Yoga for Singing: A Developmental Tool for Technique and Performance - Tapa dura

"Ever since my early days of learning how to sing, I have found the various disciplines of yoga to be enormously enlightening and reinforcing for my general and vocal health. Judith Carman's new book deserves a lot of attention." --Thomas Hampson, baritone"With this comprehensive volume, Judith Carman shares timeless techniques for singers of all styles and levels to help find physical balance, mental focus, and an integration of skills in an ever-changing music context. The structured support for overcoming personal issues that often impact performance is a particularly welcome contribution." --Katherine Ciesinski, Professor of Voice, Eastman School of Music"Since the vast majority of singers' problems relate to excess tension, Judith Carman's book, dealing with yoga as a form of exercise, relaxation, and breath control, is most welcome. This work is readable and practical, and should be studied by every vocal performer who is interested in a long and successful sing

The 19th-century Italian singing teacher Giovanni Battista Lamperti wrote the following about the primary requirement for the singer: "'Know thyself' applies to [the] singer more than to other professions, because to sing well, body, soul and mind are tuned together." This tuning together of body, mind, and soul is the essence of yoga. The practices of yoga can be used as tools to develop, maintain, and greatly enhance the art of singing in all its facets - physical technique, breath control, mental focus, musical flow, expressive communication, and radiant performance. Yoga for Singing: A Developmental Tool for Technique and Performance outlines the many and intimate connections between yoga and singing and presents a detailed approach to using the practices of yoga to support the developmental of singing technique, as well as to lay a foundation for confident performance and a lifetime of good health for a long singing career. Author Judith Carman presents a systematic approach to the yoga practices that are directly related to the art of singing and demonstrates how closely these practices match the needs of singers. The yoga practices and their connections to specific singing needs are presented as: physical postures (Asana), breathing practices (pranayama), concentration/meditation practices, and deep relaxation techniques. The copious illustrations and specific practices are designed to be used by singers and voice teachers, regardless of their level of acquaintance with yoga. The book also makes a persuasive case for the inclusion of ongoing yoga classes especially designed for singers in the university voice curriculum. Yoga for Singing presents vocal students and professionals, voice teachers, and movement instructors (many of whom include a significant amount of yoga in stage movement and dance courses required in conservatory vocal/opera programs as well as in pre-professional apprentice programs) with a unique approach to technique and performance improvement that fits the increasing interest in and prevalence of yoga practices.