resultados (1 - 30) de 2318 1 2 3 4 5

Picasso. Max Jacob.

Editorial: 1910, Montrouge [Paris] (1910)

Usado Primera edición Ejemplar firmado

Cantidad: 1

Remitente: TBCL The Book Collector's Library (Montreal, QC, Canada)

Valoración librería: Valoración 3 estrellas

Añadir libro al carrito
Precio: EUR 80.589,82
Convertir moneda
Gastos de envío: EUR 10,22
De Canada a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: 1910, Montrouge [Paris], 1910. Original Litho. Picasso. Max Jacob. MAX JACOB. Double Signed Litho. Montrouge [Paris] (Seine). 1910. 14" 7/8 X 10" 3/4 on plain paper stock printed in black. Number 17 of only 30 copies. A rare early illustration of Picasso's close friend, Max Jacob, done in celebration of Jacob's conversion to Christianity. Jacob, who had Jewish origins, claimed to have had a vision of Christ in 1909, causing his conversion. The illustration of Jacob [the first of Picasso's drawings of Max Jacob] seated comfortably in a fine armchair, dressed in his three piece suit, his dome appropriately receptive. The printed text: [Top] A mon ami Max Jacob / Picasso .10 / 22 R. Victor Hugo / Montrouge (Seine) - [Middle] L'archange foudroyé n'eut que le temps / de desserrer sa cravate . On aurait sit qu'il / priait encore./ C. Max Jacob. Signed in pencil with his new Christian name: "C. Max Jacob" & by "Picasso" at the bottom. A very good or better example of this rare piece - Max Jacob is regarded as an important link between the symbolists & the surrealists, as can be seen in his prose poems Le cornet à dés (The Dice Box, 1917. Throughout the year of 1901, Picasso traveled to Barcelona & Paris for art exhibitions. During an exhibition in Paris, Picasso met Max Jacob. Max Jacob was a poet, painter, & art critic with connections in the Parisian cultural scene. The two artists developed a friendship after Jacob left an admiring note for Picasso at the art gallery displaying Picasso's work (Richardson Vol. I, 203). Jacob introduced Picasso to the French language and to French theatre; Jacob was also an actor. Jacob took Picasso to see operas which possibly included I Pagliacci & La Bohème (Richardson Vol. I, 338). "At night there were frequent visits to the cabarets of Montmartre such as the Chat Noir, and, when tickets could be found, to the Moulin Rouge" (Penrose Picasso 76). Picasso & his friends also enjoyed the artistic atmosphere of Le Lapin Agile. Artists & writers would congregate at the small café to listen to recitals, exchange ideas & celebrate special occasions such as the opening of an exhibition (Penrose Picasso 117). The walls of the café were lined with work by artists that were used as payment for debts. Theatrical entertainment was a prominent part of Picasso's social life in Paris. By 1904, Picasso had established a foothold in Paris and would remain in the cultural center of Europe for the rest of his life. Picasso & Max Jacob cultivated their talents in a dwelling known as the Bateau Lavoir. According to Penrose, this place was ". . . composed it seemed of nothing but lofts & cellars, all in such a sad state of repair. . . " (Picasso 96). Artists of all endeavors were attracted to this bohemian style of living. Picasso's neighbors included painters, sculptors, writers & actors (Penrose Picasso 102). One of Picasso's most influential friends entered his life in 1905: Guillaume Apollinaire. "From the first encounter, Pablo Picasso and Guillaume Apollinaire established a creative dialogue that fostered and inspired some of their finest art & poetry". Apollinaire was a poet & playwright, identified as a Surrealist, who kept close connections with literary & artistic figures in Paris including Max Jacob & André Salmon. He was a great source for Picasso to meet writers & theatre artists. Many of Picasso's friends encouraged him to frequent the theatre with artists & poets from Paris (Picasso Penrose 177). Even though Picasso was not in Paris, he managed to find groups of artistic individuals to stay abreast of cultural gossip & happenings. Picasso's connections with writers led him to create several illustrations for books of poetry for friends. For example, during summer 1910 in Cadaques, Catalonia, painting with Derain, Picasso was commissioned to illustrate a poetic novel written by Max Jacob titled Saint Matorel issued by Daniel-Henry Kahnweiler in 1911. (Penrose Picasso 179). This was only the first of five collections of poetry by Max Jacob that contain. Signed by Author(s). Nº de ref. de la librería 32441

Más información sobre esta librería | Hacer una pregunta a la librería 1.

Balzac, Honoré de; Pablo Picasso (Illustrated by); Albert Besnard (Foreword by)

Editorial: Ambroise Vollard, Paris (1931)

Usado Tapa dura

Cantidad: 1

Añadir libro al carrito
Precio: EUR 43.500,19
Convertir moneda
Gastos de envío: EUR 4,45
A Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Ambroise Vollard, Paris, 1931. Paperback. Estado de conservación: vg. Limited edition. 1/340. Folio. XIV, [3], [16]pp numbered A to P, [3], 92, [8]pp. (text), [13] loose plates, as issued. Uncut. Original glassine over illustrated dust-jacket and stiff wraps. Book housed in its green cloth portfolio within its matching green cloth slipcase. Gold lettering on slipcase's spine. "Le Chef-d'?uvre inconnu" (The Unknown Masterpiece) is a short story by Honoré de Balzac. It was first published in the newspaper L'Artiste with the title "Maître Frenhofer" (Master Frenhofer) in August 1831. It appeared again later in the same year under the title "Catherine Lescault, conte fantastique." It was published in Balzac's Études philosophiques in 1837 and was integrated into the "La Comédie Humaine" in 1846. In 1927 Pablo Picasso was commissioned by publisher Ambroise Vollard to do a series of illustrations for Balzac's novella. After reading it Picasso became obsessed with this uncanny tale of a painter's obsession to create a masterpiece. Picasso accepted the Balzac commission from art dealer Ambroise Vollard and completed the thirteen etchings in 1931 for the centennial edition. As a result, this striking illustrated edition of "Le Chef-d'Oeuvre Inconnu" is considered Picasso's livre d'artiste masterpiece. With Vollard as impressario, the book was meticulously planned and produced, and separate printers were chosen to handle the different types of reproductions: etchings, wood engravings, text and typography. Many have considered these etchings "landmarks in the history of engraving." Balzac's story, admired by other painters like Cézanne and Matisse, is among other things, a tale of an artist ahead of his time. Set in the 17th century, "Le Chef-d'Oeuvre Inconnu" (The Hidden Masterpiece) tells the story of an aging painter named Frenhofer, who obsessively labors over a work he has kept secret for years. When two younger admirers, painters Poussin and Porbus, finally manage to see Frenhofer's secret canvas, they are appalled - it appears to them nothing more than an indistinct mess of lines, colors and shapes - and they mock the older artist and assume their celebrated friend has gone insane. The next day, Frenhofer destroys all his work and kills himself. Picasso later claimed that the ghost of Balzac haunted him, and he found himself so compelled by the story that in 1937, he chose for his new studio a 17th century townhouse located at 7 Rue des Grands-Augustin, the very house many believed to be the setting of the opening scene in "The Hidden Masterpiece." It was in his new studio that Picasso painted his own Masterpiece, Guernica. Splendidly illustrated with 67 in-text wood engravings, and 13 original tissue-guarded etchings by Pablo Picasso, this copy is No.171 of 240 printed on Rives paper (of a total edition of 340). Minor age-toning and slight soiling on slipcase. Glassine slightly sunned. Minor and sporadic foxing throughout. Text in French. Slipcase and glassine in overall good+, portfolio, dust-jacket, wrappers and interior in very good condition. Nº de ref. de la librería 37049

Más información sobre esta librería | Hacer una pregunta a la librería 2.

PICASSO, Pablo.

Editorial: Paris: Berggruen, 1962 (1962)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 35.282,33
Convertir moneda
Gastos de envío: EUR 19,18
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Paris: Berggruen, 1962, 1962. Excellent condition. Presented in a hand made gold leaf frame with UV preventive glass. Linocut in brown and tan on Vélin d'Arches paper. Image size 39 x 30 cm. Sheet size 54.5 x 43 cm. Edition of 100. Signed in pencil lower right and numbered lower left by Picasso. This linocut was printed by Arnéra, Vallauris. Bloch 1062; Baer 1276. Kramer 83. Nº de ref. de la librería 96990

Más información sobre esta librería | Hacer una pregunta a la librería 3.

PICASSO, Pablo.

Editorial: Paris: Galerie Louise Leiris, 1962 (1962)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 31.754,10
Convertir moneda
Gastos de envío: EUR 19,18
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Paris: Galerie Louise Leiris, 1962, 1962. Uneven toning to verso otherwise in excellent condition. Presented in a handmade white goldleaf frame with UV protective glass. Linocut in brown, tan, black and white on Arches paper. Image size 35 x 27 cm. A proof aside from the edition of 50. Dedicated and signed lower left by Picasso "Pour mes jeunes mariés, le 3.9.66" ("For my newlyweds"). This linocut is one of a series of Picasso's radical reinterpretations of Manet's famous painting, begun in June 1954 and continued over the next decade. By this late stage, the "Conversationalist" has lost his hair, has clearly aged, and now resembles Picasso himself, in conversation with a Victorine who could be said to resemble his wife, Jacqueline. Bloch 1096. Baer 1328. Kramer 88. Nº de ref. de la librería 100052

Más información sobre esta librería | Hacer una pregunta a la librería 4.

Reverdy, Pierre

Editorial: Louis Broder, Paris (1966)

Usado Soft cover Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Aronstein Books (Washington, DC, U.S.A.)

Valoración librería: Valoración 4 estrellas

Añadir libro al carrito
Precio: EUR 20.605,35
Convertir moneda
Gastos de envío: GRATIS
A Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Louis Broder, Paris, 1966. Soft cover. Estado de conservación: As New. Estado de la sobrecubierta: As New. Pablo Picasso Ilustrador. 1st Edition. Exquisite livre d'artiste illustrated by Picasso with ten original aquatints/drypoints, depicting the artist and/or his model, a signature motive of Picasso's. The design of the portfolio combined with the luminous, full page illustrations create what is arguably the greatest portfolio of the artist's last period. Limited to an edition of 255, (I-XX, 1-15, and 1-220), this is one of 220. Published by Louis Broder on Velin de Rives made for this work. Condition is as new. Cramer books # 136; Bloch #s 1183-1192; Bloch books, # 129. Signed by Illustrator(s). Nº de ref. de la librería 000016

Más información sobre esta librería | Hacer una pregunta a la librería 5.

PICASSO, Pablo.

Editorial: Cannes: 1959 (1959)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 19.758,10
Convertir moneda
Gastos de envío: EUR 19,18
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Cannes: 1959, 1959. Tape from previous mounting adhered to the verso of upper and lower sheet edges, otherwise in excellent condition. Presented in a gilt wooden frame with UV glass. Crayon on zinc lithograph on Arches wove paper. Sheet size 50 x 60 cm. Edition of 50. Signed in pencil lower right by Picasso, numbered lower left. Bloch 901, Mourlot 328. Nº de ref. de la librería 88269

Más información sobre esta librería | Hacer una pregunta a la librería 6.

Pablo Neruda (Poems) Pablo Picasso Illustrator

Editorial: Au Vent d'Arles, Paris (1960)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, U.S.A.)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 16.484,28
Convertir moneda
Gastos de envío: EUR 8,89
A Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Au Vent d'Arles, Paris, 1960. Hardcover. Estado de conservación: Very Good. Limited Edition. 15 lavis de Pablo Picasso, poeme de Pablo Neruda. Au Vent d'Arles, Paris 1960. One of 50 copies with a lithograph signed and numbered in pencil by Picasso, of which this one is N 50. Portfolio with 15 pochoirs (Daniel Jacomet) reproducing the wash drawings by Picasso, each numbered in pencil. The prints are loose, as issued, secured in the original portfolio, in red satin covers with a drawing after Picasso printed in black on the front, black satin spine, linen flaps and tie-strings. Complete of title page, colophon and text, 15 prints and original lithograph, all in very good condition, on velin d’Arches paper. Rare Portfolio. Size: 22”x16” inches – 55x24 cm. Reference: Cramer #107. More pictures on request. Signed by Illustrator(s). Nº de ref. de la librería B-14-070000

Más información sobre esta librería | Hacer una pregunta a la librería 7.

PICASSO Pablo, BUFFON Georges-Louis Leclerc de

Editorial: Jonquières (1957)

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Librairie Polymetis (MARSEILLE, France)

Valoración librería: Valoración 4 estrellas

Añadir libro al carrito
Precio: EUR 14.500,00
Convertir moneda
Gastos de envío: EUR 9,00
De Francia a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Jonquières, 1957. Couverture rigide. Estado de conservación: Bon. Estado de la sobrecubierta: Assez bon. Edition originale. In-folio Quarante (40) dessins de Picasso en marge du Buffon, Jonquières Paris, 1957. Contient 40 dessins de Pablo Picasso reproduisant l'édition autographe de l'ouvrage de Buffon édité par Martin Fabiani en 1942. L'ouvrage fut offert à Dora Maar (voir Bibliothèque Nationale de France) et les dessins réalisés au 6 rue de Savoie à Paris, le 24 janvier 1943. Edition réalisée chez Duval, à Paris (planches) et typographiée par Priester Frères. Edition tirée à 2226 exemplaires numérotés. Celui-ci un des 226 de tête sur Vélin d'Arches. (n°132). "Il a été tiré 2226 exemplaires soit 226 exemplaires sur vélin à la forme d'Arche, comprenant une gravure à la gouge originale de Picasso, signée par lui, et tiré sur la presse à bras de Robert Blanchet, numérotés de I à 226, et 2000 exemplaires sur vélin du Marais numérotés de 227 à 2226. En outre des exemplaires hors commerce, numérotés en chiffres romains sont réservés aux différents collaborateurs". En feuilles, couverture cartonnée originale imprimée à l'imitation de trame, en partie fendu d'un des mors. Emboitage au même motif, en bon état, avec légers frottis usuels. Dos légèrement insolé. Intérieur très propre et bon état de fraicheur. Léger marquage de certaines planches sur la page opposée. Contient la linogravure originale "Le pigeonneau", signée de l'artiste, en bas à droite au crayon marron. Oeuvre atypique puisqu'elle constitue "l'une des deux premières linogravures de Picasso datant de 1939" (biblio : Goeppert-Cramer 84) Jonquières, 1957. Hardback. Condition: Very Good. Dust Jacket Condition: Good. Original edition. Folio Forty (40) Picasso drawings "in the margins of Buffon", Jonquières Paris, 1957. Contains 40 drawings by Pablo Picasso which reproduce the edition of Buffon's book edited by Martin Fabiani in 1942 and autographed and decorated by Picasso. The work was then offered to Dora Maar and it is now in the Bibliothèque Nationale de France. Edition performed in Duval, Paris (boards) and typeset by Priester Brothers. Edition printed in 2226 copies. This one of the 226 first copies printed on Arches Vellum. (No. 132). "From 2226 copies, 226 copies were printed on Arches vellum, including an original linocut by Picasso, signed by him, and handprinted by Robert Blanchet, numbered I to 226, (.) " A fine and scarce copy, with original hardcover lightly damaged of the back. Slipcase in very good condition, with light smears. Back slightly insolated. Very clean inside and good freshness. Light marking of some boards on the opposite page. Contains the original linocut "The pigeon", signed by the artist, on lower right corner in brown pencil. This atypical work constitutes "one of the first two linocuts of Picasso made in 1939" (Library: Cramer Goeppert-84). Signed by PICASSO. Signé par l'auteur. Nº de ref. de la librería ABE-15647558869

Más información sobre esta librería | Hacer una pregunta a la librería 8.

PICASSO, Pablo.

Editorial: Barcelona: Editorial Gustavo Gili, 1966 (1966)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 14.112,93
Convertir moneda
Gastos de envío: EUR 19,18
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Barcelona: Editorial Gustavo Gili, 1966, 1966. Excellent condition. Presented in handmade white gold frame with conservation UV protected glass. Etching on Japan Nacré paper. Plate size 22.1 x 32.2 cm. Sheet size 36 x 45 cm. Edition of 12. Signed in pencil lower left by Picasso, numbered lower right. Bloch 1477. Nº de ref. de la librería 88276

Más información sobre esta librería | Hacer una pregunta a la librería 9.

PICASSO, Pablo.

Editorial: Paris: Galerie Louise Leiris, 1965 (1965)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 14.112,93
Convertir moneda
Gastos de envío: EUR 19,18
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Paris: Galerie Louise Leiris, 1965, 1965. Excellent condition. Presented in a white gold leaf frame with UV preventive glass. Aquatint and drypoint on Auvergne Richard de Bas paper. Plate size 22 x 32 cm. Sheet size 33 x 45 cm. Edition of 50. Signed in pencil lower left by Picasso, numbered lower right. Bloch 1216, Baer 1198. Nº de ref. de la librería 88275

Más información sobre esta librería | Hacer una pregunta a la librería 10.

Texte de Luis Miguel Dorninguin, et une Etude de Georges Boudaille. Illustrations and Original Colour lithographs de Picasso

Editorial: Editions Cercle d'Arte France (1961)

Usado Tapa dura Primera edición Ejemplar firmado

Cantidad: 1

Remitente: Andersens Antikvariat (Glostrup, Denmark)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 13.799,26
Convertir moneda
Gastos de envío: EUR 17,00
De Dinamarca a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Editions Cercle d'Arte France, 1961. First Edition. 32 pages of text which are illustrated with black and white vignettes plus 132 pages of Picasso's work in B/H and colour. p. This is no 76 of 125 numbered ex. With a fine decorated cartboard folder with 16 original colour lithograpgs by Picasso and one origial lithograpg signed by Picasso with pencil, text Spanish/french in mint condition and in a excellent original cloth bookcase, folio, 29x40 cm. bookcase with minor signs of use. Nº de ref. de la librería 15052502

Más información sobre esta librería | Hacer una pregunta a la librería 11.

PICASSO, Pablo.

Editorial: Paris: Editions Cercle d'Art, 1969 (1969)

Usado Ejemplar firmado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 12.701,64
Convertir moneda
Gastos de envío: EUR 19,18
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Paris: Editions Cercle d'Art, 1969, 1969. Excellent condition. Original lithograph on heavy wove paper. Sheet size 42.8 x 33.2 cm. Edition of 125. Signed lower right in pencil by Picasso, numbered lower left. Together with the book "Dessins. 27.3.66 - 15.3.68". Quarto. Original illustrated cloth, titles to front cover in blue. Housed in a calf and hessian covered clamshell box with perspex window to the cover, titles to spine gilt. Signed by Picasso. Minor foxing to the hessian on the cover of the clamshell box and some age toning to the card folder. A near fine copy. Bloch B. 1464. Nº de ref. de la librería 65085

Más información sobre esta librería | Hacer una pregunta a la librería 12.

Pablo Picasso

Usado Ejemplar firmado

Cantidad: 1

Remitente: Adam Andrusier Autographs ABA PADA (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 12.348,81
Convertir moneda
Gastos de envío: EUR 11,65
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: A copy of Chefs-D’Oeuvre De L’Art: Grands Peintres: Picasso (Première Partie), Hachette, nicely signed and inscribed by Pablo Picasso the first page. He writes, above his portrait, "Pour Madame Boccard, Picasso, le 4.5.69". The artists has added a charming sketch of a bearded man wearing a bowler hat and presenting a flower in his teeth. All accomplished in dark bold ink. Slight wear to the cover, otherwise in fine condition. Together with a copy of a letter written by the dedicatee, explaining her association with Picasso due to her role as his nurse in 1968-69. Nº de ref. de la librería 000228

Más información sobre esta librería | Hacer una pregunta a la librería 13.

Picasso, Pablo) - Michel Leiris:

Editorial: Galerie Louise Leiris,, Paris, (1957)

Usado Tapa dura

Cantidad: 1

Remitente: Antiquariat Weinek (Salzburg, Austria)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 12.000,00
Convertir moneda
Gastos de envío: EUR 12,00
De Austria a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Galerie Louise Leiris,, Paris, 1957. Paris, Galerie Louise Leiris, 1957. o. Pag. [9 Bll. + 8 Tafeln + 1 Bl.] Lose Blattsammlung in OLwd.-Mappe. In franz. Sprache. Nr. 49 von 112 num. Expl. Mit der eighd. Signatur von Picasso. Mit allen Tafeln und der kl. Abbildung der Tafel II auf dem Impressum. - Mappe m. Gbrsp., St. a. Mappenklappe, Präge-St. a. ersten Bl., geringfügig stockfleckig a. unteren Kanten, geringe Gbrsp. - Leiris, (1901 - 1990), dessen literarische Neigung schon früh zutage tritt, wird von seiner Familie zu einem Studium der Chemie genötigt. Dennoch gewinnt er in der Zeit nach dem Ersten Weltkrieg Anschluss an die avantgardistischen Künstlerzirkel der Epoche, insbesondere dem Surrealismus; rasch befreundet er sich mit Max Jacob, André Masson, Picasso, Joan Miró und anderen. Diese Verbindung hält bis ins Jahr 1929, wonach er die Gruppe verlässt, um größere künstlerische Selbständigkeit zu erlangen. Leiris beginnt ein Studium der Ethnologie und gewinnt Kontakt zu Georges Batailles, für dessen Zeitschrift „Documents" er sich redaktionell engagiert. In Deutschland ist Leiris vor allem durch seinen autobiographischen Roman „Mannesalter" (1939) bekannt geworden. Techniken seiner surrealistischen Lehrjahre, psychoanalytische Selbstbefragung und ein auf die Deutung des eigenen Lebens gerichtetes ethnologisches Instrumentarium definierten das Genre der Autobiographie neu. (Zitat) Französisch Lose Blattsammlung in OLwd.-Mappe. Nº de ref. de la librería 11778AB

Más información sobre esta librería | Hacer una pregunta a la librería 14.

PICASSO, Pablo.

Editorial: Paris: 1966 (1966)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 11.995,99
Convertir moneda
Gastos de envío: EUR 19,18
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Paris: 1966, 1966. Excellent condition. Presented float mounted in a silver wooden frame. Drypoint etching on Rives paper. Plate size 27.5 x 38.6 cm. Sheet size 42.2 x 50 cm. Artist's proof aside from the edition of 50. Signed in pencil lower left by Picasso and inscribed by him "pour Aldo Crommelynck". Crommelynck is best known for his work with Picasso. He and his younger brother Piero collaborated sporadically with the artist for some 20 years and produced all his prints after 1961. He was a master printmaker and also worked with Henri Matisse and Georges Braque as well as younger artists such as David Hockney, Richard Hamilton, Jasper Johns and Jim Dine amongst others. Bloch 1374, Baer 1395. Nº de ref. de la librería 88268

Más información sobre esta librería | Hacer una pregunta a la librería 15.

PICASSO, Pablo.

Editorial: New York: The Print Club, 1934 (1934)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 11.995,99
Convertir moneda
Gastos de envío: EUR 19,18
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: New York: The Print Club, 1934, 1934. Plate size: 21.0 x 13.9 cm. Sheet size: 28.3 x 38.2 cm. Excellent condition. Presented in a white gold leaf frame with UV glass. Etching and aquatint on Arches wove paper. Edition of 150. Signed lower left by Picasso, numbered lower right. Printed by Atelier Lacouriere, Paris. Issued as one of six prints from Aristophanes' Lysistrata portfolio. Nº de ref. de la librería 79527

Más información sobre esta librería | Hacer una pregunta a la librería 16.

PICASSO, Pablo.

Editorial: Paris: Jonquières, 1939 (1939)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 10.584,70
Convertir moneda
Gastos de envío: EUR 19,18
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Paris: Jonquières, 1939, 1939. Excellent condition. Presented in a handmade white gold leaf frame with UV preventive glass. Linocut on Velin d'Arches paper. Image size: 15.9 x 20.2 cm. Sheet size: 36.8 x 28.1 cm. Edition of 226. Signed in yellow crayon lower right by Picasso, numbered in pencil lower left. Bloch 326, Baer 1028, Cramer 84. Nº de ref. de la librería 90848

Más información sobre esta librería | Hacer una pregunta a la librería 17.

PICASSO, Pablo.

Editorial: Paris: 1966 (1966)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 10.584,70
Convertir moneda
Gastos de envío: EUR 19,18
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Paris: 1966, 1966. Excellent condition. Presented in a white gold leaf frame with UV preventive glass. Drypoint on JFK Rives paper. Plate size 27 x 37.8 cm. Sheet size 41.5 x 50 cm. Edition of 50. Signed in pencil lower left by Picasso, numbered lower right. Bloch 1398. Nº de ref. de la librería 88278

Más información sobre esta librería | Hacer una pregunta a la librería 18.

Pablo PICASSO - Luis Miguel DOMINGUIN

Editorial: Aux Editions Cercle d'Art, Paris (1961)

Usado Tapa dura

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, U.S.A.)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 10.073,73
Convertir moneda
Gastos de envío: EUR 8,89
A Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Aux Editions Cercle d'Art, Paris, 1961. Hardcover. Estado de conservación: Very Good. Limited Edition. Text by Luis Miguel Dominguín and an essay by Georges Boudaille. One of 150 copies of the Deluxe edition, N 64, complete of the portfolio, all well preserved in the original clam-shell box in creamy cloth. Title page handwritten by Picasso and reproduced in facsimile, illustrated with drawings, washes and sketches from 3 notebooks made by Picasso for this edition, in brilliant color and beautifully reproduced. The portfolio contains: one original lithograph on Arches wove, dated 7.2.61 in plate, and signed in pencil by Picasso. The lithograph is printed on the recto of the 2nd leaf of a sheet folded in two in order to create a protection over the lithograph, with title and justification N 64, on the recto of the opposite page; and a suite of 16 prints in color on Arches wove, reproducing 16 drawings in color from Picasso notebooks. In very good condition. The original lithograph has a small light fold in the bottom left corner, barely noticeable, the clam-shell box worn. Ref: Cramer 112. Nº de ref. de la librería 13005857900

Más información sobre esta librería | Hacer una pregunta a la librería 19.

Aristophanes

Editorial: Limited Editions Club, New York (1934)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Bromer Booksellers, Inc., ABAA (Boston, MA, U.S.A.)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 9.615,83
Convertir moneda
Gastos de envío: EUR 8,89
A Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Limited Editions Club, New York, 1934. Picasso, Pablo Ilustrador. Quarto. 117pp. One of 1,500 copies on French Rives and signed by Picasso. Illustrated with six original etchings in black, one of which is signed in the plate and dated in reverse, and thirty lithographs printed in sanguine after drawings. This is the only American publication with original Picasso etchings, which are "among his most important in the Classical style," according to The Artist and the Book. However experimental and avant-garde he may have been throughout his life, the Lysistrata marks a clear retrogression to the artist's earlier classicist mode, an appropriate follow-up to his acclaimed Les Métamorphoses and fitting for the classical nature of this book. The Limited Editions Club printed the volume at their own printing shop in Westport, Connecticut. The book was designed by the Club's publisher, George Macy, who had eagerly anticipated the book's production and praised Picasso's hand as "sure and confident," noting that the beauty of the etchings lay in their simplicity. A fine, bright copy in boards covered with patterned paper in three colors from drawings by Picasso. Wrapped in the original glassine, which is still crisp overall, save for slight edgewear. Housed in a chemise of blue boards and patterned paper, which is sunned to the spine, and the original slipcase, which shows some wear to the corners and has a slight split starting to one corner. (The Artist and The Book 226; Cramer 24; LEC 57). Nº de ref. de la librería 25141

Más información sobre esta librería | Hacer una pregunta a la librería 20.

PICASSO] VERDET André :

Editorial: P. Cailler, Genève 10.1952. (1952)

Usado

Cantidad: 1

Remitente: OH 7e CIEL (Lausanne, Switzerland)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 9.390,62
Convertir moneda
Gastos de envío: EUR 14,50
De Suiza a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: P. Cailler, Genève 10.1952., 1952. Broché, couverture rempliée illustrée d'une photo, logé dans un fond perdu d'un étui boîte signé de Jean-Luc Honegger 27 x 23, plein liège à dos arrondi titré en noir, sous un album factice dans lequel sont montés les 32 photographies originales sur onglets, permettant l'accès aux remarques de travail inscrites au verso des tirages. 32 photographies hors texte de Robert Picault, tirées en héliogravure par Wahli à Prilly. Exemplaire ébouriffant de ce touchant petit reportage au pays des sculptures en terre cuite de Picasso, avec la griffe du maître ainsi qu'un portrait original de ce dernier par le photographe maison, Yvan Bettex, en sus de l'intégralité du tirage des 32 planches reproduites dans l'ouvrage. Cet extraordinaire ensemble présente une information graphique inédite, les clichés étant cadré de façon plus large; le format plus grand et la netteté du tirage supérieure à l'iconographie du livre en font également l'intérêt, outre les remarques figurant au verso des clichés évoqués ci dessus. Édition originale. Parmi 25 exemplaires de tête numérotés et signés par l'artiste, l'indétrônable numéro 1, avant 120 exemplaires de Chapelle. Nº de ref. de la librería YG13367

Más información sobre esta librería | Hacer una pregunta a la librería 21.

Jean Cassou, Pablo Picasso Illustrator

Editorial: Au pont des arts, Paris, (1966)

Usado Tapa dura

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, U.S.A.)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 9.157,93
Convertir moneda
Gastos de envío: EUR 8,89
A Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Au pont des arts, Paris, 1966. Hardcover. Estado de conservación: Very Good. Limited Edition. Jean Cassou. Au pont des arts, Paris, 1966. Limited on 300 numbered copies. Loose as issued, in beige cloth folder with brown corners and spine, and tie-strings. Printed on grand Veline de Rives paper, dimensions: 26 1/8” x 20 3/16” inches. Six of ten lithographs are signed on the stone. The portfolio present a collections of 10 lithographs in color, reproducing 10 Picasso paintings, drawings and collages created between 1910 and 1914, which were donated to the Musee National d’Art Modern, in Paris, by Marie Cuttoli-Henri Laugier. Picasso collaborated actively with the production of the portfolio, and composed especially for this edition, a collage for the frontispiece. In excellent conditions. Ref: Cramer 137. Nº de ref. de la librería B-15-010006

Más información sobre esta librería | Hacer una pregunta a la librería 22.

PICASSO, Pablo) ARISTOPHANES

Editorial: Limited Editions Club, New York (1934)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Añadir libro al carrito
Precio: EUR 8.585,56
Convertir moneda
Gastos de envío: EUR 6,22
A Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Limited Editions Club, New York, 1934. Hardcover. Tall thin quarto (9-1/2" x 11-3/4") bound in pattern paper boards in three colors designed after Picasso's drawings. Introduction and translation by Gilbert Seldes. Illustrated by Pablo Picasso including 30 sepia-tinted lithographs after drawings and 6 ORIGINAL ETCHINGS printed by hand. Copy #509 of 1500 SIGNED in pencil by the artist on the colophon page. ARTIST AND THE BOOK 226: "the only American publication with original Picasso etchings, which are among his most important in the classical style." Covers are very bright with a slight bump to the top of the spine at the front. The backstrip of the chemise is sunned, as often the case, and the slipcase has slight wear at the top of the back edge with a neatly repaired split. A beautiful, close to Fine copy in like chemise and a Near Fine slipcase. Nº de ref. de la librería 017567

Más información sobre esta librería | Hacer una pregunta a la librería 23.

Ballets Ruses

Editorial: Comedia et Autres, Theatres Champs Elysees (1912)

Usado Tapa dura

Cantidad: 1

Remitente: lesbeauxlivres (Paris, France)

Valoración librería: Valoración 4 estrellas

Añadir libro al carrito
Precio: EUR 8.500,00
Convertir moneda
Gastos de envío: EUR 9,00
De Francia a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Comedia et Autres, Theatres Champs Elysees, 1912. Couverture rigide. Estado de conservación: Très bon. Bakst, Picasso, Lifar, Juan Gris Ilustrador. 24.5 x 31 x 5. Programmes de Ballets Ruses originaux et des Ballets Suédois et de la Chauve Souris. Dès 1912 jusqu'au 2eme Congrés de la Danse. Des nombreuses illustrations des costumes, décors et portraits de danseurs. Cela comprend les ballets au Champs Elysées, Montecarlo, Chatelet et des documents annexes dont programme du Marquis de Cuevas. (8eme saison, Theatre du Chatelet 1911, Chatelet 1912; saison 1914 en double, Saison 1917 illustré par Picasso; Saison 1919 à l'Opera illustré par Picasso; Theatre de la Chauve Souris 1920; Les ballets suédois et Borlin 1920; Theatre de la Chauve souris en 1921 illustré par Remissof; Saison Anna Pavlova en 1921 illustré par Remissoff; Saison 1923 au Théâtre des Champs Elysees, quatre dessins de Picasso; Saison de 1923 à l'Opera Saint Sebastien par Ida Rubinstein illustré par Bakst; Saison 1924 Ballets à Montecarlo, illustré par Juan Gris, photos de Numa Blanc; Saison 1926 de Montecarlo, illustré par Picasso, Congres international de la danse de 1937. Ayant appartenu à un ami de Nijinsky. Nº de ref. de la librería 000005

Más información sobre esta librería | Hacer una pregunta a la librería 24.

Avant-Propos de Georges Salles, Pablo Picasso Illustrator

Editorial: Au Pont Des Arts, Paris, (1958)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, U.S.A.)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 7.784,24
Convertir moneda
Gastos de envío: EUR 8,89
A Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Au Pont Des Arts, Paris, 1958. Hardcover. Estado de conservación: Very Good. 1st Edition. Mes dessins d'Antibes. Avant-Propos de Georges Salles. Au Pont Des Arts, Paris, 1958. Portfolio of 16 lithographs in colors, on Arches paper, one of 300 numbered copies. Loose as issued, complete of colophon, text, and prints, in the publisher’s linen portfolio case with ties. The series "Mes dessins d'Antibes" of sixteen lithographs on velin d'Arches pur Chiffon (by Daniel Jacomet) represent the ancient Greece of Antibes, Antipolis. Published in Paris during 1958, this work reproduces the magnificent original Picasso drawings of 1946, representing the austere mythological interaction of the Centaur, the Nymph and the Faun, a constant theme in Picasso's post-war period. Size: 25 ¾” x 19 ¾ “ inches (65 x 50 cm) In very good condition, Linen folder case toned as usual, protective flaps worn, 2 of them are detached from the folder, and one is badly reattached. Inside prints and text in fine condition. Very good copy. Nº de ref. de la librería B-15-060007

Más información sobre esta librería | Hacer una pregunta a la librería 25.

Descripción: 1918. PICASSO ; Ilustrador. Paris, Mercure de France, 1918. In-8 (149 X 230) demi-maroquin bordeaux, dos lisse orné de deux caissons dorés, l'un contenant l'auteur et le titre dorés, l'autre décoré en long de filets perlés, fers dorés et à froid, tête dorée, plats et dos de la couverture conservés (reliure de l'époque) ; 205 pages, (1) page d'achevé d'imprimer. Traces de frottements au mors supérieur, infime manque à la coiffe supérieure, papier jauni. ÉDITION ORIGINALE avec le bon achevé d'imprimer à la date du «15 avril 1918 ». En frontispice, un portrait de l'auteur par PICASSO, gravé sur bois par R. Jaudon. Il représente le poète en buste, de profil, avec le sommet de la tête enserré dans un bandage. La plupart de ces poèmes ont été écrits pendant la guerre 1914-1918. À côté des "Poèmes de guerre" qui constituent une des parts les plus belles de l'oeuvre d'Apollinaire, et des "Calligrammes" qui le montrent dans son aspect de novateur infatigable, on trouve aussi dans ce volume quelques "Poèmes-conversations" faits de phrases de conversation banales mises bout à bout, chargées d'une singulière vertu poétique. Cette oeuvre qu'Apollinaire situait au-delà de toute sa production, est dédiée à René Dalize, pseudonyme de René Dupuy, son camarade de classe au collège Saint-Charles à Monaco, co-fondateur de la revue "Les Soirées de Paris", qui fut tué sur le front en 1917, au Chemin des Dames.Exemplaire comportant un ENVOI AUTOGRAPHE SIGNÉ de Guillaume APOLLINAIRE sur le premier feuillet : « A madame Dupuy / Hommage respectueux / Guillaume Apollinaire ». Le patron de presse et homme politique français Paul DUPUY (1878-1927) rencontra Miss Helen Browne à New-York, lors d'un séjour qui devait lui permettre d'étudier l'impression des journaux aux États-Unis ; il l'épousa le 9 juillet 1908. A la mort de son mari en 1927, Hélène Dupuy se retrouva en charge du "Petit Parisien", l'un des journaux les plus importants et les plus puissants de la Troisième République, et prendra la direction du quotidien "L'Excelsior", racheté par son mari en 1917, et dans lequel Apollinaire fit paraître ses premiers articles. (TALVART, I, page 80-81, n°15A). SÉDUISANT EXEMPLAIRE, dans une reliure attribuable à Bellevallée, de ce titre toujours très précieux avec envoi autographe de l'auteur. NICE COPY. PICTURES AND MORE DETAILS ON REQUEST. Nº de ref. de la librería 004055

Más información sobre esta librería | Hacer una pregunta a la librería 26.

Jaime Sabartes - Pablo Picasso

Editorial: Editions Leda, Paris (1962)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, U.S.A.)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 7.326,35
Convertir moneda
Gastos de envío: EUR 8,89
A Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Editions Leda, Paris, 1962. Hardcover. Estado de conservación: Very Good. 1st Edition. Jaime Sabartes. Un éventail. 1962, Portfolio with a foreword of Jaime Sabartes, 10 pochoirs realized by Daniel Jacomet (7 in colors) and a lithograph in colors printed by Mourlot, after works (1905 to 1914) by Picasso. Editions Leda, Paris. Edition : 200 copies + LX (60) copies H.C. The lithograph and pochoirs have various sizes. Size of the portfolio : 35 x 48 cm. Condition : Folder with minimal defects, internally in very good condition. Ref. : Monod Vol. II n° 9080. Nº de ref. de la librería ABE-1418063890

Más información sobre esta librería | Hacer una pregunta a la librería 27.

Pablo Picasso

Editorial: Au vent d’Arles, Paris (1963)

Usado Ejemplar firmado

Cantidad: 1

Remitente: Marninart, Inc (ABAA - ILAB) (Reston, VA, U.S.A.)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 7.326,35
Convertir moneda
Gastos de envío: EUR 8,89
A Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: Au vent d’Arles, Paris, 1963. No Binding. Estado de conservación: Very Good. Limited Edition. Original aquatint with etching signed and marked H.C. in pencil by Picasso One of the 40 copies hors of commerce marked H.C. printed on Richard de Bas wove paper, with watermark “Au vent d’Arles” dated in plate 17.11.63. The etching is one of a series of prints Picasso did between October and December 1963. In very good condition. Ref: Cramer 122. Signed by Illustrator(s). Nº de ref. de la librería L-14-060009

Más información sobre esta librería | Hacer una pregunta a la librería 28.

T.S. ELIOT, Marc CHAGALL, Franz MARC, Natalia GONTCHAROVA, Constantin BRANCUSI, Robert DELAUNAY, Mina LOY, Sherwood ANDERSON, Osip ZADKINE, Max WEBER, Arthur RIMBAUD, Kenneth BURKE, Henry Mc BRIDE, William GROPPER, William Carlos WILLIAMS, Richard BOIX, Waldo FRANK, Jacques LIPCHITZ, Edward P. NAGLE, Paul ROSENFELD, E.E. CUMMINGS, Eric GILL, Gaston LACHAISE, Pablo PICASSO, Marianne MOORE, Edward MUNCH, Thomas MANN, Paul GAUGUIN, Conrad AIKEN, Egon SCIELE, Marie LAURENCIN, Charles DEMUTH, Arthur G. DOVE, Henri MATISSE, Thomas H. BENTON, William ZORACH, Jean COCTEAU, Wyndham LEWIS, Charles VILDRAC, Bertram HARTMAN, Joseph STELLA, Edward NAGLE, Guy PENE du BOIS, Louis ARAGON, Alexander ARCHIPENKO, Jacob EPSTEIN, Odilon REDON, et al.

Usado Tapa dura

Cantidad: 1

Remitente: Le Grand Verre (Villejuif, France)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 6.999,00
Convertir moneda
Gastos de envío: EUR 14,00
De Francia a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: 1920. Couverture rigide. Estado de conservación: Bon. New York city 1920-1929. The Dial Compagny. 19 volumes fort in-4°, cartonnés et titrés. Du volume 68 (n°1) au volume 86 (n°7 et dernier), au total 115 numéros. Photographies, bois, vignettes, reproductions en noir et en couleur de C. Sheeler, Stieglitz, Picasso, Wh. Lewis, Archipenko, Matisse, J. Epstein, Larionov, Gontcharova, J. Lipchitz, A. G. Dove, J. Marin, C. Demuth, Chagall, Kokoschka, Masereel, Laurencin, Signac, Munch, Richard Boix, J. Epstein, Brancusi, Delaunay, Severini, Gontcharova, E. Mendelsohn, J. Stella, C. Pansaers, Art nègre, Brancusi, Foujita, Pascin, Derain, et al. Contributions littéraires, critiques poèmes et essais de Mina Loy, C. Pansaers, Djuna Barnes, E. Pound, P. Soupault (sur Dada), J. Joyce, G.B. Munson, Kenneth Burke, Cocteau, G. Stein, E.E. Cummings, P. Rosenfeld, A. Kreymborg, Aragon, P. Morand, Capek, Marsden Hartley, Rimbaud, Proust, W. Frank, et al. Nombreuses textes sur le Surréalisme, le Dadaïsme, Futurisme, l'architecture moderne, la Société Anonyme, les Ballets Russes et al. A noter l'importante contribution de T.S. ELIOT "THE WASTE LAND". Collection complète de la 3ème et dernière époque de Dial qui devint à ce moment le porte-voix du modernisme aux Etats-Unis. Tampons, ex-libris "James V. Brown Library". Manque 6 illustrations contrecollée :avril 1924, janv. et sept. 1925, Avr. 1926, avr. et sept. 1927. 4 feuilles collées, quelques mouillures marginales sans gravité. Ensemble en bon état. (Avant garde periodical, modernism, modern art). Nº de ref. de la librería ABE-16348250302

Más información sobre esta librería | Hacer una pregunta a la librería 29.

PICASSO.) [HALÁSZ, Gyula.] BRASSAÏ.

Editorial: [Paris:] Gallimard, 1964 (1964)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

Añadir libro al carrito
Precio: EUR 6.703,64
Convertir moneda
Gastos de envío: EUR 19,18
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Descripción: [Paris:] Gallimard, 1964, 1964. Octavo (197 × 135 mm). Bound in near-contemporary quarter morocco, marbled sides titles to spine gilt with raised bands, marbled endpapers. Spine a little faded and with two small abrasions at head, internally fine. An excellent copy. 48 black and white plates. First edition, first impression. Signed by Picasso on the dedication page, and inscribed by Brassai on the half-title: "Pour Maud Leclerc, avec toute son amitié, Brassai. Èze-village, 27 Dec. 1964." Brassaï, who photographed much of Picasso's work in the 1940s, here builds an intimate portrait of Picasso himself, recording each of their meetings with minute detail, and also offering an insight into the lives of the artistic and intellectual milieu in wartime Paris. Nº de ref. de la librería 99727

Más información sobre esta librería | Hacer una pregunta a la librería 30.

Condición

Encuadernación

Más atributos

Gastos de envío gratis

Ubicación de la librería

  • Todos los países

Valoración de las librerías

resultados (1 - 30) de 2318 1 2 3 4 5