Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Publicado por Fundacià n Mapfre, 2015
ISBN 10: 8498444985ISBN 13: 9788498444988
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Libro
Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Publicado por Fundación Mapfre, Madrid, 2015
Librería: LIBRERÍA GULLIVER, MADRID, España
Tela editorial cartoné con foto en cubierta 294 pags. Fotos. Muy ilustrado.
Publicado por Fundacion Mapfre, 2015
ISBN 10: 8498444985ISBN 13: 9788498444988
Librería: Avol's Books LLC, Madison, WI, Estados Unidos de America
Libro
Hardcover. Condición: Fine. No Jacket.
Publicado por Fundación Mapfre, 2015
ISBN 10: 8498444985ISBN 13: 9788498444988
Librería: booksXpress, Bayonne, NJ, Estados Unidos de America
Libro
Hardcover. Condición: new.
Publicado por Fundación Mapfre Madrid 2015, 2015
Librería: Dedalus-Libros, Madrid, MAD, España
293 Fotos en blanco y negro. 26 x 23.
Publicado por Fundacion Mapfre April 2015, 2015
ISBN 10: 8498444985ISBN 13: 9788498444988
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
Libro
Hardcover. Condición: New. A key American Pictorialist and a crucial innovator in abstract photography, Alvin Langdon Coburn is a fascinating but often neglected figure in the history of American modernism. As early as 1909, Coburn was making futuristic depictions of New York and Pittsburgh, anticipating modernist architectural photography's classic 'bird's-eye' view. In 1912, in New York, working with the Cubist artist-poet Max Weber, he developed this idiom a step further, photographing New York from the pinnacles of skyscrapers. The following year he published 'Men of Mark,' which featured portraits of authors, artists and statesmen, including Henri Matisse, Henry James, Mark Twain and Theodore Roosevelt. In 1914 Coburn relocated to London, participating in the British Vorticist movement, led by Wyndham Lewis and Ezra Pound; Coburn's series of multiple exposures and 'Vortographs' were the first truly abstract photographs. So why is Coburn not better known today? After 1920 he deliberately withdrew from the photo world (though he never gave up photography) and retired to rural Wales, where he immersed himself in painting, music composition and Freemasonry. In the 1950s he was rediscovered and championed by Beaumont and Nancy Newhall of George Eastman House, to which he bequeathed almost 20,000 prints and negatives along with cameras, correspondence and ephemera. This beautiful volume, published to accompany a show at George Eastman House and drawing on a wide range of public and private collections, reveals his work and legacy for a new generation.Alvin Langdon Coburn (1882-1966) was born in Boston, Massachusetts, in 1882. He was given his first camera at the age of eight, and quickly developed a precocious talent for both visual composition and technical proficiency. He exhibited frequently in both America and Europe from early on in his career, and published several photobooks, including 'New York' (1912), by which time his international reputation was at its peak (George Bernard Shaw even called him 'the greatest photographer in the world'). He died in Wales in 1966.
Publicado por Fundacion Mapfre, 2015
ISBN 10: 8498444985ISBN 13: 9788498444988
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Hardcover. Condición: Brand New. reprint edition. 293 pages. 10.00x9.25x1.25 inches. In Stock.