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Publicado por WENTWORTH PR, 2016
ISBN 10: 1362997102ISBN 13: 9781362997108
Librería: moluna, Greven, Alemania
Libro
Condición: New.
Publicado por Roma, 1704
Librería: Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italia
Mapa
Incisione originale su rame (cm. 21,5x34,5 più ampi margini). Ottimo esemplare.
Publicado por Roma, 1704
Librería: Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italia
Mapa
Incisione originale su rame (cm. 21x34,5 più ampi margini). Ottimo esemplare.
Publicado por Domenico de Rossi; Iacobi Filii [Jacobi Filii] c. 1693, Rome, 1693
Librería: McCanse Art, Toronto, ON, Canada
Condición: Very Good. Etching circa 1693; Psyche with Juno and Ceres o the left; Venus with doves on the right. Hinged in mat, hand-inked rules around mat window. "Venus Ultioni Intenta Psychen Fugitiuam a Iunone, ac Cerere Requirit, de Filio Conquesta, cui Fauentibus Deabus, Indignata Discedit. Venus frustra in terris Psychen inquirens, Coelum petit, aureeum currum acendens, iugum subeuntibus candidis Columbis. Deuicto Marte, gladium, et clypeum Amor spoliis adiungit Martis bellipotentis gladium, et clypeum hic Veneris puer spoliis adiungit, uictoque gloriatur uictore Deo. Adstat Falco rapax, et seeus." Plate #4 (numbered bottom right corner of impression) out of a set of 12 etchings of the Loggia di Psyche produced by Dorigny after Raphael's fresco ("Psyches et Amoris Nuptiae ac Fabula a Raphaele Sanctio Urbinate"). Print: 14.74 x 25.5 in; sheet: 19.25 x 30 in; mat: 21.25 x 32 in. Very good example. some wear at edges, light spotting, generally not affecting print. Small repair near bottom right corner, not affecting impression. Vertical fold at center.
Publicado por Roma: nella Stamperia di Dom. Rossi alla Pace ( Gaetano Zenobi )., 1704
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Arte / Grabado / Póster
Condición: Good. Engravings. 48 x 36 cm, sheet size. Old thick laid paper.Olschki 17449 , Cicognara 3523 , Berlin Kat. 4206).
Publicado por Roma, 1690
Librería: Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italia
Mapa
Incisione originale su rame (cm. 49,5x67,5 più margini bianchi) edita da Giovanni Giacomo De Rossi. Margine inferiore bianco assente, altrimenti esemplare in eccellente stato di conservazione. Molto rara.'Nel 1690 furono pubblicati da Giovanni Giacomo De Rossi gli otto fogli di incisioni di Nicola Dorigny che ebbero molta fortuna ed enorme diffusione in tutta l'Europa e costituirono un importante repertorio di immagini cui attinsero, specie in ambiente tedesco, numerosi artisti impegnati nella decorazione di cupole. La prima tavola (questa da noi proposta) è una visione d'insieme della cupola con la dedica al committente, il principe Giovan Battista Pamphili Aldobrandini, celebrato per i lavori fatti eseguire nella chiesa.' (AA.VV, Sant'Agnese in Agone a Piazza Navona. Bellezza Proporzione Armonia nelle Fabbriche Pamphili, Gangemi 2003, pp. 149-150). Cfr. Le Blanc C., Manuel de l'amateur d'estampes, vol. III, p. 139, n. 19.
Publicado por Giovanni Giacomo de Rossi [between 1686-1691], [Rome], 1686
Librería: Editio Altera, Bronxville, NY, Estados Unidos de America
Ejemplar firmado
IGNATIUS AND CHARLES. Engraved broadside, 49 x 28 cm to platemarks, on sheet 53.3 x 31 cm. An excellent, crisp copy; very minor toning and reinforcements to a few blank areas of margin, otherwise very good. Commemorative broadside dedicated by the celebrated publisher-engraver Giovanni Giacomo de Rossi (1627-1691) to Cardinal Leandro Colloredo (1639-1709), as a "skillfully engraved perpetual monument" to the clergyman. As the dedication is signed by Rossi as well as bearing his imprint, the print can be dated to between 1686 (when Colloredo became a Cardinal) and 1691 (Rossi s death). The scene shows the Virgin Mary with the Infant Christ, surrounded by angels as well as two full-length saints: Charles Borromeo (canonized 1610) and Ignatius of Loyola (canonized 1622). Ignatius, wearing a chasuble, points to the pages of his own Rules of the Society of Jesus, while Borromeo, the great advocate of the poor, supplicates the Virgin with open palms alongside a tablet engraved with his personal motto, humilitas . The scene is a somewhat free interpretation of a painting in the Church of Santa Maria in Vallicella (Rome) by Carlo Maratta, the leading painter of late Baroque Rome as explained in the caption below, which praises the talented paintbrush of Maratta. In particular, the engraver Nicolas Dorigny (1658-1746) certainly took liberties with the head and face of Loyola, which is here somewhat more interesting than in Maratta s original. OCLC shows 2 copies worldwide: at the Newberry ("trimmed within the platemark") and at the Biblioteca Casanatense (digitized, in very poor condition, lacking the entire lower panel).
Publicado por Rome: Typis ac sumptibus Dominici de Rubeis Io. Iacobi filii ac heredis, 1693., 1693
Librería: Charles Russell, ABA, ILAB, est 1978, Cirencester, Reino Unido
Libro
Large folio 25 x 15 inches from the margins. No binding- loose. Title and 10 PLATES by Dorigny, numbered 1 to 11. Margins of the title frayed, plates trimmed very near to the image - some spotting, plate 4 with a small old damp stain (washable), old central fold where originally bound. It can come with an additional plate 12 of the ceiling fresco in the adjoining Sala di Galatea- not here present. A valuable and very beautiful engraved record of Raphael's Cupid and Psyche frescoes, which he completed between 1516 and 1518 in the Loggia of Psyche of Agostino Chigi's Villa Farnesina in Rome. Sold as a collection of engravings. Bibliography- Berlin Katalog 4066.
Publicado por Rome: Dominico de Rossi, Jo. Jacobi (Jo. Jacobi de Rubeis), August 15, 1693
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Arte / Grabado / Póster
Condición: Good. Oblong folio. 46.5 x 69 cm. (18.25 x 27.25 inches) page size. Suite of 12 engravings. Housed in a custom portfolio with painted boards, leather spine, large embossed leather label, leather ties and leather corners by the celebrated Russian-American binder Alexandr (Sasha) Mosalov. OCLC Number: 504754030Set of 12 engravings of Raphael's frescoes of scenes from the myth of Cupid (also known as Eros) and Psyche in the Villa Farnesina in Rome. Raphael's paintings illustrate part of the story The Metamorphoses of Lucius Apuleius (the only Latin novel to survive in its entirety). In this work, Venus, jealous of a beautiful mortal girl named Psyche, sends Cupid on an errand to punish the girl. Cupid instead falls in love with Psyche, and after a series of secrets, betrayals, and trials, the lovers are reunited, and Psyche is made immortal.The frescoes are painted on the vaults and ceiling above demilune reserves on the ground floor at the end of the entrance hall, now known as the Loggia of Psyche. Images of leafy garlands of fruit accentuate the arches of the vaults, also framing the classical images. The frescoes were commissioned by the Sienese banker Agostino Chigi, called ?magnifico? by his peers for his richly decorated villa and the elegant entertainments he hosted there. The paintings were recently restored and the Villa Farnesina is open to the public as a museum.Some foxing.
Publicado por Domenico de' Rossi, Rome, 1693
Librería: Donald A. Heald Rare Books (ABAA), New York, NY, Estados Unidos de America
Large folio. 10 hand-coloured engraved plates by Dorigny on laid paper (each 15 7/8 x 26 inches approximately), titles and imprints printed in gold, black ink-ruled borders, each plate cut to the edge of the image, mounted on large sheets of contemporary thick laid paper (each 29 3/8 x 40 3/8 inches approximately). Unbound A very fine suite of richly hand-coloured plates offering a stunning visual record of one of the best of the decorative interior schemes carried out by Raphael in Rome. This wonderful series records Raphael's 'Cupid and Psyche' series of frescoes, carried out by him between 1516 and 1518 in the Loggia of Psyche in the villa Farnesina in Rome. The series also comes with a title and an eleventh plate of the ceiling fresco in the adjoining Sala di Galatea, executed in 1512: neither the plate nor the title are present here. Originally published by the Rossis, the engravings are the work of Nicolas Dorigny (1658-1746) who lived and worked in Rome between about 1690 and 1719. The painter, classicist, and art historian Giovanni Pietro Bellori (1613-1696) provided the text at the foot of the plates (appropriate excerpts from Apuleuis's Golden Ass). "Raphael Invenit: Stampe da Rafaello" (1985) Dorigny 37-46; cf. Brunet IV, 1111; cf. Berlin Katalog 4066.