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Publicado por Wien, W. Neuwirth, Eigenverlag., 1984
ISBN 10: 3900282226ISBN 13: 9783900282226
Librería: Augusta-Antiquariat GbR, Diedorf OT Biburg, Alemania
Libro
24x17 cm. 240 S. , überwiegend Ill. Hardcover, illustriert. bedruckt. Sehr guter, sehr sauberer Zustand. Originalverpackt. Text dt. und engl.
Publicado por Not Available, 1982
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. The book is in fine condition.
Librería: Librairie Chat, Beijing, China
Condición: Fine. The book is in fine condition.
Publicado por Harvard Press, 1928
Librería: ALEXANDER POPE, Kent, CT, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good. No Jacket. bookplate & vignette art deco designs by Van Debki Ilustrador. 1st Edition. Class of 1928; a proud time for Harvard with outstanding professors and notable students with big careers before them The book is of course all male students from all over the US and other countries as well. Most the the contents focus on the sports teams Football Baseball Rowing Track and Field some picture of Debate Team and a couple of Smokers and Glee Club events. 292 + 35 ppgs ads pp. Burgundy cloth gilt decos Bright Secure binding Name on bookplate plus signatures fro June 10, 1925 five classmates.
Publicado por Sessay: Potterton Books /03:, 2002
Librería: Potterton Books, THIRSK, NORTH YORKSHIRE, Reino Unido
Miembro de asociación: PBFA
Soft cover. Condición: New. Facsimile reprint. 21 colourful plates of Art Deco designs for wallpapers, carpets, panels, both abstract and figurative, taken from the Repertoire du Gout Moderne. One in a series of facsimile sourcebooks taken completely or in part from rare antique design manuals and pattern books which are normally inaccessible for general use. 42 x 30cm. Softback. Ref 59.
Publicado por Editions d'Art Charles Moreau, [ca. 1930]., Paris:, 1930
Librería: Zephyr Used & Rare Books, Vancouver, WA, Estados Unidos de America
Original o primera edición
4to. 10 x 13 in. [4 pp (unpaginated).] With 40 colour pochoir plates on thick paper-stock, most still retaining their original tissue guards, with all very bright. Quarter-white cloth over colour-illustrated pochoir front cover, w/ Art Deco prismatic cover art, red & black lettering (minor rubbing, edgewear, some minor bumping to corners, ever so slight foxing to a few fore-edges), still VG vibrant copy, retaining the original black silk ties at fore-edge. First edition of this stunning portfolio of designs filled with semi-abstract elements drawing upon both Art Deco and Art Nouveau elements printed in vivid pochoir technique. Seguy (1877-1951) drew heavily from the natural world for these designs, featuring elements from coral reefs, minerals, conchology, birds, plants, and animals in swirling geometric patterns, created through a combination of underlying image in watercolour or gouache overlain with brilliantly stenciled colours. He had already produced portfolios for designs applied for textiles, carpets, wallpapers, and interior design patterns, and while directing the art department of the Grands Magasins du Printemps influenced generations of designers in the opening decades of the 20th Century. This extraordinary artist is often confused with Eugene Seguy, noted entomologist of the same era. See: Nina Evans, E.A. Seguy, Culturevore (2016); Timothy Young, Insect Men, Design Observer (May 27, 2015).
Publicado por Shanghai c1920, 1920
Librería: Hünersdorff Rare Books ABA ILAB, London, Reino Unido
Manuscrito
Hardcover. Condición: Good. No Jacket. Chinese Art Deco period carpet designs. Workshop pattern book with 21 original hand-painted gouache designs mounted on rectos of laid-paper album leaves representing a variety of samples with specifications for producing a range of qualities of woolen rug in 2 sizes; designs measuring from 220 x 192mm to 266 x 197mm; 220 x 220mm. Shanghai, c. 1920 Large 4to. Overall size : 450 x 350 mm. Contemporary greenish-grey cloth over stiff boards; decorative floral endpapers; yellow printed binder s ticket (Nanyang Printing Co, Book-Binder and Stationary, 435 Kiukiang Road, Shanghai) pasted inside top corner of frontcover. The blank margin of each design incorporates the colour palette used; top margin of each design page with a pasted contemporary paper slip giving a typed code-word to explain the knot or line count of each individual sample,and the sizes of the rugs available for production : 9 x 12 ft & 8 x 10 ft; a typed note pasted inside frontcover provides a key for 7 of the code words and their quality specifications (the code words refer to qualities ranging from a 120 line Wool Rug to a 60 line Wool Rug , each type decreasing in density of knots by 10 lines , the number of lines of knots per foot determining the line count); the blank margins of 5 designs (nos 4, 12, 14, 15, 20) have brief pencil and pen instructions in American-English with finishing details; blank margins of 3 pages (nos 3, 4, 7) bear a blind-stamp of the anonymous artist s emblem with an elephant motif. The patterns in the present album appear to have been painted by a commercial artist working in a Shanghai carpet factory under American direction catering for western consumer tastes. The carefully executed designs, based on the traditional medallion type, arer richly ornamented with exquisite floral and chinoiserie motifs in vibrant colours evocative of the exuberance of Art Deco: traditional light blues have changed to darker shades, yellows and ivories are replaced by more dynamic purples, fuchsias, green, ochre and gold. Both designs and colouring are well preserved; blank corners of album leaves lightly waterstained, a few minor traces of usage, otherwise in remarkably good condition for a working manual of this kind. Chinese Art Deco rugs represent the Golden Age of Shanghai, then known as the Paris of the East . Its wool industries responded to western demand during the economic boom of the 1920ies by producing high quality carpets in the fashionable colours and patterns of the period. A number of American.entrepreneurs were involved in this process, notably Walter Nichols and Helen Fette, and the present album is representative of patterns selected for export by a factory under western direction.