Close Listening: Poetry and the Performed Word - Tapa dura
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an area that is rapidly consolidating as a new field of study. (Sarah Parry, New Formations, 41 (Autumn 00).)
Ilose Listenings ... charts new ground in the domains of formal literary acoustics and performance studies alike. (Sarah Parry, New Formations, 41 (Autumn 00).)
break new ground in complex and highly useful ways. (Sarah Parry, New Formations, 41 (Autumn 00).)
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Ilose Listenings ... charts new ground in the domains of formal literary acoustics and performance studies alike. (Sarah Parry, New Formations, 41 (Autumn 00).)
break new ground in complex and highly useful ways. (Sarah Parry, New Formations, 41 (Autumn 00).)
Close Listening brings together 17 strikingly original essays, commissioned especially for this volume, on the reading of poetry, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been negligible. This collection opens new avenues for the critical discussion of the sound and performance of poetry, and offers an indispensable critical base for understanding language in and as performance.
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- EditorialOUP USA
- Año de publicación1998
- ISBN 10 0195109910
- ISBN 13 9780195109917
- EncuadernaciónTapa dura
- Número de páginas400
- EditorBernstein Charles
- Valoración
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Close Listening: Poetry & the Performed Word
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(1998)
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Close Listening
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Close Listening: Poetry and the Performed Word
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(1998)
ISBN 10: 0195109910
ISBN 13: 9780195109917
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Close Listening (Hardcover)
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Descripción Hardcover. Condición: new. Hardcover. Close Listening and the Performed Word brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sounds of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been negligible. This collection opens many new avenues for the critical discussion of the sound and performance ofpoetry, with special attention to innovative work. More important, the essays collected here offer brilliant and wide-ranging elucidations of how twentieth-century poetry has been practiced as a performance art. Thecontributors--including Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe--cover topics that range from the performance styles of individual poets and types of poetry to the relation of sound to meaning, from historical and social approaches to poetry readings and to new imaginations of prosody. Such approaches are intended to encourage new forms of "close listenings"--not only to the printed text of poems, but also to tapes, performances, and other expressions ofthe sounded word. With readings and "spoken word" events gaining an increasing audience for poetry, Close Listening provides an indispensable critical groundwork for understanding the importance oflanguage in--and as--performance. Contains 17 original essays, commissioned for this volume, on the reading of poetry, the sound of poetry, and the visual performance of poetry. Opens new avenues for the critical discussion of the sound and performance of poetry, and offers a critical base for understanding language and its performance. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780195109917
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Close Listening: Poetry and the Performed Word
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Oxford University Press
(1998)
ISBN 10: 0195109910
ISBN 13: 9780195109917
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Close Listening (Hardcover)
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Oxford University Press Inc, New York
(1998)
ISBN 10: 0195109910
ISBN 13: 9780195109917
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Descripción Hardcover. Condición: new. Hardcover. This volume brings together 17 essays, commissioned especially for this volume, on the reading of poetry, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been negligible. This collection opens avenues for critical discussion of the sound and performance of poetry, and offers a critical base for understanding language in - and as - performance. Contains 17 original essays, commissioned for this volume, on the reading of poetry, the sound of poetry, and the visual performance of poetry. Opens new avenues for the critical discussion of the sound and performance of poetry, and offers a critical base for understanding language and its performance. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780195109917
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