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Publicado por Bullfinch, 2001
Librería: Fantastic Book Discoveries, Cockeysville, MD, Estados Unidos de America
Hardcover. Condición: Good. Estado de la sobrecubierta: Good. no markings, extra shipping charge may apply outside U.S.
Publicado por Pantheon Bks., NY, 1987
ISBN 10: 0394755529ISBN 13: 9780394755526
Librería: THE OLD LIBRARY SHOP, Bethlehem, PA, Estados Unidos de America
Libro Original o primera edición
Soft Cover. Condición: good. G. Brassai, photos Ilustrador. 1st Am. ed.; orig. pub'd as Paris de nuit; 12.25" tall x 10-5/8"; black cover; lamination is lifting from cover; crease along top 6" front cover and light corresponding creases to first 2 pp; ca. 64pp b/w photos follow essay. Paperback.
Publicado por Pantheon Books, 1987
ISBN 10: 0394563271ISBN 13: 9780394563275
Librería: Amatoria Fine Art Books, IOBA, CALIBA, Sacramento, CA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. First American Edition. A Fine book in a Very Good dust jacket, Near Fine overall, First American Edition, RARE, 4to, 13" x 11 1/4." Black cloth-covered boards in a black paper dust jacket. Gilt lettering to front cover and spine of book. Silver-foil and white lettering to front panel and spine of dust jacket. Half-tone illustration of one of the artist's works on front panel. Covers pristine and intact, binding tight, sharp tips. Dust jacket has some delamination along the spine and slight rubbing, else clean and intact. Dust jacket protected in a paper-backed mylar sleeve, not price-clipped. Pages pristine and intact. Includes 62 black-and-white plates of the artist's work. Rare in the trade. 83 pp., including plates. A beautiful presentation of Parisian night photographs by the acclaimed Hungarian-French photographer, Brassai (1899-1984). Empty streets, misty skylines, and lone inhabitants set a mood of quiet solitude and mystery in this night world of the famed city. All of the plates are printed on black paper with a decorative black border. Excerpt from front flap: "Every effort has been made to reproduce the original photographs as they have never been seen in book form before. Produced under the close supervision of Brassai's heirs, the book has been printed in heliogravure in a quality rarely seen these days, giving it an extraordinary and memorable texture. To complete the evocation of the period, the Pantheon edition contains the original introduction by the French writer Paul Morand." Heavy and oversized items may require additional shipping.
Publicado por Bulfinch Press, Boston, 2001
ISBN 10: 0821227386ISBN 13: 9780821227381
Librería: Object Relations, IOBA, London, Reino Unido
Miembro de asociación: IOBA
Libro Original o primera edición
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. 1st printing (2001). 62 plates. Near Fine/Near Fine copy, now preserved in archival jacket protector.
Año de publicación: 1987
Librería: Antiquariat / Buchhandlung Walther König, Köln, NRW, Alemania
Miembro de asociación: BOEV
0. Paris by Night. New York 1987. 4to. (94) S. mit 62 s/w Fotos, je als Kleinabb., bzw. als ganzseit.(56 Photogravuren) Abb., Ln. SU. ANTIQUARISCH.
Publicado por New York: Pantheon Books, 1987, 1987
Librería: °ART...on paper - 20th Century Art Books, Lugano, Suiza
Miembro de asociación: ILAB
Libro Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. Gr.4° - 62pp - 64 b/w photo-reproductions. Brassai (Gyula Halász 1899-1984) Hungarian photographer. First American edition: the original edition of Paris by Night, published as Paris de Nuit in 1933, contained 64 reproductions of photographs by Brassai, printed in heliogravure. The current edition has been printed in heliogravure using Brassai's original plates, with the exception of photographs for which the plates have disappeared and which have been reproduced from the 1933 edition: numbers 2, 49, 55, 58, 59 60, 61, as well as the paving-stones appearing on the endpapers. Original wrappers. In very good condition.
Publicado por Pantheon Books, 1987
ISBN 10: 0394563271ISBN 13: 9780394563275
Librería: Stephen Bulger Gallery, Toronto, ON, Canada
Libro
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First American Edition. Jacket price-clipped. Slight edgewear to boards.
Publicado por Arts et Métiers graphique, Paris, 1987
ISBN 10: 2080120751ISBN 13: 9782080120755
Librería: Sekkes Consultants, North Dighton, MA, Estados Unidos de America
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: very good. Brassaï Ilustrador. First Edition. 7-page text by Paul Morand, who also provides an 11-page section of explanations for each of the 62 full-page duotone photographs, which make up the bulk of the book. 80 pages. Language: French. Hardback with DJ. Inscribed by his wife Madame Gilberte Brassaï to Maria Morris Hambourg, Metropolitan Museum of Art, Department of Prints and Photography, curator and Princeton University & New York University professor. Dust jacket with a few creases and closed tears at the edges. First edition thus. 10¾" - 13". Inscribed by author. book.
Librería: Manuela-Charlott Tepper, Schulendorf Scharbeutz, Alemania
Edition "Arts et Métiers Graphiques", Paris o.J. (1933). Kl.-4°. 2 Blatt Text (die ersten 4 Blatt Text fehlen!!!) und 62 Seiten Abbildungen. OBroschur mit Ringbindung. Der Umschlag berieben und an den Kanten bestossen. Hintere Broschur oben mit kleiner Fehlstelle. Alle Mängel im Preis berücksichtigt.
Publicado por Arts et Metiers Graphiques, Paris, France, 1987
Librería: Black Cat Hill Books, Oregon City, OR, Estados Unidos de America
Hardcover. Fine in Near Fine DJ: The Book is flawless; the binding is square and secure; the text is clean. Free of underlining, hi-lighting, notations, or marginalia in the text. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome like-new copy, structurally sound and tightly bound, showing no flaws. Virtually 'As New'. The DJ shows the lower corner of the rear inside flap clipped; else only mild rubbing to the panels and a touch of scuffing to the head of the backstrip. Close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio (12.75 x 11 x 0.8 inches). 7-page text by Paul Morand, who also provides an 11-page section of explanations for each of the 62 full-page duotone photographs, which make up the bulk of the book. 80 pages. Language: French. Hardback with DJ. Brassaï became interested in photography as a way to record encounters on his nightly walks through the streets of Paris. He enjoyed these long strolls after dark and began carrying a camera and tripod in 1929. He compiled these photographs in a book entitled Paris de nuit. A collection of black and white images that juxtaposed luminous, dreamlike nightscapes with contemporary documentary images of the nighttime's denizens. "Night does not show things, it suggests them. It disturbs and surprises us with its strangeness." Brassaï's subjects are not only aware of the photographer, they collaborate with him. His unique style gave Paris de nuit its distinctive intimacy and was a revelation for his artist friends. Fellow night owl Henry Miller wrote: "Brassaï is a living eye.his gaze pierces straight to the heart of truths in everything." Brassaï was at ease with all types of people and this played an important role in his photography. In the course of his nighttime perambulations he befriended pimps and streetwalkers, hoodlums and laborers, who allowed him to photograph freely among them. He was equally accepted photographing nude showgirls backstage at the Folies Begere as he was photographing prostitutes and their clients at Chez Suzy. Paris by Night was also a technical achievement. In an era of slow lenses and even slower film,Brassï relished the darkness and by trial and error learned to get the night shots he was after. Using his training as a painter, Brassaï framed his shots so that small areas of light pierced large areas of blacks and shadows. Light reflected in wet streets and diffused by fog, would define shapes within the dark. This contrast gave his printed images richness and depth and he called these prints his "little boxes of night.".
Publicado por ARTS ET METIERS GRAPHIQUES, Paris, 1933
ISBN 10: 1299675360ISBN 13: 9781299675360
Librería: Strand Book Store, ABAA, New York, NY, Estados Unidos de America
Libro Original o primera edición
Wrappers. Condición: Fair. First Edition. [1933]. Small 4to. 1st edition. Lacking leaf with plate 2 and 3. Front and back wrappers fully detached from spiral binding. Some edgewear, creasing, toning and rubbing to extremitities. Light edgewear and moderate toning to leaves. VG in wrappers.
Publicado por Edition "Arts et Metiers Graphiques": Paris, 1933
Librería: John K King Used & Rare Books, Detroit, MI, Estados Unidos de America
Paperback. Condición: Very Good. Photos by Brassai, 10 x 7.5", spiral bound pict stiff wraps, (12)pp of text by Paul Morand + 62 photographs by Brassai, covers quite worn, corners bumped and creased, some scratches to covers, pp toned and worn/bumped corners. Still, a usable copy. Text in French.
Publicado por Editions Des Arts Et Metiers Graphiques, 1933
Librería: Tiré à Part, Marseille, Francia
Original o primera edición
Petit in-4 carré ( 250 X 190 mm, broché par spirale métallique sous couvertures illustrées. EDITION ORIGINALE des 12 pages de Paul MORAND et PREMIER TIRAGE des 62 magnifiques photographies à pleine page hors-texte de BRASSAÏ. Usures et plissures à la couverture, les photographies de BRASSAÏ d'un noir d'une rare intensité sont en bel état. Malgré les défauts annoncés, un exemplaire tout à fait désirable. Edition-Originale Littérature Photographie Beaux-Arts.
Publicado por Arts et Metiers Graphiques, Paris, 1933
Librería: The Chatham Bookseller, Madison, NJ, Estados Unidos de America
Original o primera edición
Softcover. Condición: Good. No Jacket. Brassai Ilustrador. First Edition. 12 pp of text and captions, 62 pp. of full-page black and white photographs. Spiral bound, stiff wraps. Text is in French. Covers and endpapers are additional photographs. Spiral binding is complete and secure, unusual for such a fragile publication. Extremities are worn, covers are scuffed and creased. Front cover has 3/4" square of photo missing (paper only is missing, the underlying board of the cover is complete). Interior is very clean throughout and photographs are sharp and clear. Brassai was one of the most influential photographers of the 20th century and this, his first book, was a landmark work. In it he captures both the luminosity and the eeriness of all corners of the city and lifestyles of Paris at night in the early 1930s. Scarce. Size: Small Quarto.
Publicado por Arts et Métiers Graphiques, Paris
Librería: Librairie les mains dans les poches, Tourbes, Francia
Libro Original o primera edición
Couverture souple. Condición: Très bon. Edition originale. Sans date (1933). In-8 de 74 pages ; broché avec spirale de l'éditeur. Coll. "Réalités" (J. Bernier, dir.), Draeger imprimeur. Préface de Paul Morand et 62 photographies pleine page en héliogravure. Quelques menus frottements à la couverture et des coins modestement émoussés. Bel exemplaire.
Publicado por Paris, Arts et métiers graphiques, [], 1933
Librería: Antiquariat Reinhold Pabel, Hamburg, Alemania
Miembro de asociación: BOEV
Original o primera edición
Paris, Arts et métiers graphiques, [1933]. [12] S. Mit 62 s/w Kupfer-Tiefdrucktaf., gedruckt bei Draeger. (= Collection "Réalités). 25 cm. OKart mit Spiralheftung. Erste Ausgabe (des ersten Fotobuchs Brassais). - Brassaï (d.i. Gyula Halász, 1899-1984), französischer Fotograf ungarischer Herkunft, kam nach Studien in Ungarn und Deutschland 1924 nach Paris. Sein Freund, der ungar. Fotograf André Kertész überredete ihn, die Faszination des Pariser Nachtlebens in Fotos einzufangen. 1933 erschien sein Bildband "Paris de Nuit", der ihn sofort berühmt machte: "Brassai, der Pariser aus Transsylvanien, erscheint als Engel der Dunkelheit. Seine Sensibilität genießt das Ursprüngliche, das Fantastische, das Zweideutige und sogar das Bizarre" (John Szarkowski, Museum of Modern Art, New York). - Deckelkanten gering berieben.
Publicado por Paris, Edition "Arts et Métiers Graphiques" (C. Peignot) (1933)., 1933
Librería: Antiquariat Haufe & Lutz, Karlsruhe, BW, Alemania
Original o primera edición
4°. [6] Bl. u. 62 Tafeln in Tiefdruck. Illustr. OKart. mit Metallring-Heftung. Auer 198. Bouqueret, Paris 116. Koetzle, Eyes on Paris 106 ff. The Open Book 110 f. Parr/Badger I, 134. Roth, The Book of 101 Books 76 f. - Erste und einzige Ausgabe des ersten und wichtigsten Werks des bedeutenden Fotografen. - "Un livre moderne, superbement imprimé, avec une relieure spiralée, qui va aussitôt s'imposer comme un ouvrage majeur au sein du monde de la photographie" (C. Bougueret). - "Instead of seeing Paris de nuit as a great 'might have been', therefore, one should think of it as ampngst the best produced and influential photobooks ever" (G. Badger). - "Erst Brassai hat unser Bild von Paris komplettiert. Er war es, der die andere Seite der Stadt, jene zweite spätere, finstere Tageszeit, die untrennbar zum 24-Stunden-Rythmus gehört, erkundet und aufgezeichnet hat. Zugegeben, bei Nacht, im Schatten der Gassen oder im Dunkel der Katakomben wurde schon vor Brassai fotografiert. Allerdings nie wirklich mit System, nach Maßgabe eines Konzepts und mit künstlerischem Anspruch. Brassai war der "Poète des nuits" und er war der Erste, dem ein mehr als überzeigendes Buch zum Thema gelang. . (Es) ist unter allen Titeln mit Paris-Bezug vermutlich der bekannteste, ein gedruckter Superlativ, der Brassai, den mehr oder minder mittellosen Immigranten, buchstäblich über Nacht berühmt gemacht hat" (H.-M. Koetzle). - Deckel mit wenigen Kratzspuren, Ecken mit Knickspuren, Vorderdeckel am Kapital und Fuß geringf. beschädgt (jeweils 2 Löcher an den Metallringen eingerissen), noch sehr gutes Exemplar. Sprache: französisch.
Publicado por Paris, Arts et Métiers Graphiques., 1933
Librería: Antiquariat Weinek, Salzburg, Austria
Libro Original o primera edición
Gr.-8°. 6 Bll. Text und 62 Photographien 25,5 x 20 cm. Illustr. OUmschlag mit Spiralheftung. Erste Ausgabe eines der berühmtesten Fotobücher des 20. Jahrhunderts über das nächtliche Paris. Nächtliche Aufnahmen ohne Kunstlicht galten bis dahin als unüblich. Tim Gidal widerlegte diese Ansicht durch seine Arbeit. 1923 zog er nach Paris, lernt die Künstlerkreise um Picasso und Dali kennen und beginnt 1928 mit den ersten Fotografien. Die Aufnahmen zeigen ein intimes, eher unbekanntes Paris, ein Milieu der Seitenstraßen, der Clochards und Prostituierten und kleinen Leuten. - Ein schönes Exemplar, die Spiralheftung hier in guter Kondition, ohne den meistens durch die Heftung verursachten Ausrisse. - Selten! Sprache: deutsch.
Publicado por Paris, Edition "Arts et metiers graphiques, 1933
Librería: CorgiPack, Fulton, NY, Estados Unidos de America
Wire spiral bound. Condición: Very Good. First edition. Bears the bookplate of Carl Van Vechten, the American writer and artistic photographer who was a patron of the Harlem Renaissance and the literary executor of Gertrude Stein. Several creases and tiny chips to covers, chiefly in the area of the perforations at head and tail of spine. A small strip of clear adhesive tape applied to upper corner, rear cover. No other interior markings or other defects to note. [12] pages 62 plates on 32 leaves 25 cm. Paris (France) -- Pictorial works. Night photography -- France -- Paris.
Publicado por Paris: Edition Arts et Métiers Graphiques, 1933
Librería: Harper's Books, ABAA, New York, NY, Estados Unidos de America
Original o primera edición
First Edition. Spiral bound quarto, sixty-four gravure plates. The best-known and most iconic of the great Paris photobooks, printed in a deep gravure so tactile it seems almost as if charcoal will rub off on the hands of the viewer. The cobblestone covers and endpapers are particularly evocative. (Parr / Badger, v1, 134; Roth 76-77). Former owner's innocuous book plate, signature that reads "Brassai", but likely not in the photographer's hand, light edge creases to the bottom corners, gently handled with minor wear; a solid, very good copy lacking serious defects in photo-illustrated spiral-bound wrappers.
Publicado por Editions "Arts et Métiers Graphiques", 1933
Librería: Librairie du Cardinal, GRADIGNAN, Francia
Original o primera edición Ejemplar firmado
souple. 60 photos inédites de Brassaï publiées dans la Collection "Réalités", sous la direction de J. Bernier, 1 vol. in-8 cartonnage illustré à reliure spirale éditeur, Editions "Arts et Métiers Graphiques", Paris, s.d. [ 1933 ], 6 ff. et 62 pp. Exceptionnel exemplaire de l'édition originale, enrichi d'un magnifique envoi autographe signé de Paul Morand : "à Henri de Régnier, ce livre, qui commence comme la Cité des Eaux et qui finit comme un roman naturaliste. En le remerciant de son livre, véritable comprimé de poésie ; livre d'autant plus précieux qu'on ne peut lire les poètes qu'on aime qu'en voyage ; sans aucun excédent de bagages, j'emporterai désormais partout une oeuvre admirable. Son ami respectueux Paul Morand". Paul Morand évoque sans doute ici "Airs pour l'écho", petit recueil de poésie publié par Henri de Régnier en 1933. Bon état (très petit accrocs angulaire sans manque au second plat) pour cet ouvrage fameux, dans lequel Brassaï se révèle comme un grand maître de la photographie nocturne. Langue: Français. signé par l'auteur.
Publicado por Edition "Arts et Metiers Graphiques", 1933
Librería: PEN ULTIMATE RARE BOOKS, Pine Plains, NY, Estados Unidos de America
Libro Original o primera edición Ejemplar firmado
Soft cover. Condición: Near Fine. 1st Edition. SIGNED by Paul Morand atop his 8-page preface. Paris: Edition Arts et Métiers Graphiques, 1933. First Edition. Spiral bound quarto, sixty-four gravure plates. The highest celebrated, most iconic of the great Paris photobooks, printed in a luscious gravure so tactile "that after handling the book one expects to find sooty deposits all over one's fingers. One should think of it as amongst the best produced and influential photobooks ever" (The Photobook, Vol. I). Roth 101. Whereas most night photography of the period celebrates electric light, speed and metropolitan life, Brassai's portfolio expresses a different urban narrative. The Paris he shows, his "little boxes of night," is tawdry, intimate, dark and full of mystery, as though nighttime were its natural hue. As a young man, prefacer Paul Morand bathed in Parisian artistic circles and the high public service. Appointed at the age of 24, attached to the French Embassy in London, he began a career at the Quai which took him all over Europe. He entered literature in 1921 with his first prose work, Tendres Stocks, a collection of short stories prefaced by Marcel Proust. During the 30s, he published numerous books, travelogues, novels, short stories; he also practiced journalism, notably for Le Figaro. A lovely, collectible copy signed by Paul Morand. Book #vC1123. $4850. We specialize in Rare Ayn Rand, history, and science. Signed by Author(s).
Publicado por Paris, Arts et Métiers Graphiques, 1933., 1933
Librería: Antiquariat CoBrA, Oberrohrbach, Austria
Original o primera edición
Paris, Arts et Métiers Graphiques, 1933. Gr.-8°. 60 photohéliographic plates. Stiff photographic wrappers; ringbound; an unusual nice copy. Fine spiral binding ! First edition. - One of the classics of photographic literature, this extraordinarily evocative book is now very difficult to find in good condition. Brassai arrived in Paris in 1924 and prowled the city with his friends Henry Miller, Raymond Queneau, Jacques Prévert and Léon Paul Fargue. He used Kertèsz's camera. In 1933 his first book 'Paris de Nuit' was published. A book that remains one of the landmarks in the history of photography."Paris le jour/Paris la nuit", p.85 and passim. Original spiral bound photographic wraps printed in black and red. Spiral binding intact. Ownership inscription. Otherwise a very good plus copy of the notorious fragile book. Rare in this condition. Sprache: Französisch. *** Bitte kontaktieren Sie mich immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact me always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.
Publicado por Edition "Arts et Metiers Graphiques", Paris, 1933
Librería: APPLEDORE BOOKS, ABAA, WACCABUC, NY, Estados Unidos de America
Original o primera edición Ejemplar firmado
Spiral bound. Condición: Very Good. SIGNED BY BRASSAI near the head of the opening page of Paul Morand's Introduction. A solid, very presentable copy to boot of the 1933 1st edition of this soaring achievement in pre-War photography and printing. Crisp and VG in its iconic card wrappers of a late-evening, cobblestoned Paris walkway, with light creasing and chipping along the edges. A touch of separation as well to the front panel along only the top 1" of the spiral binding. Internally, very sharp, with just a bit of light soiling to several pages of the Introduction. The remarkable gravures, all 62 of them, are all-but-pristine, deep and rich and magnficent. While Brassai's signature is not especially scarce, it is truly uncommon on copies of this, his masterwork and greatest achievement.
Publicado por Paris: Édition Arts et Métiers Graphiques, 1933 [1932], 1933
Librería: Peter Harrington. ABA/ ILAB., London, Reino Unido
Original o primera edición Ejemplar firmado
First edition, first printing, of the photographer's first publication, double presentation copy, inscribed by Morand on the first page of text, "à Pierre Cot, Voici un joli décor pour La Patriouille etc. (Chut! chut! chut!) tres fideliement P. Morand Paris, fev. 32", and further inscribed by Brassaï across the following two pages, "Pour Christian-Vincent Matorasso, ce Paris de Nuit perdu et retrouvé avec toute ma sympathie, Brassai, Ete Village, le 7 mai 1965". The first recipient, Pierre Cot (1895-1977), was a politician central to the establishment of the French Air Force, and later of Air France. Morand's inscription alludes to La Patriouille, a display wing of the air force, the French equivalent of the British Red Arrows. Pasted below Morand's inscription is a small photograph of Brassaï in later life, which probably relates to the photographer's subsequent inscription. This is a superb copy of the work in which Brassaï showcases his mastery "at drawing luminosity from the darkness. The swaths of wet paving stones featured on the covers and endpapers of Paris de Nuit gleam like pale beacons in the streetlight. Inside, Brassaï explores the city, beginning with its broad vistas and grand public spaces and gradually moving into the demimonde he knew so intimately" (Roth, p. 76). It remains one of the most influential photobooks; signed copies are rare, and copies inscribed by both author and photographer rarer still. Parr & Badger I, p. 134; Roth, p. 76. Quarto. Spiral bound monochrome photographic wrappers, front cover lettered in red. Housed in a custom black quarter morocco solander box by the Chelsea Bindery. Illustrated with 62 full-page gravure plates, and 2 double-page plates as endpapers. A few punch holes slightly worn, covers lightly creased and rubbed at extremities, a few pages faintly soiled. A very good copy of a notoriously fragile book.