‘Doris Lessing has changed the way we think about the world.’ Blake Morrison
‘Thank goodness for Doris Lessing. While the rest of us flounder about noisily in the muddy waters of life, she never fails to expose with startling clarity the essential folly of our dreams and good intentions.’ Kate Chisholm, Evening Standard
‘She’s up there in the pantheon with Balzac and George Eliot. We’re lucky she’s still writing.’ Lisa Appignanesi, Independent
‘She has an extraordinary feeling for the peculiar vulnerabilities of the young and the elderly. And her portraits of human relationships are of quite staggering beauty.’ Ruth Scurr, The Times
The grande dame of English literature returns with a stunning collection of four short, intensely observed novels.
With the four short novels in this collection, Doris Lessing once again proves that she is unequalled in her ability to capture the truth of the human condition.
The title story, ‘The Grandmothers’, is an astonishing tour de force, a shockingly intimate portrait of an unconventional extended family and the lengths to which they will go to find happiness and love. Written with a cinematic eye, so that one almost feels one is watching the scenes from the sidelines, the story is a ruthless dissection of the veneer of middle-class morality and convention which manages to be at once universal and desperately, heartbreakingly personal.
‘Victoria and the Staveneys’ takes us through twenty years of the life of a young underprivileged black girl in London. A chance meeting introduces her to the world of the Staveneys – a liberal white middle-class family – and, seduced, she falls pregnant by one of the sons. As her young daughter grows up, Victoria feels her parental control diminishing as the attractions of the Staveney’s world exert themselves. An honest and often uncomfortable look at race relations in London over the past few decades, Lessing reaffirms her brilliance at demonstrating the effect of society on the individual.
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