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Publicado por Marquand Books, 2013
ISBN 10: 0988227509ISBN 13: 9780988227507
Librería: Arundel Books, Seattle, WA, Estados Unidos de America
Miembro de asociación: CBA
Libro Original o primera edición
Hardcover. Condición: Fine. First Edition. 4to - over 9¾" - 12" tall. As New still in the shrinkwrap.
Publicado por Marquand Books, 2013
ISBN 10: 0988227509ISBN 13: 9780988227507
Librería: booksXpress, Bayonne, NJ, Estados Unidos de America
Libro
Hardcover. Condición: new.
Publicado por Marquand Books Inc, United States (2013), 2013
Librería: lobstabooks, Leiston, Reino Unido
VG near fine hardcovers. no dj. delightful condition/gift quality appears unread. no markings. or inscriptions. not price clipped. internally a good crisp clean copy. From the personal collection of a dealer/collector. Los Angeles painter Albert Contreras (born 1933) first won public acclaim in the early 1960s, with monochrome paintings featuring a central disc motif. By the early 1970s, with the dematerialization of art in the air, Contreras pursuit of extreme reduction led him to cease painting altogether, and he spent the next two decades driving garbage trucks and resurfacing roads for the City of Los Angeles. He returned to painting in 1997 (following an intensive period of psychotherapy), producing relatively small, square-ish canvases with thick, gridded swathes of bright colors and glitter, seemingly inspired by the aesthetics of cupcake bakeries, cosmetics counters and custom car shops--canvases that critic David Pagel describes as obscenely edible. This first substantial Contreras monograph surveys the painter s recent and older works.
Publicado por Marquand Books Inc, United States (2013), 2013
Librería: lobstabooks, Leiston, Reino Unido
VG near fine hardcovers. no dj. delightful condition/gift quality appears unread. no markings. or inscriptions. not price clipped. internally a good crisp clean copy. From the personal collection of a dealer/collector. Los Angeles painter Albert Contreras (born 1933) first won public acclaim in the early 1960s, with monochrome paintings featuring a central disc motif. By the early 1970s, with the dematerialization of art in the air, Contreras pursuit of extreme reduction led him to cease painting altogether, and he spent the next two decades driving garbage trucks and resurfacing roads for the City of Los Angeles. He returned to painting in 1997 (following an intensive period of psychotherapy), producing relatively small, square-ish canvases with thick, gridded swathes of bright colors and glitter, seemingly inspired by the aesthetics of cupcake bakeries, cosmetics counters and custom car shops--canvases that critic David Pagel describes as obscenely edible. This first substantial Contreras monograph surveys the painter s recent and older works.