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SWIFT, JONATHAN

Editorial: London: Benj. Motte (1726)

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Cantidad: 1

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Descripción: London: Benj. Motte, 1726. Hardcover. Estado de conservación: Fine. FIRST EDITION. This is an outstanding untouched example of Teerink’s A edition, the true first edition, preceding the AA and B editions. As Sir William Temple’s secretary at Moor Park, the young Swift had access to many travel accounts in Temple’s library. A frequent reader of such books during his formative years, Swift began working in 1714 on his own fictional account of the travels of Martin Scriblerus. The success of Robinson Crusoe (1719) helped spur on the writing of the book, a satire not only of travel narratives but of many aspects of eighteenth-century life including politics, science, commerce, and society. By the 1720s that work had become Gulliver’s Travels. In March 1726 Swift came to England for the first time since 1714, bringing the manuscript of Gulliver’s Travels. “To preserve his anonymity, Swift dealt with Motte by post and through intermediaries. It has always been assumed that political prudence was the main reason for Swift’s so carefully preserving the secret of his authorship. Certainly Swift enjoyed the thought (whether real or illusion) of writing dangerously” (Lock, “The Text of Gulliver’s Travels”). The author returned to Dublin even before the parcel had been delivered to the publisher. Although it was rumored that Swift was the author, he maintained the fiction that he knew nothing of the authorship in his conversation and correspondence. Motte hurried the book into print, using five printers who took different sections of the text. The initial printing (Teerink A) sold out within one week, and two additional editions (AA and B) soon followed. Gulliver’s Travels was an immediate success, and the book has remained one of the enduring classics of English literature. Thomas Gay wrote that “from the highest to the lowest it is universally read, from the Cabinet Council to the Nursery.” The influence of Gulliver’s Travels has been vast. The terms Lilliputian, Brobdingnagian, and Yahoo have entered the language. The book inspired countless sequels, adaptations, parodies, and imitations worldwide in print, comics, cartoons, television, stage, and film. The wildly imaginative book became a source of inspiration for authors from Voltaire to Orwell, and it is one of the few works of fiction of its time that is still widely read for pleasure. A fine, unrestored copy of Gulliver’s Travels is a cornerstone of any collection of the greatest books in English literature. Teerink 28 (A edition). Rothschild 2104-6. Printing and the Mind of Man 289. Grolier/English 42. Two volumes. Second state of portrait as usual. Contemporary paneled calf. One joint cracked, another slightly cracked, a few minor flaws, but an unusually fine set. Calf case. Nº de ref. de la librería ABE-15959240664

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SWIFT, Jonathan] GULLIVER, Lemuel

Editorial: Benj. Motte (1726)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Jonkers Rare Books (Henley on Thames, OXON, United Kingdom)

Valoración librería: Valoración 5 estrellas

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Descripción: Benj. Motte, 1726. First edition, first printing (i.e. Teerink A). Frontispiece portrait of Gulliver in the second state, as usual, with vertical chain lines and the lettering around the oval frame. Two volumes (197 x 120mm), bound in contemporary calf with gilt ruled borders and gilt titles to the spine. Binding sometime neatly rebacked with some old repairs to the hinges and corners. Internally clean with occasional browning. An excellent, tall set of this landmark novel in contemporary state. Five engraved maps. The author's masterpiece and landmark in the early development of the novel. The first printing was published on 28 October and sold out within a week and was quickly followed by two further printings in 1726, which are subtly different to the first printing, though bibliographically distinct as shown by Teerink in his bibliography of Swift, and referred to as Teerink AA and B issues. The work was immediately hailed as a classic, "From the highest to the lowest, it is universally read, from the Cabinet-council to the Nursery" - John Gay "Gulliver's Travels has given Swift an immortality beyond Temporary Fame" (PMM) Teerink 290; PMM 185. Nº de ref. de la librería 28173

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Descripción: London: for Benj. Motte, 1726, 1726. 2 volumes, octavo (191 × 119 mm). Contemporary speckled calf skilfully rebacked and refurbished to style, richly gilt spines, dark red morocco labels, two-line gilt border on sides; housed in a custom-made plush-lined brown cloth flat-back box. Marginal dampstaining to a dozen leaves in volume I, and at lower fore-corner of first gathering in volume II, a few old pale ink splashes to B5-8 in volume I. A very handsome set. Frontispiece portrait of Gulliver (second state, as called for), 4 maps and 2 plans. First edition, Teerink's A edition with all the necessary points to distinguish it from the two later printings (Teerink AA and B) also dated 1726. Teerink's A was published on 28 October, AA some time in the middle of November, and the B edition in December. The first five editions of Gulliver's Travels (three octavo editions in 1726, one octavo and one 12mo edition in 1727) were all published by Benjamin Motte. "The clandestine business of getting into print a pseudonymous and satirically explosive political satire entitled Travels into Several Remote Nations of the World (known from the start by its more popular title, Gulliver's Travels) was managed chiefly by Pope, with the assistance of John Gay and Erasmus Lewis. For speed, and to counter the risk of piracy, Motte used five printing houses (those of Edward Say, Henry Woodfall, James Bettenham, William Pearson, and, for the greatest share, that of Jane Ilive). The first edition appeared on 28 October 1726 in two octavo volumes at the price of 8s. 6d., but with unauthorized deletions and insertions by Andrew Tooke (the brother of Benjamin Tooke jun.), and sold out within a week. Gay wrote: 'From the highest to the lowest it is universally read, from the Cabinet-council to the Nursery'. Motte followed up with two more octavo editions in 1726 and a duodecimo in 1727, and there was a serialized version which began in the Penny Post (25 November 1726). There were two Dublin editions before the end of 1726, each set up from Motte's first edition. The book sold well in French: the first complete translation appeared at The Hague in January 1727, and an abridged adaptation by the Abbé Desfontaines in Paris in April. Swift received from Motte £200 and possibly more from the sales of the book, largely due to Pope's effort at instilling into his friend the principles of 'prudent management'. Gulliver's Travels is the book by which Swift is chiefly remembered, and it is the record of his own experience in politics under Queen Anne as an Irishman in what G. B. Shaw called 'John Bull's other island'" (ODNB). The true first edition of Gulliver's Travels is one of the rarest and most desirable books in the English language. PMM 185; Rothschild 2104; Teerink 289. Nº de ref. de la librería 102756

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SWIFT, Jonathan

Editorial: London Printed for Benj. Motte. (1726)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Heritage Book Shop, ABAA (Beverly Hills, CA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: London Printed for Benj. Motte., 1726. First Edition of Gulliver's Travels [SWIFT, Jonathan]. Travels into Several Remote Nations of the World. In four parts. By Lemuel Gulliver.London: Printed for Benj. Motte., 1726. First edition, Teerink’s State A, with the following points: Part I, p. 35, line 5 has "Subsidies" correctly spelled; Part III, p. 74 is misnumbered "44;" Part III, G6 is a cancel, with "Part III" at foot; Part IV, p. 52, line 1 has the misprint "buth is." Four parts in two octavo volumes (7 11/16 x 4 5/8 inches; 195 x 118 mm). xvi, 148; [6], 164; [6], 155, [1, blank]; [8], 199, [1] pp. Engraved frontispiece portrait of Gulliver in the second state, with the inscription "Captain Lemuel Gulliver of Redriff. Ætat. suæ LVIII." around the oval the the tablet bearing a Latin inscription (printed on paper with vertical chain-lines), four maps, and two plans. Contemporary speckled calf, rebacked. Original green and red spine labels laid down. Boards double ruled in gilt. Edges speckled red. Two previous owner's bookplates on front endpapers of each volume. Corners and board edges a bit bumped. Some occasional minor toning and marginal spotting. Overall a very good copy. Provenance: Earl of Guilford, Wroxton Abbey (engraved armorial bookplates) — Robert Borthwick Adam (1863-1940, goldstamped leather bookplates with portrait of Samuel Johnson) Gulliver’s Travels, to use the popular title, is one of the greatest satires in the English language—or any language, for that matter. It was an immediate success, which accounts in part for its bibliographical complexity, and has been hailed as a book that "would last as long as the language, because it described the vices of man in all nations" (D.N.B.). Vice not withstanding, and unintentionally, it has become not just a great satirical novel, but a juvenile classic as well. Grolier, 100 English, 42. Hubbard, pp. 15-17. Printing and the Mind of Man 185. Rothschild 2104. Teerink 289. HBS 67333. $60,000. Nº de ref. de la librería 67333

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CRESSET PRESS). (VELLUM PRINTING). SWIFT, JONATHAN

Editorial: The Cresset Press, London (1930)

Usado Tapa dura

Cantidad: 1

Remitente: Phillip J. Pirages Rare Books (ABAA) (McMinnville, OR, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: The Cresset Press, London, 1930. Hardcover. The Impressive and Sought-After Vellum Version of theCresset Press "Gulliver," with a Complete Set of the Extra Plates. 343 x 235 mm (13 1/2 x 9 1/4"). Two bound volumes plus a portfolio of plates. No. VIII OF 10 COPIES ON ROMAN VELLUM WITH AN EXTRA SET OF THE PLATES ON VELLUM, EACH OF THEM SIGNED BY THE ARTIST. Publisher's special russet morocco by Wood of London, raised bands flanked by simple blind tooling extending onto the boards, gilt titling, brass clasps and catches, gilt-ruled turn-ins, all edges gilt, vellum endleaves. The extra plates housed in silk-covered chemise bound into boards covered with matching morocco. The whole contained in two extremely fine recent morocco-backed felt-lined folding boxes with raised bands and gilt titling, giving the appearance of three book spines. The main volumes with a total of 27 engravings (26 images), as called for: a title page vignette featuring a bust of Swift (appearing in each volume), eight head- and tailpieces, five full-page maps, and 12 DELICATELY HAND-COLORED COPPER-ENGRAVED PLATES (including two frontispieces) BY REX WHISTLER, each within an ornate baroque-style frame, AND WITH AN ADDITIONAL SUITE OF ALL 26 engraved images (the same 12 images that are colored in the main volumes also colored by hand in the extra suite), each of the 26 extra images signed by Whistler and separately matted. Original tissue guards. Ransom, p. 7. Spines of the text and plate volumes rather darkened (though evenly so), the morocco boards covering the plate chemise a bit soiled and somewhat scratched (the scratches well refurbished), but the original deluxe bindings showing almost no other wear and retaining much of their original appeal. Text and plates with only the most trivial of foxing or tonal variations to the vellum, and generally IN VERY FINE CONDITION INTERNALLY. This is the very rare vellum edition of one of the most beautifully printed and attractively illustrated private press books of the 1930s. Inspired by such masters as Watteau, Canoletto, and Boucher, Whistler's work, including the witty drawings here surrounded by rococo frames, recall the 18th century heyday of French book illustration. Horne quotes a 1984 exhibit at the British Museum that says, "This playful essay in 18th century pastiche is, like much fine English book-making of the 1920s and 1930s, aesthetically backward-looking. Whistler's drawings are matched by a text printed in a revival of John Baskerville's 18th century types." Reginald John "Rex" Whistler (1905-44) made a name for himself in mural painting, stage design, and book illustration, and in "Gulliver," his skills as a theater designer and as a muralist align to produce what is widely regarded as his masterpiece, as well as a highspot of 20th century fine printing. Horne describes him as "one of the most gifted figures of the years between the wars," and laments that his artistic career was brought to a tragically premature end by World War II, during which Whistler died while serving as a tank troop leader in France. The Cresset Press operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers, and while its output was small, the books it produced were notable. Presswork was done at the Shakespeare Head Press run by Bernard Newdigate, perhaps the most important name in private press printing between the wars. Besides the present one, only one other copy of the Cresset Press "Gulliver" on vellum seems to have appeared at auction since 1975, and it had only six of the extra plates colored. No. VIII OF 10 COPIES ON ROMAN VELLUM WITH AN EXTRA SET OF THE PLATES ON VELLUM, EACH OF THEM SIGNED BY THE ARTIST. Nº de ref. de la librería STCBR1201

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WHISTLER, REX]. Swift, Jonathan.

Editorial: London Cresset Press 1930 (1930)

Usado Ejemplar firmado

Cantidad: 1

Remitente: Bromer Booksellers, Inc., ABAA (Boston, MA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: London Cresset Press 1930, 1930. Three quarto volumes. From an edition of 205 copies, this is one of ten printed on Roman vellum. With twelve hand-colored copper-engraved illustrations by Rex Whistler, nine engraved head- and tailpieces, and five maps. Also with an extra suite of all the engravings laid into a single volume, each signed by Whistler and individually matted. Whistler’s skills as a theater designer and as a muralist align in this work, which is widely regarded as his masterpiece, as well as a highspot of 20th century fine printing. Viewing these finely detailed engravings on vellum lends them a dimensionality that cannot be found in the issue on paper. Bound in original full tan morocco by the Wood bindery. Some natural tonal variations to the vellum internally. A fine set of Whistler’s most important illustrated text in the rare vellum issue. Housed in two brown, morocco-backed folding cases. (Ransom, Selective Check Lists, p. 7). Nº de ref. de la librería 24665

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Swift, Jonathan

Editorial: Benjamin Motte, London (1726)

Usado Primera edición

Cantidad: 1

Remitente: James Cummins Bookseller, ABAA (New York, NY, U.S.A.)

Valoración librería: Valoración 4 estrellas

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Descripción: Benjamin Motte, London, 1726. First edition (Teerink's A), first printing, with all distinguishing points as per Teerink. Engraved frontispiece portrait of Captain Gulliver (in the second state as usual), 5 engraved maps & one engraved plate of the automatic writing machine. 2 vols. 8vo. A very pretty set of the rare first printing of one of the great satires in the English language. Teerink 289 ("A edition"); Rothschild 2104; PMM 185 20th-century period brown calf. Spines slightly faded, upper cove of first volume shows a few spots, a few occasional stains to text, otherwise a fine copy Engraved frontispiece portrait of Captain Gulliver (in the second state as usual), 5 engraved maps & one engraved plate of the automatic writing machine. 2 vols. 8vo First edition (Teerink's A), first printing, with all distinguishing points as per Teerink. Nº de ref. de la librería 260175

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SWIFT, Jonathan

Editorial: London Printed for Benj. Motte. (1726)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Heritage Book Shop, ABAA (Beverly Hills, CA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: London Printed for Benj. Motte., 1726. First Edition of Gulliver's Travels [SWIFT, Jonathan]. Travels into Several Remote Nations of the World. In four parts. By Lemuel Gulliver.London: Printed for Benj. Motte., 1726. First edition, Teerink’s State A, with the following points: Part I, p. 35, line 5 has "Subsidies" correctly spelled; Part III, p. 74 is misnumbered "44;" Part III, G6 is a cancel, with "Part III" at foot; Part IV, p. 52, line 1 has the misprint "buth is." Four parts in two octavo volumes. xvi, 148; [6], 164; [6], 155, [1]; [8], 199, [1] pp. Engraved frontispiece portrait of Gulliver in the second state, with the inscription "Captain Lemuel Gulliver of Redriff. Ætat. suæ LVIII." around the oval the the tablet bearing a Latin inscription (printed on paper with vertical chain-lines), four maps, and two plans. Modern antique-style mottled calf. Gilt double-rule border on covers, gilt spines with red and green morocco labels, gilt board edges, edges sprinkled red, marbled endpapers. Small ink stain on frontispiece portrait. Short tear to upper margin of B7 in Part I. Some inoffensive washing at the beginning of Volume II. A little light foxing and soiling. Early ink signatures on recto of frontispiece and on title-page of Volume I. Otherwise an excellent set. Housed together in a red morocco clamshell case. Gulliver’s Travels, to use the popular title, is one of the greatest satires in the English language—or any language, for that matter. It was an immediate success, which accounts in part for its bibliographical complexity, and has been hailed as a book that "would last as long as the language, because it described the vices of man in all nations" (D.N.B.). Vice not withstanding, and unintentionally, it has become not just a great satirical novel, but a juvenile classic as well. Grolier, 100 English, 42. Hubbard, pp. 15-17. Printing and the Mind of Man 185. Rothschild 2104. Teerink 289. HBS 66467. $45,000. Nº de ref. de la librería 66467

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SWIFT, Jonathan.

Editorial: Dublin, 15 April 1735 (1735)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

Valoración librería: Valoración 5 estrellas

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Descripción: Dublin, 15 April 1735, 1735. Quarto folded to form a bifolium (224 × 181 mm), two pages, docketed on terminal blank. Paper repairs to folds in terminal blank, minor soiling. Swift asks the Lord Lieutenant of Ireland that Michael Aldrich, a relation of his friends the Grattans, be made master of a barrack at Kinsale. The letter is written in a characteristically witty, teasing tone, showing Swift's easy intimacy with the man he declared one of the most agreeable and well- informed men, and best conversationalists, he had ever met. The letter opens by recalling their recently dining together with Swift's friends, Rev Patrick Delany (1685?–1768), at Delville, Delany's villa outside Dublin, and Dr Richard Helsham (1683–1738), Swift's physician. "Now, this same Dr. Helsham hath ordred me to write to Your Grace in behalf of one Alderman Aldrich; who is master of the Dublin Barrack, and is as high a Whig, and more at your Devotion than I could perhaps wish him to be. And yet he is a very honest Gentleman, and which is more important, a near Relation of the Grattans, who, in Your Grace's absence are governors of all Ireland, and your Vicegerents when you are here, as I have often told you. They consist of an Alderman – whom you are to find Lord Mayor at Michaelmas next; of a Doctor who kills or cures half the City, of two Parsons my subjects as Prebendaryes, who rule the other half, and of a vagrant Brother who governs the North. They are all Brethren, and your Army of twelve thousand soldiers are not able to stand against them. Now, Your Grace is to understand, that these Grattans will stickle to death for all their Cousins to the five and fiftieth degree; and consequently this same Alderman Aldrich being onely removed two degrees of Kindred, and having a Son as great a Whig as the Father, hath prevayled with Dr. Helsham to make me write to Your Grace". Having proceeded to make the case for Michael Aldrich, Swift adds that "you will have several Requests this Post with the same Request, perhaps for different Persons, but you are to observe only mine, because it will come three minutes before any other. I think this is the third request I have made to Your Grace. You have granted the two first, and therefore must grant the third. For, when I knew Courts, those who had received a dozen favors, were utterly disobliged if they were denyed the thirteenth. Besides, if this be not granted the Grattans will rise in rebellion, which I tremble to think of." Swift also makes a complaint about Dorset's cousin Lady Elizabeth ("Betty") Germain of Drayton House, Swift's old friend and constant correspondent: "My Lady Eliz. Germain uses me very ill in her Letters. I want a Present from her, and desire you will please to order, that it may be a seal. Mine are too small for the fashion; and I would have a large one, worth forty shillings at least." Provenance: by descent, published in 1904 as in the collection of Mrs. Stopford-Sackville, of Drayton House. Nº de ref. de la librería 90692

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Jonathan Swift

Editorial: Benjamin Motte, London (1726)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Festival Art and Books (Machynlleth, POWYS, United Kingdom)

Valoración librería: Valoración 4 estrellas

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Descripción: Benjamin Motte, London, 1726. Full-Leather. Estado de conservación: Good. No Jacket. First Edition. 1726. First edition, first printing (Teerink A). Frontispiece portrait of Gulliver. Two volumes (197 x 120mm), bound in calf with gilt ruled borders and gilt titles to the spine. Spine rebacked, with some old repairs to the hinges and corners. Internally clean with occasional foxing, especially to end pages. Five engraved maps. The author's masterpiece and landmark in the early development of the novel. The first printing was published on 28 October and sold out within a week and was quickly followed by two further printings in 1726, which are subtly different to the first printing, though bibliographically distinct as shown by Teerink in his bibliography of Swift, and referred to as Teerink AA and B issues. The work was immediately hailed as a classic, "From the highest to the lowest, it is universally read, from the Cabinet-council to the Nursery" - John Gay "Gulliver's Travels has given Swift an immortality beyond Temporary Fame" (PMM) Teerink 290; PMM 185 Please ask for a full set of photos. Nº de ref. de la librería 01300

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Descripción: A superb and significant two-page autograph letter signed by Jonathan Swift ("Jonath Swift"), 22nd March 1734. Swift writes a letter of recommendation for his friend Thomas Sheridan, to the Duke of Dorset. In full, "My Lord, Your Grace must please to remember that I carried you to see a comedy of Terence acted by the Scholars of Doctor Sheridan, with which performance you were very well pleased. The Doctor is the most learned person I know in this kingdom, and the best schoolmaster here in the memory of man, having an excellent tast[e] in all parts of Literature. I prevayled on my Lord Cartaret to make him one of his Chaplains, and to bestow him a good living, which the Doctor afterwards exchanged for another about seven miles from Dublin. But his health impairing by the Air of the Town, and being invited by the Gentlemen of the County of Cavan to accept the Free School of Cavan, which is endowed equall to his living, and he being born in the county, the present schoolmaster, one Mr. Knowlls, is desirous to change his school for the Doctor’s living of much the same value, called Dunboyn in your Grace’s gift. This affair hath been so long managing, that it was in agitation before you left me and I begged your consent for the change which, as a very reasonable request, not crossing any measures of your Grace, you were pleased to grant. All things have been long agreed, the B[isho]p of Kilmore (Hort) hath writ to you upon it, so your Lords Justices have done, for some months past but being a thing of no great consequence to the publick State of the Kingdom – your secretaryes have forgot it. In the mean time the poor Doctor hath given up his school in town, to his great loss, and hath parted with his house, continuing in uneasiness and suspence till your letter comes. Therefore I humbly beg, you will please to order me of your secretaryes immediately to send the letter, that will impower the Doctor and Knowles the Schoolmaster to exchange stations. My letter is the worst part of the matter, because it will cost you three minutes to read, but the request is short and reasonable. I writ some day ago to my Lady E. Germain on the same purpose, but it is possible her ladyship might forget; which your Grace to my knowledge is not capable of. I am with the highest respect, My Lord, your Grace’s most obedient and most humble servant, Jonath Swift". Light age-toning and age-spotting, otherwise in remarkably fine condition. Swift’s autograph is extremely rare in any format. Thomas Sheridan (1687 - 1738) was a writer and schoolmaster, and Swift’s principle collaborator. Sheridan and Swift collaborated on a number of literary projects together. In 1725, as royal chaplain, Sheridan delivered a sermon that was considered by some as politically suspect, and his appointment was cancelled. Sheridan did, indeed, succeed in the job change requested by Swift, and became the headmaster of Cavan School in 1735, where he remained for three years until his death. Whilst Swift’s relationship with Sheridan did ultimately become acrimonious (the exact reasons are not known why), this letter is testimony to Swift’s repeated efforts to help his friend in his career path. A wonderful association piece. Nº de ref. de la librería 000236

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SWIFT, Jonathan |

Editorial: London: Printed for Benj. Motte, 1726. (1726)

Usado Primera edición

Cantidad: 1

Remitente: David Brass Rare Books, Inc. (Calabasas, CA, U.S.A.)

Valoración librería: Valoración 2 estrellas

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Descripción: London: Printed for Benj. Motte, 1726., 1726. First "AA" EditionIn A-1 Condition[SWIFT, Jonathan]. Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of several Ships. London: Printed for Benj. Motte, 1726. First (Teerrick's AA) edition (second octavo edition), with all errata as noted by Teerick, issued "medio November 1726," not quite three weeks after the first octavo edition. Four parts in two octavo volumes (7 1/2 x 4 5/8 inches; 191 x 117 mm.). xvi, 148; [6], 164; [6], 155, [1, blank]; [8], 199, [1, blank] pp. Engraved frontispiece portrait of Gulliver in the second state, with the inscription "Captain Lemuel Gulliver of Redriff. Ætat. suæ LVIII." around the oval frame, the tablet below bearing a Latin inscription; five engraved maps, two for Part III (facing pp. [1] and 39) and one for each of the other Parts (facing p. [1]), and an engraved plate of symbols in Part III (facing p. 74). Decorative woodcut and typographic head- and tail-pieces and initials.Contemporary calf paneled in blind. With the bookplate of William 6th Baron Monson (1796-1862) . Spines expertly and almost invisibly restored. An unusually clean, attractive, and excellent copy. Housed in a full paneled calf clamshell case with two spines."The first five editions of Gulliver's Travels were all published by Benjamin Motte. They form a group together, and give rise to the following observations:(1) A edition (1st 8vo edition), publ. 28 Oct. 1726.(2) AA edition (2d 8vo edition), publ. medio Nov. 1726.(3) B edition (3d 8vo edition), publ. Dec. 1726.(4) Second Edition (4th 8vo edition), publ. May 4, 1727(5) [Third Edition] (1st 12mo edition), with the year 1727 but published early in 1728.The first three editions, long considered different issues only, have been proved to be separate editions.This sequence has the advantage of being the conventional one. Pope, Swift, and Ford all meant the 1727 8vo edition when they spoke of the 'second' edition" (Teerink). In this, the "AA" edition, the general title to Volume II notes "second edition," and the special title to Part IV has "Voyage" in lower case; it is all in upper case in edition "A." Both volume I and volume II in this copy conform to Teerink's AA: the first volume is usually married with a Teerink B copy of volume II."Gulliver’s Travels, to use the popular title, is one of the greatest satires in the English language—or any language, for that matter. It was an immediate success, which accounts in part for its bibliographical complexity, and has been hailed as a book that "would last as long as the language, because it described the vices of man in all nations" (D.N.B.)."Gulliver’s Travels has given Swift an immortality beyond temporary fame All those who had been fascinated by the realism and vivid detail of Defoe’s Robinson Crusoe were captivated again, even though they knew that Gulliver must be fiction. The brilliance and thoroughness with which his logic and invention work out the picquancies of scale involved by the giant human among the Lilliputians, and then by a minikin Gulliver among the Brobdingnagians, ran away with the author’s original intenation. Gulliver’s Travels has achieved the final apotheosis of a satirical fable, but it has also become a tale for children. For every edition designed for the reader with an eye to the historical background, twenty have appeared, abridged or adapted, for readers who care nothing for the satire and enjoy it as a first-class story" (Printing and the Mind of Man). Teerink 290. Grolier, 100 English 42. Hubbard, pp. 15-17. Printing and the Mind of Man 185. Rothschild 2104. Nº de ref. de la librería 02800

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SWIFT, Jonathan.

Editorial: London: Printed for T. Cooper 1737. (1737)

Usado

Cantidad: 1

Remitente: Bernard Quaritch Ltd ABA ILAB (London, United Kingdom)

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Descripción: London: Printed for T. Cooper 1737., 1737. 4to., pp. 16; a fine copy, uncut, disbound.First London edition of one of the most difficult Swift titles to find, a vindictive late work that echoes the tone of his satirical masterpiece, A Modest Proposal (1729). An octavo edition appeared at about the same time in Dublin, but it is not clear which has precedence.Swift's final essay on the state of Ireland, and on the question of poverty in particular, the text begins with a description of his own role in various civic schemes to ameliorate the condition of Dublin's poor, most of which came to nothing because of factional squabbling. He goes on to suggest that every beggar not home-grown be sent to the country, with 'his trull and litter of brats'; here the cost of maintenance would be substantially lower than in the Irish capital. Swift's deliberately coarse characterization of the victims of poverty was no doubt intended to echo the common parlance of the day: 'To say the truth, there is not a more undeserving vicious race of human kind than the bulk of those who are reduced to beggary, even in this beggarly country I am confident, that among the meaner people, nineteen in twenty of those who are reduced to a starving condition, did not become so by what lawyers call the work of God, either upon their bodies or goods; but meerly from their own idleness, attended with all manner of vices, particularly drunkenness, thievery, and cheating.'Swift had first proposed such a scheme in 1726, in order to confine beggers to their own parish. Despite its impracticability, it was in fact adopted by the archbishop and the badges distributed. The idea was not new. In a paper read to the Royal Historical and Archæological Society of Ireland in 1884 W. H. Patterson describes several Irish examples including two from Dublin, undated, one from Co. Down dated 1707 and one from Co. Monaghan, dated 1742. Unsurprisingly the beggars refused to wear the badges, or to do so where they were visible, but Swift clung to the concept, and issued the present work a decade later, when he was on the verge of the decline which ended in his dementia. The pamphlet concludes with the plea of a tired old man: 'I had some other thoughts to offer upon this subject: but as I am a desponder in my nature, and have tolerably well discovered the disposition of our people, who never will move a step towards easing themselves form any one single grievance; it will be thought, that I have already said too much, and to little or no purpose; which hath often been the fate, or fortune of the writer, J. Swift.''The striking feature of this pamphlet is the way it illustrates Swift's famous declaration that he gave his love to individuals rather than to communities of men. For any particular beggar Swift might instinctively feel compassion However, when he thought of the poor as a class, he felt appalled by their collective faults and rejected them as he rejected the fine ladies in the filthy verse satires . So hyperbolic and relentless is the language that an ill-informed reader might suppose the great ironist was impersonating a brutal misanthrope .' (Ehrenpreis).This has long been a very difficult Swift title to find, in any form. For this London quarto ESTC lists 16 copies in 14 locations (4 in the British Isles, 11 in the US), but none at Harvard or Pennsylvania, two of the very best Swift collections in North America. The Dublin edition is similarly rare. The only other copy of any edition to appear at auction in the last fifty years or more was the Hollick copy of the Dublin printing, sold in 1980 for £1000.Teerink-Scouten 756; Rothschild 215 7. Nº de ref. de la librería E3668

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SWIFT, JONATHAN] -

Editorial: Printed for Benj. Motte, at the Middle Temple-Gate in Fleet-Street, London (1726)

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Cantidad: 1

Remitente: Contact Editions, ABAC, ILAB (Toronto, ON, Canada)

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Descripción: Printed for Benj. Motte, at the Middle Temple-Gate in Fleet-Street, London, 1726. Full Leather with Slipcase. Estado de conservación: Very Good. Second State. Four parts in two volumes. Second state frontispiece portrait of "Captain Lemuel Gulliver of Redriff. Aetat Suae LVIII" by Sheppard, printed within oval frame, Latin inscription below. Pp. [blank leaf], xii, 148; [vi], 164; [blank leaf], [vi], 155; [viii], 199, [verso blank]. 5 maps, one to each part [two to Part III], and plate of the Word Engine. Armorial bookplate on front pastedown in each volume of Timony Neve (1724-1798), English churchman and academic, and was chaplain of Merton College, Oxford. Bookplate of prominent Philadelphia collector Robert R. Dearden to front free endpaper of each volume, previous owner's inked name at head of title-page in each volume, and again on verso of title-page in vol. II, inked name and Liverpool address dated 18 April 1826 to blank verso of last leaf in vol. II. Blind-stamped, contemporary calf. Sypathetically rebacked, 5 raised bands, two gilt-stamped maroon leather spine labels. Covers gently scuffed, corners a bit rubbed, crude paper repair to lower edge of title-page and following 2 prelims. in vol. II not affecting text. Text blocks of both volumes tanning and slightly thumbed, occasional light foxing. Overall, a very good set housed in a fine custom-made clamshell box, green cloth with ornate gilt ruled leather spine and faux raised bands. Size: Octavo. Nº de ref. de la librería 20109

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Gulliver, Lemuel [Swift, Jonathan]

Editorial: George Faulkner, Dublin (1735)

Usado Tapa dura Primera edición

Cantidad: 1

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Descripción: George Faulkner, Dublin, 1735. Hardcover. Estado de conservación: Very Good+. Professionally rebound, including 95% of the contemporary full leather boards. New endpapers. Original bookplate (steel engraving) Frontispiece of "Capt. Lemuel Gulliver, Splendide Mendax. Hor. " Four steel engraved maps of the islands and numerous ornaments and smaller illustrations throughout the book. A very handsome, tight, early edition of one of the most famous books ; Including the four parts: I: A Voyage to Lilliput. II: A Voyage to Brobdingnag. III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib and Japan. IV: A Voyage to the Country of the Houyhnhnms. This is the (apparent) third editon, lightly corrected and preceded by the London edition and the first Dublin edition. - Stored in a custom-made decorative box with petrol colored marbled paper and leather spine with gilt lettering; 8vo; 404 pages. Nº de ref. de la librería 6618

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Descripción: London: Printed in the Year 1727., 1727. Two volumes, with uniform third volume. viii,[4],310; [6],353pp. [with:] Two parts bound in one volume [8],118, [8],159pp. Octavo. Uniform contemporary paneled calf, gilt labels. Frontis portrait, 4 maps & two plans in the first two volumes; half-title and engraved frontis in the third volume. Old small manuscript shelf-label on each spine, engraved bookplate of Ricasoli Firidolfi in each volume on prelim, some wear to spine extremities and minor cracking to joints, some foxing and occasionally pronounced tanning (often varying between signatures), small wax drop in one blank margin, but a good set in a moderately well- preserved contemporary binding. First edition, Teerink's "B" edition (i.e. the third octavo edition), with the frontis portrait in the first volume in the second state, with the inscription within the oval frame rather than on a tablet below it, accompanied by the first edition of the spurious continuation. The 'A' edition appeared on 28 October 1726, the 'AA" edition in mid-November, and this 'B' edition, which was set up from the AA edition, was published in December. This, Swift's best known work, was published anonymously. Written in Dublin between about 1720 and 1725, the finished manuscript was brought to England by Swift when he left Ireland for London in March 1726. During his visit he stayed with friends, including Alexander Pope. Pope, along with John Gay and John Arbuthnot, helped Swift arrange for the publication of the book. Even after its publication Swift kept up the public pretence of having had no hand in it, but the immediate popularity of the work can be gauged from the fact that there were four printings within a year, translations into French, German, and Dutch, and the spurious continuation and other pastiches. The second part of the continuation was adapted from Siden's THE HISTORY OF THE SEVARITES (1675- 9), but the first part is an original imitation. During the 18th century, it was often included in translations of the genuine work. PRINTING & THE MIND OF MAN 185. ROTHSCHILD 2108. TEERINK 291-2. BLEILER, p. 190. GROLIER ENGLISH HUNDRED 42. SARGENT, p.10. GOVE, pp. 254- 58. Nº de ref. de la librería WRCLIT 64388

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CRESSET PRESS.) SWIFT, Jonathan.

Editorial: London: The Cresset Press, 1930 (1930)

Usado

Cantidad: 1

Remitente: Peter Harrington. ABA member (London, United Kingdom)

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Descripción: London: The Cresset Press, 1930, 1930. 2 volumes bound in 1, folio. Recent green morocco by Sangorski & Sutcliffe, titles to spine gilt, 5 raised bands, top edge gilt, others untrimmed. Housed in a green cloth solander case. A little mild creasing to spine. An superb copy. Volume I with colour frontispiece and 5 plates, and 2 maps. Volume II with colour frontispiece and 6 plates, 3 maps, and 1 diagram. Head and tail pieces throughout. First Cresset Press edition, first impression. One of 195 copies on handmade paper from a limited edition of 205 numbered copies. The short-lived Cresset Press, co-founded by John Eldred Howard in 1927 and run by Dennis Cohen and A. I. Meyers until 1931, produced fine editions and reprints of the classics and Continental literature. Gulliver's Travels is one of the Press's finest books. The illustrative style of Rex Whistler (1905–1944), eschewing the experimentalism of the 1920s, found its inspiration in the seventeenth and eighteenth centuries and so was well matched to Swift's classic. In this book Whistler employed his favourite device of setting most of the illustrations within a highly decorative rococo marginal frame. A beautiful copy of this masterpiece of the book arts. Nº de ref. de la librería 83941

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SWIFT, JONATHAN

Editorial: Printed for Benj. Motte, London (1726)

Usado Tapa dura

Cantidad: 1

Remitente: Phillip J. Pirages Rare Books (ABAA) (McMinnville, OR, U.S.A.)

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Descripción: Printed for Benj. Motte, London, 1726. Hardcover. 197 x 127 mm (7 3/4 x 5"). Usual misnumbered pages in volume I; 16-page publisher's catalogue at the end of volume II. Two volumes. FIRST EDITION, Third Issue (Teerink's "B" Edition). Quite pretty 19th century speckled calf by Lloyd & Wallis (stamp-signed on front turn-in), covers with gilt French fillet border, raised bands, spines gilt in compartments with central floral sprig surrounded by small tools and floral cornerpieces, one red and one green morocco label, densely gilt turn-ins, marbled endpapers, all edges gilt. With frontispiece portrait of Gulliver (in the second state), four maps, and two plans. Front pastedown with bookplate of Mrs. L. Bartlett. Teerink 291; PMM 185; Rothschild 2108. Joints somewhat rubbed and flaked (though not with any cracks), extremities a bit worn, spines uniformly darkened a shade and with a hint of abrasion (the gilt also slightly dulled), minor marks and spots to boards, but the attractively decorated bindings entirely solid and still rather pretty. First volume with variable browning and offsetting throughout, noticeable in two gatherings (perhaps because of washing?), second volume much better, with only a hint of browning right at edges, isolated trivial defects like a rust spot here and there, but the text in both volumes otherwise fresh and clean. This is the third distinct issue (all printed within two months of each other) of the first edition of probably the greatest satire in the English language. A book with the special merit of appealing to readers of every age, the work ostensibly mocks the popular travel writings of the day, but "Gulliver" was in fact a subtle but potent attack on the contemporary political situation. While most works that rely on current fashions and politics quickly become dated, this one has transcended its time to give Swift immortality because of what PMM calls his two great gifts, "a sustained logic in invention and a facility for absorbing the reader till fiction becomes reality." When the first run sold out within a week of its October 28 printing, the publisher immediately went to work to satisfy demand, with two more issues appearing before the end of the year, ours being published in December. FIRST EDITION, Third Issue (Teerink's "B" Edition). Nº de ref. de la librería CJH1301

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Steele, Richard, Joseph Addison, Jonathan Swift

Editorial: Printed: and Sold by John Morphew, London (1711)

Usado Primera edición

Cantidad: 1

Remitente: James Cummins Bookseller, ABAA (New York, NY, U.S.A.)

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Descripción: Printed: and Sold by John Morphew, London, 1711. First edition, the original 271 numbers, with title, dedications and indices to each of the two volumes. Nos. 1-271 (all published). 1 vols. Folio. Huth Copy. The Tatler as it was first issued as a folio in two volumes in 1710 (nos. 1-114) and 1711 (nos. 115-271), running from 2 April 1709 to 31 March 1711: "Of the 271 numbers, Steele wrote 188, Addison 42, and the two joint 36 ? Davis lists six numbers, 21, 31, 67, 68, 249 and 248, as contributed by Swift (or containing letters or 'hints furnished by him'). In addition, Aitken attributes to Swift letters in Nos. 59, 63, 71, 190 and 195, and suggests that he was part author of Nos. 32, 66, 230 and 238" (Rothschild).A beautiful copy, complete as issued, and with a notable provenance. Rothschild 1948; Teerink 513 Full tan polished calf, richly gilt spine and contrasting leather labels, by Bedford. Morocco ex-libris of HENRY HUTH Nos. 1-271 (all published). 1 vols. Folio First edition, the original 271 numbers, with title, dedications and indices to each of the two volumes. Nº de ref. de la librería 260176

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Swift, Jonathan.

Usado Tapa dura Primera edición

Cantidad: 1

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Descripción: 1726. Hardcover. Estado de conservación: Very Good. 1st Edition. Travels Into Several Remote Nations of the World. In Four Parts by Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships. Two volumes, 8vo. Frontispiece portrait and six plates (five maps and a design for a thought machine). London, Printed for Benj. Motte, 1726. First edition, third issue. [Teerink's state B, published in December 1726. There were three issues of the first edition of the Travels published in 1726, known as the A, AA, and B editions. The A edition was published in October of 1726 and sold out within a week]. Original brown panelled calf binding with decorative blind ruled borders and corner pieces. Spines with raised bands, title labels heavily worn on volume 1 and just the remnants left on volume 2. Volume numbers stamped in gilt in 4th compartment. Spines scuffed, head of spines worn, joints cracked, but bindings sound. The text of both volumes bright and fresh throughout. A very good set, rarely found in contemporary bindings. The first printing of Gulliver's Travels was in October of 1726 and there were four distinct 8vo editions (all by Motte) and further 12mo editions within a year. The first three octavo editions are traditionally considered to comprise the First Edition. Swift endeavoured to remain anonymous as the author of the travels. The printer Motte wrote that he received the second part of the travels 'he knew not from whence, nor from whom, dropped at his house in the dark, from a hackney coach. Gulliver’s Travels has given Swift an immortality beyond temporary fame. All those who had been fascinated by the realism and vivid detail of Defoe's Robinson Crusoe were captivated again, even though they knew that Gulliver must be fiction. The brilliance and thoroughness, with which his logic and invention work out the piquancy of scale involved by the giant human among the Lilliputians, and then by a minikin Gulliver among the Brobdingnagians, ran away with the author’s original intention. Gulliver s Travels has achieved the final apotheosis of a satirical fable (PMM). [Grolier], [100 English, 42]. [Printing and the Mind of Man 185]. [Teerink 289]. Nº de ref. de la librería 42847

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Descripción: London: for Benj. Motte, 1726, 1726. 2 volumes, octavo (178 × 115 mm). Contemporary calf, red and green morocco labels, red speckled edges. Ownership signature partially erased from verso of each front free endpaper. Repairs to joints and corners, some light marking and spotting to contents, minor crease and tear to frontispiece. Excellent condition. Frontispiece portrait, 5 maps, and 1 diagram. Teerink's "B" edition, with the portrait of Gulliver in second state, as usual. The first three editions of Gulliver's Travels are all octavos published by Benjamin Motte dated 1726 without edition statement, and were long thought of as merely different issues. The edition designated Second on the title-page is dated 1727. It was noted by John Gay that, "The whole impression sold in a week". It was hailed as a classic that "would last as long as the language, because it described the combination of qualities which made it at once a favourite book of children and a summary of bitter scorn for mankind" (DNB). "Gulliver's Travels has given Swift immortality beyond temporary fame" (PMM 185). PMM; Teerink B. Nº de ref. de la librería 66018

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Sturmy, Samuel [Sturmey, Samuel; Sturmey, Captain Samuel; Sturmy, Captain Samuel] Colson, John [Revised, Corrected and Enlarged by] [Swift, Jonathan]

Editorial: Printed for Richard Mount, at the Postern on Tower-Hill, London (1700)

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Cantidad: 1

Remitente: Allington Antiquarian Books, LLC (IOBA) (Winston Salem, NC, U.S.A.)

Valoración librería: Valoración 4 estrellas

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Descripción: Printed for Richard Mount, at the Postern on Tower-Hill, London, 1700. Hardcover. Estado de conservación: Very Good +. A Very Good + copy of this important and rare-to-the-market nautical classic by Captain Sturmy, being the fourth edition with "Useful Additions", bound in 18th century panelled calf with the binding dated 1734 and with a newer, and heavily buttressed, spine added, we surmise, in the nineteenth or early twentieth Century, containing text useful to sailors and copiously illustrated, collating as follows: (12), 148, 116, (22), (24) pages. [More precisely, the collation is as follows: (12 -- including the frontispiece and title page), 148 ---- with pages 109, 100, 111, and 112 bound out of order, 116, (22 -- Canon Triangulorum Logarithmicus or a Table of Artificial Sines and Tagents to Every Degree and Minute of the Quadrant By Capt. Samuel Sturmy), (24 -- Chilidades Decem Logarithmorum, or The Logarithms of all Numbers From an Unite to 10000: Whereby the Logarithms of all Numbers under 10000000 may be speedily deduced. First Composed by that Excellent Mathematician Mr. Henry Briggs, Professor of Geometry in the University of Oxford. And their Use now Amplified by Capt. Samuel Sturmy.) pages.] Present are 24 copperplate engravings (of which 15 plates are in contained within the text and 9 are folding or on tabs; three contain volvelles -- i.e. plates with moving parts) and 49 larger woodcuts and over 100 smaller (mostly geometric design) drawings. The frontispiece and title page have been repaired, with the frontispiece repair presenting a small portion thereof expertly redrawn at the upper right corner, and with the title page trimmed around the edges and remargined. The leaves show some inoffensive expected toning as well as some tide marking, and the folding plates show some minor repairs. The endpapers and occasional leaves within show some interesting 18th Century notations, including the 1734 signature of a James Cackett along with copious notes and a mention of Drake on the rear free endpaper. The Title Page Reads: The Mariners Magazine, Stor'd with the Following Mathematical Arts: The Rudiments of Navigation and Geometry. The Making and Use of divers Mathmatical Instruments for Sea and Land. The Doctrine of Triangels, Plain and Spherical. The Art of Navigation, by the Plain-Chart, Mercator's-Chart, and the Arch of a Great Circle, the Art of Surveying, Guaging, Measuring, Gunnery, and Fireworks, with a Compendium of Fortification. The Rudiments of Astronomy. The Art of Dialling. Also, The Penalties and Forfeitures Relating to the Customs, and to Navigation. With Tables of Logarithms, Sines and Tangents; Declination of the Sun, Latitude and Longitude; Right Ascencion, and Declination of the most Notable Fixed Stars; of the Longitude and Latitude of Places; of Meridional Parts, with other Tables necessary in Navigation. By Capt. Samuel Sturmy. Revised, Corrected and Enlarged, by John Colson, Teacher of the Mathematicks in London. The Fourth Edition, with useful Additions. London, Printed for Richard Mount, at the Postern on Tower-Hill, MDCC. The book is too scarce for a definitive proper collation to be found. However, the copy presented here contains more plates than any of the other few copies that we have been able to locate. Per Christie's, Samuel Sturmey stated that he apprenticed to a Bristol sailmaker and thereafter commanded ships sailing out of Bristol, primarily to Virginia and to the West Indies. His experiences formed the core of the work herein described, a work produced by him to provide his three brothers, his sons, and other young seamen with all of the information they would need -- even if their own mathematical abilities were restricted to ordinary arithmetic. Sturmy wrote in a lively fashion and in the sections pertaining to seamanship the usual commands and responses were set forth as a dialogue between the ship's captain and the crew, parts of which were used verbatim by Jonathan Swift in "Gulliver's Travels". Fuller, in "Worthies of England", iii. 343, edit. 1840 noted that the Sturmy family (Samuel Stu. Nº de ref. de la librería 4996

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SWIFT, Jonathan

Usado

Cantidad: 1

Remitente: Boston Book Company, Inc. ABAA (Boston, MA, U.S.A.)

Valoración librería: Valoración 4 estrellas

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Descripción: 1726. Estado de conservación: Very Good. [SWIFT, Jonathan]. TRAVELS INTO SEVERAL REMOTE NATIONS OF THE WORLD. In FOUR PARTS. By LEMUEL GULLIVER, First a SURGEON, and then a CAPTAIN of several SHIPS. Vol. I.[II.] London: Printed for Benj. Motte, at the Middle Temple-Gate in Fleet-street, 1726[-1727]. Mixed first and second edition. Four parts bound in two octavo volumes: xii,148,[vi],164; [vi],155,[1 blank],199,[1 blank]. Engraved frontisportrait of Gulliver in Vol. I in the usual second state, with the inscription "Captain Lemuel Gulliver of." on the oval and a Latin inscription on the tablet. Also illustrated with four maps, two plans, and numerous wood-engraved head- and tail-pieces. Contemporary calf boards, expertly rebacked with later matching calf spines and leather labels, all edges stained red. Early ink ownership on front fly-leaf of Vol. I. Boards have gently rounded fore- corners and abraded surfaces. The lower joint of Vol II is starting. Rear endpapers in both volumes are replacements and are slightly toned. Occasional light foxing and/or soling to text, but very good overall. Vol. I is first edition, second printing (Teerink no. 290: first edition state AA) throughout, with all titles, typos, pagination, and signatures as called for. Vol. II is second edition (Teerink no. 293) throughout, with all titles, typos, omissions, pagination, and signatures as called for, including "The Second Edition, Corrected" on the title-page and the facing page of advertisements. Gulliver's Travels was an immediate success upon publication (28 October 1726), requiring many rapid, subsequent printings to meet demand, all of which has led to its bibliographical complexity. For example, the time elapsed between the printing of the two volumes in this set was only six months. And based upon the style, condition, and wear to the bindings of these volumes, they were probably mated at or immediately after publication in 1727. Nº de ref. de la librería 84107

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Descripción: 1727-, Berlin, Frankfurt, Leipzig & Altona, 1731. Three volumes bound together in five volumes; the first work in two volumes with title-pages in black and red, three engraved maps and five plates; the second with two engravings; the third in two volumes; crude repair to second title-page of the third work; otherwise in very good condition in contemporary sprinkled calf, gilt spine showing some wear and cracking as expected in such a thick volume. Contemporary Gulliver assembly. A fine early Gulliver compendium, containing the first German edition of Swift's Gulliver, Desfontaines' "sequel", and the spurious continuation first published in London in 1727.Due to the enormous popularity of Gulliver's Travels, there were a handful of contemporary works which claimed to be continuations or sequels. This volume, in a handsome contemporary binding, includes the first German edition of Swift's original, as well as two of the better works inspired by Swift, notably the genuine first German translation of Desfontaines' sequel, probably written in late 1730 and published in early 1731, thus predating another edition printed in Hamburg. Teerink confirms this edition's priority (and implies that he has not seen it) by reference to the translator's preface in the Hamburg edition, in which there is a dismissive reference to a poor earlier translation 'ausser Mesz-zeit, zu Berlin, Frankfurt, Leipzig und Altona'. CCuriously, the two parts of this work are inserted in the wrong order.The compendium also includes the first German edition of a continuation originally published in England in 1727. Although Gove makes the comment that he is unaware of any 'careful study' of this work, it is most interesting for its appropriation of Vairasse' land of the Sevarambes, a marvellous seventeenth-century imaginary voyage set in Terra Australis and based on some of the famous Dutch shipwrecks on the coast of west Australia; Gove comments that this new work displays some 'small degree of ingenuity'. It concludes with an explanatory key: a series of letters written by 'Herrn Carolini' a Venetian knight resident in London, to Swift. This unusual section seems also to be entirely fictional, the letters designed, it is claimed, to help make the zealous and careful reader more acquainted with the wonders of Gulliver and his voyage. Nº de ref. de la librería 3006479

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Swift, Jonathan

Editorial: Benj. Motte (1726)

Usado Tapa dura

Cantidad: 1

Remitente: Bookbid (Beverly Hills, CA, U.S.A.)

Valoración librería: Valoración 4 estrellas

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Descripción: Benj. Motte, 1726. Hardcover. Estado de conservación: Very Good. No Jacket. 2nd Edition. Printed for Benj. Motte, 1726. frontispiece portrait (in second state) and 6 further plates. A mixed set, the first volume being from the Teerink AA (second) edition (with the word “Captain” on the title page broken after “Cap” and then continued on the next line) and the second volume from the Teerink B (third) edition (with no comma after “Year” on special IV title page). The first three editions were once considered to be different issues of a single first edition. Later bibliographical analysis demonstrated that they were separate editions, each set from the previous, but Teerink, acknowledging the work done to identify them, still thought it ‘advisable to stick to the well-established practice of calling the three 1726 editions first’, in part because both the printer and the author thought of them that way. Very good in leather bindings and highly gilt-decorated spines. The first volume measures 19.2 cm tall and the second volume is 20.3 cm tall. Housed in a custom-made collector’s slipcase. (ESTC T139450, T139452; Teerink-Scouten 290, 291). Nº de ref. de la librería 1309006

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Descripción: Motte, 1726. Hardcover. Estado de conservación: Very Good. No Jacket. 3rd Edition. Printed for Benj. Motte, 1726. frontispiece portrait (in second state) and 6 further plates,Both volumes are the Teerink B (third) edition. The first three editions were once considered to be different issues of a single first edition. Later bibliographical analysis demonstrated that they were separate editions, each set from the previous, but Teerink, acknowledging the work done to identify them, still thought it ‘advisable to stick to the well established practice of calling the three 1726 editions first’, in part because both the printer and the author thought of them that way. Very good condition, handsomely bound in leather, with the Volume I leather label missing from one spine. With the bookplate, dated 1894, of Edwin B. Holden, the one time president of the Grolier Club and the builder of a renowned collection. Housed in a custom-made collector's slipcase. Nº de ref. de la librería 1308104

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SWIFT,JONATHAN

Usado

Cantidad: 1

Remitente: Aleph-Bet Books, Inc. - ABAA (Pound Ridge, NY, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: (TENGGREN,GUSTAF)illus. ORIGINAL ART - GULLIVER Offered here is a wonderfully detailed finished pencil drawing by Tenggren that appears in reduced size on page 87 of Tenggren's Story Book published in 1944. The image itself is 6" wide x 5.5" high, matted and framed to 15" square. Pictured is the emperor as child, seated at a table and contemplating an egg. Because the child cut his finger while breaking an egg, his father declared that thereafter, all eggs had to be opened at the smaller end, beginning a rebellion and a war with the empire of Blefuscu. The son is drawn very much like one of the dwarves in Snow White. A great image. Nº de ref. de la librería 28284

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Jonathan Swift

Editorial: London, Bathurst and various Others (1755)

Usado Tapa dura

Cantidad: 1

Remitente: Mathias Schoen (Bremen, Germany)

Valoración librería: Valoración 5 estrellas

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Descripción: London, Bathurst and various Others, 1755. Hardcover. Estado de conservación: Good. Complete set of this landmark Edition in 14 Quarto volumes, published from 1755 to 1779. Bound in Uniform tree calf, professionally rebacked in modern leather with gilt spine titles and decorations, retaining original marbled endpapers. Plates and music sheets as called for. Light old waterstain to lower margin of first 40 pages of volume one (not affecting text. and top margin of volume 9. Binding is tight. No previous owners markings. Not a perfect set but decorative, sound and complete. Full sets of the Quarto Edition are almost impossible to find. Nº de ref. de la librería 936

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SWIFT, Jonathan (1667-1745)

Editorial: printed for Benj. Motte, at the Middle-Temple Gate, in Fleet-Street, M,DCC,XXVI. [1726], London (1726)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Fine Editions Ltd (New York, NY, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: printed for Benj. Motte, at the Middle-Temple Gate, in Fleet-Street, M,DCC,XXVI. [1726], London, 1726. Full Calf. Estado de conservación: Fine. First Edition. Four parts in two octavo volumes, with continuous pagination to each volume (the parts of the first two editions/issues were separately paginated, giving rise to the suggestion they were originally issued in parts): viii,[4],148,[6],149-310; [6],154,[8],155-353,[1]pp (numerous misnumbered pages, but text continuous and complete), engraved frontispiece portrait of Lemuel Gulliver by Sturter Sheppard, in second state, printed on paper with vertical chain lines, with "Captain Lemuel Gulliver of Redriff. Ætat. suæ LVIII." around the oval and beneath, on a tablet where the inscription first appeared, a quotation, in Latin, from Persius; five engraved maps (two for Part III and one for each of the other Parts), and engraved plate depicting the writing machine in the "Grand Academy of Lagado" in Part III; decorative woodcut head- and tail-pieces and historiated initials. Early nineteenth-century speckled calf, very skillfully rebacked; red and black morocco lettering pieces gilt; marbled end papers; all edges gilt; cloth slipcase. A superb presentation, bindings square, tight and unmarked; contents clean and fresh (unobtrusively washed with faded signature on title page, vol. II). Teerink-Scouten 291. Rothschild 2108. Printing and the Mind of Man 185. Grolier English 100, 42. Third Issue/Edition (Teerink "B"), published in December, 1726 (following appearance of the first issue on October 28). For nearly two hundred years, the three separate appearances of Gulliver's Travels from 1726 (Teerink A, AA and B) were considered different issues of a single first edition. Early in the twentieth century bibliographical analysis demonstrated that these were, in fact, separate editions, each set from the previous, but Teerink still thought it "advisable to stick to the well established practice of calling the three 1726 editions first," largely because the publisher (Benjamin Motte), as well as Swift (in letters to Pope and Ford), thought of them in that way, describing only the edition following Teerink B (the 1727 octavo edition) as "The Second Edition" (vol. 1 title page) and "The Second Edition, Corrected" (vol. 2 title page) and the 1727 duodecimo as the Third (all five published by Motte), "after which Bathurst's 1742, 1747 and 1751 editions as 'fourth,' 'fifth' and 'sixth' follow in regular sequence." The several editions of 1726 all consist of two volumes of two parts each describing voyages to: I. Lilliput; II. Brobdingnag; III. Laputa, Balnibarbi, Luggnagg, Glubdubdrib, and Japan, and IV. the Country of the Houyhnhnms. The distinguishing feature of the third issue/edition, according to Williams (whose exhaustive analysis of all five Motte editions, in the introduction and notes to the definitive edition of Swift's text, appeared in 1926), "is the continuous pagination and continuous count by signatures throughout each volume." (Williams, p. lxxiv) "Gulliver's Travels has achieved the final apotheosis of a satirical fable, but it has also become a tale for children. For every edition designed for the reader with an eye to the [book's] historical background, twenty have appeared, abridged or adapted, for readers who care nothing for the satire and enjoy it as a first-class story." (PMM) N. B. With few exceptions (always identified), we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Nº de ref. de la librería BB1230

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Swift, Jonathan

Editorial: London: Printed for Benj. Motte (1726)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: B & B Rare Books, Ltd., ABAA (New York, NY, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: London: Printed for Benj. Motte, 1726. Hard Cover. Estado de conservación: Very Good. First Edition. Four parts in two volumes as issued. Octavo. Volume I: First edition, Teerink's "B" with the engraved frontispiece of Lemuel Gulliver in the second state (as usual); volume II: Second edition (Teerink 293) as stated on the title page, bound without advertisement leaf. Bound in contemporary full polished brown calf, spines attractively rebacked early with floral decorations in blind, gilt bands, red lettered labels, dates in gilt to lower spines. Spines lightly worn and rubbed, some scattered foxing and toning to pages, small stain to upper corner of leaves of volume II. A very good set. Nº de ref. de la librería JSW003

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