Wings - Tapa dura

Booklist--May, 2000
*Myers, Christopher. Wings. Oct. 2000. 40p. illus. Scholastic, $16.95 (0-590-03377-8).
Ages 4-9. Myers retells the myth of Icarus through the
story of Ikarus Jackson, the new boy on the block, who can fly above the rooftops and over the crowd. In this con- temporary version, the winged kid nearly falls from the sky, not because he flies too high and dares to go too near the sun, but because jeering kids in the schoolyard and repressive adults don't like his being different and try to break his soaring spirit. Even more than in Black Cat (1999), Myers' beautiful cut-paper collages are eloquent and open. Some urban scenes are like the elemental sil- houettes in cave paintings. Some are rich and elaborate, with fluid aerial perspectives that change the way we see streets and people. Then there are the images of con- straint and attack: the bullies is like a monstrous Hydra with many heads; the schoolyard like a fiery sun; Ikarus' wings caught in jagged barbed wire near the classroom blackboard. In one view, he is struggling to stay in the air above oceans and continents, and in the corner of the page is a photo of derelict rowboats. The narrator of the spare text is a lonely girl, a golden figure in most of the pic- tures, who is reaching for the boy in flight. When she finally finds the courage to stand up to the bullies, she tells Ikarus he's beautiful and gives him the strength to fly free. The resolution is a little neat, but there's so much to talk about here-the multiple meaning of the pictures, the transformation of the myth, the hero outsider. -Hazel Rochman

Ikarus Jackson can fly. He swoops above the rooftops and buzzes the gawking passersby, who label him "strange." The narrator of this allegory about being your true self doesn't think he's strange; she thinks he's wonderful ("lkarus Jackson, the fly boy, came to my school last Thursday. His long, strong, proud wings followed wherever he went'). To say Ikarus attracts attention is putting it mildly. Students laugh at Ikarus "useless" wings, even when they see him fly ("nobody likes a show-off"). The narrator, however, is familiar with the judgmental stares of her classmates, and she sympathizes with Ikarus' loneliness. She tells him "what someone should have long ago: 'Your flying is beautiful." Myers' ingenuous story may be a bit purposive, but his collage illustrations are powerful and affecting. Ikarus, a lanky black silhouette with white wings that spread like growing things, captures the eye in every spread; photographic images are taken out of their original context and functionally reimagined in Myers' intriguing compositions. The palette is intense whether hot or cold, and the characters themselves are an eerie amalgam of photographic and textural images. Predictability aside, this is a message worth repcating, and Myers' artistic presentation makes this a book worth having. J MD
---Bulletin of the Center for Children's Books, December 2000
Booklist--May, 2000
*Myers, Christopher. Wings. Oct. 2000. 40p. illus. Scholastic, $16.95 (0-590-03377-8).
Ages 4-9. Myers retells the myth of Icarus through the
story of Ikarus Jackson, the new boy on the block, who can fly above the rooftops and over the crowd. In this con- temporary version, the winged kid nearly falls from the sky, not because he flies too high and dares to go too near the sun, but because jeering kids in the schoolyard and repressive adults don't like his being different and try to break his soaring spirit. Even more than in Black Cat (1999), Myers' beautiful cut-paper collages are eloquent and open. Some urban scenes are like the elemental sil- houettes in cave paintings. Some are rich and elaborate, with fluid aerial perspectives that change the way we see streets and people. Then there are the images of con- straint and attack: the bullies is like a monstrous Hydra with many heads; the schoolyard like a fiery sun; Ikarus' wings caught in jagged barbed wire near the classroom blackboard. In one view, he is struggling to stay in the air above oceans and continents, and in the corner of the page is a photo of derelict rowboats. The narrator of the spare text is a lonely girl, a golden figure in most of the pic- tures, who is reaching for the boy in flight. When she finally finds the courage to stand up to the bullies, she tells Ikarus he's beautiful and gives him the strength to fly free. The resolution is a little neat, but there's so much to talk about here-the multiple meaning of the pictures, the transformation of the myth, the hero outsider. -Hazel Rochman

Ikarus Jackson can fly. He swoops above the rooftops and buzzes the gawking passersby, who label him "strange." The narrator of this allegory about being your true self doesn't think he's strange; she thinks he's wonderful ("lkarus Jackson, the fly boy, came to my school last Thursday. His long, strong, proud wings followed wherever he went'). To say Ikarus attracts attention is putting it mildly. Students laugh at Ikarus "useless" wings, even when they see him fly ("nobody likes a show-off"). The narrator, however, is familiar with the judgmental stares of her classmates, and she sympathizes with Ikarus' loneliness. She tells him "what someone should have long ago: 'Your flying is beautiful." Myers' ingenuous story may be a bit purposive, but his collage illustrations are powerful and affecting. Ikarus, a lanky black silhouette with white wings that spread like growing things, captures the eye in every spread; photographic images are taken out of their original context and functionally reimagined in Myers' intriguing compositions. The palette is intense whether hot or cold, and the characters themselves are an eerie amalgam of photographic and textural images. Predictability aside, this is a message worth repcating, and Myers' artistic presentation makes this a book worth having. J MD
---Bulletin of the Center for Children's Books, December 2000

Ikarus Jackson, the new boy in school, is outcast because he has wings, but his resilient spirit inspires one girl to speak up for him, in a thought-provoking story about celebrating individuality by the Caldecott Honor artist of Harlem.