"Sinopsis" puede pertenecer a otra edición de este libro.
“All those flowers placed outside Princess Diana's London home 13 summers ago are only the latest chapter in the history of one of those palaces where the walls could tell many a tale about the intersection of aristocracy and political culture.”—Martin Rubin, "The Wall Street Journal"
“Brilliantly entertaining ... [she] writes with flair, bringing her characters to life ... In spite of its accessible charm, "Courtiers "is a serious historical study which chisels much richness from the ornate, dingy, contradictory world of the palace.”—"Times Literary Supplement"
“As chief curator of the Historic Royal Palaces charity Worsley couldn’t have been in a better position to winkle out the secrets of one of the palaces under her aegis. She has written a book that vividly brings to life the reigns of the first Hanoverian monarchs and almost humanises the two Georges ... Worsley’s book is full of extraordinary charact
"All those flowers placed outside Princess Diana's London home 13 summers ago are only the latest chapter in the history of one of those palaces where the walls could tell many a tale about the intersection of aristocracy and political culture."--Martin Rubin, "The Wall Street Journal"
"Brilliantly entertaining ... [she] writes with flair, bringing her characters to life ... In spite of its accessible charm, "Courtiers "is a serious historical study which chisels much richness from the ornate, dingy, contradictory world of the palace."--"Times Literary Supplement"
"As chief curator of the Historic Royal Palaces charity Worsley couldn't have been in a better position to winkle out the secrets of one of the palaces under her aegis. She has written a book that vividly brings to life the reigns of the first Hanoverian monarchs and almost humanises the two Georges ... Worsley's book is full of extraordinary characters ... one of the most appealing characters is Caroline of Ansbach, queen to George II, a woman who would rather have been a philosopher than a ruler, ill-treated yet loved by her husband. Her agonising end, brilliantly described, brought me to tears ... a compelling book."--"The Express"
"We have a fine modern historian to guide us through the dreamlike maze of 18th-century palace life."--"The Times"
"Racy, amusing and informative. She brings the Georgian courts and their personalities to life ... extremely enjoyable."--"Literary Review"
"Threaded through with the stinging witticisms of 18th-century observers, Worsley's own prose bounces along."--"The Sunday Times"
"Now the definitive work on the early Hanoverian court ... The depth of Worsley's scholarship is demonstrated by the absence of fudged details. She clarifies points of etiquette and toilette, for example, that most historians of the 18th century only half understand ... As in her previous book, Cavalier, Worsley's style is wonderfully readable and her talent for empathy enormous. She
All those flowers placed outside Princess Diana's London home 13 summers ago are only the latest chapter in the history of one of those palaces where the walls could tell many a tale about the intersection of aristocracy and political culture. "Martin Rubin, The Wall Street Journal"
Brilliantly entertaining [she] writes with flair, bringing her characters to life In spite of its accessible charm, "Courtiers "is a serious historical study which chisels much richness from the ornate, dingy, contradictory world of the palace. "Times Literary Supplement"
As chief curator of the Historic Royal Palaces charity Worsley couldn't have been in a better position to winkle out the secrets of one of the palaces under her aegis. She has written a book that vividly brings to life the reigns of the first Hanoverian monarchs and almost humanises the two Georges Worsley's book is full of extraordinary characters one of the most appealing characters is Caroline of Ansbach, queen to George II, a woman who would rather have been a philosopher than a ruler, ill-treated yet loved by her husband. Her agonising end, brilliantly described, brought me to tears a compelling book. "The Express"
We have a fine modern historian to guide us through the dreamlike maze of 18th-century palace life. "The Times"
Racy, amusing and informative. She brings the Georgian courts and their personalities to life extremely enjoyable. "Literary Review"
Threaded through with the stinging witticisms of 18th-century observers, Worsley's own prose bounces along. "The Sunday Times"
Now the definitive work on the early Hanoverian court The depth of Worsley's scholarship is demonstrated by the absence of fudged details. She clarifies points of etiquette and toilette, for example, that most historians of the 18th century only half understand As in her previous book, Cavalier, Worsley's style is wonderfully readable and her talent for empathy enormous. She always takes a charitable view of superficially obnoxious people and sees half-invisible female figures very clearly haunts one's imagination. "The Sunday Telegraph"
An intimate account of life at court that at times reads like an 18th-century version of Heat magazine an exhilarating but unstable world, described with the relish of a court insider. "Waterstones Books Quarterly"
Worsley's book romps along breezily [and] the stories are fresh. "The Mail on Sunday"
The kind of captivating history I most enjoy: full of unexpected stories. It makes one look at Kensington Palace in an entirely new light. "Lady Antonia Fraser"
Lucy Worsley writes with flair and passion about a lost world where smiles could kill and kisses condemn. "Amanda Foreman"
Compulsively readable it is impossible not to want to know how they all end up. "Irish Examiner"
Worsley is Chief Curator for the Historic Royal Palaces and what she doesn't know about Kensington Palace isn't worth reading, and here she tells its lurid and enthralling story with all the flair, panache and vitality of a born raconteur. "Lancashire Evening Post"
The colourful goings-on at London's Kensington Palace during its heyday in 1714-60 are vividly described by Dr Lucy Worsley the book is packed with extraordinary characters most people know little about Georges I and II but Worsley fills that gap. "Leicester Mercury"
Brings to life the story of Kensington Palace as it was in the eighteenth century, with tales of sexual intrigue and bad behaviour conducted in the glittering drawing rooms and secret passages of this rabbit-warren of a place, where position and rank counted above everything, including personal happiness. "Angel Magazine"
Engaging and witty, yet also rigorous in its scholarship, "Courtiers" tells the scandalous stories of Kensington Palace in its Georgian hey-day. "Andrew Roberts""
All those flowers placed outside Princess Diana's London home 13 summers ago are only the latest chapter in the history of one of those palaces where the walls could tell many a tale about the intersection of aristocracy and political culture. Martin Rubin, The Wall Street Journal
Brilliantly entertaining [she] writes with flair, bringing her characters to life In spite of its accessible charm, Courtiers is a serious historical study which chisels much richness from the ornate, dingy, contradictory world of the palace. Times Literary Supplement
As chief curator of the Historic Royal Palaces charity Worsley couldn't have been in a better position to winkle out the secrets of one of the palaces under her aegis. She has written a book that vividly brings to life the reigns of the first Hanoverian monarchs and almost humanises the two Georges Worsley's book is full of extraordinary characters one of the most appealing characters is Caroline of Ansbach, queen to George II, a woman who would rather have been a philosopher than a ruler, ill-treated yet loved by her husband. Her agonising end, brilliantly described, brought me to tears a compelling book. The Express
We have a fine modern historian to guide us through the dreamlike maze of 18th-century palace life. The Times
Racy, amusing and informative. She brings the Georgian courts and their personalities to life extremely enjoyable. Literary Review
Threaded through with the stinging witticisms of 18th-century observers, Worsley's own prose bounces along. The Sunday Times
Now the definitive work on the early Hanoverian court The depth of Worsley's scholarship is demonstrated by the absence of fudged details. She clarifies points of etiquette and toilette, for example, that most historians of the 18th century only half understand As in her previous book, Cavalier, Worsley's style is wonderfully readable and her talent for empathy enormous. She always takes a charitable view of superficially obnoxious people and sees half-invisible female figures very clearly haunts one's imagination. The Sunday Telegraph
An intimate account of life at court that at times reads like an 18th-century version of Heat magazine an exhilarating but unstable world, described with the relish of a court insider. Waterstones Books Quarterly
Worsley's book romps along breezily [and] the stories are fresh. The Mail on Sunday
The kind of captivating history I most enjoy: full of unexpected stories. It makes one look at Kensington Palace in an entirely new light. Lady Antonia Fraser
Lucy Worsley writes with flair and passion about a lost world where smiles could kill and kisses condemn. Amanda Foreman
Compulsively readable it is impossible not to want to know how they all end up. Irish Examiner
Worsley is Chief Curator for the Historic Royal Palaces and what she doesn't know about Kensington Palace isn't worth reading, and here she tells its lurid and enthralling story with all the flair, panache and vitality of a born raconteur. Lancashire Evening Post
The colourful goings-on at London's Kensington Palace during its heyday in 1714-60 are vividly described by Dr Lucy Worsley the book is packed with extraordinary characters most people know little about Georges I and II but Worsley fills that gap. Leicester Mercury
Brings to life the story of Kensington Palace as it was in the eighteenth century, with tales of sexual intrigue and bad behaviour conducted in the glittering drawing rooms and secret passages of this rabbit-warren of a place, where position and rank counted above everything, including personal happiness. Angel Magazine
Engaging and witty, yet also rigorous in its scholarship, Courtiers tells the scandalous stories of Kensington Palace in its Georgian hey-day. Andrew Roberts
""All those flowers placed outside Princess Diana's London home 13 summers ago are only the latest chapter in the history of one of those palaces where the walls could tell many a tale about the intersection of aristocracy and political culture." --Martin Rubin, The Wall Street Journal
"Brilliantly entertaining ... [she] writes with flair, bringing her characters to life ... In spite of its accessible charm, Courtiers is a serious historical study which chisels much richness from the ornate, dingy, contradictory world of the palace." --Times Literary Supplement
"As chief curator of the Historic Royal Palaces charity Worsley couldn't have been in a better position to winkle out the secrets of one of the palaces under her aegis. She has written a book that vividly brings to life the reigns of the first Hanoverian monarchs and almost humanises the two Georges ... Worsley's book is full of extraordinary characters ... one of the most appealing characters is Caroline of Ansbach, queen to George II, a woman who would rather have been a philosopher than a ruler, ill-treated yet loved by her husband. Her agonising end, brilliantly described, brought me to tears ... a compelling book." --The Express
"We have a fine modern historian to guide us through the dreamlike maze of 18th-century palace life." --The Times
"Racy, amusing and informative. She brings the Georgian courts and their personalities to life ... extremely enjoyable." --Literary Review
"Threaded through with the stinging witticisms of 18th-century observers, Worsley's own prose bounces along." --The Sunday Times
"Now the definitive work on the early Hanoverian court ... The depth of Worsley's scholarship is demonstrated by the absence of fudged details. She clarifies points of etiquette and toilette, for example, that most historians of the 18th century only half understand ... As in her previous book, Cavalier, Worsley's style is wonderfully readable and her talent for empathy enormous. She always takes a charitable view of superficially obnoxious people and sees half-invisible female figures very clearly ... haunts one's imagination." --The Sunday Telegraph
"An intimate account of life at court that at times reads like an 18th-century version of Heat magazine ... an exhilarating but unstable world, described with the relish of a court insider." --Waterstones Books Quarterly
"Worsley's book romps along breezily [and] the stories are fresh." --The Mail on Sunday
"The kind of captivating history I most enjoy: full of unexpected stories. It makes one look at Kensington Palace in an entirely new light." --Lady Antonia Fraser
"Lucy Worsley writes with flair and passion about a lost world where smiles could kill and kisses condemn." --Amanda Foreman
"Compulsively readable ... it is impossible not to want to know how they all end up." --Irish Examiner
"Worsley is Chief Curator for the Historic Royal Palaces and what she doesn't know about Kensington Palace isn't worth reading, and here she tells its lurid and enthralling story with all the flair, panache and vitality of a born raconteur." --Lancashire Evening Post
"The colourful goings-on at London's Kensington Palace during its heyday in 1714-60 are vividly described by Dr Lucy Worsley ... the book is packed with extraordinary characters ... most people know little about Georges I and II but Worsley fills that gap." --Leicester Mercury
"Brings to life the story of Kensington Palace as it was in the eighteenth century, with tales of sexual intrigue and bad behaviour conducted in the glittering drawing rooms and secret passages of this rabbit-warren of a place, where position and rank counted above everything, including personal happiness." --Angel Magazine
"Engaging and witty, yet also rigorous in its scholarship, Courtiers tells the scandalous stories of Kensington Palace in its Georgian hey-day." --Andrew Roberts
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