Poignant Relations: Three Modern French Women - Tapa dura

"A touching and artfully told account of the lives of three women from nineteenth-century France, whose abundant and highly varied writings were fortunately entrusted to French archives and libraries... Allen has done a splendid job of getting inside these womens' heads and facilitating our appreciation for their diverse approached to life and writing." -- Karen Offen, Journal of Modern History

"Allen is offering a definite and much-needed lead to combine historical methodologies as against History which has ignored the place of women in so many levels of social change." -- Mary Orr, Nineteenth-Century French Studies

"Detailed and compelling portraits." -- Helynne Hollstein Hansen, Biography

"Solidly researched, elegantly written, and insightful, Allen's book is theoretically sophisticated while still accessible to a general audience." -- Choice

"A thoughtful addition to existing scholarship on feminism and women's history." -- Whitney Walton, American Historical Review

"To what extent are autobiography, memoir, diary, travelogue, correspondence, prose fiction, literary criticism, journalistic polemic, and scientific research expressions of a female self? How does the more or less explicit narrative in each one of these genres define women's personal identity, conscious agency, and discursive resistance?" -- from the Introduction

To trace the origins of feminist consciousness in France, James Smith Allen explores the lives and words of three nineteenth-century women: Marie-Sophie Leroyer, Geneviève Bréton-Vaudoyer, and Céline Renooz-Muro. Though not identifying themselves with any specific group of feminists--indeed, even rejecting the label "feminist"--these women wrote extensively about important feminist issues: marriage, sexuality, education, religion, and politics. Theirs was a discreet, relational feminism that they expressed by considering their relationships to themselves and to others. Because they were less political (and thus less well known) than other feminists, these three women have been neglected by historians and literary theorists. But they are thus more representative of a generation of women who often wrote about, but did not necessarily act on, their independent ideas. For them, writing was transgression enough.

Allen has chosen three fascinating subjects to examine. Marie-Sophie Leroyer, a novelist and literary critic, actively corresponded with George Sand and Gustave Flaubert. The descendant of an aristocratic family, she inherited enough property to allow herself to devote her life to writing: in her novels and letters we encounter narratives of personal sacrifice, and learn of a life filled with emotional and spiritual pain. Geneviève Bréton-Vaudoyer, most well known as the mother and mentor of author Jean-Louis Vaudoyer, wrote extensive and revealing diaries that helped her cope with personal tragedies--the death of loved ones in war, her relationship with a difficult husband. Her writing was an emotional necessity, a kind of "prison," as she often called it. And Céline Renooz-Muro, a scientist, historian, and journalist, published over a dozen books and founded the Société Néosophique. By examining the writings of these three figures, including many unpublished diaries, letters, and memorabilia, Allen documents the deliberate efforts of modern French women to construct a stable, reliable, discursive self. A bold experiment in empathetic biography, Poignant Relations: Three Modern French Women will appeal to readers interested in history, literary theory, and women's studies.