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1.
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Descripción: London: Printed for Taylor and Hessey, 1820., 1820. "There is Nothing in it Which is Not a Masterpiece"Scarce in Original Boards with Spine Label and Half-TitleKEATS, John. Lamia, Isabella, The Eve of St. Agnes, and Other Poems. London: Printed for Taylor and Hessey, 1820. First edition of the author's third and final book, his second collection of poems. Large duodecimo (7 x 4 1/8 in; 177 x 104 mm). [4, blank], [viii], 199, [1, printer's imprint] pp. Complete with half-title and publisher's advertisement.Publisher's original drab pale brown boards, expertly and near invisibly rebacked with the original spine. Original printed spine label. A few pages with light spots of foxing, otherwise an exceptional, fresh and fine copy. Housed within a full green morocco pull-off case.One of the monuments of the Romantic Movement, only a small handful of copies in the original boards with spine label and half title have come to auction within the last thirty-five years"The poems in this volume represent the labor of little over a year and a half - that is, from March, 1818, to October, 1819, - and were all written after the publication of Endymion. The book was issued in the beginning of July, and was the third, and, as it proved, the last of the poet's works. 'My book is coming out,' said he, 'with very low hopes, though not spirits, on my part this shall be my last trial; not succeeding, I shall try what I can do in the apothecary line.'" (Kent, Grolier 100). Keats was already an apothecary: His work, with this collection his best in a tragically brief career rife with critical misapprehension and scorn, was a prescription against being forgotten, a magic pill for immortality."There is nothing in it which is not, in its kind, a masterpiece" (Garrod, H.W. Keats, p. 62). Includes the great odes: to a Nightingale, on Melancholy, and on a Grecian Urn (with the famous concluding lines: 'Beauty is truth, truth beauty, - that is all /Ye know on earth, and all ye need to know'), as well as Ode to Psyche, Fancy, To Autumn, and more. The final work is the brilliant, but unfinished Hyperion.Ashley III, 15. Grolier 100, 72. Hayward 233. MacGillivray 3. Sterling 523. Nº de ref. de la librería 01226

2.

ENDYMION

KEATS, JOHN.
(Stevenson, MD, U.S.A.)
Cantidad: 1
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Descripción: London: Taylor and Hessey, 1818. Hardcover. Estado de conservación: Fine. “A THING OF BEAUTY” ENDMION IN ORIGINAL BOARDS. Original boards, rebacked preserving most of original spine and paper label (rubbed). A fine, fresh copy. FIRST EDITION of Keats’s second book, which Leigh Hunt called “a wilderness of sweets.” Keats’s friend Joseph Severn claimed a role in creating the poem’s famous first line, “A thing of beauty is a joy for ever.” According to Severn, Keats burst in on him declaiming, “A thing of beauty is a constant joy” but, on Severn’s advice, retired to revise the line. Before publication, errors were discovered and errata leaves were inserted. Both a one-line errata slip and a five-line errata slip exist. This copy has the 5-line errata leaf. Wise mistakenly considered the five-line errata a second issue, but Hayward has since shown that, as both errata leaves were printed before the book was published, they do not constitute an issue point. This outstanding copy contains both forms of the errata. Very scarce in original boards. A superb provenance: Frank Bemis-Louis Silver-Abel Berland, with bookplates. Nº de ref. de la librería ABE-8048355104

3.

Lamia, Isabella, The Eve of St. Agnes, and Other Poems

Keats, John
(Los Angeles, CA, U.S.A.)
Cantidad: 1
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Descripción: Printed for Taylor and Hessey, London, 1820. FIRST EDITION. Full modern brown morocco with raised bands on the spine. Marbled endpapers. All edges gilt. Bound without the half-title and ads. The blank upper margin of the title-page has been excised and restored, else this is a very good copy, finely bound, of Keat's third and final book, containing his finest and best-known odes. Hayward 233; MacGillivray 3. Book. Nº de ref. de la librería 000202

4.

Endymion: A Poetic Romance.

SANGORSKI & SUTCLIFFE ]. Keats, John.
(Boston, MA, U.S.A.)
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Descripción: London Taylor and Hessey 1818, 1818. Octavo. ix, 207pp. First edition with both errata leaves, but lacking the half title and ads, as is typical with rebound copies. Perhaps best-known for its opening lines, which proclaim that "A thing of beauty is a joy for ever," this long Romantic epic was the second of three books that Keats published during his brief life. This copy has been bound by Sangorski and Sutcliffe in full dark green morocco, blind-stamped on both covers with hearts, stars, and dots, and gilt-stamped in the center of the front cover with an elaborately detailed urn, the center of the rear cover showing a gilt harp with blind-stamped strings. Borders on both covers show a double gilt rule, followed by a band of gilt chevrons and dots, the corners showing a gilt leaf spray, the whole being surrounded by a another double rule of gilt. Spine gilt in six compartments with gilt-stamped designs involving oak leaves. Turn-ins gilt with a pattern of gilt rule and dots with an oak leaf device in the corner. Loden silk doublures and endleaves. T.e.g. Leather booklabels of Paul Francis Webster, the Oscar-winning lyricist and noted book collector, and binding collector Paul Edward Chevalier on front paste-down and front endpaper verso, respectively. A very fine example of Keats' most memorable work, elegantly bound and housed in a dropback box of green morocco-backed cloth. (Hayward 232). Nº de ref. de la librería 23560

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Descripción: London: Edward Moxon, 1858. Hardcover. Estado de conservación: Fine. No Jacket. Portrait. Thick 16 mo. Full blue crushed levant, gilt Greek-key and fillet borders enclosing monogram and vase; back richly gilt, inner dentelles gilt enclosing doublures of richly floral-tooled red morocco, bearing counter-sunk a splendid portrait of Keats, painted on ivory, set under glass; gilt edges. A masterpiece of binding by Sangorski & Sutcliffe, enriched with a beautiful painting on ivory, the border of which is further enhanced with six small opalesque gems. In a blue cloth slipcase. Very fine. Nº de ref. de la librería L-414

6.

The Poems

Keats, John; [Morris, William]
(Brooklyn, NY, U.S.A.)
Cantidad: 1
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Descripción: William Morris at the Kelmscott Press, Hammersmith, 1894. Stunning first edition of the Kelmscott Keats, edited by F.S. Ellis, one of three hundred copies printed on paper by William Morris. All the major poems are represented, including Endymion, Lamia, Isabella, Eve of St. Agnes, Hyperion, the sonnets, and the odes: "Darkling I listen; and, for many a time / I have been half in love with easeful Death, / Call';d him soft names in many a mused rhyme, / To take into the air my quiet breath." This copy bears a gift inscription by the popular English playwright Henry Arthur Jones, a longtime friend of William Morris. A decade later, presenting a vellum copy of the Kelmscott Chaucer to Harvard, Jones would write: "It is the loving handiwork of the greatest man whom I have known. It may be claimed for William Morris that his reputation would be a high and honorable one if it rested upon any one of his achievements: upon his poetry alone; his tales and essays alone; his dyeing alone; his weaving alone; his tapestry alone; his cabinet work alone; his printing alone. In every one of these arts he accomplished the good and faithful work of an ordinary lifetime." Peterson A24. A fine association copy, handsomely bound by Sangorski and Sutcliffe. Octavo, full modern russet morocco gilt, boards tooled in a geometric pattern, raised bands, gilt dentelles, top edge gilt, other edges uncut. Printed in Kelmscott's Golden type in red and black, title page and opening lines of Endymion set in elaborate woodcut border, decorative woodcut initals throughout the text. Housed in a custom slipcase. Nº de ref. de la librería 100585

7.
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Descripción: New York: Charles Scribner's Sons, 1938, 1938. 8 volumes, large octavo. Publisher's presentation binding of blue half morocco by The Atelier Bindery, spines gilt in compartments, marbled endpapers, blue cloth sides, top edges gilt, others untrimmed. In the publisher's blue skiver slipcases. With the publisher's prospectus. Spines very slightly faded. An excellent set. Frontispiece to each volume. The Hampstead Edition, one of 25 sets for presentation out of a limited edition of 1050 numbered copies signed by then-poet laureate John Masefield and editor Maurice Buxton Foreman in the first volume. Nº de ref. de la librería 66271

8.

Poetical Works, The

SANGORSKI & SUTCLIFFE, binders] | KEATS, John |
(Calabasas, CA, U.S.A.)
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Descripción: London: Edward Moxon, 1851., 1851. The Greatest Poet of the 19th CenturyBound by One of the Greatest English Binderies[SANGORSKI & SUTCLIFFE, binders]. KEATS, John. The Poetical Works. A New Edition. London: Edward Moxon, 1851. A New Edition, originally published by Moxon in 1846. Octavo (6 5/8 x 4 in; 169 × 105 mm). vii, [1], 301, [1, colophon], [1. adv.], [1, blank], 8 catalogue (May 1853) pp.Richly bound in early 20th century teal blue morocco by Sangorski & Sutcliffe (stamp-signed), with spine elaborately gilt in compartments with red morocco inlays, elaborate borders to boards incorporating lines from Shelley’s lament Adonais, red morocco cornerpieces, purple inlaid roundel to each board surrounded by gilt laurel leaves, that on the upper board featuring Keats’ entwined initials gilt, that on the lower board tooled with the lines from Keats’ gravestone. Royal purple morocco doublures, royal purple silk free endpapers. Turn-ins and edges of doublures elaborately with elaborately gilt borders and lyre corner-pieces. Top edge gilt. There is some very minor rubbing to the joints, otherwise a near fine copy. Housed in a custom made three-quarter blue morocco clamshell case.The lines on the front cover read:"I weep for Adonais - he is dead! Oh, weep for Adonais! though our tears Thaw not the frost which binds so dear a head"and on the back cover:"He is made one with Nature: there is heard His voice in all her music, from the moanOf thunder, to the song of night's sweet bird"Keats [1795-1821] has always been regarded as one of the principal figures in the Romantic movement, and his stature as a poet has grown steadily through all changes in fashion. Tennyson considered him the greatest poet of the 19th century, and Matthew Arnold commended his 'intellectual and spiritual passion' for beauty; the the 20th century he has been discussed and reconsidered by critics from T.S. Eliot and Levis to Trilling" (Oxford Companion to English Literature).Includes Keats's masterpieces, Endymion, Lamia, Isabella or the Pot of Basil, The Eve of St. Agnes, Ode on a Grecian Urn, and Hyperion; miscellaneous poems; epistles; and sonnets."A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing" (Keats, Endymion)Sangorski & Sutcliffe, one of the leading bookbinders in London, was established in 1901 by Francis Sangorski (1875-1912) and George Sutcliffe (1878-1943). It is considered to be one of the most important bookbinding companies of the 20th century, famous for its luxurious jeweled bindings that used real gold and precious stones in their book covers. MacGillivray B27. Nº de ref. de la librería 02525

9.
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Descripción: New York Charles Scribner's Sons, 1938. The Best Edition KEATS, John. The Poetical Works and Other Writings [Hampstead Edition]. Edited with Notes and Appendices by H. Buxton Forman. Revised with Additions by Maurice Buxton Forman. With an Introduction by John Masefield. New York: Charles Scribner's Sons, 1938-1939. The Hampstead Edition. Limited to 1,050 numbered copies, this being number 695, signed by Maurice Buxton Forman (at the end of the Prefatory Note) and John Masefield (at the end of the Introduction). Eight octavo volumes (9 3/8 x 6 1/8 inches; 238 x 150 mm). Photogravure frontispieces with tissue guards and plates. Half blue morocco over blue cloth. Morocco ruled in gilt. Spines stamped and lettered in gilt. Top edge gilt, others uncut. Blue marbled endpapers. A few volumes with a small amount of light discoloration to cloth. A near fine set. MacGillivray H9. HBS 64942. $3,750. Nº de ref. de la librería 64942

10.
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Descripción: New York: Charles Scribner's Sons, 1938, 1938. 8 volumes, octavo. Recent green morocco, spines gilt in compartments, marbled endpapers, floral roll to boards and top edges gilt, others untrimmed. An excellent set handsomely bound. Portrait frontispiece to volume I and illustrations throughout. The Hampstead edition, the best collected edition of Keats's works and a very handsomely bound set. Nº de ref. de la librería 68430

11.

The Sonnets

KEATS (John)
(Bath, SO, United Kingdom)
Cantidad: 1
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Descripción: [London? c.1900]. Title within decorated border, and decorated initials. Small 4to. [215 x 175 x 15 mm]. [2]ff, 54, [2] pp. Contemporary binding by Bagguley of Newcastle-Under-Lyme (signed in gilt on the front turn-in and with their ink "Sutherland Patent" stamp on the verso of the front free endleaf) of blue goatskin, the covers with a gilt single fillet border, smooth spine lettered in gilt with a single fillet at the head and foot. Vellum doublures elaborately tooled by the "Sutherland" process in blue, purple and gilt to a strapwork design with an arabesque centre, blue watered-silk endleaves, top edge gilt, other edges uncut. (Tips of the corners worn). A fine example of a "Sutherland Binding", using the process patented by George Bagguley in 1895 (Patent Office Specification no.18737). Named after the Duchess of Sutherland, the process involved the application of colour tooling, combined with conventional gilt tooling, on vellum doublures. The best of the designs were by Leon V. Solon, the son of a ceramic artist. Other examples were designed by Dorothy Talbot and Charles Connor. As usual, the exterior has been left plain. George Thomas Bagguley (b.1860) established himself as a bookseller in Newcastle-under-Lyme in Staffordshire in 1890. Though the firm appears in the Directories from 1892 until 1940 as booksellers and not bookbinders, binding was carried out on the premises. The work was often of the highest quality, as Bagguley employed a number of the best finishers, including Louis Genth and Thomas E. Caley. Bookplates of Albert Henry Wiggin and "Selden". Nº de ref. de la librería ebc3229

12.

EVE OF ST. AGNES.|THE

Keats, John
(New Castle, DE, U.S.A.)
Cantidad: 1
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Descripción: Essex House Press, (Strand, 1900. original full vellum. Essex House Ilustrador. 12mo. original full vellum. 23+(1) pages. Limited to 125 numbered copies (Modern British and American Private Presses 1850-1965, 63). This copy is the Essex House file copy and signed by the press's founder C.R. Ashbee. Red corrections or directions for the use of color highlight certain letters in the text. Ashbee purchased Kelmscott's Albion presses after the death of William Morris and employed one of the Kelmscott compositors, Thomas Binning. Hand-colored frontispiece and tailpiece (tissue protected), rubricated by hand throughout all on vellum, bound in full vellum. Front board stamped with a rose in blind and the motto "Soul is Form." Boards bowed and very lightly soiled. Nº de ref. de la librería 116316

13.

THE POEMS OF JOHN KEATS

KEATS . JOHN
Librería: David Eastwood
(EXETER, DEV, United Kingdom)
Cantidad: 1
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Descripción: GEORGE NEWNES,LONDON., 1902. Hardcover. Estado de conservación: Fine. No Jacket. BEAUTIFUL VELLUCENT -VELLUM BINDING BY CEDRIC CHIVERS OF BATH ,AND STAMPED THUS IN GILT TO INSIDE OF REAR COVER,FRONTIS PORTRAIT OF KEATS BY EDMUND ,J,SULLIVAN,PLUS ILLUSTRATED FRONTIS PCE OF PAN BY G.GARTH.JONES ,BOTH TISSUE PROTECTED.DECORATIONS TO SPINE IN GREEN AND GILT WITH KEATS IN RED, FRONT COVER GREEN,ORANGE AND GILT DECORATIONS WITH AGAIN KEATS IN RED, TOP EDGE GILT,AN EXQUISITE ITEM WORTHY OF THIS MOST LOVED OF ALL THE GREAT LOVE POETS, Nº de ref. de la librería 2227779

14.

THE POETICAL WORKS OF COLERIDGE, SHELLEY, AND KEATS. Complete in one volume.

COLERIDGE. SAMUEL TAYLOR. ; SHELLEY. PERCY BYSSHE. ; KEATS. JOHN.
(London, ., United Kingdom)
Cantidad: 1
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Descripción: A. and W. Galignani. Paris. 1829, 1829. Hardcover. Estado de conservación: Very Good. 1st Edition. FIRST EDITION of this collection. 8vo. (9.7 x 6 inches). This volume constitutes the first collected edition of Keats and only the second collected works of Coleridge & Shelley (although only volume 1, issued in 5 parts, of the 1826 edition of Shelley's works was issued and the edition was not completed) and contains works published here for the first time from all three poets. ---- Engraved frontispiece, with portraits of the three poets, by J. T. Wedgewood, printed on india paper and mounted onto a blank leaf. 6 pp of publishers adverts, half-title, frontis - with original tissue guard intact, title page, publishers note leaf, xi, [1], 225, [1], xi, [1], 275, [1], vii, [1], 75 pp. Text printed in double column. Most pages affected by foxing to a greater or lesser degree. Neat previous owners name (Ynyr Burges -- John Ynyr Burges, M.A, was the high Sherrif of County Tyrone, Ireland, from 1929), place and date (Naples, 1832) on the front free endpaper. A tall and untrimmed copy in original publishers grey paper covered boards with printed paper label to the spine. Chipping and rubbing to the edges and spine. The label is complete and although the paper has darkened it is still perfectly readable. Each poets work is preceded by a short life of the author. The memoir of Keats is by Leigh Hunt. Although Keats' literary executor, Charles Armitage Brown disliked Hunt's portrayal of his friend, his own account of Keats life was not ready in time for this edition and would not see publication for another 108 years in 1937. He did, however send some unpublished poems in his possession for inclusion in the volume. The memoir of Shelley was written by Mary Shelley, who also helped the publication of this edition by allowing the publisher access to his papers. Although this volume was published by the Galignanis in Paris, avoiding the British copyright and meaning no royalties would be due, they did have the co-operation of family members and literary friends of all three poets when assembling this impressive volume. Nº de ref. de la librería 8815

15.

THE POETICAL WORKS OF JOHN KEATS

KEATS JOHN
Librería: David Eastwood
(EXETER, DEV, United Kingdom)
Cantidad: 1
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Descripción: OXFORD UNIVERSITY PRESS, 1948. Hardcover. Estado de conservación: Fine. No Jacket. THIS IS A SUPERB ARTS AND CRAFTS BINDING BY MYRTLE CORNISH AT THE EALING SCHOOL OF ART,LOOSELY INSERTED IS A LOOSE SHEET SIGNED BY MYRTLE CORNISH ,IT STATES THAT IT WAS BOUND IN FULL DARK GREEN NIGERIAN GOAT WITH WORKED HEADBANDS,FRENCH JOINTS& END PAPERS,DESIGNED AND MADE BY HAND,GILT ON BOTH SIDES,DESIGNED AND CARRIED OUT BY MYRTLE CORNISH,A WONDERFUL EXAMPLE OF ARTS AND CRAFTS BINDING IN FINE CONDITION,A GREAT COLLECTORS ITEM INDEED. Nº de ref. de la librería 4449

16.

On the Eve of St. Agnes.

Keats, John.
(Boston, MA, U.S.A.)
Cantidad: 1
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Descripción: (London Essex House Press 1901), 1901. Octavo. 24pp. One of 125 copies, printed entirely on vellum. The second book of the "Great Poems" series, this title is illustrated with an opening full-page, hand-colored wood engraving by Reginald Savage, and it is illuminated in colors and rubricated by an anonymous hand. Savage, according to Alan Crawford, was "the most characteristic illustrator of the.Press.[H]e belonged to the circle of Ricketts and Shannon, Sturge Moore and Pissarro.Savage had a strong feeling for the medium of wood engraving and cut some of his blocks for the Essex House Press himself; the result was illustrations which have some of the Pre-Raphaelite intensity with a coarser, more primitive line, such as Arts and Crafts people liked." A fine copy in full blind-stamped vellum, with the rose logo and the motto of the series, "Soul is Form." Leather book label, and letterpress printed note correcting the imprint notice laid in. (Crawford, C.R. Ashbee. Architect, Designer & Romantic Socialist, pp. 384-5; Ashbee, p. 67; Tomkinson 11). Nº de ref. de la librería 25404

17.
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Descripción: London: G. Bell and Sons Ltd., June 1898, 1898. Octavo (202 × 133 mm). Finely bound by Maclehose in near-contemporary full green morocco, titles and ornately gilt-tooled design to spine, boards, board edges and turn-ins, marbled endpapers, all edges gilt. Spine sunned, extremities lightly rubbed, some spotting around the title page, but otherwise internally clean; a beautiful copy in excellent condition. With black and white illustrations to plates and in the text by Robert Anning Bell. A beautiful and intricate Arts & Crafts binding, executed by Maclehose of Glasgow, on a copy of Keats's poems illustrated by Robert Anning Bell (second edition thus, with several Bell illustrations added to the original edition of October in the previous year). Bell was also an Arts & Crafts artist with associations to Glasgow - being appointed Chief of Design at the Glasgow School of Art in 1911. Though not signed as such, the design is not dissimilar to the style of Arts & Crafts artist Talwin Morris, also working in Glasgow around the time. Nº de ref. de la librería 83152

18.

THE POETICAL WORKS

KEATS JOHN
Librería: David Eastwood
(EXETER, DEV, United Kingdom)
Cantidad: 1
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Descripción: OXFORD UNIVERSITY PRESS, 1929. Hardcover. Estado de conservación: Fine. No Jacket. FIRST EDITION THUS,EDITED WITH AN INTRODUCTION AND TEXTUAL NOTES BY H.BUXTON.FORMAN,FRONTIS PCE PORTRAIT OF KEATS BY JOSEPH SEVERN.THIS IS AN EXQUISITE FULL DARK BROWN CALF BINDING BY A.SIMS,BOOKBINDER MAMHILAD,MON.HIS LABEL IS IN THE INSIDE BOTTOM EDGE OF THE REAR COVER,THE SPINE HAS RAISED BANDS WITH THE TITLES AND EXQUISITE DECORATIONS THEREON,THE COVERS EDGES ARE EDGED IN GILT,BEAUTIFUL PINK DECORATED ENDPAPERS,THIS HAS THE FRONT COVER OF THE ORIGINAL LAID IN AT THE END OF THE BOOK,THIS BOOK IS A JOY TO SEE AND POSSES INDEED. Nº de ref. de la librería 0908

19.

The Collected Sonnets of John Keats

John Keats
(Newbury, ., United Kingdom)
Cantidad: 1
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Descripción: The Halcyon Press, Maastricht, 1930. Hardcover. Estado de conservación: Very Good. No Jacket. John Buckland Wright Ilustrador. Limited Edition. 4to - over 9¾ - 12" tall. Unpaginated limited edition of 376 copies. This book is copy number 39 and is printed on Dutch Pannekoek laid paper with the watermark of the Halcyon Pres as well as the words PANNEKOEK and HOLLAND by J. van Krimpen in Haarlem. Published by A.A.M. Stols. Bound in blue coloured cloth covered boards with gilt illustration on front cover and gilt lettering on spine. Three small dirt marks on front cover and slight sun fading to spine hinges. Rubbing to top and tail of spine. Light toning to ffep and rfep. No inscriptions. Untrimmed fore edge and lower page edges. 11 illustrations (reproductions of woodcuts) by the artist incl b/w frontis portrait of the author. In very good condition. Rare. Nº de ref. de la librería 007802

20.

Isabella or the Pot of Basil

John Keats
(New York, NY, U.S.A.)
Cantidad: 1
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Descripción: Kegan Paul, 1898. Hardcover. Estado de conservación: Very Good. W.B Macdougall Ilustrador. First Thus. 4to in original gilt decorated brown cloth. Titepage in red and black with evenly toned tissue-guard. textblock printed on handmade deckle edged laid paper. Top edge gilt. Each page has an elaborate full page floral border against a field of black with the text in the middle. Every 9 or 10 stanzas there is a plate (making 7 in total countng the frontis) See scans. A fine example of a period Private Press, Arts and Crafts influenced book production. Given its age it is in excellent condition with alittle rubbing to the board tips and gilt-decorated spine strip, otherwise unmarked. with moderate even toning to the tissue-guard and titlepage. Scarce. Nº de ref. de la librería 202150

21.
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Descripción: Scribner's New York -1939, 1938. Hampstead Edition limited to 1025 numbered sets. 8 volumes, 8vo., SIGNED by Maurice Buxton Forman and John Masefield, 8 frontispieces, 20 plates, original grey blindstamped cloth gilt, original slipcases. Nº de ref. de la librería 85802

22.

THE POETICAL WORKS OF JOHN KEATS.

KEATS, John.
(Phoenix, AZ, U.S.A.)
Cantidad: 1
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Descripción: Published for the proprietor by William Smith, London, 1841. Hardcover. Estado de conservación: Very Good++. Very Good++ First Separate British hardcover edition of the Collected Works in the original blind stamped green binding with gilt lettering and decoration spine. One inch surface split to upper joints. Hinges and joints are solid. Frontispiece portrait engraved by Charles Wass from a chalk drawing by William Hilton, R.A. Portrait foxed with mild offsetting to adjacent title page. 12mo. iv, 240 pp. A scarce volume, particularly in the original cloth binding. MacGillvray B12. This is the first separate hardback collected works of Keats. The 1840 edition was in "cheap" wrappers according to MacGillvray. Prior editions in the U. S. and Europe, were collected works of several poets--usually Coleridge, Shelley and Keats. In 1914, Goodspeed commented that this was to his knowledge the first work of Keats containing a portrait. Nº de ref. de la librería 41838

23.

Original Calligraphic Manuscript of:] TO HOPE.

Smith, Percy John Delf (1882 - 1948) [calligrapher]: Keats, John:
(New Haven, CT, U.S.A.)
Cantidad: 1
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Descripción: [London: Percy J. Smith, April 1901]., 1901. 7 leaves, recto and verso. 12mo (15 x 11.5 cm). In black ink, with red titling, ornaments and initials, on paper (watermarked "O.W.P. & A.O.L."). Bound in stiff vellum, with hand-lettered title on upper board. Vellum a trifle soiled, very good or better. Folding case. An original calligraphic rendering of Keats's poem by the skilled calligrapher, typographer, painter, etcher and artist of the Great War. Smith studied at Camberwell College of Arts & Crafts under Edward Johnson. He served in the Great War with the Royal Marine Artillery at the Western Front in France and later Belgium, an experience from whence came his remarkable series of etchings depicting trench combat. He established the Dorian (later Dorno) Workshop & Studio, served as a consultant to Heinemann, and specialized in typographic design. He continued to pursue his work as a visual artist alongside his career as typographer and calligrapher. Among his most notable projects was the four year commission for the lettering of the Canadian War Memorial at Vimy Ridge. He was a Fellow or member of a number of professional societies of artists, as well as of the Society of Calligraphers and the Double Crown Club. This manuscript dates from quite early on in his career and may have been a project while he was a student. It is expressly dated and signed in the form of a colophon. The front free endsheet bears pencil identifications, as well as Smith's address, in an unknown hand. Smith's calligraphic manuscript appear to be uncommon in commerce: ABPC records one sale, that of a 1907 rendering of selections from Shakespeare, 14 leaves, sold in 1977. The provenance of this manuscript, according to the slipcase made for the subsequent owner, includes the Justin G. Turner manuscript sale. Nº de ref. de la librería WRCLIT 69681

24.
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Descripción: London Reeves and Turner 1902, 1902. An early and illustrated edition of the Forman edited Keats. With an engraved portrait frontispiece of Keats, with facsimile autograph, six other portraits and 10 other illustrations all on plates. 8vo, in a handsomely presented and fine binding by Macmillan and Bowes of three-quarter crushed morocco over delicately marbled tan paper covered boards, lettered in gilt on the spine and with thick raised bands beautifully gilt decorated. Gilt ruling on the covers, marbled endpapers, t.e.g. xxxi, 597 pp. A fine copy in every way, internally pristine and the binding in excellent condition. A VERY HANDSOME AND FINELY BOUND COPY of Buxton Forman’s highly important collection of Keats. The ten illustrations are lovely pre-Raphaelite plates and the seven portraits nicely round out the volume. A very pretty book, well suited to the content. A BEAUTIFUL COPY OF THIS FINE BOOK. Buxton Forman’s highly important collection of Keats. With his scholarly notes and appendices. ‘In this reissue of Keats's Writings no change has been made in the general arrangement, and only two words have been altered in the text of the poems.’ "The whole of Keats’s known works in verse are included in this volume; and the foot-notes contain a large selection of variorum readings. Sixteen lines of THE EVE OF ST. MARK, found by the Editor in a Keats scrap-book lent to him by Mr. Frank Sabin, and given in the Introduction, have not been printed in any other edition." A definitive scholarly edition with annotations. Includes a chronology of Keats’ life and short biographical description of all the correspondents. To Harry Buxton Forman in the first place, and then to Sir Sidney colvin, is due also the credit of gathering and arranging the mass of Keats’ correspondence. Their collection was based on the latest published work of Forman, supplemented by the fruits of his subsequent research, as well as from other sources. He was the most renown of all Keats scholars. Nº de ref. de la librería 23085

25.

THE COMPLETE WORKS OF JOHN KEATS.

KEATS, JOHN.
(Lake Quivira, KS, U.S.A.)
Cantidad: 1
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Descripción: Virtue and Company ., London, Boston, 1904. Full Brown Morocco. Memorial Edition. Royal Octavo. FOUR VOLUMES. Panelled spine with gilt designs. Covers bordered in gilt fillet, inner geometric corner designs. Inner dentelles and marbled endpapers. Red silk bookmarks. Full-page illustrations with captioned tissue-guards in each volume. Frontispieces in two states. Very slight rubbing to some corners and bottom edges. Spines slightly sun-mellowed. Limited to fifty sets, this being Copy Number 10. The edition also included volumes of poetry by Shelley. Our set features only the Keats volumes. A finely-bound set of English poetry. Royal Octavo. Nº de ref. de la librería 001969

26.

Odes/Odas.

VERONI, RAÚL]. Keats, John.
(Boston, MA, U.S.A.)
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Descripción: Buenos Aires Colombo 1958, 1958. Quarto. 32pp. From an edition of 52 copies, this is one of thirty-two copies printed on Ingres. An elegantly-printed bilingual edition of Keats's Odes, in English and Spanish, each with a full-page lithograph by Raúl Veroni of the poem's subject. The first illustration is signed in pencil by the artist. The collection includes such poems as "Ode on a Grecian Urn" and "To a Nightingale," with English and Spanish version of the poems opposite each other on facing pages. Veroni collaborated with the prominent Argentinean publisher Francisco A. Colombo for many years, beginning in 1937 when he was still a student at the National Academy of Fine Arts. The experience prepared him well to open his own graphic studio in the 1970s. Bound in off-white printed wrappers, with original glassine. This is the fourth volume in a series of poetry chapbooks, La Cabellera, by Veroni. Two small spots of discoloration to rear wrapper, and a couple of faint spots to page edges. Very fine. Nº de ref. de la librería 23148

27.

The Poetical Works of Coleridge, Shelley, and Keats

SHELLEY, Percy Bysshe, KEATS, John and COLERIDGE, Samuel Taylor
(North Dighton, MA, U.S.A.)
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Descripción: A. and W. Galignani, Paris, 1829. Hardcover. Estado de conservación: Very good. First edition. 6½" - 9¾". IMPORTANT FIRST COLLECTED EDITIONS OF SHELLEY AND KEATS’ POEMS, 1829, MANY POEMS HERE PUBLISHED FOR THE FIRST TIME. First edition of this collection of works by these three Romantic poets. Comprises the first collected edition of Shelley, the first collected edition of Keats, and only the second collected edition of Coleridge, with many poems published for the first time. With frontispiece portrait of the three poets. Beautifully bound. At the time of the publication of this scarce work, Shelley, dead for seven years, was still relatively obscure. William Galignani contacted Mary Shelley in 1826 about publishing this work and, encouraged by the success of another work featuring five poets, decided to include Coleridge and Keats as well. She had recently begun a "campaign to make the world appreciate Shelley’s genius and personal virtues" (Sunstein, 257), and assisted with the publication of this work through providing access to many of his papers. She also helped to compose a memoir of Shelley in association with Leigh Hunt, who also wrote a memoir of Keats. This, Keats’ first collected edition, was "a positive sign that his reputation as a poet was beginning to mend," and gave confidence in their judgment to those who admired him (MacGillivray, xl). This edition was published in Paris because the poets lacked international copyright protection and no royalties needed to be paid. However, Galignani in fact worked closely with friends and relatives of the poets to create these three exhaustive collections. The frontispiece portrait is the first printed portrait of Shelley. MacGillivray B1. Peck ii, 440. Gilt decorated spine, marbled endpapers and covers. Top edge guild, roughed edges. Solid binding with some rubbing to the covers and endpapers, foxing particularly along the edges of some of the pages and consistent to front and back pages. Old ink signature to the top of title page of "The Poetical Works of Samuel Taylor Coleridge." An important poetry book at an incredibly good state for its age. book. Nº de ref. de la librería 272670

28.

LAMIA

KEATS, JOHN
(Atlantic City, NJ, U.S.A.)
Cantidad: 1
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Descripción: J.B. LIPPINCOTT CO, PHILADELPHIA, 1885. HARDBACK. Estado de conservación: POOR COND. 9 1/4 X 7. BOOK DETACHED FROM COVERS, FRONT ENDPG DETACHED, SLIGHT STAINING TO FRONT FORE EDGES, DATE PUBLISHED: 1885 EDITION: 67 PGS. Nº de ref. de la librería 072082

29.
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Descripción: Reeves & Turner. Printed at the Chiswick Press, London, 1883. Four volumes. lv, 366p; viii, 573; ix, 387p; viii, 494p, 1 leaf corrections and additions, 5p ads. Illustrated, including two etchings after Samuel Palmer and Joseph Severn. Edited by H. Buxton Forman. Includes a wealth of supplemental material. Bound in dark green cloth with gilt titles on spines and upper covers, the upper covers with a pictorial design in gilt of a bird on a tree branch A supplemental volume was issued in 1890.MacGillivray H. #1. All volumes rebacked retaining the original cloth, corners bumped and soft, but generally VG and now quite sound, contents clean First Buxton Forman edition and first edition of the collected poetry and prose. Nº de ref. de la librería 15977

30.

THE POETICAL WORKS OF JOHN KEATS

KEATS, JOHN - With a Memoir By: MILNES, RICHARD MONCKTON
(Montreal, QC, Canada)
Cantidad: 1
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Descripción: Routledge, Warne, and Routledge, 1862. Hard Cover. Estado de conservación: Very Good +. Later Edition. 8vo - over 7¾" - 9¾" tall. Type: Hand Bound 375 pp., in magnificent highly collectible sienna sheepskin Kelliegram brinding richly decorated in gold leaf on boards, spine, all edges: corpus, boards, head and bottom edges spine, and squares, 5 raised bands on spine, gilt-edged grass green moire silk inner boards and end papers, included at the rear the original front board and spine as was originaly bound & sold. Illustrated with frontispice engraving portrait of Keats, and 120 designs, original and from the antique on plates and in text. (slight shelf wear, spine slightly faded, faint owner inscription at top front fly leaf, paper very slightly yellowed)Please contact us directly for a full description. Photo scan available upon request. Nº de ref. de la librería 497H

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