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Descripción Paperback. Condición: new. Paperback. The period 1851 to 1929 witnessed the rise of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. It was also a time of rapid social, economic, and political change, encompassing a revolution in communication systems and technology, and an unprecedented growth in the availability of printed images. Richard Brettell's innovative account explores the aims andachievements -- the beautiful and the bizarre -- of artists such as Monet, Gauguin, Picasso, and Dali, in relation to urban capitalism and expansion, colonialism, nationalism and internationalism, and themuseum. Tracing common themes of representation, imagination, perception, and sexuality across works in a wide range of different media he presents a fresh approach to the fine art and photography of this remarkable era. The period 1851 to 1929 witnessed the rise of the major European avant-garde groups. This volume explores the aims and achievements of artists such as Monet, Gauguin, Picasso and Dali, in relation to urban capitalism and expansion, colonialism, nationalism and internationalism, and the museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780192842206
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