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Publicado por The Greater London Council, 1981
Librería: Last Century Books, Innerleithen, Reino Unido
Paperback. Condición: Very Good. Minor signs of ownership, shelf wear to corners & edges only ow clean and tight. ; B&W illustr.; 8vo 8" - 9" tall.
Publicado por London: Christie's., 2013
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Condición: Good. Auction catalogue. 8vo. 98 pp. Color plates. Lots 1-150. Very good, soft covers.
Publicado por London: Christie's., 2013
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Condición: Good. Auction catalogue. Sale No. 1165. Lots 101-216. 4to. 131 pp., illus. Near fine in wraps.
Publicado por London: Christie's., 2013
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Condición: Good. Auction catalogue. Sale No. 9747. Lots 1-150. 8vo. 98 pp., color plates. Very good, soft cover.
Publicado por London: Christie's., 2013
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Condición: Good. Auction catalogue. 4to. 173 pp. Sale No. 1129. Lots 1-108. Photographs, color plates. Very good, soft cover.
Publicado por London : The British Museum, 2013
ISBN 10: 0714125415ISBN 13: 9780714125411
Librería: MW Books Ltd., Galway, Irlanda
Libro Original o primera edición
First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 191 p. : ill. col. ; 25 x 25 cm. Notes; Published to accompany the exhibition "Beyond El Dorado : power and gold in ancient Colombia", held at the British Museum, 17 October 2013 - 23 March 2014. Includes bibliography (pages 184-185) and index. Subjects; Goldwork Colombia ; Exhibitions. Indian goldwork Colombia ; Exhibitions. Goldwork ; Exhibitions. El Dorado. Indian art Colombia ; Exhibitions. Decorative arts Colombia ; Exhibitions. Gold jewelry Exhibitions. Sculpture, Colombian ; Exhibitions. Colombia Antiquities ; Exhibitions. Colombia ; Exhibitions. Genre; still image. 1 Kg.
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Usado desde EUR 30,00
Encuentre también Original o primera edición
Publicado por Roma, Galleria Oddi Baglioni,, Roma, 1992
Librería: Studio Bibliografico Marini, ROMA, RM, Italia
loose_leaf. Condición: Ottimo (Fine). Cartoncino di invito alla mostra presso la Galleria Oddo Baglioni, Roma, 22 maggio 1992. Con una illustrazione a colori . Cm 15,5x12. . . Ottimo (Fine). . . . Anthony Caro, scultore inglese, inizio la sua carriera artistica come allievo di Henry Moore. Nel 1956 tiene la sua prima personale alla Galleria del Naviglio di Milano, seguita l'anno dopo dalla prima personale a Londra, alla Gimpel Fils Gallery, e nel 1963, la mostra delle prime sculture astratte in acciaio, alla Whitechapel Gallery. Partecipa alla Biennale di Venezia nel 1966 e a quella di San Paolo nel 1969. Dal 1970 comincia a realizzare sculture in acciaio non dipinto che vengono esposte in numerosi musei: il Museum of Modern Art di New York nel 1975; la Tate Gallery di Londra nel 1991; il Museum of Contemporary Art di Tokyo nel 1995; e la National Gallery di Londra nel 1998. Nel corso della sua carriera lo scultore ha ricevuto numerosi riconoscimenti, come il Premio Imperiale per la scultura di Tokyo, e lauree ad honorem dalle Università di Cambridge e Yale. Insignito del cavalierato nel 1987, Caro è stato anche membro onorario dell'American Academy of Arts and Letters di New York e dell'Accademia di Brera di Milano. La sua consacrazione nel panorama artistico internazionale avviene con la grande mostra retrospettiva del 2004 a Londra. Book.
Publicado por London, The Greater London Council,, 1981
Librería: Studio Bibliografico Marini, ROMA, RM, Italia
Brossura. Condición: Ottimo (Fine). Exhibition catalogue. Introduction by John Jacob. With 18 illustrations in b/w. Biography and bibliography . 8vo. pp. 28. . Ottimo (Fine). . . . Book.
Publicado por Milano, Edizione a cura della Galleria,, 1974
Librería: Studio Bibliografico Marini, ROMA, RM, Italia
Condición: Ottimo (Fine). Catalogo Galleria dell'Ariete n. 186 della mostra di Jules Olitski, Milano, 6 giugno 1974. Un testo di Kenworth Moffett. Bio-bibliografia, Elenco delle opere. Una tavola a colori sciolta . 8vo. . . Ottimo (Fine). . . . Foglio ripiegato (Folded sheet). Book.
Librería: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgica
Miembro de asociación: ILAB
2. London, Christie's, 2013, in-4°, softcover, 121 pp, 138 lots, index, coloured and b/w illustrations. Christie's item N° 1176.
Librería: DMBeeBookstore, Buenos Aires, BA, Argentina
Tapa Blanda. Condición: Bien.
Publicado por The London College of Educational Dance Training The Lodge Rawdon Hall Holyport near Maidenhead Berkshire. 1945 and 1946, 1944
Librería: Richard M. Ford Ltd, London, Reino Unido
Manuscrito Ejemplar firmado
The London College of Educational Dance Training opened at Rawdon Hall in 1944, merged with Middlesex University in 1994, and shut in 2003. Grace Cone, the first principal, retired in 1966, and was replaced by her vice-principal Anita Heyworth. Heyworth retired in 1973 and was replaced by Phrosso Pfister. Pfister had become a student at the college in 1945, following war service with the SOE in Egypt and Italy, and had become a staff member in 1949. The present collection of five items is from Pfister's papers. ONE: Early printed prospectus for three-year course at the 'London College of Educational Dance Training', with The Lodge, Holyport, near Maidenhead, Berkshire, given as the 'Temporary address prior to London residence'. 3pp., 4to. Bifolium. In fair condition, aged and worn. Slug: 'H & S 9491/46'. The reverse of the first leaf lists the thirteen members of the 'Advisory Board', including Cyril Beaumont and Olive Ripman, together with the staff, headed by 'Principal: - Miss Grace Cone | Member Grand Council, Technical and Executive Committees and Examiner, Royal Academy of Dancing. Advanced Member, Greek Dance Association. Fellow, Licentiate and Member (6 Branches) of the Imperial Society of Teachers of Dancing, Inc. (Advanced Cecchetti Certificate and Ballroom Committee.)' and 'Vice-Principal: - Miss Anita Heyworth | Fellow of the Imperial Society of Teachers of Dancing, Inc., and Examiner, Natural Movement Branch. Associate of the Ballroom Branch.' The prospectus proper, on twenty-eight lines of small print, heads the recto of the second leaf, and begins: 'The recognition that Dancing, properly taught by teachers with a scientific understanding of movement, can play a very important part in the education of the growing child, is opening a new field for the dancing profession. The London College of Educational Dance Training has been founded to meet this requirement.' The 'Fees: payable in advance' are given at the foot of the page. The cost of 'Full training, including board residence' is fifty guineas. TWO: Typed Letter Signed from Grace Cone. On the College letterhead (Rawdon Hall), which states that she is 'Assisted by highly qualified Staff'. 28 June 1945. Accepting Pfister as a student, and adding that 'there is a very big demand for qualified teachers in schools, and I cannot fill all the vacancies; I do hope you will be successful in obtaining your release.' In monogrammed envelope of the Cone School. THREE: One ALS and three TLsS to Pfister from Anita Heyworth. The first an autograph Air Mail letter to 'Ensign H. P. Pfister | 18027 | Military Est. 57. | C. M. F.' Dated 9 December [1944]. Sending 'Christmas greetings from Miss Atkinson and myself' , and expressing keenness on having her 'as a student at the London College of Dance Training', and sending a prospectus. (The 'Advisory Board' in Item One includes 'Miss Madge Atkinson Hon. Vice-Chairman and Founder of Natural Movement Branch of the Imperial Society of Teachers of Dancing, Inc.') Second, a typed letter on the College letterhead, 20 March [1945]. She is pleased to hear of Pfister's return to England, and is enclosing 'the promised prospectus which you can use for your interview with Commander Cope Tell her that you wish to enter a training college for Teachers that we are running on similar lines to the physical training colleges but with dancing as the main practical subject instead of gymnastics'. She hopes that Pfister can join in September: 'I should think the war will be over by then, so maybe they would release you'. Third, a typed letter on the College letterhead, 4 May 1945. She thanks her for writing about her live in Italy, and hopes that her 'holiday at Warminster will help to complete the cure'. She also deserves 'a little time of gaiety' at the London theatres. 'It will be very nice indeed if you can do part time work in London and part time at the Cone School to get back into practise.' She suggests a meeting to discuss matters. 'Yes, we were in Bognor for Sheila's show. It was very bad luck that she tore a muscle in her leg just five minutes before the curtain went up!' The 'war news' is 'grand': 'It makes one feel as though the news for which we have longed for so many years is a trifle unreal. It seems wrong to celebrate too much when men are still having to fight in the East.' Four, typed letter from Rawdon Hall, 18 June 1945. She is pleased to learn from Cone that Pfister is joining the College in the autumn. The term begins on 28 September, and it is 'more than probable that we shall not be at Maidenhead, as we hope to find a building nearer to London [ ] We are very busy with rehearsals and work for our Advisory Board demonstration and therefore I am never in London [where Pfister will be working in September at 'the Cone School'] in an evening, and seldom during the daytime just now.' The letter ends on the subject of attendance at 'the Imperial Congress'.