The essays show familiar qualities of Ginzburg's writing, his preference for unconventional perspectives, the vigour and sharpness of his reasoning and his mercurial yet highly disciplined intellectual zest. -- Luigi Meneghello Times Literary Supplement Although the text ranges over diverse sources, the essays are succinct and thought-provoking. Choice The scope of his primary sources -- philosophers from Aristotle to Adorno, authors from the gospel writers to Proust, artists from Caravaggio to Magritte -- befits a thinker of dazzling erudition and innovative brio... Ginzburg's work represents the finest in philosophical musings, as he coaxes the reader into new perceptions of the seemingly simple concept of distance, which he renders startlingly fresh. His breadth is intimidating, his depth daunting, and his conclusions staggering. Kirkus Reviews (starred review) Given Ginzburg's astonishing intellectual range - he dances with intimidating ease across half a dozen languages and two and a half millennia of writings, quoting his authorities with the easy familiarity of deep study - the essays dazzle as much as they inform. The book is an intellectual banquet. Ethics, Place and EnvironmentFrom the Publisher:
"I am a Jew who was born and who grew up in a Catholic country; I never had a religious education; my Jewish identity is in large measure the result of persecution." This brief autobiographical statement is a key to understanding Carlo Ginzburg's interest in the topic of his latest book: distance. In nine linked essays, he addresses the question: "What is the exact distance that permits us to see things as they are?" To understand our world, suggests Ginzburg, it is necessary to find a balance between being so close to the object that our vision is warped by familiarity or so far from it that the distance becomes distorting. Opening with a reflection on the sense of feeling astray, of familiarization and defamiliarization, the author goes on to consider the concepts of perspective, representation, imagery, and myth. Arising from the theme of proximity is the recurring issue of the opposition between Jews and Christians -- a topic Ginzburg explores with an impressive array of examples, from Latin translations of Greek and Hebrew scriptures to Pope John Paul II's recent apology to the Jews for antisemitism. Moving with equal acuity from Aristotle to Marcus Aurelius to Montaigne to Voltaire, touching on philosophy, history, philology, and ethics, and including examples from present-day popular culture, the book offers a new perspective on the universally relevant theme of distance.
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Descripción Columbia University Press August 2001, 2001. Hardcover. Estado de conservación: New. A quintessential example of what we like to find: a book that could be placed in any of our categories with ease. Carlo Ginzburg makes a careful interrogation of language, imagery, morphology and history from antiquity to modern times with the aim of enabling us to better perceive reality. This is, in the truest sense, a reflection in which he holds his theme and works it over like a worry-stone in hand, mind and heart until the subtle connections and differences are understood. The result is a history of interpretations, a history of ideas, even a history of histories, through which Ginzburg masterfully investigates the process of representation: how to re-present the absent and estrange the familiar in the pursuit of a clearer perception. Here a proper distance is vital in helping us be near enough to see and far enough to see beyond. Using the literary device of defamiliarization (to separate ourselves from the subject) Ginzburg investigates myth, spending four chapters on the tension of word and image throughout religious history. His analysis is stunning, providing an important perspective on the use of distance to enlarge our reality. Nº de ref. de la librería 20080623143161
Descripción Hardcover Aug 15, 2001. Estado de conservación: New. New hardcover in dust jacket, with no marks or flaws. Nº de ref. de la librería O4-8ZNR-XHSL
Descripción Columbia University Press, 2001. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: 1. Making it Strange: The Prehistory of a Literary Device 2. Myth: Distance and Deceit 3. Representation: The Word, the Idea, the Thing 4. Ecce: On the Scriptural Roots of Christian Devotional Imagery 5. Idols and Likenesses: A Passage in Origen and Its Vicissitudes 6. Style: Inclusion and Exclusion 7. Distance and Perspective: Two Metaphors 8. To Kill a Chinese Mandarin: The Moral Implications of Distance 9. Pope Wojtyla's Slip. Nº de ref. de la librería ABE_book_new_0231119607
Descripción Columbia University Press, 2001. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0231119607
Descripción Columbia University Press, 2001. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110231119607
Descripción Columbia University Press, 2001. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0231119607
Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97802311196031.0
Descripción Columbia Univ Pr, 2001. Hardcover. Estado de conservación: Brand New. illustrated edition. 320 pages. 9.50x6.50x0.75 inches. In Stock. Nº de ref. de la librería 0231119607