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Dante Alighieri

Editorial: Venezia Matteo di Codecha du Parma 29 November, 1493 (1493)

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Cantidad: 1

Remitente: Buddenbrooks, Inc. ABAA (Newburyport, MA, U.S.A.)

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Descripción: Venezia Matteo di Codecha du Parma 29 November, 1493, 1493. RARE ILLUSTRATED EDITION OF THE COMMEDIA PRINTED IN VENICE, ONLY THE THIRD EDITION OF THE DANTE WITH THESE ILLUSTRATIONS AND ICONOGRAPHY which were previously printed in two editions of 1491. This is the most uncommon of the primary printings, 1491, 1493 and 1497. Illustrated with 4 splendid full-page pictorial engravings (one repeated) and with 97 engraved pictorial vignettes throughout the body of the text. Folio (305 by 210 mm), in fine 17th century full calf, richly blind tooled on the boards in geometric pattern. ff. 309. (10), I-CCXCIX, (1), quire X with seven leaves as is normal (the text is complete), pp. A very handsome and pleasing copy, tall and wonderfully preserved, a few leaves with wormholes neatly restored. THE VERY RARE 1493 VENETIAN ILLUSTRATED EDITION AND THE SCARCEST TO USE THESE PLATES AND ENGRAVINGS. The highly important commentary throughout of Christoforo Landino who was a member of the literary circle which surrounded Lorenzo de' Medici is of great importance. This commentary continues to be reprinted and affixed to editions of THE DIVINE COMEDY even up to the present day. "Dante’s theme, the greatest yet attempted in poetry, was to explain and justify the Christian cosmos through the allegory of a pilgrimage. To him comes Virgil, the symbol of philosophy, to guide him through the two lower realms of the next world, which are divided according to the classifications of the ‘Ethics’ of Aristotle. Hell is seen as an inverted cone with its point where lies Lucifer fixed in ice at the centre of the world, and the pilgrimage from it is a climb to the foot of and then up the Purgatorial Mountain. Along the way Dante passes Popes, Kings and Emperors, poets, warriors and citizens of Florence, expiating the sins of their life on earth. On the summit is the Earthly Paradise where Beatrice meets them and Virgil departs. Dante is now led through the various spheres of heaven, and the poem ends with a vision of the Deity. The audacity of his theme, the success of its treatment, the beauty and majesty of his verse, have ensured that his poem never lost its reputation. The picture of divine justice is entirely unclouded by Dante’s own political prejudices, and his language never falls short of what he describes." PMM These very early printings of the COMMEDIA are rare and precious. Such rare Venetian printings as this of 1493 were printed in a very small numbers and are seldom encountered. Nº de ref. de la librería 25181

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Dante Alighieri

Editorial: In Venezia Antonio Zatta 1757-1758 (1758)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Buddenbrooks, Inc. ABAA (Newburyport, MA, U.S.A.)

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Descripción: In Venezia Antonio Zatta 1757-1758, 1758. 5 volumes. (4 volumes bound in 5 as preferred). First Edition and first edition of the complete works. Magnificently and profusely illustrated in each volume with very fine full page copperplate engravings and exquisite decorations throughout, including a great profusion of finely executed large engraved head and tail -pieces. (See collation below). Also with engraved titles to each volume, the first of which is printed in red and black. 4to, splendid and proper original bindings of Italian polished calf over marbled boards, the spines with raised bands bordered in gilt, central gilt ornamental devices within the compartments. Lettered in gilt on tan morocco lettering labels. Vol.I: half-title, frontispiece engraving, engraved title, portrait engraving of Elisabetta Petrowna, noble statement dedicatory, engraved portrait of Dante , 12 pp unnumbered, engraved portraits leaf, engraved scene with Dante, I -XLVIII; I - CCCCVIII (including Catalogo De’ Signori Associati) numbered, 35 very fine copperplate engravings, as called for. Vol.II: CCCCXIII numbered pages comprising the half-title, the engraved title-page, 33 other very fine copperplate engraving + Catalogo. . Vol.III: CCCCLII - (2 ff.) -103 pages numbered, (1), engraved title-page and 33 very fine copperplate engravings. Vol.IV: engraved title-page, half-title, XII - (1) - 408 numbered pages, 4 engraved plates. Vol.V: Engraved title-page, (1) - 264; (I) - LXXXIV - (1)pages numbered, + 3 engraved illustrated plates and an engraved folding plan. Collated complete textually and with the 114 plates. A fine and fresh set in an very pleasing state of preservation, the calf bindings attractive and in excellent original state, only light evidence of age, the text-blocks crisp, clean and unpressed, the engraved plates all in fine condition, bright and clean and with strong impressions. RARE AND IMPORTANT. THE FIRST EDITION OF THE COMPLETE WORKS OF DANTE AND THE GREATEST ILLUSTRATED DANTE EVER CONCEIVED. Zatta’s Dante, a supreme production of the press and one of the great Italian illustrated books of the 18th century, also represents the first complete offering of Dante’s work. It is considered the most perfect and complete of Dante ever printed. And generally speaking, it is considered the most beautiful edition of Dante ever produced. Most copies were bound in period vellum and have suffered significantly. This copy, bound in rare period calf over boards has survived in a fine state of preservation. "Dante’s theme, the greatest yet attempted in poetry, was to explain and justify the Christian cosmos through the allegory of a pilgrimage. To him comes Virgil, the symbol of philosophy, to guide him through the two lower realms of the next world, which are divided according to the classifications of the ‘Ethics’ of Aristotle. Hell is seen as an inverted cone with its point where lies Lucifer fixed in ice at the centre of the world, and the pilgrimage from it a climb to the foot of and then up the Purgatorial Mountain. Along the way Dante passes Popes, Kings and Emperors, poets, warriors and citizens of Florence, expiating the sins of their life on earth. On the summit is the Earthly Paradise where Beatrice meets them and Virgil departs. Dante is now led through the various spheres of heaven, and the poem ends with a vision of the Deity. The audacity of his theme, the success of its treatment, the beauty and majesty of his verse, have ensured that his poem never lost its reputation. The picture of divine justice is entirely unclouded by Dante’s own political prejudices, and his language never falls short of what he describes." PMM. Nº de ref. de la librería 23600

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Descripción: Venice Giovambattista Marchio Sessa, & fratelli 1564, 1564. First of the Edition, First Sansovino edition, First edition with a portrait of Dante. With a fine woodcut title page and 96 woodcut illustrations, including three full-page, 77 large cuts in the text. Of the cuts, there are 37 for the Inferno, 24 for Purgatorio, and 27 for Paradiso, and numerous head- and tailpieces. Printer's woodcut device on the final leaf. Folio, very fine and handsome antique Italian calf, the spine with raised bands ruled in gilt, there is a single red/brown morocco label gilt lettered and ruled. [28 ff.), 163, [4 ff.], 164-393. A very handsome and very well preserved copy in a very pleasing state of preservation. Rare in full antique calf. RARE FIRST EDITION OF THIS HISTORIC PRINTING OF ONE OF THE GREAT BOOKS IN THE MIND OF MAN. This is the first edition of Dante edited by Francisco Sansovino, incorporating two commentaries: that of Christoforo Landino, which first appeared in the Florentine edition of 1481, and the noteworthy commentary of Alessandro Velutello, first published at Venice in 1544. The volume includes extensive introductory matter by all three commentators, and a running commentary that virtually overwhelms the poem itself. The woodcuts in this edition are taken from those in Velutello's edition of 1544 and represent a departure, both iconographically and stylistically, from those in the Brescia, 1487 edition--they appear more accomplished and more confident in execution. Francesco Sansovino recovered Vellutello’s commentary, never printed in Italy again until this time (except for a Lyonese reprint of 1551). This edition, printed here first in 1564, is very important because it is richly illustrated with many woodcuts taken from the edition of 1544 printed by Marcolini. The portrait of Dante on the title-page, inspired in Vasari’s tradition, is quite famous and this edition is commonly known as ‘of the big nose’. The portrait most likely comes from two paintings by Vasari, now at the Oriel College of Oxford and at the Museum of Fine Arts in Cleveland. Nº de ref. de la librería 25175

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DANTE ALIGHIERI

Usado

Cantidad: 1

Remitente: Livraria Castro e Silva (Lisboa, Portugal)

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Descripción: RECORRECTI ET CON OGNE DI- | LIGENTIA NOVAMENTE | IN LITTERA CVRSIVA | IMPRESSE. | In Bibliotheca [Vinheta com S. Bernardo] S. Bernardini. | [Colofón]: Impressa in Venetia per Mister Bernardino stagnino da Trino di Monferra. Del M.CCCCC.XX. [1520] A di. XXVIII. Marzo. In 4.º de 19,5x14 cm. Com [xii], 440 fólios. Encadernação do século xviii em pergaminho rígido. Ilustrado com uma gravura de página inteira no fólio a1 e dezenas de gravuras no texto. Folha de rosto com o titulo impresso a vermelho com cercadura tipográfica gravada, tendo ao centro um retrato de corpo inteiro de S. Bernardo. Marca do impressor na frente do último fólio. Exemplar um pouco aparado à cabeça e cortes carminados. Importante edição quinhentista com os comentários de Cristovão Landino impressos em caracteres cursivos à margen do texto dos versos de Dante. Obra muito rara e valiosa, que constitui uma reprodução da primeira edição de 1512, que pela primeira vez aparece com o título do divino poeta Dante. Nos primeiros 12 cadernos contém o 'Comentário do florentino Cristoforo Landino à Comédia de Dante Alighieri, poeta florentino.' Além da Divina Comédia inclui, no final do volume, o Credo, o Pai Nosso e a Ave Maria. 'Edição rara com a folha de rosto com o título impresso a vermelho, estampada com elegantes caracteres. O Comentário é impresso ao redor do poema em caracteres cursivos de menor menor dimensão. A primeira gravura é de página inteira, representando Dante na Selva. O impressor Bernardino Tinker (1483 - 1538), pertencente à família de Ferrari Giolito do Trino, nunca assinou com o nome de família, mas utilizou Stagnino como apelido. Por volta de 1483 mudou-se para Veneza e praticou a arte da impressão em nome de San Bernardino. Brunet II 501 'Edition assez recherchez'; Sander 2320; Mambelli 23; Harward Coll I 144; Prince D'Essling pag. 13 n.º 536 Binding: 18th Century hard parchment. Illustrated with a picture full-page (in folio a1) and dozens of engravings in the text. Title page printed in 2 colors, having at the center a portrait of S. Bernardo. Printer?s device in the last folio. Copy slightly trimmed, and paper cuts carmine at edges. Important 16th edition and rare edition with title page printed in 2 colors and elegant embossed characters. Contains the comments of Christopher Landino printed with cursive characters in marginalia. Very rare and valuable work, which is a reproduction of the previous first edition of 1512, and the first one to appear with the title ?divine poet Dante? Besides the Divine Comedy, includes at the end of the volume, the Creed, the Our Father and the Ave Maria. The printer Bernardino Tinker (1483 - 1538), belonging to the family of de Ferrari Giolito do Trino, never signed with the family name, but used Stagnino as a nickname. Around 1483 he moved to Venice as a printer working under the title of San Bernardino. Location/localizacao: raros. Nº de ref. de la librería 1306JC009

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DANTE ALIGHIERI / DALI

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Okmhistoire (montrouge, France)

Valoración librería: Valoración 4 estrellas

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Descripción: Couverture rigide. Estado de conservación: Très bon. Estado de la sobrecubierta: Très bon. Edition originale. Paris , Editions Les Heures Claires 1959 à 1963. Tirage limité et numéroté SUR FORT VELIN PUR CHIFFON DE RIVES ( Série complète des 12 Volumes ( 6 volumes de texte Enfer - Paradis - Purgatoire + 6 volumes des suites :). -- Avec 100 compositions pleine page de Salvador Dali - Format grand in-4° - Couvertures rempliées sous chemises et étuis dorés. --- pagination : 184(2ff) - 190 ( 4ff ) - 184(2ff) - 206(4ff) - 190(2ff) - 194(4ff) - + 100 et 362 planches ( décomposition des bois ). Nº de ref. de la librería fav-13-aa

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Descripción: Venice Appresso Gio. Battista, & Gio. Bernardo Sessa, fratelli 1578, 1578. Second issuance of the first edition with a portrait of Dante. With a fine woodcut title page and 96 woodcut illustrations, including three full-page, 77 large cuts in the text, and numerous head- and tailpieces. Printer's woodcut device on the final leaf. Folio (320 x 218 mm), in a binding of handsome contemporary antique Italian vellum over boards. Original calligraphic titling on the spine panel in Renaissance style. [28 ff.), 163, [4 ff.], 164-393. A copy in a pleasing state of preservation. The text leaves are crisp quite clean, with just a few normal blemishes here and there. Some typical toning to a few of the quires as is normal with the printing of this book. Only the most occasional of the usual spotting of staining. Dante portrait outlined in pen. RARE 1596 EDITION OF THIS HISTORIC PRINTING OF ONE OF THE GREAT BOOKS IN THE MIND OF MAN. This is the highly important edition of Dante edited by Francisco Sansovino, incorporating two commentaries: that of Christoforo Landino, which first appeared in the Florentine edition of 1481, and the noteworthy commentary of Alessandro Velutello, first published at Venice in 1544. The volume includes extensive introductory matter by all three commentators, and a running commentary that virtually overwhelms the poem itself. The woodcuts in this edition are taken from those in Velutello's edition of 1544 and represent a departure, both iconographically and stylistically, from those in the Brescia, 1487 edition--they appear more accomplished and more confident in execution. Francesco Sansovino recovered Vellutello’s commentary, never printed in Italy again until this time (except for a Lyonese reprint of 1551). This edition, printed here first in 1564, is very important because it is richly illustrated with many woodcuts taken from the edition of 1544 printed by Marcolini. The portrait of Dante on the title-page, inspired in Vasari’s tradition, is very famous and this edition is in fact commonly know as ‘of the big nose’. The sources of the portrait have probably to be found in two paintings by Vasari, now at the Oriel College of Oxford and at the Museum of Fine Arts in Cleveland. Nº de ref. de la librería 23915

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ALIGHIERI, DANTE.

Editorial: Venezia Antonio Zatta 1757-1758 (1758)

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Cantidad: 1

Remitente: Bromer Booksellers, Inc., ABAA (Boston, MA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Venezia Antonio Zatta 1757-1758, 1758. Four quarto volumes: L’Inferno, Il Purgatorio, Il Paradiso, Prose & Rime Liriche. (16), xlviii, ccccviii; ccccxiii, (3); cccclii, (4), 104; xii, 408, (4), 264, lxxxiv, (2)pp. Illustrated throughout with 114 engraved plates, by F. Giampiccoli, J. Magnini, F. Rizzi, and B. Crivelli, after works by Italian artists Francesco Fontebasso, Gaetano Zompini, G. Schiavoni, and G. F. Marcazzi. Also with numerous engraved illustrations, vignettes, and a folding genealogy. An elegant set of Dante’s works dedicated to the Russian Empress Elizaveta Petrovna. The set opens with a stately engraved portrait of the Empress and a dedicatory page with a sonnet composed by the editor, Count Cristoforo Zapata de Cisneros. The text includes a biography of the poet and annotations by scholars P. Pompeo Venturi and Gio. Antonio Volpe. According to an 1852 catalogue from Bernard Quaritch, this set was considered by the Italian literati at the time to be the most correct version of Dante’s works, and "the annotations by Venturi and Volpi are especially esteemed." Bound by Petit, who succeeded the famed Parisian bookbinder Simier in 1849, in gilt-ruled red morocco with marbled endpapers and gilt dentelles on the turn-ins. Spine in six compartments with raised bands, gilt-titled in two and richly ornamented with gilt tooling in the remaining four. Wear to corners and bottom edge, else a fine set. T.e.g. (Bernard Quaritch, New Series No. 61, April 25, 1852). Nº de ref. de la librería 23564

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MINIATURE BOOK). DANTE ALIGHIERI

Editorial: Ulrico Hoepli, Milano (1878)

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Cantidad: 1

Remitente: Phillip J. Pirages Rare Books (ABAA) (McMinnville, OR, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Ulrico Hoepli, Milano, 1878. Hardcover. ONE OF 1,000 COPIES. A Little Inlaid Bibliopegic Jewel, OfferingRemarkable Technique, Charm, and Condition. 54 x 32 mm (2 1/8 x 1 1/4"). 4 p.l., 499, [1] pp. ONE OF 1,000 COPIES. SUPERB CONTEMPORARY TAN MOROCCO INTRICATELY INLAID IN THE "FLORE ORNAMENTALE" STYLE BY MARIUS MICHEL (stamp-signed on front doublure), covers and spine with black inlaid morocco frames outlined in gilt enclosing a pattern of interlocking vines, leaves, and irises, all outlined in gilt and accented with gilt circlets, RED MOROCCO DOUBLURES with French fillet borders, all edges gilt. Contained in a custom-made (very probably original) velvet-lined case of dark brown morocco, the upper cover and sides adorned with gilt lozenges and flowers. With engraved frontispiece portrait of the author. The type cast by Giacomo Gnocchi of Milan, set by Giuseppe Geche, printed by Luigi Baldan, and corrected by Luigi Busato. Bondy, p. 95; Spielman 114. A SPLENDID COPY OF AN EXCEPTIONALLY CHARMING ITEM, with virtually no signs of use even to the case. This is a little bibliopegic gem, at once one of the most renowned miniature books ever produced and a striking inlaid miniature binding by one of the great French workshops of the Belle Epoque. Spielman thought the type (known as "flies' eyes" and measuring about two-point) was "the smallest ever employed." Whether that claim remains true, the Grolier Club's "Miniature Books: 4,000 Years of Tiny Treasures" reported that working with this type, which is scarcely visible to the naked eye, "is said to have injured the eyesight of both the compositor and corrector. It took one month to print 30 pages, and new types were necessary for every new forme." The amazing technical achievement of the printing is echoed here by the binding, in which we see a beautiful demonstration of the then-revolutionary "Flore Ornamentale" design. The elder Marius Michel had produced distinguished work in the prevailing historical style for two decades, beginning in Paris in 1849. He was joined in the business by his son Henri (also known as "Marius Michel"), who believed passionately "that bookbinding needed a new vocabulary of ornamentation in order to express the mood and spirit of contemporary authors." He found in the 1878 International Exposition a convenient and appropriate forum through which to promote the revolutionary style of decorative ornaments based on nature, a style he called "La Flore Ornamentale." He was at first viewed as impudent and rebellious, and his work was objected to on theoretical grounds as being too much like "art," and too little like a product of the binder's craft. But "the young man's fervent convictions, as well as his superb technical skills, as both a binder and a gilder, won him an increasing number of supporters. By 1885 his designs were seen as a viable alternative to traditional bindings for certain books." Other binders began to imitate his approach, but Marius Michel the Younger was the "undisputed leader of the new movement, [his] incomparable technique, harmonious selection of color, and infinite variety of plant motifs [placing] his work above those of his contemporaries." (Duncan & De Bartha) The design and finishing of this binding set it far above what one usually finds on a miniature book, and its unsurpassable condition and irresistible charm make this a compellingly attractive item. Nº de ref. de la librería ST11966

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DANTE ALIGHIERI / DALI

Editorial: Paris, Les Heures Claires (1964)

Usado Primera edición

Cantidad: 1

Remitente: Emmanuelle Morin (MARSEILLE, France)

Valoración librería: Valoración 5 estrellas

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Descripción: Paris, Les Heures Claires, 1964. Grds in4. 184, 190, 184, 206, 190, 194pp. Bon Etat.  12 Vol. sous chemises rempliées, illustrées, étuis, emboîtages décorés. Tir. lim. 483/4765 sur fort vélin pur chiffon de rives. Ouvrages illustrés par Salvador Dali de 100 compositions à pleine page gravées sur bois et tirées en couleurs par M. Jacquet. Notre exemplaire, un des 350 exemplaires de luxe contenant une suite en couleurs des 6 vol. d'illustrations (un pour chaque vol. de texte) soit 362 états supplémentaires. Bien complet des 2 compositions signées de Dali dans la planche. L'Enfer I: 17 illustrations; L'Enfer II: 17 illustrations; Purgatoire I: 16 illustrations; Purgatoire II: 17 illustrations; Le Paradis I: 16 illustrations; Le Paradis II: 17 illustrations. + 6 volumes de suites:L'Enfer I: 17 pl. + 51 pl. (décomposition des bois); L'Enfer II: 17 pl. + 61 pl. (décomposition des bois); Le Purgatoire I: 16 pl. + 49 pl. (décomposition des bois); Le Purgatoire II: 17 pl. + 65 pl. (décomposition des bois); Le Paradis I: 16 pl. + 65 pl. (décomposition des bois); Le Paradis II: 17 pl. + 71 pl. (décomposition des bois). L'Ensemble de ces volumes est en parfaite condition. Nº de ref. de la librería 5735

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Descripción: ad instantia di M. Gioanni Giolitto da Trino 1536 (al colophon, in Vineggia per M. Bernardino Stagnino), in Vinegia, 1536. Ottima legatura primi 900 in mz. pergamena con nervi, fili e scritte oro su tasselli in pelle rossa e nera al ds. Tagli azzurri. Frontis. e ultima carta foderati, alcune macchie, leggeri aloni di umidità e poche annotazioni di antica mano, ma nel complesso bell esemplare molto ben conservato di questa cinquecentesca edizione illustrata della Commedia. Mambelli, 29; Adams, D93. 8vo (cm. 20,4), 28 cc.nn., 440 cc. Medaglione con ritratto di Dante al frontis., incisione in xilografia a piena pagina all inizio dell Inferno e altre, più piccole, al principio di ciascun canto. Nº de ref. de la librería 742

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DANTE Alighieri [1265-1321]

Editorial: Appresso Gio. Battista, & Gio. Bernardo Sessa, Fratelli, In Venetia [Venice] (1596)

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Cantidad: 1

Remitente: Contact Editions, ABAC, ILAB (Toronto, ON, Canada)

Valoración librería: Valoración 5 estrellas

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Descripción: Appresso Gio. Battista, & Gio. Bernardo Sessa, Fratelli, In Venetia [Venice], 1596. Vellum. Estado de conservación: Very Good. , 1596., Folio. Ff. [28], 163, [4], 164-392. Woodcut medallion portrait of Dante within ornamental frame on title page, and 96 woodcut illustrations (3 full-page, including 12 repetitions). Grotesque and arabesque woodcut headpieces, historiated initials, Sessa cat device on verso of last leaf. Text in italic type set within double-column commentary in Roman type. Bound in later (18th century) vellum with 19th-century red leather label (partially eroded), page edges stained red (faded), with old ink manuscript title on lower edge of text block. Binding a little soiled with short split in lower front joint. Intermittent toning to leaves, occasional marginal foxing, and light marginal dampstaining toward rear, cobweb worming to upper portion of leaves 273-293 with some loss of text, but overall a nice clean copy in a handsome, well-preserved binding. The Third Sansovino Edition. First published by the Sessa brothers in Venice in 1564, the celebrated edition of Dante edited by Francesco Sansovino (1521-1583) brings together the commentaries of Christopher Landino, originally published in Florence in 1481, and Alessandro Vellutello, which first appeared in the edition published by Francesco Marcolini in Venice, 1544. The attractive wood cuts used by the Sessas in all three folio editions are from the original blocks cut for Marcolini's 1544 edition, though the number of illustrations was increased through repetition. Adams D111. BM STC Italian p. 210. Brunet II 504. Graesse II 3 30. Mortimer, Harvard Italian 16th Century Books, 148 (for 1564 ed.). Size: Folio. Nº de ref. de la librería 21525

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Dante [Alighieri]

Editorial: Vinegia Marchio Sessa 1531 (1531)

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Cantidad: 1

Remitente: Buddenbrooks, Inc. ABAA (Newburyport, MA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Vinegia Marchio Sessa 1531, 1531. Rare and important edition, and only the fourth printing of Dante’s ‘Convivio’. This edition used by academics and especially by Salvini With a beautifully engraved titlepage featuring an illustrated and regal border depicting nymphs and animals amidst climbing vines, initial 7-line capital letter handsomely engraved, colophon leaf engraved. Small octavo, in an antique binding of soft vellum, probably of the 19th century, the spine with gilt decorations all over and the title and author printed in gilt. [xvi], 112 leaves A clean, fresh and well preserved copy of this scarce work, very little spotting, crisp and unpressed and unwashed. RARE AND IMPORTANT EDITION. All 16th century editions of the work are extremely elusive. Dante’s CONVIVIO, or Banquet, is an unfinished philosophical work by the great Italian poet. It was planned as a series of 14 treatises, each in the form of a prose commentary on one of Dante’s own CANZONI. The four completed treatises, written between 1304 and 1308, draw on numerous philosophical sources but most heavily on Aristotle. It is the first work of Dante to explore certain doctrines and meditations, politics and the political society and moral man. Nº de ref. de la librería 20542

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DANTE ALIGHIERI.

Editorial: Venetia (Venice): Giouambattista, M. Sessa & fratelli, 1578. (1578)

Usado Tapa dura

Cantidad: 1

Remitente: David Mason Books (ABAC) (Toronto, ON, Canada)

Valoración librería: Valoración 2 estrellas

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Descripción: Venetia (Venice): Giouambattista, M. Sessa & fratelli, 1578., 1578. Reissue of the 1564 Sessa edition which was the first edited by Sansovino.With the bookplate of Stillman Drake. Large 4to., 19th century half calf,marble boards, raised bands, (28), 163, (4), 164-392pp. With woodcut illustrations in the text, a woodcut portrait of Dante on the titlepage, 3 full page woodcuts. This copy has been professionally rebacked with a new spine with the original 19th century leather label, the titlepage has been professionally reinforced around the edges, X8 has been professionally repaired atthe top, there is some light worming in the margins of some leaves not affecting the text, some very occasional foxing, a very good, clean copy. Thisis a later edition of the 1564 Sessa edition which was the first edited bySansovino and the first to incorporate the commentaries of Landino and Vellutello together. "Ninety-six woodcuts including twelve repetitions, the blocks cut for Francesco Marcolini's edition of 1544. The Sessa brothers useall except the block for canto. xxii. They also add to the number of illlustrations by repeating in the text the blocks for the circles of Hell fromVelutello's prefatory description. "(Mortimer: Harvard College Library.Catalogue of Books and Manuscripts, Part II: Italian 16th Century Books--Vol. 1 No. 148 citing the 1564 edition). Nº de ref. de la librería 26336

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Dante Alighieri

Editorial: Leo S. Olschki, Firenza (1912)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Maxwell's House of Books (La Mesa, CA, U.S.A.)

Valoración librería: Valoración 4 estrellas

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Descripción: Leo S. Olschki, Firenza, 1912. Full-Leather. Estado de conservación: Very Good. A truly magnificent and rare handmade volume -- limited in this edition to 300 copies, of which this is #164 -- created on the 700th anniversary of the Divine Comedy. The book features beautifully reproduced woodcuts from the 1491 Venice edition, embossed leather over full wooden boards with brass clasps, bosses, a bust of Dante and handmade, watermarked paper. Last (but not least) this copy was inscribed (1926) by Giuseppe Garibaldi II, grandson of THE Giuseppe Garibaldi and himself a noteworthy Italian soldier/adventurer. Along with a gorgeous clamshell box, one leather strap and brass clasp were provided by the expert Lehmann Bindery. The condition is excellent, with only one boss missing and light scuffing at the boards. Size: Elephant Folio - over 15" - 23" tall. Inscribed by Author(s). Nº de ref. de la librería 006274

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Descripción: 6 volumes in-folio, en feuilles, sous couverture rempliée et emboîtage décoré. Célèbre édition, illustrée de 100 planches en couleurs de Salvador Dali, comprises dans la pagination, gravées sur bois par Raymond Jacquet. Un des 3900 exemplaires sur vélin pur chiffon de Rives. Les illustrations ont été réalisées par l'Imprimerie Jacquet à partir des aquarelles de Dali. Nº de ref. de la librería 17111

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Dante Alighieri

Editorial: Priuli Verlucca, Italy

Nuevos Hardcover

Cantidad: 1

Remitente: New Boston Fine and Rare Books (TUCSON, AZ, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Priuli Verlucca, Italy. Hardcover. Estado de conservación: New; New; Two volumes bound in leather, with gilding grilled dishes and back, places box covered with skin. Tiratura limitata a 500 esemplari. Circulation limited to 500 copies. Formato cm 35x25,5, pagine 280 riccamente illustrate (codice) , pagine 232 (commentario). Format 35x25 cm, 5, richly illustrated 280 pages (code) , 232 pages (commentary). The manuscript, known as Divine Comedy Dante Estense, was imposed and requires the attention worldwide as one of the most important among the various manuscripts of Divine Poema hitherto known and classified. Il codice, infatti, sia per l'epoca alla quale appartiene (sicuramente il secolo XIV e con più probabilità la fine di esso, intorno al 1380-1390, che quindi lo pone a non più di 60-70 anni dalla morte del poeta offrendo la sensazione della quasi coevità rispetto alla sua composizione) , sia per la completezza dell'intero testo in tutta la sua importanza di documento integrale rispetto alla miriade di frammenti esistenti della Commedia, è una delle poche lezioni dell'opera esistenti in grado di offrire ancora oggi degli apporti di novità sul piano degli approfondimenti filologici. The code, in fact, both the time to which it belongs (certainly the fourteenth century and most likely the end of it, around 1380-1390, which then puts it to no more than 60-70 years after the death of poet offering the feeling of almost coevità respect to its composition) , and for the completeness of the text in its full importance of full document the myriad of existing fragments of Comedy, is one of the few classes of existing offer yet Today inputs of novelty in terms of depth philological. Ulteriore interesse per questo codice trova giustificazione nella sua valenza estetica, che poggia sulle tre carte finemente miniate che ornano gli inizi delle tre Cantiche, sulle iniziali miniate al principio del Poema e quelle colorate di tutti I canti, ma soprattutto perché è uno dei pochissimi esistenti al mondo totalmente miniato. Further interest in this code is justified in its aesthetic value, based on the three cards finely miniate that adorn the beginnings of three Cantiche on initial miniate the principle of Poema and colored all the songs, but mainly because it is one of the few existing the world fully illuminated. Membranaceo, di cm 35x25,5, consta di 140 carte (e quindi 280 pagine) scritte in carattere gotico su di una colonna centrale di 51-46 linee. Membranaceo, 35x25 cm, 5, consists of 140 cards (and then 280 pages) written in gothic character on a column central 51-46 lines. Ogni pagina presenta sul margine superiore scene miniate che accompagnano e illustrano il testo. Each page on the top margin miniate scenes that accompany and illustrate the text. Le carte iniziali delle tre Cantiche presentano un fregio marginale miniato; in particolare le prime due portano, al centro del margine inferiore, un grande stemma rosso alla banda azzurra appartenente a un antico possessore non identificato e l'ultima presenta il monogramma cristiano del sole. The cards of three Cantiche a frieze marginal illuminated, in particular the first two lead, at the centre of lower margin, a big red emblem to banda blue belonging to an ancient unidentified owner and the last presents the Christian monogram of the sun. A causa della sua importanza venne asportato dai commissari francesi di Napoleone l'11 ottobre 1796 ed entrò a far parte della Biblioteca Nazionale di Parigi, della quale ancora oggi presenta il timbro a c.1, e dalla quale venne recuperato, dopo varie e interessanti vicende, a restaurazione avvenuta, nel 1816, dal bibliotecario della Biblioteca Estense, Antonio Lombardi, su espresso desiderio del Duca di Modena. Because of its importance was removed by commissioners French Napoleon on 11 October 1796 and joined the National Library in Paris, which still has the stamp c.1, and from which it was recovered, after varied and interesting events, restoration occurred in 1816, the librarian of the Library Este, Antoni. Nº de ref. de la librería 44477

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Dante Alighieri

Editorial: Salani, Firenze (1964)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Di Mano in Mano Soc. Coop (Cambiago, Italy)

Valoración librería: Valoración 5 estrellas

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Descripción: Salani, Firenze, 1964. Cartonato. Le tre cantiche sono illustrate da 100 tavv. a colori, create da Salvador Dali', incise e stampate da Raymond Jacquet a Parigi, su carta di Rives. Importante edizione impressa dalla Stamperia Valdonega di Verona, su carta a mano Magnani. Tiratura di 2900 esemplari. Numero di tavole: 100 pp.0 altezza 0 larghezza 0 Esemplare in 6 volumi in ottimo stato. Ogni volume à in cofanetto. Nº de ref. de la librería NARCIT1000028-3717

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ALIGHIERI Dante 1265-1321

Editorial: Ulrico Hoepli, Milano (1879)

Usado Tapa dura

Cantidad: 1

Remitente: Madoc Books (ABA-ILAB) (Llandudno, CONWY, United Kingdom)

Valoración librería: Valoración 5 estrellas

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Descripción: Ulrico Hoepli, Milano, 1879. Hardcover. Estado de conservación: Very Good Plus. 64mo - up to 3" tall. 1879, VG+, Hoepli Milano, Miniature. In full red morocco, contemporary upper cover decorative gilt tooling, corners brushed. New lower cover w doublure to style.S[pine, relaid, raised bands, gilt titles and tooling. Internally, decorative board edges and turn-ins, red marbled endpapers, a.e.g, half title, portrait tissue guarded frontis, tp text in red and black, [6], [1], 2-499 pp, [1] limitation, 1 pl (frontis). Uncommon Milano Hoepli edition. 5*3cm. or 2*1.25 inches. (Welsh 2169. Mikrobiblion 76. Spielmann 114). The type for this microscopic edition was cast in 1850, when an attempt was made to set up the Divina commedia. The work was abandoned shortly, but was resumed in 1873. The colophon records the names of those concerned in the work. 1,000 copies were printed and the type destroyed. cf. Cornell Dante catalogue. Giuseppe Geche - typesetter. Luigi Baldan - printer. Nº de ref. de la librería 005818

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Alighieri, Dante

Editorial: Imago (Rimini) (2015)

Usado Tapa dura

Cantidad: 1

Remitente: Libro Co. Italia Srl (San Casciano Val di Pesa, FI, Italy)

Valoración librería: Valoración 5 estrellas

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Descripción: Imago (Rimini), 2015. Edizione Facsimile del manoscritto miniato su pergamena SC-MS 1162 (D II 41). Esemplare n. 30 di 599, di cui 529 a numeri arabi, 50 in numeri romani, 20 HC fuori commercio. Miniature attribuite a Giacomo Gradenigo, ad un bolognese prossimo al Maestro delle iniziali di Bruxelles e al veneto Cristoforo Cortese. Rimini, 2015; ril. in pelle, pp. 252, ill. e tavv. col., cm 20,5x28 (cofanetto). (Ars illuminandi). L'illustre codice gambalunghiano della Divina Commedia (Sc-Ms. 1162) è generalmente noto come Dante gradenighiano o gradonighiano dal nobile veneziano Giacomo Gradenigo (ca. metà XIV secolo-ante 1420), diplomatico letterato e fine poeta cortigiano, che copiò il poema dantesco, lo corredò di un commento che ripropone in forma accresciuta e più organica quello di Jacopo della Lana, e premise alle cantiche alcune epitomi in terzine di Menghino Mezzani, Jacopo Alighieri e Giovanni Boccaccio. Egli svela la propria identità e il proprio ruolo di copista nel sonetto caudato posto nel contropiatto superiore, dove così apostrofa il lettore: "Se saper vol letor cui il libro scrisse, gli capiversi il nome non fallisse". E in effetti le iniziali di ciascun verso, lette in acrostico, compongono il nome "IACOMO GRADONICO". Il codice (c. 2r) si fregia delle armi dei Sanudo accompagnate dagli emblemi di Giacomo Gradenigo: scudo con banda azzurra in campo d'argento, sormontato da due cartigli bianchi con motto ora illeggibile e da due elmi con padiglioni frangiati color rosso e cimieri rispettivamente a grifo coronato e a busto virile nudo e barbato con benda bianca svolazzante. Evidenti segni di manomissione indicano che lo stemma dei Sanudo fu eseguito sopra quello dei Gradenigo, di rosso alla banda d'argento scalinata. Le armi dei Sanudo figurano anche impresse sul piatto inferiore della coperta in pelle, che dunque è sicuramente antica ma forse non originale. Il manoscritto deve essere passato precocemente ai Sanudo e in quel momento dotato del loro stemma familiare. Certamente si trovava presso di loro già nei primi decenni del Quattrocento, perché alla Bodleian Library di Oxford si conserva un Inferno di Dante (Can. Ital. 115), datato 1422 e sottoscritto da Marino Sanudo, che ne ripete in maniera maldestra e parziale i disegni (quattordici su ventiquattro). Con buona probabilità pervenne ai Sanudo grazie agli stretti vincoli di amicizia e parentela che legarono Giacomo Gradenigo a Filippo Sanudo, la cui figlia Candiana nel 1390 aveva sposato Pietro, figlio di Giacomo. Il Dante gradenighiano è un codice membranaceo fortemente mutilo: mancano i canti XI (eccetto le prime due terzine)-XIII, XVII-XXIX e le prime quattro terzine del XXX dell'Inferno; i canti VI-XIV, i primi 20 versi del XV, i canti XX-XXIII, XXVIII (eccetto le prime venti terzine)-XXXIII del Purgatorio; le epitomi (?) e i canti XVI (eccetto i primi 19 versi)-XXXIII del Paradiso. È corredato da un originale e raffinato apparato illustrativo, che si interrompe ai primi otto canti dell'Infernoma che doveva coprire l'intero codice, come dimostrano gli spazi bianchi riservati a iniziali e vignette: a c. 2r, in sede di epitome, fregio a foglie d'acanto sui quattro margini con stemma dei Sanudo nel bas-de-page; da c. 2r a c. 22r, cioè all'inizio delle epitomi e dei primi 8 canti, 22 iniziali decorate, di cui le prime 5 conformi al fregio, le altre 17 di tipo diverso e qualità inferiore; a cc. 3r-23v, 24 vignette figurate che illustrano i primi otto canti dell'Inferno. Apre la serie la vignetta a tempera con "Dante e Virgilio nella selva oscura". Seguono 23 disegni a penna, acquerellati in tinte leggere e contornati da una sottile cornice rossa, accurati nei primi fogli poi via via più frettolosi e sommari. Si rileva la cancellatura per mano vandalica di alcune miniature e la totale campitura in nero delle raffigurazioni dei diavoli, forse per sovrapposizione successiva (cc. 8r, 13v, 16v, 18v, 20r, 23r-v). Dati preziosi sulla struttura originaria, la confezione e la. Nº de ref. de la librería 3042515

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Dante Alighieri

Editorial: Olschki (1911)

Usado Tapa dura

Cantidad: 1

Remitente: timelytales.com (Sherman, CT, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Olschki, 1911. Hardcover. Estado de conservación: Very Good. No Jacket. Special Edition. This is number 250 of the limited 306 copy publication, by Olschki, Florence, of La Comedia del Divino Dante Alighieri da Firenze, con l'Esposizione di Giuseppe Lando Passerini da Cortona, with an introduction by Gabriele d' Annunzio, extensive annotations by Passerini, and with numerous illustrations reproduced from a late 15th century Venetian edition. It is dedicated to Vittorio Emanuele II. The full vellum cover (approximately 12" x 16") has a number of scuffs, but no prominent stains. The gilt lettering on the spine is shadowed, but clearly legible. That lettering gives the date as 1912, but the date 1911 is stated in three places inside the book. The pages (306 numbered) are in very good overall condition. The blank end pages are foxed, and there are occasional recurrent stains, all light. Most pages are unstained. All the art and lettering are unfaded. The gilt page edges are bright and with no significant stains.There are no stamps or other attachments. There is an inked-out section on the title page (see photo) which, with a strong backlight, appears to show that the ink is covering lettering printed in the page in the same red ink as the other copy. My guess is this copy was printed for an individual, whose name has been covered. There is a name, in ink, with an address in Rome, dated 1975, on the back inside cover. There is no other writing. The binding is tight, with no loose or missing pages.There are a few page creases, but almost all pages are uncreased. There are no page tears. This is an exceptionally rare volume in very good condition. The above photos are accurate reflections of the range of conditions. International shipping would be via federal express insured, with a shipping charge of $300.00. US shipping would also be by federal express insured, with a shipping charge of $150.00. Nº de ref. de la librería 714

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Alighieri Dante

Editorial: Stamperia Valdonega per Arte Scienze Salani 1963-1964, Verona (1963)

Usado Tapa blanda

Cantidad: 1

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Descripción: Stamperia Valdonega per Arte Scienze Salani 1963-1964, Verona, 1963. Bross. editoriali entro camicie in cartoncino con figurazioni geometriche a colori e oro che vengono ripetute sugli astucci. Testo a fogli sciolti su carta a mano dei fratelli Magnani di Pescia e tavole su carta Rives eseguite a Parigi sotto la direzione del Maestro Raymond Jacquet. Accurata e raffinata edizione a tiratura limitata di 2900 esemplari che, per il testo della Commedia, si rifà all edizione della Società Dantesca Italiana rivista da Giovanni Nencioni e, per le tavole, ripropone le xilografie realizzate dai disegni all acquarello creati da Salvator Dalì negli anni 50. Opera completa in ottimo stato di conservazione. 4to (cm. 34,5), 6 Voll. (2 per l Inferno, 2 per il Purgatorio e 2 per il Paradiso) illustrati da 100 tavole a colori disegnate da Salvator Dalì. Nº de ref. de la librería 4699

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Descripción: 1963. DALI (Salvador). Ilustrador. Paris, Éditions d'Art Les Heures Claires, 1963. Six volumes in-folio (395 X 280) en feuilles, couverture rempliée, sous chemise et étui décoré de l'éditeur. Quelques petits défauts aux étuis, sans gravité. ÉDITION illustrée de 100 AQUARELLES hors-texte de Salvador DALI gravées sur bois en couleurs par Raymond Jacquet et Jean Taricco. Cette monumentale entreprise éditoriale a duré plus de quatre ans et nécessité près de 3 600 bois. Traduction de Julien Brizeux. Exemplaire numéroté sur vélin pur chiffon de Rives. BEL EXEMPLAIRE, complet des gravures. NICE COPY. PICTURES AND MORE DETAILS ON REQUEST. Nº de ref. de la librería 000886

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Alighieri, Dante

Editorial: Edizioni d'Arte A La Chance du Bibliophile 1959-61, Milano (1959)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Parigi Books, ABAA/ILAB (Schenectady, NY, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Edizioni d'Arte A La Chance du Bibliophile 1959-61, Milano, 1959. Hardcover. Illustrated by Nattini, Amos Ilustrador. First Edition. In three volumes. 442pp; 433pp; 467pp. Edition limited to 999 numbered copies. Gorgeous custom brown full calf bindings decorated in 24k gold on the sides and the spines, silk and leather gilt-decorated doublures, gilt inside dentelles. Signed by the binder, Elio Prato of Rome. With one hundred illustrations by Amos Nattini, originally created between the 1920s and the 1940s. Printed on hand-made, watermarked Ventura paper in Bodoni type. Edited by Dino Provenzal. All the volumes are in fine condition and are housed in the original slipcases. An outstanding set. ; Quarto. Nº de ref. de la librería 25262

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Alighieri, Dante

Editorial: Houghton Mifflin and Company, Boston and New York (1906)

Usado Tapa dura

Cantidad: 1

Remitente: Imperial Fine Books ABAA, ILAB (New York, NY, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Houghton Mifflin and Company, Boston and New York, 1906. Leather bound. Estado de conservación: Fine. Boston and New York: Houghton Mifflin and Company, 1906. Leather bound. Six volumes. Octavo. The Devine Comedy of Dante Alighieri. Translated by Henry Wadsworth Longfellow with Flaxman's Drawings, the large paper edition is liited to six hundred and fifty copies which this is number is 55.Bound in three quarter brown morocco over marbled boards, spine gilt decoration between raised bands, gilt title, top edge gilt, marbled endpaper. Nº de ref. de la librería 320

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DANTE ALIGHIERI

Editorial: Librairie De L. Hachette et Cie, Paris (1862)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Contact Editions, ABAC, ILAB (Toronto, ON, Canada)

Valoración librería: Valoración 5 estrellas

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Descripción: Librairie De L. Hachette et Cie, Paris, 1862. Cloth. Estado de conservación: Near Fine. Gustave Dore Ilustrador. 1st Edition. Green textured cloth with gilt lettering and designs on spine. Multiple gilt frames on front panel with elaborate gilt title. Marbled endpapers. 194 pp with 75 full page tissue guarded engravings by Dore. Translated into French with the accompanying Italian text by De Pier-Angelo Fiorentino.Wear to the extremities. Hinges starting. Sporadic foxing but generally clean. Both Dante's and Dore's masterpieces in one volume. This is an impressive book. Size: Folio. Nº de ref. de la librería 20977

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Dante Alighieri and Thomas William Parsons (John Neal association copy)

Editorial: William D. Ticknor (privately printed), Boston (1843)

Usado Tapa dura Primera edición

Cantidad: 1

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Descripción: William D. Ticknor (privately printed), Boston, 1843. JOHN NEAL'S COPY, with his lightly-penciled annotations, OF THE FIRST AMERICAN EDITION OF ANY PART OF DANTE'S DIVINE COMEDY. 83 pp. + an engraved portrait frontispiece of Dante by D. G. Johnston. The translator, Thomas William Parsons (1819-1892), was a leading Boston dentist (!), poet, and intellectual. A contemporary (and acquaintance) of Longfellow, Oliver Wendell Holmes, Emerson, Thoreau, and James Russell Lowell, this is his first published work. Although he was only in his early 20s when he composed this translation, he demonstrates a highly-developed poetic sensibility and the work has considerable literary merit (and doubtless played a role in encouraging Parsons' friend Longfellow to translate the entire Comedy a few decades later). Still, Dante was relatively unknown in America during the early 19th century, and so very few copies of this privately-printed edition were issued. This is AN OUTSTANDING ASSOCIATION COPY, with a presentation inscription from Parsons to JOHN NEAL, ESQ. Neal (1793-1876) was an intellectual who traveled in the same literary circles as Parsons. He is considered the first American author to use slang in his writing, and was an early proponent of women's rights (and a lawyer, boxer, and architect as well). Neal read this book carefully, as attested by several brief, lightly-penciled marginal annotations. Published by William Davis Ticknor (1810-1864), who went on to found Ticknor and Fields. Printed on fine wove paper. Large 8vo. BOUND IN THE ORIGINAL CLOTH-BACKED BOARDS, WITH THE ORIGINAL PAPER SPINE LABEL INTACT. Some wear to extremities of binding, but structurally solid. INTERNALLY FINE AND BRIGHT. Housed in a custom-made cloth folding case. Colomb de Batines I, 269 (not mentioning the frontispiece portrait present here); BAL 15518 (with note that this work is cited without being seen). A truly exceptional copy of an important and extremely rare book. Nº de ref. de la librería 38433

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Dante Alighieri (1265-1321)

Editorial: London Printed for Taylor and Hessey, Fleet Street 1819 (1819)

Usado Tapa dura Primera edición

Cantidad: 1

Remitente: Buddenbrooks, Inc. ABAA (Newburyport, MA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: London Printed for Taylor and Hessey, Fleet Street 1819, 1819. 3 volumes. A LARGE PAPER COPY of the FIRST TRADE EDITION of the FIRST MODERN TRANSLATION of Dante into English in its complete form including all the parts of the trilogy. Preceded only by the privately printed edition issued by the author. Additionally, for this edition is affixed a Life of Dante, Notes and an Index. Tall 8vo, very handsomely and beautifully bound in three-quarter burnt-red morocco by Bayntun early in the last century, the covers with fine French marbled paper over boards and morocco at the corners, the spines decorated with raised bands ruled in blind, gilt lettered and numbered in two compartments of each volume, marbled end-leaves, t.e.g. lii, 303; xi, 309; 297, (28) index pp., with all three half-titles as called for. A fine and very handsome set in excellent condition, essentially as pristine. The bindings and text-blocks are in wonderful condition, very finely preserved. RARE FIRST EDITION AND COMPLETE SET IN A VERY HANDSOME EARLY BAYNTUN BINDING. ONE OF THE GREAT BOOKS OF ALL TIME. Cary’s famous translation has long been considered the first modern rendering of Dante’s timeless epic into English. While previous English translations prior to Cary’s had been accomplished in the 18th century, none were able to transfer into the English language, the beauty and richness of language for which Dante has forever been revered. It took Cary many years to make the complete translation. Indeed, the parts of the COMEDY were released over a number of years from 1805 on. Cary was influenced greatly by the Romantics and by Coleridge in particular. Though the text was finished in mid-1812, Cary was unable to secure a publisher and was, after some years, obliged even with his very modest means to publish the work at his own expense. It at first excited little attention, but it came under great notice primarily because of the applause of Coleridge whom Cary had met while pacing the beach reading Homer to his son. ‘Sir,’ said Coleridge, attracted by the sound of the Greek, ‘yours is a face I should know. I am Samuel Taylor Coleridge." "During the rest of the day, the wondrous stranger discoursed on Homer making young Cary ‘feel as one from whose eyes the scales were just removed,’ and inthe evening carried home the translation of Dante, of which he had never even heard. The next day he was able to repeat whole pages, and his winter course of lectures gave it celebrity. The new and first edition published by a general publisher was secured in 1819, and ever since,.it has remained the translation which, on Dante’s name being mentioned, occurs first to the mind." Cary’s translation allowed the rediscovery of Dante’s masterpiece by the British of the Romantic Era and it was praised not only by Coleridge, but by Shelley, Byron and Wordworth as well. Copies of this, the first generally published edition of the book in its original three-decker format are extremely scarce. This is a still more scarce large paper copy As to Dante himself, "Dante’s theme, the greatest yet attempted in poetry, was to explain and justify the Christian cosmos through the allegory of a pilgrimage. To him comes Virgil, the symbol of philosophy, to guide him through the two lower realms of the next world, which are divided according to the classifications of the ‘Ethics’ of Aristotle. Hell is seen as an inverted cone with its point where lies Lucifer fixed in ice at the centre of the world, and the pilgrimage from it a climb to the foot of and then up the Purgatorial Mountain. Along the way Dante passes Popes, Kings and Emperors, poets, warriors and citizens of Florence, expiating the sins of their life on earth. On the summit is the Earthly Paradise where Beatrice meets them and Virgil departs. Dante is now led through the various spheres of heaven, and the poem ends with a vision of the Deity. The audacity of his theme, the success of its treatment, the beauty and majesty of his verse, have ensured that his poem never lost its reputation. The picture. Nº de ref. de la librería 25390

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Dore] Dante Alighieri (1265-1321)

Editorial: London, Paris, New York & Melbourne Cassell and Company Limited 1903 (1903)

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Cantidad: 1

Remitente: Buddenbrooks, Inc. ABAA (Newburyport, MA, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: London, Paris, New York & Melbourne Cassell and Company Limited 1903, 1903. 2 volumes. With Critical and Explanatory Notes, Life of Dante, and Chronology. With 135 extraordinary Gustave Dore engravings on plates including an impressive portrait of Dante. Folio, finely bound in handsome contemporary bindings of maroon morocco over burgundy cloth covered boards, the spine with fine gilt tooling at the head and tail, gilt tooled and gilt bordered sectional compartment lettered in gilt, the endpapers and page edges marbled. xxiv, 183; xii, 337 pp. A fine and very attractive set of this great work. The pages are still clean and fresh and the fine bindings are sturdy and solid and very well preserved. A VERY HANDSOME SET IN MOROCCO BINDINGS. Dore’s huge and spectacular illustrations bring Dante’s visions to life in a style and manner to satisfy artistic appetites both subtle and grotesque. A truly grand example of the art of metal plate engraving. The sheer mass of the text blocks in these magnificent folios has left many copies broken or disbound. This set is unusually sturdy and tight and uncommonly clean as well. "Dante’s theme, the greatest yet attempted in poetry, was to explain and justify the Christian cosmos through the allegory of a pilgrimage. To him comes Virgil, the symbol of philosophy, to guide him through the two lower realms of the next world, which are divided according to the classifications of the ‘Ethics’ of Aristotle. Hell is seen as an inverted cone with its point where lies Lucifer fixed in ice at the centre of the world, and the pilgrimage from it is a climb to the foot of and then up the Purgatorial Mountain. Along the way Dante passes Popes, Kings and Emperors, poets, warriors and citizens of Florence, expiating the sins of their life on earth. On the summit is the Earthly Paradise where Beatrice meets them and Virgil departs. Dante is now led through the various spheres of heaven, and the poem ends with a vision of the Deity. The audacity of his theme, the success of its treatment, the beauty and majesty of his verse, have ensured that his poem never lost its reputation. The picture of divine justice is entirely unclouded by Dante’s own political prejudices, and his language never falls short of what he describes." PMM. Nº de ref. de la librería 25995

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Dante Alighieri, James Russell Lowell

Editorial: Florence, Barbera, Bianchi e Comp. (1856)

Usado Tapa dura Ejemplar firmado

Cantidad: 1

Remitente: Rogabooks (Boca Raton, FL, U.S.A.)

Valoración librería: Valoración 5 estrellas

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Descripción: Florence, Barbera, Bianchi e Comp., 1856. Hardcover. Estado de conservación: Very Good. No Jacket. Special Edition. OPERA MINORI DI DANTE ALIGHIERI 1856-57; Dante Alighieri, Pietro Fraticelli; Signed & Owned by James Russell Lowell; Firenze (Florence), Barbera, Bianchi e Comp.; Full Rebound Leather, Scroll Club Bindery; 458, 465, 563 Pages; Italian/Latin Text; w4.8"xh7.2"; Extremely Rare!!! Great For any Fan of the Famous Authors or Collector. Great Gift Idea; Two are Signed by James Russell Lowell from his Personal Library, Complete in Three Volumes!!! ATTRIBUTES: Three Beautiful, sleek full blue leather cover designs with nice gold labeling/raised bands to the spines, gold tops of pages, blue end pages, pretty gold floral gilding to inner cover edges, Signed J.R. Lowell Elmwood 1861 to vol. II half title and J.R. Lowell Elmwood to vol. III half title, and some Great Classics from the Legendary Author!!! SOME CONTENTS INCLUDED: DISSERTATION ON THE BANQUET, SONNETS, APOCRYPHAL RHYMES, PROFESSION OF FAITH, THE NEW LIFE, PROFESSION OF FAITH, VERNACULAR LANGUAGE, QUESTION OF WATER AND EARTH, EPISTLES, ETC.!!! BACKGROUND: Durante degli Alighieri, simply called Dante (c.1265–1321), was a major Italian poet of the Middle Ages. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later called Divina by Boccaccio, is widely considered the greatest literary work composed in the Italian language and a masterpiece of world literature. James Russell Lowell (February 22, 1819 – August 12, 1891) was an American Romantic poet, critic, editor, and diplomat. He is associated with the Fireside Poets, a group of New England writers who were among the first American poets who rivaled the popularity of British poets. These poets usually used conventional forms and meters in their poetry, making them suitable for families entertaining at their fireside. CONDITION: Conditions are Good+/Very Good. Some wear to edges, some to hinge surfaces, boards are darker/better in person, some light blemishing here and there, few small red underlines to a couple pages, most pages/hinges/text blocks are very good for over 155 years old!!!. Signed by Author(s). Nº de ref. de la librería 50

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ARDUINI - ALIGHIERI DANTE

Editorial: Verona , LE RAME, (1965)

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Cantidad: 1

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Descripción: Verona , LE RAME, 1965. Estado de conservación: Ottimo (Fine). Le rime per la donna Pietra secondo la lezione fermata da Michele Barbi per la Società Dantesca Italiana, riveduta da Gianfranco Contini, con una nota di Gianlorenzo Mellini, sono illustrate con trenta incisioni originali in linoleum di Francesco Arduini (cm 17x20; 24x15). Edizione firmata da Arduini. Folio (cm 49x35). pp. 50. . Ottimo (Fine). . Prima ed. di 125 es. numerati e firmati. . Nº de ref. de la librería 0000000087958

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