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Picasso. Max Jacob.

Editorial: 1910, Montrouge [Paris] (1910)

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: TBCL The Book Collector's Library (Montreal, QC, Canada)

Valoración librería: Valoración 5 estrellas

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Descripción: 1910, Montrouge [Paris], 1910. Original Litho. Picasso. Max Jacob. MAX JACOB. Double Signed Litho. Montrouge [Paris] (Seine). 1910. 14" 7/8 X 10" 3/4 on plain paper stock printed in black. Number 17 of only 30 copies. A rare early illustration of Picasso's close friend, Max Jacob, done in celebration of Jacob's conversion to Christianity. Jacob, who had Jewish origins, claimed to have had a vision of Christ in 1909, causing his conversion. The illustration of Jacob [the first of Picasso's drawings of Max Jacob] seated comfortably in a fine armchair, dressed in his three piece suit, his dome appropriately receptive. The printed text: [Top] A mon ami Max Jacob / Picasso .10 / 22 R. Victor Hugo / Montrouge (Seine) - [Middle] L'archange foudroyé n'eut que le temps / de desserrer sa cravate . On aurait sit qu'il / priait encore./ C. Max Jacob. Signed in pencil with his new Christian name: "C. Max Jacob" & by "Picasso" at the bottom. A very good or better example of this rare piece - Max Jacob is regarded as an important link between the symbolists & the surrealists, as can be seen in his prose poems Le cornet à dés (The Dice Box, 1917. Throughout the year of 1901, Picasso traveled to Barcelona & Paris for art exhibitions. During an exhibition in Paris, Picasso met Max Jacob. Max Jacob was a poet, painter, & art critic with connections in the Parisian cultural scene. The two artists developed a friendship after Jacob left an admiring note for Picasso at the art gallery displaying Picasso's work (Richardson Vol. I, 203). Jacob introduced Picasso to the French language and to French theatre; Jacob was also an actor. Jacob took Picasso to see operas which possibly included I Pagliacci & La Bohème (Richardson Vol. I, 338). "At night there were frequent visits to the cabarets of Montmartre such as the Chat Noir, and, when tickets could be found, to the Moulin Rouge" (Penrose Picasso 76). Picasso & his friends also enjoyed the artistic atmosphere of Le Lapin Agile. Artists & writers would congregate at the small café to listen to recitals, exchange ideas & celebrate special occasions such as the opening of an exhibition (Penrose Picasso 117). The walls of the café were lined with work by artists that were used as payment for debts. Theatrical entertainment was a prominent part of Picasso's social life in Paris. By 1904, Picasso had established a foothold in Paris and would remain in the cultural center of Europe for the rest of his life. Picasso & Max Jacob cultivated their talents in a dwelling known as the Bateau Lavoir. According to Penrose, this place was ". . . composed it seemed of nothing but lofts & cellars, all in such a sad state of repair. . . " (Picasso 96). Artists of all endeavors were attracted to this bohemian style of living. Picasso's neighbors included painters, sculptors, writers & actors (Penrose Picasso 102). One of Picasso's most influential friends entered his life in 1905: Guillaume Apollinaire. "From the first encounter, Pablo Picasso and Guillaume Apollinaire established a creative dialogue that fostered and inspired some of their finest art & poetry". Apollinaire was a poet & playwright, identified as a Surrealist, who kept close connections with literary & artistic figures in Paris including Max Jacob & André Salmon. He was a great source for Picasso to meet writers & theatre artists. Many of Picasso's friends encouraged him to frequent the theatre with artists & poets from Paris (Picasso Penrose 177). Even though Picasso was not in Paris, he managed to find groups of artistic individuals to stay abreast of cultural gossip & happenings. Picasso's connections with writers led him to create several illustrations for books of poetry for friends. For example, during summer 1910 in Cadaques, Catalonia, painting with Derain, Picasso was commissioned to illustrate a poetic novel written by Max Jacob titled Saint Matorel issued by Daniel-Henry Kahnweiler in 1911. (Penrose Picasso 179). This was only the first of five collections of poetry by Max Jacob that contain. Signed by Author(s). Nº de ref. de la librería 32441

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PICASSO, Pablo.

Editorial: Paris: Galerie Louise Leiris, 1962 (1962)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

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Descripción: Paris: Galerie Louise Leiris, 1962, 1962. Excellent condition. Presented in a hand made gold leaf frame with UV preventive glass. Linocut in brown, tan, black and white on Arches paper. Image size 35 x 27 cm. Sheet size 62.5 x 44.1 cm. Edition of 50. Signed in pencil lower right and numbered lower left by Picasso. Printed by Arnéra, Vallauris. This linocut is one of a series of Picasso's radical reinterpretations of Manet's famous painting, The Luncheon on the Grass, begun in June 1954 and continued over the next decade. By this late stage, the "Conversationalist" has lost his hair, has clearly aged, and now resembles Picasso himself, in conversation with a Victorine who could be said to resemble his wife, Jacqueline. Bloch 1096. Baer 1328. Kramer 88. Nº de ref. de la librería 96993

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Le Chef-d'Oeuvre Inconnu (The Hidden Masterpiece): Balzac, Honoré de;

Balzac, Honoré de; Pablo Picasso (Illustrated by); Albert Besnard (Foreword by)

Editorial: Ambroise Vollard, Paris (1931)

Usado Tapa dura

Cantidad: 1

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Descripción: Ambroise Vollard, Paris, 1931. Paperback. Estado de conservación: vg. Limited edition. 1/340. Folio. XIV, [3], [16]pp numbered A to P, [3], 92, [8]pp. (text), [13] loose plates, as issued. Uncut. Original glassine over illustrated dust-jacket and stiff wraps. Book housed in its green cloth portfolio within its matching green cloth slipcase. Gold lettering on slipcase's spine. "Le Chef-d'?uvre inconnu" (The Unknown Masterpiece) is a short story by Honoré de Balzac. It was first published in the newspaper L'Artiste with the title "Maître Frenhofer" (Master Frenhofer) in August 1831. It appeared again later in the same year under the title "Catherine Lescault, conte fantastique." It was published in Balzac's Études philosophiques in 1837 and was integrated into the "La Comédie Humaine" in 1846. In 1927 Pablo Picasso was commissioned by publisher Ambroise Vollard to do a series of illustrations for Balzac's novella. After reading it Picasso became obsessed with this uncanny tale of a painter's obsession to create a masterpiece. Picasso accepted the Balzac commission from art dealer Ambroise Vollard and completed the thirteen etchings in 1931 for the centennial edition. As a result, this striking illustrated edition of "Le Chef-d'Oeuvre Inconnu" is considered Picasso's livre d'artiste masterpiece. With Vollard as impressario, the book was meticulously planned and produced, and separate printers were chosen to handle the different types of reproductions: etchings, wood engravings, text and typography. Many have considered these etchings "landmarks in the history of engraving." Balzac's story, admired by other painters like Cézanne and Matisse, is among other things, a tale of an artist ahead of his time. Set in the 17th century, "Le Chef-d'Oeuvre Inconnu" (The Hidden Masterpiece) tells the story of an aging painter named Frenhofer, who obsessively labors over a work he has kept secret for years. When two younger admirers, painters Poussin and Porbus, finally manage to see Frenhofer's secret canvas, they are appalled - it appears to them nothing more than an indistinct mess of lines, colors and shapes - and they mock the older artist and assume their celebrated friend has gone insane. The next day, Frenhofer destroys all his work and kills himself. Picasso later claimed that the ghost of Balzac haunted him, and he found himself so compelled by the story that in 1937, he chose for his new studio a 17th century townhouse located at 7 Rue des Grands-Augustin, the very house many believed to be the setting of the opening scene in "The Hidden Masterpiece." It was in his new studio that Picasso painted his own Masterpiece, Guernica. Splendidly illustrated with 67 in-text wood engravings, and 13 original tissue-guarded etchings by Pablo Picasso, this copy is No.171 of 240 printed on Rives paper (of a total edition of 340). Minor age-toning and slight soiling on slipcase. Glassine slightly sunned. Minor and sporadic foxing throughout. Text in French. Slipcase and glassine in overall good+, portfolio, dust-jacket, wrappers and interior in very good condition. Nº de ref. de la librería 37049

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PICASSO, Pablo.

Editorial: Paris: Berggruen, 1962 (1962)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

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Descripción: Paris: Berggruen, 1962, 1962. Excellent condition. Presented in a hand made gold leaf frame with UV preventive glass. Linocut in brown and tan on Vélin d'Arches paper. Image size 39 x 30 cm. Sheet size 54.5 x 43 cm. Edition of 100. Signed in pencil lower right and numbered lower left by Picasso. This linocut was printed by Arnéra, Vallauris. Bloch 1062; Baer 1276. Kramer 83. Nº de ref. de la librería 96990

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PICASSO, Pablo.

Editorial: Valluaris: Arnéra, 1963 (1963)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

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Descripción: Valluaris: Arnéra, 1963, 1963. Excellent condition. Presented in a white gold leaf frame with conservation glass. Linocut in black on Arches paper. Image size 64.2 x 53.2 cm. Sheet size: 75.2 x 62.2 cm. Edition of 150. Signed in pencil lower right by Picasso, numbered lower left. Bloch 1153. Baer 1342 IIIB. Kramer 103. Nº de ref. de la librería 107957

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ESTAMPES: Foreword by Robert

Foreword by Robert Rey. Illustrated by Chagall Matisse Picasso and other artists

Editorial: PARIS, L'IMAGE LITTERAIRE, NICE - NEW YORK, RAFAEL FINELLI-FEUGERE, (1950)

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: PARIS, L'IMAGE LITTERAIRE, NICE - NEW YORK, RAFAEL FINELLI-FEUGERE, 1950. Hardcover. Estado de conservación: Fine. 1st Edition. The complete portfolio, comprising 12 wood engravings printed in colors after works by various artists, each signed in pencil by the artist and the portfolio's artistic director, Robert Rey, and each print is accompanied by an essay signed by the authors in blue ink. Rare French edition, one of 100 copies numbered in Roman Numbers, complete of the original case resembling a framed painting of Van Dongen woodcut. Loose as issued, it includes the decomposition of Raul Dufy print, in a separated paper wrap folder, and the paper wrap cover comprising: title page, introduction text, table of content, essays, prints, and colophon. Artists include: Georges Braque, Nature Morte aux Huitres; Maurice Brianchon, La Neige a Auteuil; Marc Chagall, La Sirene; Françoise Desnoyer, Liseuses au Bord de Mer; Raoul Dufy, Le Casino de la Jetee a Nice; Marie Laurencin, Portrait de Femme en Rouge; Henri Matisse, Nature Morte au Magnolia; Pablo Picasso, La Casserole Emaillee; Maurice Utrillo, Le Jardin de Montmagny; Kees van Dongen, Tete de Femme; Maurice de Vlaminck, Les Bles Dans le Perche; Henri de Waroquier, Dolori Sacrum. Authors include: Jean Paulhan, Jacques de Lacretelle, Rene Huyghe, Andre Chamson, Jean Louis Vaudoyer, Louis de Vilmorin, Jean Cocteau, Jean Cassou, Pierre Mac Orlan, Andre Maurois, Jerome et Jean Tharaud, Daniel-Rops. PREFACE by ROBERT REY Total Edition 250 copies on Chiffon Van Gelden Zonen paper, of which 100 copies numbered in Roman Numbers from I to C reserved for the French edition, and 150 numbered from 1 to 150 encased in a calf portfolio case. There are a few copies reserved for the collaborators and are marked as: Exemplaire d’Artist. Our portfolio is in fine condition. Paper wrap cover present a small tear on the front low left corner, inside all the prints are bright and clear, some of the prints on the very end of the edges present small spots, however this minor defect is barely noticeable. Very rare copy in fine condition of the Rare French Edition. Sheets dimensions: approx. 468 by 365 mm 18 1/2 by 14 5/8 in More Pictures on Request. Signed by Illustrator(s). Nº de ref. de la librería B-15-070003

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PABLO PICASSO PAR CHRISTIAN ZERVOS - CATALOGUE: ZERVOS ( Christian
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Descripción: Cahiers d’Art. Couverture souple. Estado de conservación: Comme neuf. 2ème Édition. Paris 2014 .33 Volumes/33. -- Brochés cousus. Couvertures à rabats . Format in-4°( 32,8 x 25 cm ). ------- Plus de 6 000 pages avec 16 000 peintures et dessins réunis . C’est le résultat du travail d’une vie mené par Christian Zervos en collaboration avec Picasso lui-même. ************************ "" Le livre « Pablo Picasso par Christian Zervos », souvent connu sous la simple appellation « le Zervos », est l’ouvrage le plus important et le plus influent publié par cet éditeur. Cette réédition est une version revue et corrigée en collaboration avec l'Administration Picasso, qui donne un point d'orgue à la vision de Zervos. "" ****************************. Nº de ref. de la librería ya750614

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PABLO PICASSO BY CHRISTIAN ZERVOS - CATALOGUE: ZERVOS ( Christian

ZERVOS ( Christian ) [ Pablo Picasso ]

Editorial: Cahiers d’Art

Usado Couverture souple

Cantidad: 2

Remitente: Okmhistoire (montrouge, France)

Valoración librería: Valoración 4 estrellas

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Descripción: Cahiers d’Art. Couverture souple. Estado de conservación: Comme neuf. 2ème Édition. Paris 2014 . -- 33 Volumes/33. -- Softbound . Original flexible binding, with glacine wrapping - Quarto size ( 32,8 x 25 cm ). ------- 6 000 pages with 16 000 black-and-white images ******************************** "" ‘Pablo Picasso par Christian Zervos,’ known by many simply as ‘the Zervos,’ remains the most trusted reference to the works of Picasso. This new, revised edition, published by Cahiers d’Art, includes corrections to the original catalogue prepared together with the Picasso Administration. "" ***********************************. Nº de ref. de la librería ya750614-t

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Sable Mouvant: Reverdy, Pierre

Reverdy, Pierre

Editorial: Louis Broder, Paris (1966)

Usado Soft cover Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Aronstein Books (Washington, DC, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Louis Broder, Paris, 1966. Soft cover. Estado de conservación: As New. Estado de la sobrecubierta: As New. Pablo Picasso Ilustrador. 1st Edition. Exquisite livre d'artiste illustrated by Picasso with ten original aquatints/drypoints, depicting the artist and/or his model, a signature motive of Picasso's. The design of the portfolio combined with the luminous, full page illustrations create what is arguably the greatest portfolio of the artist's last period. Limited to an edition of 255, (I-XX, 1-15, and 1-220), this is one of 220. Published by Louis Broder on Velin de Rives made for this work. Condition is as new. Cramer books # 136; Bloch #s 1183-1192; Bloch books, # 129. Signed by Illustrator(s). Nº de ref. de la librería 000016

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VERVE - Complete set of all the
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Descripción: Verve Tériade, Paris, 1937. Couverture rigide. Estado de conservación: Très bon. Estado de la sobrecubierta: Très bon. CHAGALL, MATIISSE, PICASSO, MIRO, BRAQUE, GIACOMETTI, KLEE, LEGER... Ilustrador. Edition originale. RARE COMPLETE SET of 38 issues in 26 volumes as follow : - Verve 1 : Cover by MATISSE, orig. lithographs by : Fernand LEGER, Joan MIRO, RATTNER, BORES. - Verve 2 : Cover by Georges BRAQUE, orig. lithographs by : 2 by KANDINSKY, 2 by André MASSON - Text in English, in a leather bound. - Verve 3 : Cover by Pierre BONNARD, orig. lithographs by : CHAGALL, MIRO, RATTNER, Paul KLEE. - Verve 4 : Cover by ROUAULT, orig. lithographs by : Tacuinun Sanitatis (8 pages), Henri MATISSE : the Dance (4 pages), 4 by André DERAIN. - Verve 5-6 : Cover by Aristide MAILLOL, orig. lithographs by : 4 by Constantin GUYS, BRAQUE, ROUAULT, DERAIN, LEGER, 2 by Pierre BONNARD, 2 by MATISSE, KLEE. - Verve 7 : Facsimile of "Les très riches heures du Duc de Berry", heliogravures by Draeger with gold leafs. - Verve 8 : Cover by MATISSE, orig. lithograph by : BONNARD, Facsimile of "Calendrier de Charles d'Angouleme", heliogravures by Draeger with gold leafs and drawings of DERAIN. - Verve 9 : Facsimile of "Les Fouquet de la Bibliothèque Nationale", heliogravures by Draeger with gold leafs. - Verve 10 : Facsimile of "Les très riches heures du Duc de Berry - vol. 2", heliogravures by Draeger with gold leafs. - Verve 11 : Facsimile of "Les Fouquet de la Bibliothèque Nationale - vol. 2", heliogravures by Draeger with gold leafs. - Verve 12 : Facsimile of "Les Fouquet de Chantilly", heliogravures by Draeger with gold leafs. - Verve 13 : Cover by MATISSE, orig. lithograph by : 5 by MATISSE. - Verve 14-15 : Facsimile of "Les Heures d'Anne de Bretagne", heliogravures by Draeger with gold leafs. - Verve 16 : Facsimile of "Les Livres des Tournois du Roi René", heliogravures by Draeger with gold leafs. - Verve 17-18 : Cover by BONNARD, issue illustrated only with reproductions of Bonnard, incl. one orig. lithograph. - Verve 19-20 : Cover by Pablo PICASSO, issue illustrated only with reproductions of Picasso, incl. one orig. lithograph. - Verve 21-22 : Cover by MATISSE, issue illustrated only with reproductions of Matisse. - Verve 24 : Cover not conserved, Facsimile of "Les Contes de Boccace", heliogravures by Draeger with gold leafs, in regards with facsimile of Lavis by CHAGALL. - Verve 25-26 : Cover by PICASSO, issue illustrated only with reproductions of Picasso, incl the Frontispice. - Verve 27-28 : Cover by BRAQUE, orig. lithographs by : 2 by BRAQUE, 4 by MATISSE, 2 by Henri LAURENS, 2 by Alberto GIACOMETTI, 3 by MASSON, 3 by LEGER, 3 by MIRO, BORES, 2 by GROMAIRE, 8 by CHAGALL. - Verve 29-30 : Cover by PICASSO, 16 orig. lithographs by PICASSO and over 100 full page heliogravures. - Verve 31-32 : Cover by BRAQUE, 24 orig. lithographs by BRAQUE and over 100 full page heliogravures. - Verve 33-34 (Bible) : Cover by CHAGALL, 28 orig. lithographs by CHAGALL and over 100 full page heliogravures. - Verve 35-36 : Cover by MATISSE, 40 lithographs by MATISSE and c. 100 full page heliogravures. - Verve 37-38 (Bible) : Cover by CHAGALL, 24 orig. lithographs by CHAGALL and over 100 full page heliogravures. - TEXT : French and English edition. - CONDITION : overall excellent condition. ASK FOR MORE PICTURES. Nº de ref. de la librería 000691

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PICASSO, Pablo.

Editorial: Cannes: 1959 (1959)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

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Descripción: Cannes: 1959, 1959. Tape from previous mounting adhered to the verso of upper and lower sheet edges, otherwise in excellent condition. Presented in a gilt wooden frame with UV glass. Crayon on zinc lithograph on Arches wove paper. Sheet size 50 x 60 cm. Edition of 50. Signed in pencil lower right by Picasso, numbered lower left. Bloch 901, Mourlot 328. Nº de ref. de la librería 88269

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Corps Perdu: Gravures de Pablo Picasso.: Césaire, Aimé &

Césaire, Aimé & Pablo Picasso.

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: F.A. Bernett Books (Boston, MA, U.S.A.)

Valoración librería: Valoración 4 estrellas

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Descripción: 123 pp. volume containing 32 intaglio prints by Picasso, 12 etchings and 20 engravings, interspersed with ten poems by Césaire in French, table of contents. Folio. Folded paper wrpps. housed inside a mustard-colored boards slipcase with gilt-stamped vellum spine. Paris (Éditions Fragrance) 1950. From a limited edition of 207 copies, signed by Césaire and Picasso in pencil on the justification page. Nº de ref. de la librería 48328

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TOROS 15 lavis de Pablo Picasso, One: Pablo Neruda (Poems)

Pablo Neruda (Poems) Pablo Picasso Illustrator

Editorial: Au Vent d'Arles, Paris (1960)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Au Vent d'Arles, Paris, 1960. Hardcover. Estado de conservación: Very Good. Limited Edition. 15 lavis de Pablo Picasso, poeme de Pablo Neruda. Au Vent d'Arles, Paris 1960. One of 50 copies with a lithograph signed and numbered in pencil by Picasso, of which this one is N 50. Portfolio with 15 pochoirs (Daniel Jacomet) reproducing the wash drawings by Picasso, each numbered in pencil. The prints are loose, as issued, secured in the original portfolio, in red satin covers with a drawing after Picasso printed in black on the front, black satin spine, linen flaps and tie-strings. Complete of title page, colophon and text, 15 prints and original lithograph, all in very good condition, on velin d’Arches paper. Rare Portfolio. Size: 22”x16” inches – 55x24 cm. Reference: Cramer #107. More pictures on request. Signed by Illustrator(s). Nº de ref. de la librería B-14-070000

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PABLO PICASSO – FERNAND CROMMELYNCK. LE COCU: PABLO PICASSO –

PABLO PICASSO – FERNAND CROMMELYNCK.

Editorial: Paris, Éditions de l’Atelier Crommelynck, 1968 (1968)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Librairie l'Arrondi (Paris, France)

Valoración librería: Valoración 5 estrellas

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Descripción: Paris, Éditions de l’Atelier Crommelynck, 1968, 1968. Couverture rigide. Estado de conservación: Comme neuf. Estado de la sobrecubierta: Comme neuf. Édition illustrée. Paris, Éditions de l’Atelier Crommelynck, 1968, in-4° oblong (290 x 395 mm), en feuilles, couverture de papier vélin de Rives recouverte de parchemin remplié, emboîtage de chagrin bordeaux d’éditeur (Duval). 12 GRAVURES ORIGINALES DE PABLO PICASSO (7 eaux-fortes, 4 aquatintes et eaux-fortes et une aquatinte, pointe sèche et eau-forte). Édition limitée à 200 exemplaires, TOUS sur vélin de Rives et SIGNÉS par CROMMELYNCK et PICASSO. Superbe exemplaire, conservé tel que paru. L’emboîtage comporte de très légères marques. Signé par l'illustrateur. Nº de ref. de la librería ABE-17812488111

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Carmen - Illustrated with 38 etchings by: Prosper Mérimée

Prosper Mérimée

Editorial: La Bibliothèque Francaise, Paris (1949)

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Artfever (Paris, France)

Valoración librería: Valoración 5 estrellas

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Descripción: La Bibliothèque Francaise, Paris, 1949. Couverture rigide. Estado de conservación: Très bon. Estado de la sobrecubierta: Très bon. Pablo PICASSO Ilustrador. Edition originale. - PRESENTATION : in-4 in leaves under paper covered folder, lacking the slipcase. - ILLUSTRATION : 38 original burin etchings (30 on full page & 8 on half pages) by Pablo PICASSO. - PRINTER : Atelier Lacouriere. - SIGNATURE : Handsigned in pencil by Picasso at the limitation page. - LIMITED : 289 copies. - PAPER : Montval vellum. - SIZE : 13 x 10" (33 x 25,5cm). - REFERENCES : Bloch 531-568, Baer 797-838, Cramer books 52. - CONDITION : Excellent. ASK FOR EXTRA PICTURES. Signé par l'illustrateur. Nº de ref. de la librería 000951

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Quarante (40) dessins de Picasso en marge: PICASSO Pablo, BUFFON

PICASSO Pablo, BUFFON Georges-Louis Leclerc de

Editorial: Jonquières (1957)

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Librairie Polymetis (MARSEILLE, France)

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Descripción: Jonquières, 1957. Couverture rigide. Estado de conservación: Bon. Estado de la sobrecubierta: Assez bon. Edition originale. In-folio Quarante (40) dessins de Picasso en marge du Buffon, Jonquières Paris, 1957. Contient 40 dessins de Pablo Picasso reproduisant l'édition autographe de l'ouvrage de Buffon édité par Martin Fabiani en 1942. L'ouvrage fut offert à Dora Maar (voir Bibliothèque Nationale de France) et les dessins réalisés au 6 rue de Savoie à Paris, le 24 janvier 1943. Edition réalisée chez Duval, à Paris (planches) et typographiée par Priester Frères. Edition tirée à 2226 exemplaires numérotés. Celui-ci un des 226 de tête sur Vélin d'Arches. (n°132). "Il a été tiré 2226 exemplaires soit 226 exemplaires sur vélin à la forme d'Arche, comprenant une gravure à la gouge originale de Picasso, signée par lui, et tiré sur la presse à bras de Robert Blanchet, numérotés de I à 226, et 2000 exemplaires sur vélin du Marais numérotés de 227 à 2226. En outre des exemplaires hors commerce, numérotés en chiffres romains sont réservés aux différents collaborateurs". En feuilles, couverture cartonnée originale imprimée à l'imitation de trame, en partie fendu d'un des mors. Emboitage au même motif, en bon état, avec légers frottis usuels. Dos légèrement insolé. Intérieur très propre et bon état de fraicheur. Léger marquage de certaines planches sur la page opposée. Contient la linogravure originale "Le pigeonneau", signée de l'artiste, en bas à droite au crayon marron. Oeuvre atypique puisqu'elle constitue "l'une des deux premières linogravures de Picasso datant de 1939" (biblio : Goeppert-Cramer 84) Jonquières, 1957. Hardback. Condition: Very Good. Dust Jacket Condition: Good. Original edition. Folio Forty (40) Picasso drawings "in the margins of Buffon", Jonquières Paris, 1957. Contains 40 drawings by Pablo Picasso which reproduce the edition of Buffon's book edited by Martin Fabiani in 1942 and autographed and decorated by Picasso. The work was then offered to Dora Maar and it is now in the Bibliothèque Nationale de France. Edition performed in Duval, Paris (boards) and typeset by Priester Brothers. Edition printed in 2226 copies. This one of the 226 first copies printed on Arches Vellum. (No. 132). "From 2226 copies, 226 copies were printed on Arches vellum, including an original linocut by Picasso, signed by him, and handprinted by Robert Blanchet, numbered I to 226, (.) " A fine and scarce copy, with original hardcover lightly damaged of the back. Slipcase in very good condition, with light smears. Back slightly insolated. Very clean inside and good freshness. Light marking of some boards on the opposite page. Contains the original linocut "The pigeon", signed by the artist, on lower right corner in brown pencil. This atypical work constitutes "one of the first two linocuts of Picasso made in 1939" (Library: Cramer Goeppert-84). Signed by PICASSO. Signé par l'auteur. Nº de ref. de la librería ABE-15647558869

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Texte de Luis Miguel Dorninguin, et une Etude de Georges Boudaille. Illustrations and Original Colour lithographs de Picasso

Editorial: Editions Cercle d'Arte France (1961)

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Andersens Antikvariat (Glostrup, Denmark)

Valoración librería: Valoración 5 estrellas

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Descripción: Editions Cercle d'Arte France, 1961. First Edition. 32 pages of text which are illustrated with black and white vignettes plus 132 pages of Picasso's work in B/H and colour. p. This is no 76 of 125 numbered ex. With a fine decorated cartboard folder with 16 original colour lithograpgs by Picasso and one origial lithograpg signed by Picasso with pencil, text Spanish/french in mint condition and in a excellent original cloth bookcase, folio, 29x40 cm. bookcase with minor signs of use. Nº de ref. de la librería 15052502

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PICASSO, Pablo.

Editorial: Paris: Galerie Louise Leiris, 1965 (1965)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

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Descripción: Paris: Galerie Louise Leiris, 1965, 1965. Excellent condition. Presented in a white gold leaf frame with UV preventive glass. Aquatint and drypoint on Auvergne Richard de Bas paper. Plate size 22 x 32 cm. Sheet size 33 x 45 cm. Edition of 50. Signed in pencil lower left by Picasso, numbered lower right. Bloch 1216, Baer 1198. Nº de ref. de la librería 88275

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PICASSO, Pablo.

Editorial: Barcelona: Editorial Gustavo Gili, 1966 (1966)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

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Descripción: Barcelona: Editorial Gustavo Gili, 1966, 1966. Excellent condition. Presented in handmade white gold frame with conservation UV protected glass. Etching on Japan Nacré paper. Plate size 22.1 x 32.2 cm. Sheet size 36 x 45 cm. Edition of 12. Signed in pencil lower left by Picasso, numbered lower right. Bloch 1477. Nº de ref. de la librería 88276

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Picasso, Pablo) - Michel Leiris:

Editorial: Galerie Louise Leiris,, Paris, (1957)

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Cantidad: 1

Remitente: Antiquariat Weinek (Salzburg, Austria)

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Descripción: Galerie Louise Leiris,, Paris, 1957. Paris, Galerie Louise Leiris, 1957. o. Pag. [9 Bll. + 8 Tafeln + 1 Bl.] Lose Blattsammlung in OLwd.-Mappe. In franz. Sprache. Nr. 49 von 112 num. Expl. Mit der eighd. Signatur von Picasso. Mit allen Tafeln und der kl. Abbildung der Tafel II auf dem Impressum. - Mappe m. Gbrsp., St. a. Mappenklappe, Präge-St. a. ersten Bl., geringfügig stockfleckig a. unteren Kanten, geringe Gbrsp. - Leiris, (1901 - 1990), dessen literarische Neigung schon früh zutage tritt, wird von seiner Familie zu einem Studium der Chemie genötigt. Dennoch gewinnt er in der Zeit nach dem Ersten Weltkrieg Anschluss an die avantgardistischen Künstlerzirkel der Epoche, insbesondere dem Surrealismus; rasch befreundet er sich mit Max Jacob, André Masson, Picasso, Joan Miró und anderen. Diese Verbindung hält bis ins Jahr 1929, wonach er die Gruppe verlässt, um größere künstlerische Selbständigkeit zu erlangen. Leiris beginnt ein Studium der Ethnologie und gewinnt Kontakt zu Georges Batailles, für dessen Zeitschrift „Documents" er sich redaktionell engagiert. In Deutschland ist Leiris vor allem durch seinen autobiographischen Roman „Mannesalter" (1939) bekannt geworden. Techniken seiner surrealistischen Lehrjahre, psychoanalytische Selbstbefragung und ein auf die Deutung des eigenen Lebens gerichtetes ethnologisches Instrumentarium definierten das Genre der Autobiographie neu. (Zitat) Französisch Lose Blattsammlung in OLwd.-Mappe. Nº de ref. de la librería 11778AB

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PICASSO, Pablo.

Editorial: Paris: 1966 (1966)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

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Descripción: Paris: 1966, 1966. Excellent condition. Presented float mounted in a silver wooden frame. Drypoint etching on Rives paper. Plate size 27.5 x 38.6 cm. Sheet size 42.2 x 50 cm. Artist's proof aside from the edition of 50. Signed in pencil lower left by Picasso and inscribed by him "pour Aldo Crommelynck". Crommelynck is best known for his work with Picasso. He and his younger brother Piero collaborated sporadically with the artist for some 20 years and produced all his prints after 1961. He was a master printmaker and also worked with Henri Matisse and Georges Braque as well as younger artists such as David Hockney, Richard Hamilton, Jasper Johns and Jim Dine amongst others. Bloch 1374, Baer 1395. Nº de ref. de la librería 88268

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PICASSO, Pablo.

Editorial: Paris: Galerie Simon, 1926 (1926)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

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Descripción: Paris: Galerie Simon, 1926, 1926. Excellent condition. Presented in white gold leaf frame with conservation glass and mount. Original lithograph on Van Gelder Zonen cream wove paper. Sheet size 63.1 x 48.1 cm. Image size: 32.8 x 24.5.Excellent condition. Edition of 100. Signed in pencil lower right by Picasso, numbered lower left. Bloch. 75. Mourlot XXII. Nº de ref. de la librería 107225

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TOROS Y TOREROS: Pablo PICASSO -

Pablo PICASSO - Luis Miguel DOMINGUIN

Editorial: Aux Editions Cercle d'Art, Paris (1961)

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Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, U.S.A.)

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Descripción: Aux Editions Cercle d'Art, Paris, 1961. Hardcover. Estado de conservación: Very Good. Limited Edition. Text by Luis Miguel Dominguín and an essay by Georges Boudaille. One of 150 copies of the Deluxe edition, N 64, complete of the portfolio, all well preserved in the original clam-shell box in creamy cloth. Title page handwritten by Picasso and reproduced in facsimile, illustrated with drawings, washes and sketches from 3 notebooks made by Picasso for this edition, in brilliant color and beautifully reproduced. The portfolio contains: one original lithograph on Arches wove, dated 7.2.61 in plate, and signed in pencil by Picasso. The lithograph is printed on the recto of the 2nd leaf of a sheet folded in two in order to create a protection over the lithograph, with title and justification N 64, on the recto of the opposite page; and a suite of 16 prints in color on Arches wove, reproducing 16 drawings in color from Picasso notebooks. In very good condition. The original lithograph has a small light fold in the bottom left corner, barely noticeable, the clam-shell box worn. Ref: Cramer 112. Nº de ref. de la librería 13005857900

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Le Pigeonneau.: PICASSO, Pablo.

PICASSO, Pablo.

Editorial: Paris: Jonquières, 1939 (1939)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

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Descripción: Paris: Jonquières, 1939, 1939. Excellent condition. Presented in a handmade white gold leaf frame with UV preventive glass. Linocut on Velin d'Arches paper. Image size: 15.9 x 20.2 cm. Sheet size: 36.8 x 28.1 cm. Edition of 226. Signed in yellow crayon lower right by Picasso, numbered in pencil lower left. Bloch 326, Baer 1028, Cramer 84. Nº de ref. de la librería 90848

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Lysistrata, by Aristophanes. A New Version by: Aristophanes

Aristophanes

Editorial: Limited Editions Club, New York (1934)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Bromer Booksellers, Inc., ABAA (Boston, MA, U.S.A.)

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Descripción: Limited Editions Club, New York, 1934. Picasso, Pablo Ilustrador. Quarto. 117pp. One of 1,500 copies on French Rives and signed by Picasso. Illustrated with six original etchings in black, one of which is signed in the plate and dated in reverse, and thirty lithographs printed in sanguine after drawings. This is the only American publication with original Picasso etchings, which are "among his most important in the Classical style," according to The Artist and the Book. However experimental and avant-garde he may have been throughout his life, the Lysistrata marks a clear retrogression to the artist's earlier classicist mode, an appropriate follow-up to his acclaimed Les Métamorphoses and fitting for the classical nature of this book. The Limited Editions Club printed the volume at their own printing shop in Westport, Connecticut. The book was designed by the Club's publisher, George Macy, who had eagerly anticipated the book's production and praised Picasso's hand as "sure and confident," noting that the beauty of the etchings lay in their simplicity. A fine, bright copy in boards covered with patterned paper in three colors from drawings by Picasso. Wrapped in the original glassine, which is still crisp overall, save for slight edgewear. Housed in a chemise of blue boards and patterned paper, which is sunned to the spine, and the original slipcase, which shows some wear to the corners and has a slight split starting to one corner. (The Artist and The Book 226; Cramer 24; LEC 57). Nº de ref. de la librería 25141

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Peintre debout et modèle. Radierung und Aquatinta.: PABLO PICASSO (Málaga
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Descripción: 32 : 46,7 cm auf vélin Richard de Bas 46 : 61cm. Baer 1146/II/B/b. - Bloch 1158. - Edition Louis Leiris 1965. - Gedruckt von Crommelynck, Paris, Mougins. - 1963 eröffnete der Kunstdrucker Aldo Crommelynck (1931-2008) mit seinem Bruder Piero eine Druckerwerkstatt in Mougins. Da sich die Druckerei in der Nähe von Picassos Haus befand und die Brüder Crommelynck einen Grossteil ihrer Zeit dem Künstler zur Verfügung stellten, konnte Picasso sein grafisches Werk intensiv weiterentwickeln. Diese Zusammenarbeit bestand bis zum Tod Picassos im Jahr 1973. Nº de ref. de la librería 21020

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Faunes et nymphes de Picasso *: PICASSO] VERDET André

PICASSO] VERDET André :

Editorial: P. Cailler, Genève 10.1952. (1952)

Usado

Cantidad: 1

Remitente: OH 7e CIEL (Lausanne, Switzerland)

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Descripción: P. Cailler, Genève 10.1952., 1952. Broché, couverture rempliée illustrée d'une photo, logé dans un fond perdu d'un étui boîte signé de Jean-Luc Honegger 27 x 23, plein liège à dos arrondi titré en noir, sous un album factice dans lequel sont montés les 32 photographies originales sur onglets, permettant l'accès aux remarques de travail inscrites au verso des tirages. 32 photographies hors texte de Robert Picault, tirées en héliogravure par Wahli à Prilly. Exemplaire ébouriffant de ce touchant petit reportage au pays des sculptures en terre cuite de Picasso, avec la griffe du maître ainsi qu'un portrait original de ce dernier par le photographe maison, Yvan Bettex, en sus de l'intégralité du tirage des 32 planches reproduites dans l'ouvrage. Cet extraordinaire ensemble présente une information graphique inédite, les clichés étant cadré de façon plus large; le format plus grand et la netteté du tirage supérieure à l'iconographie du livre en font également l'intérêt, outre les remarques figurant au verso des clichés évoqués ci dessus. Édition originale. Parmi 25 exemplaires de tête numérotés et signés par l'artiste, l'indétrônable numéro 1, avant 120 exemplaires de Chapelle. Nº de ref. de la librería YG13367

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Papiers Colles 1910-1914 Portfolio with 10 lithographs: Jean Cassou, Pablo

Jean Cassou, Pablo Picasso Illustrator

Editorial: Au pont des arts, Paris, (1966)

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Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Au pont des arts, Paris, 1966. Hardcover. Estado de conservación: Very Good. Limited Edition. Jean Cassou. Au pont des arts, Paris, 1966. Limited on 300 numbered copies. Loose as issued, in beige cloth folder with brown corners and spine, and tie-strings. Printed on grand Veline de Rives paper, dimensions: 26 1/8” x 20 3/16” inches. Six of ten lithographs are signed on the stone. The portfolio present a collections of 10 lithographs in color, reproducing 10 Picasso paintings, drawings and collages created between 1910 and 1914, which were donated to the Musee National d’Art Modern, in Paris, by Marie Cuttoli-Henri Laugier. Picasso collaborated actively with the production of the portfolio, and composed especially for this edition, a collage for the frontispiece. In very good conditions. Ref: Cramer 137. Nº de ref. de la librería B-15-010006

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Pablo Picasso, Jean Marcenac

Editorial: Harry N. Abrams, New York (1971)

ISBN 10: 9111607009 ISBN 13: 9789111607001

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Strand Book Store, ABAA (New York, NY, U.S.A.)

Valoración librería: Valoración 4 estrellas

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Descripción: Harry N. Abrams, New York, 1971. Hardcover. Estado de conservación: Near Fine. 4to. LIMITED SIGNED EDITION, One of 35 copies (of a total edition of 1998), with original etching signed by Picasso (this part of the Abrams issue). Loose signatures containing 71 plates housed in portfolio, all housed in publisher's cloth box, with leather strap and snap. The signed print has been professionally (and nicely) framed with cloth matte. Some wear to edges of cloth box, with minor soiling. NF in VG box. Nº de ref. de la librería 2725952

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Mes dessins d'Antibes. Portfolio with 16 prints: Avant-Propos de Georges

Avant-Propos de Georges Salles, Pablo Picasso Illustrator

Editorial: Au Pont Des Arts, Paris, (1958)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Au Pont Des Arts, Paris, 1958. Hardcover. Estado de conservación: Very Good. 1st Edition. Mes dessins d'Antibes. Avant-Propos de Georges Salles. Au Pont Des Arts, Paris, 1958. Portfolio of 16 lithographs in colors, on Arches paper, one of 300 numbered copies. Loose as issued, complete of colophon, text, and prints, in the publisher’s linen portfolio case with ties. The series "Mes dessins d'Antibes" of sixteen lithographs on velin d'Arches pur Chiffon (by Daniel Jacomet) represent the ancient Greece of Antibes, Antipolis. Published in Paris during 1958, this work reproduces the magnificent original Picasso drawings of 1946, representing the austere mythological interaction of the Centaur, the Nymph and the Faun, a constant theme in Picasso's post-war period. Size: 25 ¾” x 19 ¾ “ inches (65 x 50 cm) In very good condition, Linen folder case toned as usual, protective flaps worn, 2 of them are detached from the folder, and one is badly reattached. Inside prints and text in fine condition. Very good copy. Nº de ref. de la librería B-15-060007

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