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Scholars such as Robert Lubar, Peter Read, Robert Rosenblum, Natasha Staller, Jeffrey Weiss, and Margaret Werth discuss these early works from varied points of view, placing them in the context of Picasso's life and the cultural and political currents of his times. They consider, for example, the significance of Picasso's earliest training, the importance of drawing as a primary creative force that underlies his work in different media, his relationships with poets and theater people, and his identification with the avant-garde, along with related notions of the artist as outsider, bohemian, and provocateur. A technical essay by Ann Hoenigswald presents the latest scientific research into Picasso's working methods, and there is an extensive chronology with quotes and contemporary reviews about people and events that appear in Picasso's art and are discussed in theessays. Filled with unfamiliar and well-known works, this beautiful book sheds new light on a modern master.
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