Patrice Petro challenges the conventional assessment of German film history, which sees classical films as responding solely to male anxieties and fears. Exploring the address made to women in melodramatic films and in popular illustrated magazines, she shows how Weimar Germany had a commercially viable female audience, fascinated with looking at images that called traditional representations of gender into question.
Interdisciplinary in her approach, Petro interweaves archival research with recent theoretical debates to offer not merely another view of the Weimar cinema but also another way of looking at Weimar film culture. Women's modernity, she suggests, was not the same as men's modernism, and the image of the city street in film and photojournalism reveals how women responded differently from men to the political, economic, and psychic upheaval of their times.
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Descripción Princeton Univ Pr, 1989. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0691055521
Descripción Princeton University Press, 1989. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0691055521
Descripción Princeton Univ Pr, 1989. Hardcover. Estado de conservación: New. Nº de ref. de la librería SONG0691055521
Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97806910555271.0