natalia GONTCHAROVA, Constantin BRANCUSI, Robert DELAUNAY, Mina LOY, Sherwood ANDERSON, Osip ZADKINE, Max WEBER, Arthur RIMBAUD, Kenneth BURKE, Henry Mc BRIDE, William GROPPER, William Carlos WILLIAMS, Richard BOIX, Waldo FRANK, Jacques LIPCHITZ, Edward P. NAGLE, Paul ROSENFELD, E.E. CUMMINGS, Eric GILL, Gaston LACHAISE, Pablo PICASSO, Marianne MOORE, Edward MUNCH, Thomas MANN, Paul GAUGUIN, Conrad AIKEN, Egon SCIELE, Marie LAURENCIN, Charles DEMUTH, Arthur G. DOVE, Henri MATISSE, Thomas H. BENTON, William ZORACH, Jean COCTEAU, Wyndham LEWIS, Charles VILDRAC, Bertram HARTMAN, Joseph STELLA, Edward NAGLE, Guy PENE du BOIS, Louis ARAGON, Alexander ARCHIPENKO, Jacob EPSTEIN, Odilon REDON, et al.

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Cantidad: 1

Remitente: Le Grand Verre (Villejuif, Francia)

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Descripción: 1920. Couverture rigide. Estado de conservación: Bon. New York city 1920-1929. The Dial Compagny. 19 volumes fort in-4°, cartonnés et titrés. Du volume 68 (n°1) au volume 86 (n°7 et dernier), au total 115 numéros. Photographies, bois, vignettes, reproductions en noir et en couleur de C. Sheeler, Stieglitz, Picasso, Wh. Lewis, Archipenko, Matisse, J. Epstein, Larionov, Gontcharova, J. Lipchitz, A. G. Dove, J. Marin, C. Demuth, Chagall, Kokoschka, Masereel, Laurencin, Signac, Munch, Richard Boix, J. Epstein, Brancusi, Delaunay, Severini, Gontcharova, E. Mendelsohn, J. Stella, C. Pansaers, Art nègre, Brancusi, Foujita, Pascin, Derain, et al. Contributions littéraires, critiques poèmes et essais de Mina Loy, C. Pansaers, Djuna Barnes, E. Pound, P. Soupault (sur Dada), J. Joyce, G.B. Munson, Kenneth Burke, Cocteau, G. Stein, E.E. Cummings, P. Rosenfeld, A. Kreymborg, Aragon, P. Morand, Capek, Marsden Hartley, Rimbaud, Proust, W. Frank, et al. Nombreuses textes sur le Surréalisme, le Dadaïsme, Futurisme, l'architecture moderne, la Société Anonyme, les Ballets Russes et al. A noter l'importante contribution de T.S. ELIOT "THE WASTE LAND". Collection complète de la 3ème et dernière époque de Dial qui devint à ce moment le porte-voix du modernisme aux Etats-Unis. Tampons, ex-libris "James V. Brown Library". Manque 6 illustrations contrecollée :avril 1924, janv. et sept. 1925, Avr. 1926, avr. et sept. 1927. 4 feuilles collées, quelques mouillures marginales sans gravité. Ensemble en bon état. (Avant garde periodical, modernism, modern art). Nº de ref. de la librería ABE-16348250302

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CALLIGRAMMES. Poèmes de la paix et de: APOLLINAIRE (Guillaume).

Descripción: 1918. PICASSO ; Ilustrador. Paris, Mercure de France, 1918. In-8 (149 X 230) demi-maroquin bordeaux, dos lisse orné de deux caissons dorés, l'un contenant l'auteur et le titre dorés, l'autre décoré en long de filets perlés, fers dorés et à froid, tête dorée, plats et dos de la couverture conservés (reliure de l'époque) ; 205 pages, (1) page d'achevé d'imprimer. Traces de frottements au mors supérieur, infime manque à la coiffe supérieure, papier jauni. ÉDITION ORIGINALE avec le bon achevé d'imprimer à la date du «15 avril 1918 ». En frontispice, un portrait de l'auteur par PICASSO, gravé sur bois par R. Jaudon. Il représente le poète en buste, de profil, avec le sommet de la tête enserré dans un bandage. La plupart de ces poèmes ont été écrits pendant la guerre 1914-1918. À côté des "Poèmes de guerre" qui constituent une des parts les plus belles de l'oeuvre d'Apollinaire, et des "Calligrammes" qui le montrent dans son aspect de novateur infatigable, on trouve aussi dans ce volume quelques "Poèmes-conversations" faits de phrases de conversation banales mises bout à bout, chargées d'une singulière vertu poétique. Cette oeuvre qu'Apollinaire situait au-delà de toute sa production, est dédiée à René Dalize, pseudonyme de René Dupuy, son camarade de classe au collège Saint-Charles à Monaco, co-fondateur de la revue "Les Soirées de Paris", qui fut tué sur le front en 1917, au Chemin des Dames.Exemplaire comportant un ENVOI AUTOGRAPHE SIGNÉ de Guillaume APOLLINAIRE sur le premier feuillet : « A madame Dupuy / Hommage respectueux / Guillaume Apollinaire ». Le patron de presse et homme politique français Paul DUPUY (1878-1927) rencontra Miss Helen Browne à New-York, lors d'un séjour qui devait lui permettre d'étudier l'impression des journaux aux États-Unis ; il l'épousa le 9 juillet 1908. A la mort de son mari en 1927, Hélène Dupuy se retrouva en charge du "Petit Parisien", l'un des journaux les plus importants et les plus puissants de la Troisième République, et prendra la direction du quotidien "L'Excelsior", racheté par son mari en 1917, et dans lequel Apollinaire fit paraître ses premiers articles. (TALVART, I, page 80-81, n°15A). SÉDUISANT EXEMPLAIRE, dans une reliure attribuable à Bellevallée, de ce titre toujours très précieux avec envoi autographe de l'auteur. NICE COPY. PICTURES AND MORE DETAILS ON REQUEST. Nº de ref. de la librería 004055

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