"Back]Forth" has a very real-feeling quality to it, despite its nebulous meaningsand seeming intentional lack of conclusions; perhaps this is due to its location in recognizable places or the ease of identifying with some of its most clear-cut plot pointssuch as riding a bus, having sex, or sitting and thinking in a coffee shop. While reading''what amounts to a high-art picture book for adults can be dislocating, it is also veryrewarding; "Back+Forth" sets out to probe readers' understandings of narrative andcharacter, and does it well.'--Patty Comeau "ForeWord Reviews "
I found the narrative line of this wordless novel very easy to follow, and very evocative. The use of varied perspectives in the linocuts gives a sense of spaciousness, of an observing, outside eye. For example, in the first image we are looking down at a bedroom from above; in another, we are looking up a staircase leading out of the subway; in yet another we have the character barely appearing as she stares out the bus window and there is a real sense of movement in the print. I enjoyed this book, and as I haven't had a lot of experience with this type of story, I was relieved to find it engaging and quite complex.'
"Back+Forth" has a very real-feeling quality to it, despite its nebulous meaningsand seeming intentional lack of conclusions; perhaps this is due to its location in recognizable places or the ease of identifying with some of its most clear-cut plot pointssuch as riding a bus, having sex, or sitting and thinking in a coffee shop. While reading''what amounts to a high-art picture book for adults can be dislocating, it is also veryrewarding; "Back+Forth" sets out to probe readers' understandings of narrative andcharacter, and does it well.'
The second in a series of graphic novels edited for the Porcupine's Quill by wood engraver George A. Walker in which Walker encourages students at the Ontario College of Art & Design to embrace 19th century linocut printmaking techniques to create extended visual narratives which are then scanned, digitized, and subsequently printed offset for publication at popular prices in a format that uses 20th century offset printing technology to replicate the look and `feel' of a 19th century letterpress product.
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Descripción Soft cover. Condición: New. 1st Edition. Location exerts one very important influence on our lives. The specific landscape, structure, weather and people of a cityscape combine to create a unique culture of place; a 'place' that can define us as succinctly as we might like to think we control our own definitions of self. Aviation allows many of us to live, almost simultaneously, in distant places and to indulge in the complexities of multiple lives. Back + Forth examines the attendant possibility of entrapment, between two such distant places and two, very different, times. Back + Forth examines what it means to belong, to assimilate, to be distant, and to challenge the constraints of time and space in the juggling act that we all call life. Series editor George A. Walker is renowned as an illustrator (for American novelist Neil Gaiman, and others), a wood engraver, and a private press printer and publisher. Walker is also senior designer at Firefly Books, and moonlights teaching at the Ontario College of Art and Design. Nº de ref. del artículo: ABE-18457104940
Descripción Condición: New. Buy with confidence! Book is in new, never-used condition. Nº de ref. del artículo: bk0889843139xvz189zvxnew