"'A collection of this type has been needed for a long time.' -."-"Sally Harrison-Pepper, Miami University "'Clearly an important collection of essays that will provide an excellent resource.' -."-Nick Kaye, University of ManchesterFrom the Publisher:
Following on from the highly successful first anthology of critical and theoretical writings on performance studies, this is an updated and significantly expanded second edition which brings the anthology up to date with current debate.
The new edition contains expanded introductory essays, eight entirely new pieces, and is cross-referenced with Richard Schechner's second edition of Performance Studies: An Introduction. The two volumes combine perfectly to offer a unique and complete teaching resource. This important collection is also widely used by students and scholars around the world as a stand-alone text, offering a stimulating introduction to the crucial debates of performance studies.
Collecting together key critical pieces, the Reader provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre, performing arts and cultural studies.
"Sobre este título" puede pertenecer a otra edición de este libro.
Descripción Routledge, 2007. Paperback. Estado de conservación: New. 2. Nº de ref. de la librería DADAX0415772753
Descripción Routledge, 2007. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0415772753
Descripción Routledge, 2007. Paperback. Estado de conservación: New. Nº de ref. de la librería P110415772753
Descripción Routledge, 2007. Paperback. Estado de conservación: Brand New. 2nd edition. 394 pages. 9.50x7.00x1.00 inches. In Stock. Nº de ref. de la librería 0415772753
Descripción Routledge, 2007. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Introduction Henry Bial Part I. What is Performance Studies? 1. Performance studies: the broad spectrum approach Richard Schechner 2. Disciplines of the text: sites of performance W.B. Worthen 3. The liminal-norm Jon McKenzie 4. Professing performances: disciplinary genealogies Shannon Jackson 5. Performance studies Barbara Kirschenblatt-Gimblett 6. Performance Studies in an Age of Terror John Bell Part II. What is Performance? 7. Performances: belief in the part one is playing Erving Goffman 8. Blurred genres: the refiguration of social thought Clifford Geertz 9. What is performance? Marvin Carlson 10. Life the movie Neal Gabler 11. Marina Abramovic: Witnessing Shadows Peggy Phelan Part III. Ritual 12. Liminality and communitas Victor Turner 13. 'Performance' and other analogies Catherine Bell 14. 'The blood that runs through the veins': the creation of identity and a client's experience of Cuban-American santera dilogn divination Michael Atwood Mason 15. Saint Orlan: ritual as violent spectacle and cultural criticism Alyda Fabe 16. Performative Commemoratives, the Personal, and the Public: Spontaneous Shrines, Emergent Ritual, and the Field of Folklore Jack Santino Part IV. Play 17. The nature and significance of play as a cultural phenomenon Johan Huizinga 18. A theory of play and fantasy Gregory Bateson 19. The ambiguity of play: rhetorics of fate Brian Sutton-Smith 20. Just doing Allan Kaprow 21. Falling Apart to Stay Together: Deep Play in the Grand Marais Mardi Gras B.J. Ancelet Part V. Performativity 22. How to do things with words: lecture II J.L. Austin 23. Performative acts and gender constitution: an essay in phenomenology and feminist theory Judith Butler 24. Introduction to Performativity and Performance Andrew Parker and Eve Kosofsky Sedgwick 25. Theater and anthropology, theatricality and culture Johannes Fabian 26. Signature, Event, Context Jacques Derrida Part VI. Performing 27. A dialogue about acting Bertolt Brecht 28. The actor's technique Jerzy Grotowski 29. A dream of passion Lee Strasberg 30. Presenting and re-presenting the self: from non-acting to acting in African performance Frances Harding 31. Reconsidering Stanislavsky: Feeling, Feminism, and the Actor Rhonda Blair Part VII. Performance Processes 32 . First attempts at a stylized theatre Vsevolod Meyerhold 33. The oral artist: training and preparation Isidore Okpewho 34. The performance text Marco De Marinis 35. The deep order called turbulence: the three faces of dramaturgy Eugenio Barba 36. The Archaeology of Performance Mary Zimmerman Part VIII. Global and Intercultural Performance 3 7 . Performing ethnography Victor Turner with Edie Turner 38. of mimicry and man Homi K. Bhabha 39. Culturas-in-extremis: performing against the cultural backdrop of the mainstream bizarre Guillermo Gmez-Pena 40. Reverend Billy: preaching, protest and post-industrial flnerie Jill Lane 41. Performance studies: interventions and radical research Dwight Conquergood 42. Translating Performance Diana Taylor Bibliography Index. Nº de ref. de la librería ABE_book_new_0415772753
Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97804157727541.0