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Publicado por The MIT Press, 1980
ISBN 10: 026252077XISBN 13: 9780262520775
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
Libro
Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Usado desde EUR 6,62
Publicado por Los Angeles County Museum of Art, 2009
ISBN 10: 0810976471ISBN 13: 9780810976474
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
Libro
Paperback. Condición: Very Good.
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Usado desde EUR 4,10
Encuentre también Original o primera edición
Publicado por Los Angeles County Museum of Art, 1980
ISBN 10: 0875870953ISBN 13: 9780875870953
Librería: West Coast Bookseller, Moorpark, CA, Estados Unidos de America
Libro
Paperback. Condición: As New.
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Nuevo desde EUR 14,36
Usado desde EUR 9,56
Encuentre también Tapa blanda
Librería: Parnassus Book Service, Inc, YarmouthPort, MA, Estados Unidos de America
Miembro de asociación: SNEAB
soft cover. Condición: Very Good. 288pp. Illus. Wrps. 3rd. printing. A v.g. copy. S050. RUSSIA, ART, EXHIBITION CATALOGUE.
Publicado por Prestel Pub, 1988
ISBN 10: 3791308742ISBN 13: 9783791308746
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Libro
Hardcover. Condición: Good.
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Usado desde EUR 20,34
Encuentre también Original o primera edición
Librería: BOOKPRESS LTD., Williamsburg, VA, Estados Unidos de America
BARRON, Stephanie, and Maurice Tuchman (editors.) THE AVANT-GARDE IN RUSSIA. Cambridge, Massachusetts: The MIT Press, (1980.) 4to. Wrappers. 288 pages. Very good.
Publicado por Harry N. Abrams, 2001
ISBN 10: 0810906120ISBN 13: 9780810906129
Librería: Needham Book Finders, Santa Clarita, CA, Estados Unidos de America
Libro
Soft cover. Condición: Fine. "Los Angeles: LACMA/Harry N Abrams Inc, 2001 Soft Cover, with pictorial card stock covers. Large 4to (12.8" x 10.9", 5.7 lbs), 222pp, Profusely illustrated with 160 color plates. Published to accompany an exhibition at the Los Angeles County Museum of Art, Jasper Johns to Jeff Koons presents contemporary art from the private collections of Eli and Edythe Broad. Featuring works by 22 significant artists, including Andy Warhol, Roy Lichtenstein, Ed Ruscha, Jean-Michel Basquiat, and Cindy Sherman. Book Condition: Fine. Books are packaged with care and shipped in a box.".
Publicado por University of California Press / Los Angeles County Museum of Art, Berkeley, CA, 2000
ISBN 10: 0520227646ISBN 13: 9780520227644
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Libro
Hardcover. Color illustrated wraps, French flaps, 351 pp. Numerous bw photographs and illustrations. Issued in conjunction with a series of 2000-2001 exhibitions. Features in-depth illustrated essays on the making of California culture in the 20th century. Profusely illustrated and well-written. Extensive Bibliography and Index. VG (May have marks from previous gallery owner.).
Publicado por Los Angeles County Museum of Art / MIT Press, Los Angeles / Cambridge, Massachusetts, 1980
ISBN 10: 0262200406ISBN 13: 9780262200400
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Libro
Softcover. Wheat-colored pictorial wraps; 288 pp. with bw illustrations throughout. Accompanied the exhibition of the same name that appeared at the Los Angeles County Museum of Art and the Hirshhorn Museum and Sculpture Garden in 1980 and 1981; Features 464 works by forty artists and two chronologies, one that plots the dominant artistic events in Russia from 1910 - 1930, and the other that plots exhibitions and publications of Russian art in the West from 1930 - 1980. VG; art museum ex-library copy with small spine label and small bookplate, no other marks.
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Usado desde EUR 19,20
Encuentre también Tapa dura Tapa blanda Original o primera edición
Publicado por Prestel, 2012
ISBN 10: 3791352237ISBN 13: 9783791352237
Librería: Twice Sold Tales, Ashfield, MA, Estados Unidos de America
Libro
Hardcover. Condición: Like New. 1st edition 1st printing - brand new clean fine copy - enjoy.
Publicado por Prestel USA, 2013
ISBN 10: 3791353098ISBN 13: 9783791353098
Librería: GridFreed, North Las Vegas, NV, Estados Unidos de America
Libro
hardcover. Condición: Good. Good condition with wear and markings.
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Nuevo desde EUR 78,53
Usado desde EUR 23,94
Encuentre también Tapa dura Original o primera edición
Publicado por Prestel, 2016
Librería: West Coast Bookseller, Moorpark, CA, Estados Unidos de America
Libro
Hardcover. Bottom of spine is slightly dama.
Publicado por LACMA, 1989
Librería: Avol's Books LLC, Madison, WI, Estados Unidos de America
Libro
Paperback. Condición: Fine. Oversize. Fine except for a number in black sharpie at top right corner of first page.
Publicado por MacMillan Publishing Company., 1993
ISBN 10: 0805799540ISBN 13: 9780805799545
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Libro
Hardcover. Condición: Used: Good.
Publicado por Los Angeles County Museum, 1988
ISBN 10: 0875871437ISBN 13: 9780875871431
Librería: GridFreed, North Las Vegas, NV, Estados Unidos de America
Libro
paperback. Condición: New. In shrink wrap.
Publicado por Univ of California Pr, 1993
ISBN 10: 0520202643ISBN 13: 9780520202641
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Paperback. Condición: Brand New. reprint edition. 370 pages. 9.50x6.25x1.00 inches. In Stock.
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Nuevo desde EUR 39,68
Publicado por Los Angeles. Fort Worth. Düsseldorf. Halle. Los Angeles County Museum of Art. Modern Art Museum of Fort Worth. Kunstmuseum Düsseldorf. Staatliche Galerie Moritzburg Halle., 1988
Librería: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Alemania
Erste Auflage. 30 x 22 cm. 198 S., 1 Blatt. OLeinen mit illustriertem OUmschlag. Einbandkanten mit minimalen Bereibungen. Sonst sehr gutes Exemplar. Katalog zu den Ausstellungen Los Angeles 9. Oktober bis 31. Dezember 1988, Fort Worth 12. Februar bis 9. April 1989, Düsseldorf 20. Mai bis 9. Juli 1989 und Halle 8. August bis 30. Septenber 1989 durchgehend mit Abbildungen versehen.
Publicado por Abrams, 1991
ISBN 10: 0875871585ISBN 13: 9780875871585
Librería: Broad Street Books, Branchville, NJ, Estados Unidos de America
Libro
Paperback. Condición: Very Good. Hardcover with dust jacket. Book is in very nice condition, text is unmarked and pages are tight.
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Usado desde EUR 57,56
Publicado por Los Angeles County Museum of Art / Prestel
Librería: GridFreed, North Las Vegas, NV, Estados Unidos de America
Libro
Paperback. Condición: New. In shrink wrap.
Publicado por Prestel Pub, 2016
ISBN 10: 3791355600ISBN 13: 9783791355603
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Hardcover. Condición: Brand New. 01 edition. 144 pages. 11.00x9.00x1.00 inches. In Stock.
Librería: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgica
Miembro de asociación: ILAB
New York, Harry Abramsn Los Angeles County Museum of Art, 1991, in-4°, 423 pp , index, ills. publisher's cloth with printed dust wrapper. Fine copy. Published in conjunction with an exhibition with the same name.
Publicado por Harry N. Abrams, Inc, New York, N.Y., 1991
ISBN 10: 0810936534ISBN 13: 9780810936539
Librería: Ground Zero Books, Ltd., Silver Spring, MD, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Good. Presumed First Edition, First printing. 423, [1] pages. Oversized book, measuring 12 inches by 9-1/2 inches. Small dings/damage at bottom edge of front cover and spine. Contributors to this book include Peter Guenther, Andreas Huneke, Annegret Janda, Mario-Andreas von Luttichau, Michael Meyer, William Moritz, George L. Mosse, and Chrisoph Zuschlag. Includes Foreword, Chronology, Register of Frequently Cited Names and Organizations, Exhibition Ephemera, Entartete Kunst: The Literature, Selected Bibliography, Acknowledgments, List of Lenders, and Index. This book was published in conjunction with the exhibition "Degenerative Art": The Fate of the Avant-Garde in Nazi Germany, which was organized by the Los Angels County Museum of Art. This is a key work in the field of what was termed 'Degenerate Art' ('Entartete Kunst') by the Nazis. Particularly valuable for its reconstruction of the 'Entartete Kunst' Exhibition held in Munich in 1937 on the basis of existing photographs and documentation, and the touring of versions to other major cities. This book examines the events surrounding the condemnation of modern art by the National Socialists. This book documents one of the most appalling moments in our century's cultural history, but it also reminders us that art and creativity will survive censorship and oppression. Degenerate Art also was the title of an exhibition, held by the Nazis in Munich in 1937, consisting of 650 modernist artworks chaotically hung and accompanied by text labels deriding the art. The National Socialists rejected and censured virtually everything that had existed on the German modern art scene. The book also includes a detailed description of the exhibit, explanations of how the exhibit design influenced the viewers, and short biographies of every artist included, as well as examples of their work, many of which were destroyed. Degenerate art was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art. During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, was removed from state-owned museums and banned in Nazi Germany on the grounds that such art was an "insult to German feeling", un-German, Jewish, or Communist in nature. Those identified as degenerate artists were subjected to sanctions that included being dismissed from teaching positions, being forbidden to exhibit or to sell their art, and in some cases being forbidden to produce art. The Nazis promoted paintings and sculptures that were traditional in manner and that exalted the "blood and soil" values of racial purity, militarism, and obedience. In 1937 the National Socialists staged the most virulent attack ever mounted against modern art with the opening on July 19 in Munich of the Entartete Kunst (Degenerate art) exhibition, in which were brought together more than 650 important paintings, sculptures, prints, and books that had until a few weeks earlier been in the possession of thirty-two German public museum collections. The works were assembled for the purpose of clarifying for the German public by defamation and derision exactly what type of modern art was unacceptable to the Reich, and thus "un-German." During the four months Entartete Kunst was on view in Munich it attracted more than two million visitors, over the next three years it traveled throughout Germany and Austria and was seen by nearly one million more. On most days twenty thousand visitors passed through the exhibition, which was free of charge; records state that on one Sunday August 2, 1937-thirty six thousand people saw it. The popularity of Entartete Kunst has never been matched by any other exhibition of modern art. According to newspaper accounts, five times as many people visited Entartete Kunst as saw the Grosse Deutsche Kunstaussiellung (Great German art exhibition), an equally large presentation of Nazi-approved art that had opened on the preceding day to inaugurate Munich's Haus der Deutschen Kunst (House of German art), the first official building erected by the National Socialists. The thoroughness of the National Socialists' politicization of aesthetic issues remains unparalleled in modern history, as does the remarkable set of circumstances that led to the complete revocation of Germany's previous identification of its cultural heroes, not only in the visual arts but also in literature, music, and film. The Entartete Kunst exhibition was only the tip of the iceberg: in 1937 more than sixteen thousand examples of modern art were confiscated as "degenerate" by a committee empowered by Joseph Goebbels, Adolf Hitler's second-in-command and since March of 1933 Reichsminister für Volksaufklarung und Propaganda (Reich minister for public enlightenment and propaganda). While some of the impounded art was earmarked for Entartete Kunst in Munich, hundreds of works were sold for hard currency to foreign buyers. Many of the "dregs," as Goebbels called them, were probably destroyed in a spectacular blaze in front of the central fire department in Berlin in 1939.
Publicado por Rizzoli, New York, 1997
ISBN 10: 0847820785ISBN 13: 9780847820788
Librería: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Book fine, Dust jacket fine. 1st. Bound in publisher's original black cloth with the spine stamped in white. Publisher's release letter laid-in.