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Publicado por Editions Hatier, 2006
ISBN 10: 2218750643ISBN 13: 9782218750649
Librería: Ammareal, Morangis, Francia
Libro
Softcover. Condición: Bon. Petite(s) trace(s) de pliure sur la couverture. Edition 2006. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slightly creased cover. Edition 2006. Ammareal gives back up to 15% of this book's net price to charity organizations.
Publicado por The Dudley Galleries., London., 1913
Librería: Roe and Moore, London, Reino Unido
Original o primera edición
Printed Wrapper. Condición: Good. No Jacket. First Edition. Original cream paper covers, rear cover marked, staples perished. 70 item catalogue. 8 contemporary cuttings.
Librería: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Holanda
N.Y., Hacker Art Books, 1979. 200 pp. Num. b./w. plts. Hardcover.
Publicado por The Studio Publications, New York / London, 1948
Librería: Bookworks [MWABA, IOBA], Beloit, WI, Estados Unidos de America
Original o primera edición
Hard Cover. Condición: Good. Estado de la sobrecubierta: Good. First American Edition. Cult classic of painting technique & materials; revered by numerous fine artists, but questioned by some conservators; its recipes are not easy to replicate successfully. Hardcover in jacket, as pictured. Some wear to book, rear cover discolored; price-clipped jacket loose with some edgewear, rubbing & chipping, rear panel stained. Text clean; 200 pages; index of painters mentioned, brief bibliography, b/w plates. Size: Octavo.
Publicado por The Studio Publications, New York/London, 1948
Librería: art longwood books, Gloucester, MA, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Very Good. No Jacket. First American Edition. cloth, hardcover. lacks dust jacket., a few very old and faint splash spots to fore-edge. minor evidence of age, use to exterior, no troubling issues. no mildew. no markings. no bumps. strong binding. a very useful copy.; translated from the french original by eleanor beckham.; 200pp., b/w illustrations. the author ran the restoration lab at the louvre and was an important paintings conservator. Size: 8vo - over 7¾" - 9¾" tall.
Publicado por New York & Londn: The Studio Publications, Inc., [1948]., 1948
Librería: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Original o primera edición
8vo. pp. 200. 20 double-sided plates. cloth (joints & extremities very frayed, former owner s rubberstamp in several places). First Edition.
Publicado por The Studio Publications, Inc., 1948
ISBN 10: 067062909XISBN 13: 9780670629091
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
Libro
Condición: Very Good. NY: Studio 1948. 1st. Hardcover 8vo 200 pgs. B/w plates. Very good in a fair dust jacket. Light wear to corners and spine ends. Small area of white paint (?) to fore edge of front cover. Light foxing to endpapers. Contents clean and binding sound. Jacket is quite edgeworn and has small and large chips and pieces missing. Rear panel lightly foxed/soiled. Price clipped. (Painting, Technique) Inquire if you need further information.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 198,51
Usado desde EUR 130,96
Encuentre también Tapa dura Original o primera edición
Publicado por dessain et tolra 1990, 1990
Librería: Antiquariat Walter Nowak, Göttingen, Alemania
neuwertig,noch eingeschweißt. préface et documents de marc havel Gewicht in Gramm: 550.
Publicado por The Studio Publications, Inc., New York and London, 1948
Librería: Charing Cross Road Booksellers, Canton, GA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Good. Estado de la sobrecubierta: No Dustjacket. Ex-Library / First Edition. Ex-Library, First Edition, First Printing. Black Cloth and Olive Green Cloth Binding with faded gilt lettering to front cover; spine lettering is typical library white on library black cloth binding; covers are soiled and edges heavily rubbed; corners are rubbed and bumped with light fraying to corners and some edges; White Endpapers; fixed front endpaper has a pasted on card stock almost the size of the endpaper; free front endpaper shows light soiling; front and rear hinges have been professionally repaired and are tight; rear fixed endpaper has a pocket with the pocket top removed and a serial number stamp; book edges are soiled from age and use but bear no typical library stamps; book interior is clean and tight with only markings from library on the contents page which is the verso of the title page; 8vo; 200 pages; illustrated in black-and-white.
Publicado por The Studio Publications, Inc., 1948
ISBN 10: 067062909XISBN 13: 9780670629091
Librería: GLOVER'S BOOKERY, ABAA, Lexington, KY, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good+. 1st Edition. 10.0 X 6.8 X 1.5 inches; 200 pp; First U. S. Edition, translated from the French. Book has tape marks and toned spot on endpapers from old newspaper clipping taped in (now gone) , pages unmarked, 1 page with foxing due to laid invitation to an exhibition of the author's painting in Palm Beach which is undated. Covers with just a hint of corner/spine end wear, tan fabric in very nice condition with bright gilt that is hard to read due to lack of contrast with the cover color. A nice, clean, tight and attractive book.
Publicado por The Studio Pulications, Inc., New York and London, 1948
Librería: Bryn Mawr Bookstore, Cambridge, MA, Estados Unidos de America
Miembro de asociación: SNEAB
Libro Original o primera edición
Cloth. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Octavo. Pp. 200. Translated from the French by Eleanor Beckham. A detailed survey of pigments, formulas, and grounds, starting with ancient fresco and encaustic painting, With 32 pages of black & white photographs. The author, former Technical Director of the Laboratory od the Louvre, and President of the Restorers of France, claims that with the death of the followers of Rubens, oil painting began to deteriorate due to lack of knowledge. He provides formulas, recipes, and exact directions to remedy that lack. Fine, in a very good jacket. Chips and a one-inch tear to extremities of jacket.
Publicado por Studio Publications, New York & London, 1948
Librería: Deja Vu Books, Poplar Grove, IL, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Near Very Good. Estado de la sobrecubierta: Near Very Good. plates Ilustrador. 1st Edition. Beige hardcover cloth binding clean square and tight with gilt titles. Some foxing to interiors. DJ price=clipped, minor shelfwear. 200 pages with index, some foxing. Wonderful reference for painting - scarce title.
Publicado por Studio Publications London / New York 1948, 1948
Librería: Andrew Barnes Books / Military Melbourne, Melbourne, VIC, Australia
Original o primera edición
1st edition chipped dust jacket Nice copy quarto 200pp., b/w plates, bibliog., A nice copy in grey cloth boards in a rather chipped, but mostly complete dust jacket.
Publicado por Paris, Dessain et Tolra, 1986
Librería: Biblioteca de Babel, São Paulo, SP, Brasil
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: Very Good. 1st Edition. Avec dédicace signée par Caetano Veloso sur la première page. Avec plusieurs illustrations en couleurs et en noir. Reliure éditeur avec jaquette, 21x23cm, 208p. Firme d'ancien possesseur sur la page de titre. Discrètes annotations au crayon noir en marge avec la traduction en portugais de plusieurs mots français. Formules secrètes et techniques des maîtres. Les techniques comparées. La leçon de Maroger. Essai sur les techniques picturales. Le secret de Rubens. Genèse des idées de Jacques Maroger: - Extraits de ses publications au temps de l'émulsion - Extraits d'articles sur les idées de Jacques Maroger. Lettres de Jacques Maroger à Marc Havel. Le livre de Mérimée et le livre de Maroger.
Publicado por studio publications, 1948
Librería: Bingo Books 2, Vancouver, WA, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. hardback book in fine condition,dust is very good to near fine condition,missing half inch chip from base of spine and very light wear at corners,dated 1948 on page opposite of title page.