Frazier offers a perspective from the inside, and her images achieve a muted power without being sentimental or sensational.--The Editors "Bookforum " The first photograph after the title page in this book is a tightly cropped shot of a welcome sign for "Historic Braddock" (sponsored jointly by three companies that make air fresheners, odor control products, and do pest control). The second is an expansive aerial view of Braddock's historic steel mill; the third a portrait of Frazier, topless, her hair messy and her gaze unflinching. In three strokes, the artist maps the terrain of her exploration: the family not only as a personal unit but as a broader community, existing in the wider world and intractably affected by it. Frazier's challenging and haunting photographs have previously brought this story to museums and galleries, but in this, her first book, she adds writing to create a powerfully stark family portrait. The brilliance of this volume, and Frazier's work, is in the way it manages to be both documentary and art, deeply intimate and widely important, relentless but so very necessary.--Jillian Steinhauer "Hyperallergic " Frazier reimagines the tradition of social documentary photography by approaching a community not as a curious or concerned outsider but as a vulnerable insider.--Maurice Berger "The New York Times - Lens " In her first book, Frazier explores themes of economic inequity, racism and personal politics through three generations of her own family, and documents the tolls that big injustices can have on small families and communities alike.--Phil Bicker "TIME Lightbox "
In this, her first book, LaToya Ruby Frazier offers an incisive exploration of the legacy of racism and economic decline in America’s small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political―an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations―her Grandma Ruby, her mother, and herself―against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock’s only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family―and her mother in particular. As Frazier says, her mother is “coauthor, artist, photographer, and subject. Our relationship primarily exists through a process of making images together. I see beauty in all her imperfections and abuse.” In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives, both those of her family and those of the community at large.
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Condición: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book. Nº de ref. del artículo: 1597112488-R
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Librería: 369 Bookstore _[~ 369 Pyramid Inc ~]_, Dover, DE, Estados Unidos de America
Hardcover. Condición: Good. In this, her first book, LaToya Ruby Frazier (born 1982) offers an incisive exploration of the legacy of racism and economic decline in America\'s small towns, as embodied by Braddock, Pennsylvania, Frazier\'s hometown. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political--an intervention in the histories and narratives of the region that are dominated by stories of Andrew Carnegie and Pittsburgh\'s industrial past, but largely ignore those of black families and the working classes. Frazier has set her story of three generations--her Grandma Ruby, her mother and herself--against larger questions of civic belonging and responsibility. The work also documents the demise of Braddock\'s only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family, and her mother in particular. As Frazier says, her mother is \"co-author, artist, photographer and subject. Our relationship primarily exists through a process of making images together. I see beauty in all her imperfections and abuse.\" Frazier\'s work reinforces the idea of image-making as a transformative act, a means of resetting traditional power dynamics and narratives, both those of her family and those of the community at large. Frazier is a 2014 Guggenheim fellow. Nº de ref. del artículo: AMPLE1597112488
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Hardcover. Condición: Near Fine. First Edition; First Printing. Signed, "For Becky, LaToya Ruby Frazier." Red patterned cloth with silver lettering stamped along the front board and spine. Illustrated rear board. 100 duotone images and 32 four-color video stills. The artist's stunning first book which reimagines the tradition of social documentary photography. ; 158 pages; Signed by Author. Nº de ref. del artículo: 23930
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