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Título: Music Speaks : On the Language of Opera, ...
Editorial: Boydell & Brewer Ltd
Año de publicación: 2009
Condición del libro: Brand new
From Daniel Albright, author of Musicking Shakespeare and Berlioz's Semi-Operas , comes a collection of essays on music and on dance, probing the problems of articulating the meaning[s] of music; the larger question o f how music and language interact; how text-setting highlights certain areas of meter, theme, or ironic undertone, and leaves others in darkness; how a musical composition can behave as a critique of a previous composition; and ho w one might rehabilitate certain underappreciated or much-scorned figures, such as Meyerbeer, by showing that the very terms of invective used against them can be seen, from another angle, as an indication of what is exciting in t heir work. Albright shows that music history has an aesthetic of its own, and how music history interacts with intellectual history (from Rousseau to Paul de Man). By abutting music against literature and painting, and by jux taposing the musics of different centuries, Albright frames a particular work, isolating what is arresting and important in it. The essays range widely, but they rarely stray far from opera, for the opera house is the venue w here the performances speak the most intricate and significant language invented by our culture -- a language that speaks in music, words, pictures, and light. Daniel Albright teaches courses in the English, Comparative Literature, and Music departments at Harvard University. N° de ref. de la librería 8434
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