Imagen del editor
Título: Kartography-SIGNED FIRST PRINTING
Editorial: Bloomsbury, London
Año de publicación: 2003
Encuadernación: Original Wraps
Condición del libro: Fine
Condición de la sobrecubierta: No Jacket
Ejemplar firmado: Signed by Author
Edición: First Edition.
Fine first printing in original wrappers. The book is without reading creases, chips or tears and seems unread. The book has not been read. Signed by the author to the title page without inscription. As an enthusiastic collector myself I make every effort to provide a high level of service. Enquiries welcomed. THE COVER OF THIS EDITION IS DIFFERENT TO THE STOCK IMAGE SHOWN OPPOSITE. N° de ref. de la librería 006262
Sinopsis: What is the moment, that exact moment when everything changes and the friends you have been, become the lovers you might be? Soul mates from birth Karim and Raheen finish one another's sentences, speak in anagrams and lie spine to spine as children. They are irrevocably bound to one another and to Karachi, Pakistan. It beats in their hearts - violent, polluted, corrupt, vibrant, brave and ultimately, home. However, Raheen is fiercely loyal and naively blinkered and she resents Karim's need to map their city, his need to name its streets and to expand the privileged world they know. When Karim is forced to leave for London their differences of opinion become a painful quarrel. As the years go by they let a barrier of silence build between them until, finally, they are brought together during a dry summer of strikes and ethnic violence and their relationship is poised between strained friendship and fated love. Impassioned and touching, "Kartography" is a love song to Karachi. In her extraordinary new novel, Kamila Shamsie shows us that whatever happens in the world, we must never forget the complicated war in our own hearts.
Críticas: Kartography is Kamila Shamsie's impressive third novel. At its heart is rather a traditional love story-cum-family saga. Karim and Raheen are anagram swapping "fated friends". Until the age of 13, when Karim moved to London, they were virtually raised as brother and sister. Their parents had once been engaged to each other. The unravelling of quite why this matrimonial square dance occurred is juxtaposed with Karim and Raheen's own, and decidedly more protracted, romance.
As the title suggests, mapping--geographical, political and emotional-- is central to the book. The "comic" spelling is a wry allusion to its setting: the troubled Pakistani city of Karachi, a place that, as Karim observes, worships "at the altar of K". Karim, Raheen and their friends Sonia and Zia all belong to the privileged Karachi elite. Born on the right "side of the Clifton Bridge" they seem immune from Karachi's endemic corruption, violence and religious and ethnic intolerance but they and their families, like the rest of the city's inhabitants, have all been horrifically scarred by events of the 1971 civil war.
Like Austen, or perhaps more accurately Forster, Shamsie is wonderfully adept at capturing the petty rivalries and social games of Pakistan's highly stratified bourgeoisie society--Zia's house is sagely described as "always full of people worth cultivating, rather than people worth having in your home." There are a few (well-acknowledged) nods to Italo Calvino's Invisible Cities and even Homer's Odyssey gets a look in but Shamsie wears her learning lightly. She manages to make Karim and Raheen's journey to toward engagement, both with the realities of Karachi and with each other, into a profound meditation on the nature of love, storytelling and politics. --Travis Elborough
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