Tipo de artículo
Condición
Encuadernación
Más atributos
Ubicación del vendedor
Valoración de los vendedores
Publicado por Williams and Norgate, London, 1950
Librería: COLLINS BOOKS, Seattle, WA, Estados Unidos de America
Miembro de asociación: CBA
Original o primera edición
HARDCOVER. Estado de la sobrecubierta: good. First UK edition. 302pp. music. octavo cloth. owners name, very good in worn dustwrapper.
Publicado por Prentice-Hall, New York, 1939
Librería: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición
Hardcover. Condición: Good. No Jacket. 1st Edition. 302 Pp. Wear With Points Of Fraying At Some Corners, Spine Gilt Worn And Barely Readable, Trace Of Dam Pstaining Right Along Foredges Of Last Few Pages.
Publicado por Williams and Norgate, Ltd. (London), 1950
Librería: Palimpsest Scholarly Books & Services, Brooktondale, NY, Estados Unidos de America
Libro
Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Volume, measuring approximately 6.25" x 9.25", is bound in blue cloth, with stamped gilt lettering to spine. Book and dust jacket are like new. xviii/302 pages. "This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology. The result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint. In Part One, Knud Jeppesen (1892 1974), the world-renowned musicologist and leading authority on Palestrina, offers a superb outline history of contrapuntal theory. He begins by exploring the beginnings of contrapuntal theory from the ninth to the fourteenth centuries. This is followed by separate discussions of each succeeding century, the styles of Palestrina and Bach, the "Palestrina Movement" after Fux, and more. The section ends with illuminating coverage of notation, the ecclesiastical modes, melody, and harmony. The second part of the book contains an extended treatment of "species" counterpoint in two, three, and four parts, as well as counterpoint in more than four parts, and specific discussions of the canon, the motet, and the Mass. Throughout, the text is generously supplied with musical examples―exercises, solutions, and illustrations, including many by the great composers.".
Publicado por Williams and Norgate, 1950
Librería: Cambridge Rare Books, Cambridge, GLOUC, Reino Unido
Hardcover. Condición: GOOD. 1950-01-01. Williams and Norgate. Hardcover. ACCEPTABLE DJ acceptable. Previous owners name. Slight foxing.
Publicado por Williams & Norgate 1939 New York, 1939
Librería: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nueva Zelanda
Miembro de asociación: IOBA
octavo, blue cloth boards, gilt lettering, xvii + 302pp, VG (minor markings) in VG d/w (minor markings and tears to extremities).