Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Publicado por Houghton Mifflin Harcourt Publishing Company, 2014
ISBN 10: 0544114450ISBN 13: 9780544114456
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Libro Original o primera edición
Condición: Good. 1st. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 24,33
Usado desde EUR 7,83
Encuentre también Tapa dura Original o primera edición
Librería: Jerry Merkel, XENIA, OH, Estados Unidos de America
Miembro de asociación: MWABA
Original o primera edición
Soft cover. Condición: Very Good. No Jacket. 1st Edition. Very good condition. Spine tips are lightly worn. Helen Almy on front cover. Articles about Radio City Music Hall, Nurses' Aides called Jangos, Corporal Howard Thomas, and the movie The Song of Bernadette. 88 pages.
Publicado por Amazon Publishing, 2018
ISBN 10: 1477801154ISBN 13: 9781477801154
Librería: Books Unplugged, Amherst, NY, Estados Unidos de America
Libro
Condición: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 18,17
Usado desde EUR 19,39
Encuentre también Tapa blanda
Publicado por Villard Books, 1999
ISBN 10: 0375752544ISBN 13: 9780375752544
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Libro
Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.4.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 24,52
Publicado por Artforum New York, NY, 1988
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
162 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1988 issue of Artforum, edited by Ida Panicelli. Contents include: "Ground Up," Herbert Muschamp on Architecture; "Special Effects," Carol Squiers on the News and It's Pictures; "Marginalia," Thomas McEvilley on Son of Sublime; "Believe it or Not," J. Hoberman on American Myths; "Here, There & Otherwise," John Welchman on Elsewhere; "Undertone," Richard Gehr on Music; "Like Art," Glenn O'Brien on Advertising; "Books," Frederic Tuten on "The Magician's Wife"; "Beato in Lucknow," by Ben Lifson; "From Our Files."; "Ceminal Art," by Lucio Pozzi; "Crowding the Picture: Notes on American Activist Art Today," by Donald Kuspit; ".More."; "Something Borrowed, Something Bloom," by Andrew Solomon; "James Bishop: Remembering How to See," by Carter Ratcliff; "Boskovich and I," by Colin Gardner; ".More." ".Captions," by Ida Panicelli and Thomas McEvilley. Reviews by Glenn O'Brien, Donald Kuspit, John Howell, John Miller, Claudia Hart, Carlo McCormick, Christian Leigh, Jude Schwendenwien, Matthew A. Weinstein, Charles Hagen, Dennis Cooper, Patricia C. Phillips, Kirby A. Gookin, John Howell, Ronny Cohen, John Yau, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Robert Dean, Richard Rhodes, Alessandra Mammì, Pier Luigi Tazzi, Daniel Soutif, Max Wechsler, Ingrid Rein, Anne Krauter, Jutta Koether, Doris von Drateln, Uli Bohnen, Adrian Searle, Brian Hatton, and Jean Fisher. Cover: Tim Rollins. Good. Dusting of covers with light edgewear and yellowing of covers and pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Publicado por Picturebox, Inc., 2008
ISBN 10: 0979415314ISBN 13: 9780979415319
Librería: ThriftBooksVintage, Tukwila, WA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Good. No Jacket. Gary Panter Ilustrador. First Edition. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. ONE VOLUME ONLY! Minor wear to cover boards and spine. The text block includes extensive photographs to supplement the text. The text block is clean and free of staining. The binding suffers minor loosening due to age and wear, but remains secure and in-tact; the pages are clean and unmarked. Secure packaging for safe delivery. 10.05.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 172,57
Usado desde EUR 57,94
Encuentre también Tapa dura Original o primera edición Ejemplar firmado
Publicado por Villard, 1998
ISBN 10: 0375502033ISBN 13: 9780375502033
Librería: Byrd Books, Austin, TX, Estados Unidos de America
Libro
Hardcover. Condición: very good. In Used Condition.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 180,07
Usado desde EUR 60,65
Encuentre también Tapa dura
Publicado por Villard, New York, 1998
Librería: Counterpoint Records & Books, Los Angeles, CA, Estados Unidos de America
Original o primera edición Ejemplar firmado
Hardcover. Condición: Very good -. Estado de la sobrecubierta: Good. First Edition. Black paper covered boards, quarter bound in gray cloth, blind stamped band logo at bottom outer corner of front, blue stamped titles at spine, moderate shelf wear and some sunning to edges, some bumping to corners and head and tail of spine, corners straight. Book body clean and tight, fully color photo illustrated. Signed and inscribed by author Richard Gehr at half-title page, purple concert ticket to December 31, 1997 Phish show at Madison Square Garden laid in. White color photo illustrated dust jacket shows light to moderate shelf wear to edges, corners, and head and tail of spine, some rubbing/staining marks to front and back, black titles at front and spine, price intact, archival Brodart protected.
Publicado por PictureBox, Brooklyn, NY, 2008
ISBN 10: 0979415314ISBN 13: 9780979415319
Librería: Gibbs Books, Buffalo, NY, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: As New. Estado de la sobrecubierta: No Dust Jacket as Issued. Gary Panter Ilustrador. 1st Edition. First Edition 2008 , Two book set in a illustrated slipcase ( Signed - Dated and with a drawing on the top edge of the slipcase).Volume one is a blue cloth hardcover and volume two is a red cloth hardcover, 700 total page set. Illustrated with color and black & white illustrations by Gary Panter. GaryvPanter has been one of the most influential figures in visual culture since the 1970's , from his definitive punk-era graphics and his cartoon icon :JIMBO" to his Emmy Award -winning designs for Pee-Wee's Playhouse with his contributions to RAW magazine this artist is a rare treat to look at his work. Condition : As NEW Size: 4to - over 9¾ - 12" tall. Signed by Author(s). Book.
Publicado por PictureBox, Brooklyn, 2008
ISBN 10: 0979415314ISBN 13: 9780979415319
Librería: Dan Pope Books, West Hartford, CT, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: New. Estado de la sobrecubierta: New. Gary Panter Ilustrador. 1st Edition. First printing. New copies in a new hard slipcase (no jackets issued) in publisher's shrinkwrap.
Publicado por Film-Makers' Cinematheque New York, NY, 1971
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
[2] pp.; 58.3 x 21.8 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided poster published in conjunction with "Ontological-Hysteric Theatre," and "HcOhTiEnLa or Hotel China: Part 1 & Part 2," written, directed, and designed by Richard Foreman, held December 8, [1971] - January 30, [1972]. Performance included films by Ernie Gehr. Poster designed by George Maciunas. Very Good. Folded in two as issued. Light bumping of corners and multiple 1.4 cm. areas of rust like discoloration.
Publicado por Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.
Publicado por Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Rubbing, scratching and light edge wear to covers and soiling to text block edges. Volume 1 has bumping of upper right corner extending to first three pages; Volume 2 has 10.5 cm. dog-ear to lower right corner and 2.7 cm. dog-ear to verso corner; volume three has 2.5 cm. area of numeric embossment and bumping of bottom right corner. Contents of all volumes are otherwise clean and unmarked.